March 1858 – December 1865

Total Page:16

File Type:pdf, Size:1020Kb

March 1858 – December 1865 Transcription from Original J.H. Baker Diaries, Tarrant County Archives, Fort Worth, Texas 1 Section I: March 1858 – December 1865 [March] 1858 [1] Mon. [March] 1st. Started from home for Texas this morning & arrived at Marion, Va. & put up at the Liberty Hotel kept by Col. C. Parks, where travelers are cared for and made easy while they stay. Uncle Eli Young and G. W. Baker are my traveling companions. The wind [and] snow blew to some extent all day, & it was cold in the morning. Walked from home—distance 25 m[ile]s. Am considerably fatigued tonight. We expect to take the train in the morning. Tues. [March] 2nd. Started from Marion and came to Glade Springs. 18 miles—fair [sic] 65 cts. We stopped at W. B. Dickenson's. It snowed all day & was very cold in the evening. We were kindly treated by Mr. D. and his estimable lady which made us feel at home. Wed. [March] 3rd. Started from Dickenson’s about 7A.M. came to the depot and stayed until about 11 o'clock when the cars came on and we paid our fair to Bristol. $1.15 each and arrived there a few minutes after 12P.M. We changed cars there and paid our fair to the western terminus of the road— distance 51 miles fair $2.50. We then walked to Greenville 6 m[iles] and put up with John Maloney—a very fine appearing gentleman. We were highly entertained by his accomplished daughters at the piano—on various pieces of music. They are very pretty & one of them gave me a pretty hard banter to take her to Texas. I am very much smitten with their appearance & think I shall look at them a little more in the morning. Thurs. [March] 4th. Bill $1.25. Started early and walked to Bulls Gap. 18 miles by past 2P.M. & are lodged with Thos Jackson a very fine gentleman. The roads are awfully bad the worst I ever saw I think. Fri. [March] 5th. Bill 62 ½ cts each. Took the cars at Bulls Gap at 7AM & arrived at Knoxville 10 ½ AM a distance 56 m[ile]s. fair $2.50. At 11 AM started from Knoxville & arrived at Dalton Ga [sic] at 5 P.M. 110 m[ile]s fair $5. left Dalton at 6 P.M[..] [2] March 1858 & arrived at Chattanooga at 9 P.M. Distance 38 m[ile]s fair $1.50. The mercury this morning stood at 16 [degree symbol] above 0. After we got below Knoxville we found a perceivable change in the atmosphere. The people were sowing oats & flowing generally. When we got to Dalton we found a great change - all was warm and pleasant. What a change in so short a time! Left Chattanooga about 10 P.M. Here we bought a through ticket to Memphis. Distance 309 m[ile]s. fair $11.50. Changed cars at Stephenson - 38 m[ile]s from Ch’n [sic]. and got on the regular Memphis train. Arrived at Decator Ala about 7 A.M. of the 6th where we took breakfast. Bill 50 cts. Sat. [March] 6th. We progressed finely, passing several small villages, among them Tuscumba in Ala. Just below this village I saw twenty three mules drawing as many plows drove by negroes of both sexes. Below this place the cars ran over a mule and tore it to pieces. Arrived at Memphis at 6 P.M. got on the "buss" & were driven to the Wharf Boat Hotel where we stayed but a short time and paid $1 each without eating anything. When we first got to Memphis we found a boat ready to start to N. Orleans. They asked $20. We did not go on here. In a short time the "Red Rover" came along and took us on to Orleans for $12 each. So we in a great hurry deposited our baggage on her about 10 P.M. and now she is plying down the river in fine speed and we are surrounded by crowds of "Black legs" busily engaging in their unbecoming avocation. Sun. [March] 7th. After a refreshing night's sleep we were aroused from our bunks by the breakfast bell, and looking out we found ourselves far down the "Father of the Waters". Our noble boat moved bravely on[..] [March 1858] [3] Transcription from Original J.H. Baker Diaries, Tarrant County Archives, Fort Worth, Texas 2 Section I: March 1858 – December 1865 presenting new scenes to us at every turn in the River. She stopped at a small village called "Napolien" at the mouth of the Arkansas river. Here we met our first boat. It was a grand sight to me to see the huge mass carrying so large an amount