Three Works for Flute by Ian Clarke: an Analysis and Performance Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
CITY of LAGRANGE, GEORGIA REGULAR MEETING of the MAYOR and COUNCIL August 25, 2020 the CITY COUNCIL MEETING WAS HELD at GREAT WO
CITY OF LAGRANGE, GEORGIA REGULAR MEETING OF THE MAYOR AND COUNCIL August 25, 2020 THE CITY COUNCIL MEETING WAS HELD AT GREAT WOLF CONFERENCE CENTER, 150 TOM HALL PARKWAY, LAGRANGE, GEORGIA, IMMEDIATELY FOLLOWING THE COUNCIL RETREAT. Present: Mayor Jim Thornton; Council Members Nathan Gaskin, Mark Mitchell, Tom Gore, Jim Arrington, Willie Edmondson, and LeGree McCamey Also Present: City Manager Meg Kelsey; City Clerk Sue Olson; Assistant City Manager Bill Bulloch; Communications Manager Katie Van Schoor; City Attorney Jeff Todd The meeting was called to order by Mayor Thornton, the invocation was given by Council Member Dr. Willie Edmondson, and Mayor Thornton led the Pledge of Allegiance to the Flag. On a motion by Mr. Edmondson seconded by Mr. Gaskin, Council unanimously approved the minutes of the regular Council meeting held on August 10, 2020. A public hearing was held to receive comments on amending the noise ordinance. No comments were received and on a motion by Mr. McCamey seconded by Mr. Gaskin, Council voted unanimously to approve the following ordinance: AN ORDINANCE AN ORDINANCE OF THE MAYOR AND COUNCIL OF THE CITY OF LAGRANGE TO AMEND THE CODE OF THE CITY; TO AMEND AND RE-ADOPT THE NOISE ORDINANCE IN ORDER TO PROHIBIT THE IGNITING OF CONSUMER FIREWORKS DURING CERTAIN HOURS; TO REPEAL CONFLICTING ORDINANCES; TO FIX AN EFFECTIVE DATE; AND FOR OTHER PURPOSES. THE MAYOR AND COUNCIL OF THE CITY OF LAGRANGE, GEORGIA, HEREBY ORDAIN AS FOLLOWS: SECTION 1: That Section 35-1-19 of the code be amended by deleting said section, in its entirety, inserting in lieu thereof the following: “Sec. -
The Commissioned Flute Choir Pieces Presented By
THE COMMISSIONED FLUTE CHOIR PIECES PRESENTED BY UNIVERSITY/COLLEGE FLUTE CHOIRS AND NFA SPONSORED FLUTE CHOIRS AT NATIONAL FLUTE ASSOCIATION ANNUAL CONVENTIONS WITH A BRIEF HISTORY OF THE FLUTE CHOIR AND ITS REPERTOIRE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Yoon Hee Kim Graduate Program in Music The Ohio State University 2013 D.M.A. Document Committee: Katherine Borst Jones, Advisor Dr. Russel C. Mikkelson Dr. Charles M. Atkinson Karen Pierson Copyright by Yoon Hee Kim 2013 Abstract The National Flute Association (NFA) sponsors a range of non-performance and performance competitions for performers of all ages. Non-performance competitions are: a Flute Choir Composition Competition, Graduate Research, and Newly Published Music. Performance competitions are: Young Artist Competition, High School Soloist Competition, Convention Performers Competition, Flute Choirs Competitions, Professional, Collegiate, High School, and Jazz Flute Big Band, and a Masterclass Competition. These competitions provide opportunities for flutists ranging from amateurs to professionals. University/college flute choirs perform original manuscripts, arrangements and transcriptions, as well as the commissioned pieces, frequently at conventions, thus expanding substantially the repertoire for flute choir. The purpose of my work is to document commissioned repertoire for flute choir, music for five or more flutes, presented by university/college flute choirs and NFA sponsored flute choirs at NFA annual conventions. Composer, title, premiere and publication information, conductor, performer and instrumentation will be included in an annotated bibliography format. A brief history of the flute choir and its repertoire, as well as a history of NFA-sponsored flute choir (1973–2012) will be included in this document. -
The Flutist Quarterly Volume Xxxv, N O
