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March 21–25, 2016
FORTY-SEVENTH LUNAR AND PLANETARY SCIENCE CONFERENCE PROGRAM OF TECHNICAL SESSIONS MARCH 21–25, 2016 The Woodlands Waterway Marriott Hotel and Convention Center The Woodlands, Texas INSTITUTIONAL SUPPORT Universities Space Research Association Lunar and Planetary Institute National Aeronautics and Space Administration CONFERENCE CO-CHAIRS Stephen Mackwell, Lunar and Planetary Institute Eileen Stansbery, NASA Johnson Space Center PROGRAM COMMITTEE CHAIRS David Draper, NASA Johnson Space Center Walter Kiefer, Lunar and Planetary Institute PROGRAM COMMITTEE P. Doug Archer, NASA Johnson Space Center Nicolas LeCorvec, Lunar and Planetary Institute Katherine Bermingham, University of Maryland Yo Matsubara, Smithsonian Institute Janice Bishop, SETI and NASA Ames Research Center Francis McCubbin, NASA Johnson Space Center Jeremy Boyce, University of California, Los Angeles Andrew Needham, Carnegie Institution of Washington Lisa Danielson, NASA Johnson Space Center Lan-Anh Nguyen, NASA Johnson Space Center Deepak Dhingra, University of Idaho Paul Niles, NASA Johnson Space Center Stephen Elardo, Carnegie Institution of Washington Dorothy Oehler, NASA Johnson Space Center Marc Fries, NASA Johnson Space Center D. Alex Patthoff, Jet Propulsion Laboratory Cyrena Goodrich, Lunar and Planetary Institute Elizabeth Rampe, Aerodyne Industries, Jacobs JETS at John Gruener, NASA Johnson Space Center NASA Johnson Space Center Justin Hagerty, U.S. Geological Survey Carol Raymond, Jet Propulsion Laboratory Lindsay Hays, Jet Propulsion Laboratory Paul Schenk, -
Fuji-Ya, Second to None Reiko Weston’S Role in Reconnecting Minneapolis and the Mississippi River
Fuji-Ya, Second to None Reiko Weston’s Role in Reconnecting Minneapolis and the Mississippi River Kimmy Tanaka and Jonathan Moore end of the bridge is a large boulder Nearly three centuries later, with a plaque affixed to it. The plaque another explorer would arrive at ore than two million people recounts the discovery of St. Anthony the opposite end of the bridge and annually cross the Stone Falls by a Franciscan priest, Father behold the place with new eyes. Her M Arch Bridge over the Mis- Louis Hennepin, who first viewed the name was Reiko Umetani Weston. sissippi River at St. Anthony Falls, falls in 1680 and named them for his While Weston introduced many drawn to the history and vibrancy of patron saint, St. Anthony of Padua.1 Minnesotans to Japanese cuisine and the sublime setting. There is the roar There is, of course, more to the culture for the first time through of the falls that can be heard before it story. People knew of the falls prior to her Fuji- Ya restaurant, arguably her can be seen. There are the waves and Father Hennepin’s visit, and it already greatest influence was connecting white foam of the water as it passes had a name— several, in fact. To the a city to its river once again. The over the spillway and crashes on the Dakota, who had guided the priest to restaurant’s physical embodiment— dissipaters below. There is the min- this location, it was called Owamni three solid walls to the city with one eral smell of the mist that is thrust Omni (whirlpool). -
Sarah Hudson
SARAH HUDSON 5 AUS Katy Perry “Dark Horse” (ft. Juicy J) Prism Capitol Co-Writer 3 CAN 11 US 7 CAN UK 8 AUS 2 US UK CAN Katy Perry “Swish Swish” (ft. Nicki Minaj) Witness Capitol Co-Writer ●AUS US CAN AUS ●UK Dua Lipa Levitating (feat. Madonna and Single Warner Records Co-Writer Missy Elliott) [The Blessed Madonna Remix] ●UK Dua Lipa “Physical” Future Nostalgia Warner Records Co-Writer ●CAN “Levitating” US Iggy Azalea “Black Widow” (ft. Rita Ora) The New Classic Def Jam Co-Writer ●CAN 4 US 2 CAN UK AUS ●AUS Illenium “Good Things Fall Apart ft. Jon ASCEND Astralwerks Co-Writer Bellion” ●US 4 US Justin Bieber “The Feeling” (ft. Halsey) Purpose Def Jam Co-Writer 4 UK ●US 4 CAN 3 AUS 2 CAN Camila Cabello "Something's Gotta Give" Camila Epic