of freight and so many passengers. After getting a little used to the boat my curiosity knew no bounds. So I went from our part of it to another in order to learn all about her loading freight &c. I first went up on the Hurricane deck where I was surprised to find about 2000 turkeys and chickens. They were in low coops, with slats nailed across the top to prevent them from getting out. Their food was placed on the top of these slats and they would put their heads up between them and eat the dough off the slats. Various other things attracted my attention on the top. But I was soon down on the lower deck where I found something over 200 head of fat cattle destined to N. O. besides mules, horses and thousands of other freight that I could form no estimate of the amount. I also noticed the chance for "Deck" passengers and found the room to be miserably filthy; and the stove was surrounded by mean, nasty, filthy, saucy, impudent Irish hands, who appeared to have more the propensities of brutes than human beings; for as I was passing by one of them took deliberate aim at me and attempted to spit at me. On the cabin floor there was a considerable amount of freight and passengers a goodly number of whom are social, intelligent, and gentlemanly appearing men. The day was cloudy and dark to some extent and the wind blew cold[..] [4] March 1858 the most of the day and at night it was so dark that we came very near running into some other boats. In fact, the probability of such an accident was so great that about 10 o'clock our boat landed and tied up till about the break of day. Mon. [March] 8th. At light we were making fine headway down the river. We have already passed several steamers and just a few minutes ago I saw a fine peach orchard on the Arkansas side in full bloom; but it is cold here and the wind snow is blowing to some extent. Since writing the above the weather has changed materially and is getting tollerably [sic] warm. I have been up in the pilot's room this evening and have passed some of the finest farms I ever saw in my life. I have seen thousands of peach trees in full bloom, fine grass, and some corn and sugar cane growing this evening. Just before sun down we landed at Vicksburg Miss. It is a fine appearing city and considerable business is done here. We saw several steamers here and the hum and clatter of the hacks, drays, coal boats and shovels moving in all directions indicate "business" &c. We saw a very striking contrast, in the size of boats, for there was a small steamer landed up by the side of ours so much inferior to ours that 100 such boats and their loads might have been put on ours. Tues. [March] 9th. After rather an uneasy nights rest I was aroused this morning by the rattling of the breakfast plates, and saw, when I arose, the sun just rising above the Eastern bank of the River. The sky is clear and the atmosphere is materially warmer. We move on finely, passing several fine farms, fine steamboats, &c. We also passed the mouth of Red River and there being[..] [March 1858] [5] no boat there going up the river, we concluded to go on to N. Orleans. I[n] the evening we passed Baton Rouge - the capital of La. I saw nothing of much note there, except the state house and the Lunatic Asylum. Both are fine looking edifices. The finest I have seen since I left home. We are now within 130 m[ile]s of N. O. Wed. [March] 10th. This morning I was aroused by the cry of "New Orleans" and on rising I found that we were only at the cattle landing some 3 or 4 miles above the commencement of the business part of the City. Stopped here 2 or 3 hours land [sic] the cattle and cleaning off the deck of the boat. We then moved on for the city and were soon at the commencement of the wharf for boats and ships. It was astonishing to me to find the shore of the river literally lined with steamboats, ocean steamers, sail ships, brigs, barks and crafts of various kinds sometimes 2 or 3 deep for a distance of 9 miles along the river. Vessels were also constantly passing up and down the river so that one can scarcely look out without seeing a boat in motion. About 8 o'clock we landed in the City and after breakfast and a little strolling up Transcription from Original J.H.