VOLUME XXXV , NO . 2 W INTER 2010 THE LUTI ST QUARTERLY Music From Within: Peter Bacchus Interviews Robert Dick Remembering Frances Blaisdell Running a Chamber Ensemble The Inner Flute: Lea Pearson THE OFFICIAL MAGAZINE OF THE NATIONAL FLUTE ASSOCIATION , INC :ME:G>:C8: I=: 7DA9 C:L =:69?D>CI ;GDB E:6GA 6 8ji 6WdkZ i]Z GZhi### I]Z cZl 8Vadg ^h EZVgaÉh bdhi gZhedch^kZ VcY ÓZm^WaZ ]ZVY_d^ci ZkZg XgZViZY# Djg XgV[ihbZc ^c ?VeVc ]VkZ YZh^\cZY V eZg[ZXi WaZcY d[ edlZg[ja idcZ! Z[[dgiaZhh Vgi^XjaVi^dc VcY ZmXZei^dcVa YncVb^X gVc\Z ^c dcZ ]ZVY_d^ci i]Vi ^h h^bean V _dn id eaVn# LZ ^ck^iZ ndj id ign EZVgaÉh cZl 8Vadg ]ZVY_d^ci VcY ZmeZg^ZcXZ V cZl aZkZa d[ jcbViX]ZY eZg[dgbVcXZ# EZVga 8dgedgVi^dc *). BZigdeaZm 9g^kZ CVh]k^aaZ! IC (,'&& -%%".),"(',* l l l # e Z V g a [ a j i Z h # X d b Table of CONTENTS THE FLUTIST QUARTERLY VOLUME XXXV, N O. 2 W INTER 2010 DEPARTMENTS 5 From the Chair 51 Notes from Around the World 7 From the Editor 53 From the Program Chair 10 High Notes 54 New Products 56 Reviews 14 Flute Shots 64 NFA Office, Coordinators, 39 The Inner Flute Committee Chairs 47 Across the Miles 66 Index of Advertisers 16 FEATURES 16 Music From Within: An Interview with Robert Dick by Peter Bacchus This year the composer/musician/teacher celebrates his 60th birthday. Here he discusses his training and the nature of pedagogy and improvisation with composer and flutist Peter Bacchus. -
Dayton C. Miller Flute Collection
Guides to Special Collections in the Music Division at the Library of Congress Dayton C. Miller Flute Collection LIBRARY OF CONGRESS WASHINGTON 2004 Table of Contents Introduction...........................................................................................................................................................iii Biographical Sketch...............................................................................................................................................vi Scope and Content Note......................................................................................................................................viii Description of Series..............................................................................................................................................xi Container List..........................................................................................................................................................1 FLUTES OF DAYTON C. MILLER................................................................................................................1 ii Introduction Thomas Jefferson's library is the foundation of the collections of the Library of Congress. Congress purchased it to replace the books that had been destroyed in 1814, when the Capitol was burned during the War of 1812. Reflecting Jefferson's universal interests and knowledge, the acquisition established the broad scope of the Library's future collections, which, over the years, were enriched by copyright -
6Th Grade Supply List Cove Creek Middle School 2019-2020 Math
6th Grade Supply List Cove Creek Middle School 2019-2020 Math ELA ● 1 2-inch inch binder ● 1 ½ binder ● Spiral notebook ● 5 tab dividers ● Pencil pouch for calculator ● Three-pronged, two-pocket plastic folder ● Pencil pouch with pencils, pens, ● Post-it notes highlighters ● Pencil pouch with pencils, pens, highlighters Science/Social Studies General Supplies (will be needed for all classes) ● 1 1-inch binder ● Earbuds (no Airpods or Bluetooth) ● 5 tab dividers ● Pencils ● Highlighters ● Loose leaf paper ● Post-it notes ● Homeroom folder/sleeve for take-home ● Homework folder information ● Spiral Notebook ● Pencil pouch with pencils, pens, highlighters Communal Supplies (to be used by all middle school teachers as needed) ● Clorox wipes ● Kleenex ● Hand sanitizer ● Extra pencils ● Extra pens ● Extra