Co-Writer, Co- US Producer ●UK ●AUS 2 CAN Dua Lipa “Genesis” Dua Lipa Warner Records Co-Writer UK US ●AUS RAYE “South East London” Blue Story, Music Roc Nation Co-Writer Inspired By The Original Motion Picture Years & Years “Karma” Palo Santo Polydor Records Co-Writer “Palo Santo” SARAH HUDSON 2 US Nicki Minaj “Get On Your Knees” (ft. Ariana The Pinkprint Republic Co-Writer ●UK Grande) Santigold “Banshee” 99 Cents Atlantic Co-Writer Superfruit “Fantasy” Future Friends RCA Co-Writer CAN Katy Perry “Hey Hey Hey” Witness Capitol Co-Writer ●AUS “Tsunami” “Pendulum” “Mind Maze” “Miss You More” “Bigger Than Me” “Dance With The Devil” “Act My Age” Kim Petras “o m e n” Turn Off The Light, BunHead Co-Writer “Close Your Eyes” Vol 1 “TRANSylvania” “Turn Off The Light” “Tell Me It’s A Nightmare” “i don’t wanna die…” “In The Next Life” “Boo! Bitch!” Sasha Sloan “Version of Me” Loser EP RCA Co-Writer Alma “Cowboy” Single PME Records Co-Writer ●UK Little Mix “The National Manthem” LM5 Syco Music/Sony Music Co-Writer The “Blue” Hard To Imagine Columbia Co-Writer Neighbourhood “Dust” The Neighbourhood “Heaven” Ever Changing Brooke Candy “Oomph” Single Self-released Co-Writer Brooke Candy “Nuts” ft. -
Teddyloid Feat. Bonjour Suzuki
Teddyloid Pipo Password mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Pipo Password Country: Japan Released: 2016 Style: J-pop, Dance-pop, Electro MP3 version RAR size: 1369 mb FLAC version RAR size: 1190 mb WMA version RAR size: 1703 mb Rating: 4.1 Votes: 993 Other Formats: AUD VOC MPC MP1 FLAC APE MP3 Tracklist Hide Credits 1 Pipo Password 4:25 Pipo Password (☆Taku Takahashi Remix) 2 4:53 Mixed By – Mitsunori IkedaRemix – ☆Taku Takahashi* Pipo Password (Luluco on Silent Planet Remix) 3 4:42 Remix – Teddyloid 4 Pipo Password (Instrumental) 4:25 Companies, etc. Recorded At – Madeleine Studio Mixed At – Black Moon Sounds Studio Mixed At – Tachytelic Heim Credits Lyrics By, Recorded By – Bonjour Suzuki Mixed By – Teddyloid (tracks: 1, 3, 4) Music By, Producer – Teddyloid Notes Recorded by Bonjour Suzuki at Madeleine Studio. Mixed by TeddyLoid at Black Moon Sounds Studio. Track 2 mixed by Mitsunori Ikeda (Tachytelic Inc) at Tachytelic Heim. ☆Taku Takahashi (m-flo) by the courtesy of rhythm zone/AVEX MUSIC CREATIVE INC. Track 1 was used as the ending theme for the anime series 宇宙パトロールルル子 (Space Patrol Luluco). Barcode and Other Identifiers Barcode: 4 580325 321968 Related Music albums to Pipo Password by Teddyloid Taku Sugimoto - Live In Kansai Taku Takahashi - Under The Same Sky Antonio Ruiz Pipó - Volume 1 Albèniz Falla Granados Pipo Pescador - Zapatopato Pipo De Clown, Petra , Mammaloe, Dikke Deur En De Damrakkertjes - Het Pipo-Lied Soft - Bonjour Bonshanfarm Sound Holic Vs. Eurobeat Union - Eurobeat Holic Juice Machine / Path To Lobster Believers - Weak Password Irwin Goodman - Oli Simmarit Sammarit Kummarit Ja Pipo / Anteeksi Väärä Numero Pipo Ti - Serious Ting. -
The Literary Landscape of Murakami Haruki
Akins, Midori Tanaka (2012) Time and space reconsidered: the literary landscape of Murakami Haruki. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/15631 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Time and Space Reconsidered: The Literary Landscape of Murakami Haruki Midori Tanaka Atkins Thesis submitted for the degree of PhD in Japanese Literature 2012 Department of Languages & Cultures School of Oriental and African Studies University of London Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
Avex Music Collection”配信開始！