Recommended publications
  • CITY of LAGRANGE, GEORGIA REGULAR MEETING of the MAYOR and COUNCIL August 25, 2020 the CITY COUNCIL MEETING WAS HELD at GREAT WO
    CITY OF LAGRANGE, GEORGIA REGULAR MEETING OF THE MAYOR AND COUNCIL August 25, 2020 THE CITY COUNCIL MEETING WAS HELD AT GREAT WOLF CONFERENCE CENTER, 150 TOM HALL PARKWAY, LAGRANGE, GEORGIA, IMMEDIATELY FOLLOWING THE COUNCIL RETREAT. Present: Mayor Jim Thornton; Council Members Nathan Gaskin, Mark Mitchell, Tom Gore, Jim Arrington, Willie Edmondson, and LeGree McCamey Also Present: City Manager Meg Kelsey; City Clerk Sue Olson; Assistant City Manager Bill Bulloch; Communications Manager Katie Van Schoor; City Attorney Jeff Todd The meeting was called to order by Mayor Thornton, the invocation was given by Council Member Dr. Willie Edmondson, and Mayor Thornton led the Pledge of Allegiance to the Flag. On a motion by Mr. Edmondson seconded by Mr. Gaskin, Council unanimously approved the minutes of the regular Council meeting held on August 10, 2020. A public hearing was held to receive comments on amending the noise ordinance. No comments were received and on a motion by Mr. McCamey seconded by Mr. Gaskin, Council voted unanimously to approve the following ordinance: AN ORDINANCE AN ORDINANCE OF THE MAYOR AND COUNCIL OF THE CITY OF LAGRANGE TO AMEND THE CODE OF THE CITY; TO AMEND AND RE-ADOPT THE NOISE ORDINANCE IN ORDER TO PROHIBIT THE IGNITING OF CONSUMER FIREWORKS DURING CERTAIN HOURS; TO REPEAL CONFLICTING ORDINANCES; TO FIX AN EFFECTIVE DATE; AND FOR OTHER PURPOSES. THE MAYOR AND COUNCIL OF THE CITY OF LAGRANGE, GEORGIA, HEREBY ORDAIN AS FOLLOWS: SECTION 1: That Section 35-1-19 of the code be amended by deleting said section, in its entirety, inserting in lieu thereof the following: “Sec.
    [Show full text]
  • Level 3 Physics (90520) 2010
    9 0 5 2 0 905200 3 For Supervisor’s use only Level 3 Physics, 2010 90520 Demonstrate understanding of wave systems Credits: Four 9.30 am Tuesday 23 November 2010 Check that the National Student Number (NSN) on your admission slip is the same as the number at the top of this page. Make sure you have the Resource Booklet L3-PHYSR. You should answer ALL the questions in this booklet. For each numerical answer, full working must be shown. The answer should be given with an SI unit to an appropriate number of significant figures. For each ‘describe’ or ‘explain’ question, the answer should be written or drawn clearly with all logic fully explained. If you need more space for any answer, use the page(s) provided at the back of this booklet and clearly number the question. Check that this booklet has pages 2–8 in the correct order and that none of these pages is blank. YOU MUST HAND THIS BOOKLET TO THE SUPERVISOR AT THE END OF THE EXAMINATION. For Assessor’s use only Achievement Criteria Achievement Achievement Achievement with Merit with Excellence Identify or describe aspects Give descriptions or explanations Give explanations that show of phenomena, concepts or in terms of phenomena, clear understanding in terms of principles. concepts, principles and / or phenomena, concepts, principles relationships. and / or relationships. Solve straightforward problems. Solve problems. Solve complex problems. Overall Level of Performance (all criteria within a column are met) © New Zealand Qualifications Authority, 2010 All rights reserved. No part of this publication may be reproduced by any means without the prior permission of the New Zealand Qualifications Authority.
    [Show full text]
  • Hollywood Edge Sound Effects Cartoon Trax
    Hollywood Edge Sound Effects Cartoon Trax Finding Sound Effects: 1. Use the Excel menu to search the descriptions for key terms ( Ctrl + F ). 2. Write down the Disk and Track numbers and give them to the Media Desk assistant. reproduced with permission from www.hollywoodedge.com Disk Track Time Description CRT-01 1 0:07 Large Swarm Of Bees, Agitated Buzzing. CRT-01 1 0:11 Medium-high Pitched Insect Buzzing Around ( Kind Of Like Air Escaping From A Balloon ) ( i.e. Mosquito Buzz ). CRT-01 1 0:12 Several Different Insects Buzzing Around [stereo]. CRT-01 1 0:08 Medium Insect Buzzing Around CRT-01 1 0:13 High Pitched Insect Buzzing Around, Distant Perspective, ( Kind Of Like Air Escaping From A Balloon ) ( i.e. Mosquito Buzz ). CRT-01 1 0:15 Swarm Of Insects Buzzing Around CRT-01 2 0:12 Fly Buzz - Annoying Sound. CRT-01 2 0:04 Fly Buzz Around And By - Annoying. CRT-01 2 0:08 Fly Buzz In And Short Back And Forth Buzzes ( i.e. Dodging Fly Swatter ). CRT-01 2 0:08 Fly Buzz In, Quick Buzz In Face, Rapid Circles And Away At Tail - Annoying. CRT-01 2 0:04 Funny Fly Buzz CRT-01 2 0:04 Funny Fly Buzz, Sounds Like Talking CRT-01 2 0:04 Funny Fly Buzz, Sounds Like High-pitched Talking CRT-01 2 0:08 Funny Fly Buzz, ( i.e. Fly Sputters To A Halt In Mid Air, Falls Out Of The Sky ) CRT-01 3 0:09 Funny Fly Breaths - Heavy W / Wing Buzz On Exhale ( i.e.