loose leaf paper ● Extra ear buds ● Baggies (sandwich size) Exploratory classes McAulay - Art Spiral bound sketch book (8 ½” x 11” or 8” x 10” or 9” x 10”) Pencils, Erasers, Hand held pencil sharpener Vannoy - PE Physicals are required for all middle school sports Oxentine - Wireless mouse (optional) Technology/Comput ers Rash - ORCHESTRA BAND Band/Orchestra ● Instrument (choose from violin, ● Instrument (choose from viola, cello or upright bass)* flute, clarinet, saxophone, ● Accessories trumpet, french horn, ● Rosin trombone/baritone or ● Shoulder Rest (violin/viola only) percussion)* ● Cello endpin anchor (cello only) ● Accessories ● Extra set of strings (if feasible) ● cleaning swab or other ● Microfiber cloth to periodically cleaning accessories wipe down instrument ● A box of reeds (clarinet, ● Method Book saxophone) ● Essential Elements Book 1 for ● Cork grease (clarinet, specific instrument saxophone) ● Black, 1” or ½” 3 Ring Binder ● valve oil (trumpet); rotary ● Pencil valve oil (french horn only) ● Slide oil (trombone) ● Drumsticks + practice pad (percussion only) ● Method Book ● Essential Elements Book 1 for specific instrument ● Black, 1” or ½” 3 Ring Binder ● Pencil - not pen . -
27.1. at 20:00 Helsinki Music Centre We Welcome Conrad Tao Sakari
27.1. at 20:00 Helsinki Music Centre We welcome Conrad Tao Sakari Oramo conductor Conrad Tao piano Lotta Emanuelsson presenter Andrew Norman: Suspend, a fantasy for piano and orchestra 1 Béla Bartók: Divertimento for String Orchestra 1. Allegro non troppo 2. Molto adagio 3. Allegro assai Conrad Tao – “shaping the future of classical music” “Excess. I find it to be for me like the four, and performed Mozart’s A-major pia- most vividly human aspect of musical no concerto at the age of eight. He was performance,” says pianist Conrad Tao (b. nine when the family moved to New York, 1994). And “excess” really is a good word where he nowadays lives. Beginning his to describe his superb technique, his pro- piano studies in Chicago, he continued at found interpretations and his emphasis on the Juilliard School, New York, and atten- the human aspect in general. ded Yale for composition. Tao has a wide repertoire ranging from Tao has had a manager ever since Bach to the music of today. He has also he was twelve. As a youngster, he also won recognition as a composer, and one learnt the violin, and several times in who, he says, views his keyboard perfor- 2008/2009 played both the E-minor vio- mances through the eyes of a composer. lin concerto and the first piano concerto His many talents and his ability to cross by Mendelssohn at one and the same con- traditional borders have indeed made him cert, but he soon gave up the violin. a notable influencer and a model for ot- Despite having all the hallmarks of a hers. -
GREATER SF INTERNATIONAL FLUTE FESTIVAL in SAN JOSE November 1 & 2, 2014 at Valley Christian School Conservatory
sfflutefestival.com GREATER SF INTERNATIONAL FLUTE FESTIVAL IN SAN JOSE November 1 & 2, 2014 at Valley Christian School Conservatory Jean-Louis Beaumadier (France) Nicole Esposito (Iowa) Fluterscooter (Philadelphia) Catherine Payne (San Francisco) Viviana Guzman (Chile/USA) Tracy Harris (Visalia, California) Sooyun Kim (Korea/New York City) Horacio Parravicini (Agentina/Spain) Barbara Siesel (New York City) Concerts by world renowned Flutists, Flute Choirs, Competitions, Masterclasses, Workshops, and Vendors SATURDAY, NOVEMBER 1, 2014 TIME SESSIONS 9am to Noon YOUTH COMPETITION — ROOM C339 Judges: Nicole Esposito, Barbara Siesel, Fluterscooter 9am – 10:30am Horacio Parravicini Masterclass Chapel 10am – 10:30am Meditation for Performers with Viviana Room C307 10:30am – 12pm Body Mapping with Rena Urso-Trapani Room C307 10:30am – 12pm Sooyun Kim Masterclass Chapel 12pm – 7pm EXHIBITIONS OPEN 