    [Show full text]
  • Playing Panpipes in Southern Russia: History, Ethnography, and Performance Practices
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely aflfect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Zed) Road, Ann Aibor MI 48106-1346 USA 313/761-4700 800/521-0600 NOTE TO USERS The original manuscript received by UMI contains pages witFi slanted print. Pages were microfilmed as received. This reproduction is the best copy available UMI PLAYING PANPIPES IN SOUTHERN RUSSIA: HISTORY, ETHNOGRAPHY, AND PERFORMANCE PRACTICES VOL.
    [Show full text]
  • List of Lights Anf Fog Signals
    0;•'FICE 0F 1H Commiss:onlf of Lights. J UN 30 1908 Department of Marine b. Fisheries, cer are _A., c 1•7 •■••■•••■•■•■••rmil * i 1r 9 LIST OF LIGHTS AND FOG SIGNALS ON THE COASTS, RIVERS AND LAKES OF THE DOMINION OF CANADA Clo FFICE OF H CORRECTED TO THE Commissioncr of Lights. JUN 30 1908 1st A_prii, 1901 Department of Marne & Fisheries, N DEPARTMENT OF MARINE AND FISHERIES OTTAWA GGVERNMENT PRINTING' BUREAU 1901 4 v • LIST OF LIGHTS AND FOG-SIGNALS ON THE COASTS, RIVERS AND LAKES OF THE DOMINION OF , CANAPA UNDER THE CHARGE OF THE DEPARTMENT OF MARINE AND FISHERIES. The Lights in the Bay of Fundy and on the southern and eastern coasts of Nova Scotia, thoee required for the winter passage of either steamers or ice boats to Prince Edward Island, and all the Lights in British Columbia, are exhibited all the year found. All other lights under the control of the Department of Marine and Fisheries are maintained in opera- tion whenever the navigation in the vicinity is open. Lights used solely as harbour lights are not exhibited when the harbour is closed, although the general navigation may remain open. Fishing lights are main- tained only during the fishing season. In any case where there is re,asonable doubt whether the light is required it is kept in operation. All the Lightships in the River St. Lawrence below Quebec leave Quebec each spring for their stations as early as ice will permit. The Red island and White island lightships leave their stations for winter quarters on the 15th November annually.
    [Show full text]
  • List of Lights and Fog Signals
    • Ii î 4 I. g Ç'5 3 OF LIGHTS AND FOG SIGNALS ON THE COASTS, RIVERS AND LAKES OF THE DOMINION OF CA_NA.DA_ CORRECTED TO THE 1st _A pril, 1902 DEPARTMENT OF MARINE AND FISHERIES OTTAWA GOVERNMENT PRINTING BUREAU 1902 LIST OF LIGHTS AND FOG-SIGNALS ON THE COASTS, RIVERS AND LAKES OP THE DOMINION OF CANADA UNDER THE CHARGE OF THE DEPARTMENT OF MARINE AND FISHERIES. The Lights in the Bay of Fundy and on the southern and eastern coasts of Nova Scotia, those required for the winter passage of either steamers or ice boats t,o Prince Edward Island, and all the Lights in British Columbia; are exhibited all the year round. All other lights under the control of the Department of Marine and Fisheries are maintained in opera- tion whenever the navigation in the vicinity is open. Lights used solely as harbour lights are not exhibited When the harbour is closed, although the general navigation may remain open. Fishing lights are main- tained only during the fishing season. In any case where there is reasonable doubt whether the light is required it is kept in operation. All the Lightships in the River St. Lawrence below Quebec leave Quebec each spring for their stations as early as ice will permit. The Red island and White island lightships leave their stations for winter quarters on the 15th November annually. All the Gas Buoys in the River St. Lawrence are set out as soon as possible after the llth May each spring, and taken up as soon as convenient after the 10th November each autumn, when they are replaced by wooden spar buoys.
    [Show full text]
  • Chapter 4 Noise and Modern Culture, 1900-1933
    CHAPTER 4 NOISE AND MODERN CULTURE, 1900-1933 "What news from New York?" "Stocks go up. A baby murdered a gangster." "Nothing more?" "Nothing. Radios blare in the street."1 F. Scott Fitzgerald, "My Lost City," 1932 I INTRODUCTION Writing from the depths of the Great Depression in 1932, F. Scott Fitzgerald looked back on the decade that had roared. He recalled that roar as so character- istic, so ubiquitous as to be remarkably unremarkable. Fitzgerald's contempo- raries may have been less blase, but many shared his belief that New York was defined by its din. In 1920, a Japanese governor visiting the city for the first time noted, "My first impression of New York was its noise." While initially appalled by the clamor that surrounded him, he soon became enamored of the task of lis- tening to the noise and identifying individual sounds within the cacophony. "[W]hen I know what they mean," he explained to a reporter, "I will under- stand civilization."2 The pervasive din of New York was, for Fitzgerald, foreign visitors, and countless others, the keynote of modern civilization. Some chose to celebrate this noise, others sought to eliminate it. All perceived that they lived in an era uniquely and unprecedentedly loud. Yet it seems that people have always been bothered by noise. Buddhist scriptures dating from 500 BCE l i s t "the ten noises in a great city," which includ- ed elephants, horses, chariots, drums, tabors, lutes, song, cymbals, gongs, and peo- ple crying "Eat ye, and drink!"3 And complaints of noises similar to those com- piled by the Buddha (excepting perhaps the elephants) have been voiced contin- ually over the course of the centuries.
    [Show full text]
  • Leaves of Grass
    Leaves of Grass by Walt Whitman AN ELECTRONIC CLASSICS SERIES PUBLICATION Leaves of Grass by Walt Whitman is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any pur- pose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. Leaves of Grass by Walt Whitman, The Electronic Clas- sics Series, Jim Manis, Editor, PSU-Hazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Depart- ment of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis; image: Walt Whitman, age 37, frontispiece to Leaves of Grass, Fulton St., Brooklyn, N.Y., steel engraving by Samuel Hollyer from a lost da- guerreotype by Gabriel Harrison. Copyright © 2007 - 2013 The Pennsylvania State University is an equal opportunity university. Walt Whitman Contents LEAVES OF GRASS ............................................................... 13 BOOK I. INSCRIPTIONS..................................................... 14 One’s-Self I Sing .......................................................................................... 14 As I Ponder’d in Silence...............................................................................
    [Show full text]
  • Three Works for Flute by Ian Clarke: an Analysis and Performance Guide
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of Winter 12-1-2010 Three Works For Flute By Ian Clarke: An Analysis And Performance Guide Shelly L. Monier University of Nebraska at Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Monier, Shelly L., "Three Works For Flute By Ian Clarke: An Analysis And Performance Guide" (2010). Student Research, Creative Activity, and Performance - School of Music. 29. https://digitalcommons.unl.edu/musicstudent/29 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THREE WORKS FOR FLUTE BY IAN CLARKE: AN ANALYSIS AND PERFORMANCE GUIDE by Shelly L. Monier A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Under the Supervision of Professor John R. Bailey Lincoln, Nebraska December, 2010 THREE WORKS FOR FLUTE BY IAN CLARKE: AN ANALYSIS AND PERFORMANCE GUIDE Shelly L. Monier, D.M.A. University of Nebraska, 2010 Advisor: John R. Bailey British flutist Ian Clarke is currently recognized as one of the leading flutist/composers of today. His compositions have been performed at national conventions and used in competitions hosted by the British Flute Society and the National Flute Association and have been included in the Peters Edition reference of the Edexcel GCSE (General Certificate of Secondary Education) Anthology of Music as a music example of extended instrumental techniques.