1pm – 1:50pm Recital Room C338 Wyndfall Flute Choir, Christine Erlander Beard, Wyndfall Duo: Tracy & Svetlana Harris 1pm – 1:50pm Baroque Flute Workshop Room C309 Kris Palmer: Interpreting Baroque Music on a Modern Flute 2pm – 2:50pm Recital Room C339 The Orioles, Abigail Sten, Amy Likar, Diane Grubbe, Wyndfall Flute Choir 2pm – 2:50pm Workshop Room C309 Flutrepaneurship Fluterscooter 2pm – 2:50pm Celtic Flute Workshop Chapel Andra Bohnet 3pm – 3:50pm Recital Room C338 Desert Echos Flute Project 3pm – 3:50pm Workshop and Lecture Room C309 Samantha Chang Lecture Demonstration on Briccialdi with Niall O’Riordan and Svetlana Harris 4pm – 4:50pm Recital -
Flute Choir Day Application 2019
PERFORMANCE EXPERIENCE Drew University Department of Music How many years in each organization? Campus & Beyond Programs The 25th Annual NJ Flute Choir Day Jr. High Band Jr. High Orchestra Sunday, March 31, 2019 | 8:30AM - 6:00PM HS Band HS Orchestra Application with fee must be postmarked by Feb. 18, 2019 for reduced amount Sr Regional Orchestra All State APPLICATION FORM Sr Regional Band All State PERSONAL INFORMATION Jr Regional Orchestra Jr Regional . Band Name SUMMER & OTHER PROGRAMS Age Grade AUDITIONS - Circle if applicable Address I am auditioning up from Level 1 to 2 I am audition up from Level 2 to 3 Town State Zip I am auditioning for Level 5 See audition requirements on website under page named LEVELS Telephone Email KOKOPELI T-SHIRT ORDER T- shirts will say Flute Choir Day 2019 "KOKOPELI" Name of School (For program) Size (please circle): S M L XL XXL Circle Years you have attended Flute Choir Day Number of shirts @ $20 ______ $ _________ 02 '03 '04 '05 '06 '07 '08 '09 '10 '11 '12 '13 '14 '15 '16 '17 '18 FEES $85 per participant (Postmarked by Feb. 18, 2018) $ _______ PRIVATE TEACHER OR BAND DIRECTOR $90 per participant (Postmarked after Feb. 18, 2018) $ _______ Name TOTAL ______________ Applications accepted up to March 15, 2019 Address Please make check payable to Cell DREW UNIVERSITY Email Send Application form, Fees, CDs to: Flute Choir Day Signature Elise Carter Music Department CIRCLE INSTRUMENTS YOU PLAY Drew University 36 Madison Ave Flute with B Foot Flute with C Foot Madison, NJ 07940 Piccolo Alto Flute Bass Flute Circle instruments you are able to bring and play: Flute with B Foot Flute with C Foot Piccolo Alto Flute Bass Flute How many years have you played? Have you studied privately? Yes or No If yes, for how many years? . -
Georgian Country and Culture Guide
Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager). -
N Ew Y O R K F Lu T E F a Ir 2021
The New York Flute Club Nancy Toff, President Deirdre McArdle, Flute Fair Program Chair The New York Flute Fair 2021 A VIRTUAL TOOLBOX with guest artist Julien Beaudiment Principal flutist, Lyon (France) Opera Orchestra Saturday and Sunday, April 10 and 11, 2021 via Zoom NEW YORK FLUTE FAIR 2021 BOARD OF DIRECTORS NANCY TOFF, President PATRICIA ZUBER, First Vice President KAORU HINATA, Second Vice President DEIRDRE MCARDLE, Recording Secretary KATHERINE SAENGER, Membership Secretary MAY YU WU, Treasurer AMY APPLETON JEFF MITCHELL JENNY CLINE NICOLE SCHROEDER RAIMATO DIANE COUZENS LINDA RAPPAPORT FRED MARCUSA JAYN ROSENFELD JUDITH MENDENHALL RIE SCHMIDT MALCOLM SPECTOR ADVISORY BOARD JEANNE BAXTRESSER ROBERT LANGEVIN STEFÁN RAGNAR HÖSKULDSSON MICHAEL PARLOFF SUE ANN KAHN RENÉE SIEBERT PAST PRESIDENTS Georges Barrère, 1920-1944 Eleanor Lawrence, 1979-1982 John Wummer, 1944-1947 John Solum, 1983-1986 Milton Wittgenstein, 1947-1952 Eleanor Lawrence, 1986-1989 Mildred Hunt Wummer, 1952-1955 Sue Ann Kahn, 1989-1992 Frederick Wilkins, 1955-1957 Nancy Toff, 1992-1995 Harry H. Moskovitz, 1957-1960 Rie Schmidt, 1995-1998 Paige Brook, 1960-1963 Patricia Spencer, 1998-2001 Mildred Hunt Wummer, 1963-1964 Jan Vinci, 2001-2002 Maurice S. Rosen, 1964-1967 Jayn Rosenfeld, 2002-2005 Harry H. Moskovitz, 1967-1970 David Wechsler, 2005-2008 Paige Brook, 1970-1973 Nancy Toff, 2008-2011 Eleanor Lawrence, 1973-1976 John McMurtery, 2011-2012 Harold Jones, 1976-1979 Wendy Stern, 2012-2015 Patricia Zuber, 2015-2018 FLUTE FAIR STAFF Program Chair: Deirdre McArdle -