    [Show full text]
  • Field Evaluation of a Wayside Horn at a Highway-Railroad Grade Crossing R8026/RR897
    Form Approved REPORT DOCUMENTATION PAGE OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instructions, searching existing data sources, gathering and maintaining the data needed and completing and reviewing the collection of information. Send comments regarding this burden estimate or any aspects of this collection of information , including suggestions for reducing this burden to Washington Headquarters Service, Directorate for information Operations and Reports. 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA. 222202- 4302, and to the Office of Management and Budget, Paperwork Reduction Project (0704-0188), Washington, DC 20503. 1. AGENCY USE ONLY (LEAVE BLANK) 2. REPORT DATE 3. REPORT TYPE AND DATES COVERED June 1998 Final Report April 1994 - May 1997 4. TITLE AND SUBTITLE 5. FUNDING NUMBERS Field Evaluation of a Wayside Horn at a Highway-Railroad Grade Crossing R8026/RR897 6. AUTHOR(S) Jordan Multer and Amanda Rapoza 7. PERFORMING ORGANIZATION NAME(S) AND ADDRESS(ES) 8. PERFORMING ORGANIZATION U.S. Department of Transportation DOT-VNTSC-FRA-97-1 Research and Special Programs Administration John A. Volpe National Transportation Systems Center Canbridge, MA 02142-1093 9. SPONSORING/MONITORING AGENCY NAME(S) AND ADDRESS(ES) 10. SPONSORING/MONITORING AGENCY REPORT NUMBER U.S. Department of Transportation Federal Railroad Administration DOT/FRA/ORD-98/04 Office of Research and Development, Mail Stop 20 Washington, DC. 20590 11. SUPPLEMENTARY NOTES 12a. DISTRIBUTION/AVAILABILITY STATEMENT 12b. DISTRIBUTION CODE This document is available to the public through the National Technical Information Service, Springfield, VA 22161 13.
    [Show full text]
  • EX2: Steam Train Whistle
    21M.380 Music and Technology Sound Design Sound design exercise 2 (ex2) Steam whistle Due: Wednesday, March 30, 2016, 9:30am Submit to: MIT Learning Modules Assignments 5% of total grade 1 Instructions Synthesize the sound of a steam train’s whistle in Pd vanilla from scratch, following the guidelines below. No recorded sounds may be used, except for analytic purposes. While this assignment fo- cuses on the implementation stage of the sound design process (cf., figure 1), the following instructions will first discuss the pre- ceding stages to provide context. Final Real-world design example Figure 1. Stages of the sound de- sign process (after Farnell 2010, figs. 16.7, 16.1) Compare Implementation Analysis Method Requirements selection specification Model Research 2 Find a real-world example Look for a representative real-world example of a steam whistle sound online, which will serve you as a reference throughout the design process. Identify a suitable recording according to the fol- lowing two criteria.1 1 You might have to trade off these two criteria against each other. 1 of 7 21M.380, ex2 assignment Cliche factor: Look for the sound that in your opinion best embod- ies the sonic characteristics and behavior of a steam whistle. In other words, look for the most cliche whistle that you can find. Suitability for analysis: To facilitate later analysis, the recording should include as few sounds as possible from sources other than the whistle itself. Try to find a good-quality recording without excessive background noise. 3 Analysis Once you have found a suitable recording, find a way to convert it to an uncompressed audio file (if needed), and analyze its spec- trogram using the Sonic Visualiser software package.
    [Show full text]
  • Study of the Acoustic Characteristics of Railroad Horn Systems RR397/R3022 6
    REPORT DOCUMENTATION PAGE Form Approved OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instructions, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden, to Washington Headquarters Services, Directorate for Information Operations and Reports, 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202-4302, and to the Office of Management and Budget, Paperwork Reduction Project (0704-0188), Washington, DC 20503. 1. AGENCY USE ONLY (Leave blank) 2. REPORT DATE 3. REPORT TYPE AND July 1993 DATES COVERED Final Report - Jan. 1992 - Sep. 1992 4. TITLE AND SUBTITLE 5. FUNDING NUMBERS The Safety of Highway-Railroad Grade Crossings: Study of the Acoustic Characteristics of Railroad Horn Systems RR397/R3022 6. AUTHOR(S) Amanda S. Keller, Edward J. Rickley 7. PERFORMING ORGANIZATION NAME(S) AND ADDRESS(ES) 8. PERFORMING U.S Department of Transportation ORGANIZATION REPORT Research and Special Programs Administrations NUMBER DOT-VNTSC-FRA- Volpe National Transportation Center 93-1 Cambridge, MA 02142 9. SPONSORING/MONITORING AGENCY NAME(S) AND ADDRESS(ES) 10. SPONSORING OR *U.S. Department of Transportation MONITORING AGENCY REPORT Federal Railroad Administration NUMBER Office of Research and Development Equipment and Operating Practices Research Division DOT/FRA/ORD-93/25 Washington, DC 20590 11. SUPPLEMENTARY NOTES 12a. DISTRIBUTION/AVAILABILITY 12b. DISTRIBUTION CODE This document is available to the public through the National Technical Information Service, Springfield, VA 22161 13.
    [Show full text]