CHINARY UNG: SINGING INSIDE AURA WATER RINGS OVERTURE | ANICCA | ANTIPHONAL SPIRALS | GRAND SPIRAL [1] WATER RINGS OVERTURE (1993) 6:46 CHINARY UNG B
CHINARY UNG: SINGING INSIDE AURA WATER RINGS OVERTURE | ANICCA | ANTIPHONAL SPIRALS | GRAND SPIRAL [1] WATER RINGS OVERTURE (1993) 6:46 CHINARY UNG b. 1942 WATER RINGS OVERTURE [2] ANICCA (1970) 8:27 ANICCA [3] ANTIPHONAL SPIRALS (1995) 11:03 ANTIPHONAL SPIRALS [4] SINGING INSIDE AURA (2013) 14:34 Susan Ung, viola and voice SINGING INSIDE AURA GRAND SPIRAL: DESERT FLOWERS BLOOM [5] GRAND SPIRAL: DESERT FLOWERS BLOOM (1991) 13:19 SUSAN UNG viola and voice TOTAL 54:10 BOSTON MODERN ORCHESTRA PROJECT GIL ROSE, CONDUCTOR COMMENT By Chinary Ung The use of vocalization has become a central feature in my music over the past two decades. As a child growing up in a small village surrounded by rice fields, I was exposed to this practice as a part of folk music, and would later hear the music of other cultures share this approach. In contemporary Western music, however, vocalization was most often used as a special effect. I would eventually seek to incorporate vocalization in a more comprehensive manner that was integral to the work while reflecting a similar timelessness and cultural resonance as in the folk music I remembered. The first significant occasion I had to experiment with this idea was in Susan Ung’s Moon Ritual, a structured improvisation in the late 1970s in which Susan played her viola through a Buchla synthesizer while I played cello and vocalized, using syllables for their sound character. The idea remained on the back burner for twenty years before I brought it forth in a major work, Grand Alap, for cello and percussion, in which both parts featured extensive vocalization. -
2010 July, SA Flute News
SA FLUTE NEWS Page 12 The Flute Society of South Australia Inc. South Australian Flute News osiak Print Post Pub. No. PP531629/00017 July, 2010 ABN: 96 991 331 922 PO Box 3208, Norwood SA 5067 (08) 8267 4319 Membership enquiries – Ph. (08) 8431 0452 The Flute Society of South Australia Inc. www.saflutesociety.asn.au We’re on the Web! See us at: Founder www.saflutesociety.asn.au Professor David Cubbin Edmund- Davies. In addition to Patron these books I have asked Linda About The Flute Society of South Australia Inc. From the President Alison Rosser Pirie, Karen Fletcher and Natalie Dear Flute Society Members, Vice Patrons Zwar to bring suitable teaching The Flute Society of South Australia is a non-profit The Flute Society of South Australia Inc. was founded in organization that aims to foster and encourage the enjoyment July 1972 at the instigation of the late Prof. David Associate Professor material for all levels of flute of flute playing at all levels. Cubbin. Elizabeth Koch OAM t is hard to believe that it is student. Perhaps if you have a Robert Brown I The Society's role includes promoting local and interstate Its members represent a wide cross-section of the already half way through the favourite book that you love using, artists, encouraging young players and forging links out into community – teachers, students, amateur flautists, you could bring it as well. We will the community. professional musicians and people from all walks of life, year! Last weekend was the all sharing the same interest – playing, talking about and also collate some useful exercises Regular activities include workshops, concerts, fun days, annual Carolyn White Memorial listening to the flute.