2009年6月25日 avex20年、2000曲のMusic VideoがBeeTVで全て見放題！ 史上最強の音楽チャンネル“avex music collection”配信開始！ ニュース記事ご紹介のお願い 拝啓 貴社ますますご清栄の事とお喜び申し上げます。 この度、エイベックス通信放送（株）が運営するBeeTVにて、7月1日から、avexがこれまで20年間で発売してきた、数多くの ミリオンヒットの楽曲を含む、2000曲のMusic Videoを一挙配信することが決定致しました。 BeeTVは、5月1日からサービスを開始し、これまでドラマ、音楽、バラエティなど様々なジャンルの番組を配信し、配信開始 から1ヶ月で1000万ダウンロードを突破。さらに、会員は現在40万人を突破（6月15日時点）と急成長を遂げております。 そして、7月1日からは、ついにエイベックスがこれまで発売してきた20年間の数多くのアーティストの代表的な楽曲、“2000 曲のMusicVideoを一挙見放題”のサービスを開始いたします。 BeeTVの音楽チャンネルは、これまでも浜崎あゆみ、EXILEや倖田來未など人気アーティストの最新MusicVideo配信や、東 方神起のBeeTV限定のMusicVideoを先行配信してまいりました。そうした中、多くのBeeTV会員の皆様から、「他のアーティ ストのMusicVideoも見たい！」、「過去の大ヒット曲のMusicVideoを今、見たい！」と言った要望が数多く寄せられ、今回配信 開始することになりました。 今から30年前にウォークマンに代表されるヘッドホンステレオが発売されて以降、CD、MD、そしてipodに代表されるMP3プ レイヤーと、音楽をいつでもどこでも聞ける手段が時代によって変化してまいりました。 そして、2009年、BeeTVで配信される“avex music collection”は、BeeTVに加入さえしていれば、登録されている2000曲全 てをいつでも、どこでも視聴できるという“音楽を楽しむ新しい生活スタイル” を提案した番組となっております。まさに、これ からの音楽マーケットや全ての音楽ファンにインパクトを与えるような音楽メディアがまさに、今BeeTVに誕生いたします。 つきましては、こちらのニュースを是非、ご紹介いただければ幸いです。 敬具 ー記ー 番組情報 番組名：avex music collection 開始日：2009年7月1日 AM０：００～ 更新日：毎週水曜日 AM5：００更新 番組内容： １）avexの過去のヒット曲から最新曲まで約2000曲以上が見放題 ２）最新曲もリリース2週間前から毎週配信 ※7月1日より、7月14日発売の新曲musicvideoが配信 ３）a-nationのライブ映像（約140点）も配信！ 配信アーティスト数、楽曲数： 445アーティスト、2,000曲（7月1日時点）7月末には2,170曲の予定 ※注意事項 弊社所属アーティストの楽曲でも、サービス開始時期に配信を行っていない楽曲も一部ございます。 ご了承ください。 BeeTVとは エイベックスとNTTドコモが運営する携帯電話専用放送局。5月1日よりサービスを開始し、月額 315円（税込）でドラマやバラエティ、など８ジャンル２０番組以上が見放題 番組を見るには 「avex music collection」を見るにはドコモの携帯電話で iチャネル→BeeTV もしくは iメニュー→動画→BeeTV で、「avex music collection」をクリックしていただければ見ることができます。 ■この件に関するお問い合わせ■ エイベックス通信放送株式会社 -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi -
The Rhythms of Rhythm
The rhythms of rhythm Dafydd Gibbon Universität Bielefeld, Bielefeld, Germany & Jinan University, Guangzhou, China [email protected] The low frequency (LF) spectral analysis or ‘rhythm spectrum’ approach to the quanti- tative analysis and comparison of speech rhythms is extended beyond syllable or word rhythms to ‘rhetorical rhythms’ in read-aloud narratives, in a selection of exploratory scenarios, with the aim of developing a unified theory of speech rhythms. Current method- ologies in the field are first discussed, then the choice of data is motivated and the MODULATION-THEORETIC rhythm spectrum and rhythm spectrogram approach is applied to the amplitude modulation (AM) and frequency modulation (FM) of speech. New concepts of RHYTHM FORMANT, RHYTHM SPECTROGRAM and RHYTHM FORMANT TRAJECTORY are introduced in the RHYTHM FORMANT THEORY (RFT) framework with its associated methodology RHYTHM FORMANT ANALYSIS (RFA) in order to capture second order regularities in the temporal variation of rhythms. The interaction of AM and FM rhythm factors is explored, contrasting English with Mandarin Chinese. The LF rhythm spectrogram is introduced in order to recover temporal information about long-term rhythms, and to investigate the configurative function of rhythm. The trajectory of highest magnitude frequencies through the component spectra of the LF spectrogram is extracted and applied in classifying readings in different languages and individual speaking styles using distance-based hierarchical clustering, and the existence of long-term second order ‘rhythms of rhythm’ in long narratives is shown. In the conclusion, pointers are given to the extension of this exploratory RFT rhythm approach for future quantitative confirmatory investigations. 1 Speech rhythms 1.1 Time domain and frequency domain methods Speech rhythms have been a field of enquiry since antiquity, yet there are still many open questions. -
Aids Vancouver
AIDS VANCOUVER EDUCATION SERVICES DEPARTMENTAL REPORT, 1992 CONTENTS: 1. Department Manager's Annual Report 2. Program Reports i. Resource Centre ii. HelpLine iii. Speakers' Bureau iv. Man to Man v. Women's Programs 3. Project Reports i. AIDS in the Workplace ii. Deaf Outreach iii. AIDS Awareness Week / Wodd AIDS Day EDUCATION SERVICES RICK MARCHAND, MANAGER ACTIVE VOLUNTEERS, DEPARTMENT TOTAL: 151 EDUCATION SERVICES Department Manager's Annual Report, 1992 1992 was a year of change and expansion for Education Services; it was a year spent developing a new vision for AIDS education. We assessed our community involvement, and strengthened our commitment to supporting the gay community. We collaborated with persons living with HIV and AIDS to provide more direct educational and training opportunities for an increasingly diverse HN population. We made a commitIilent to provide more effective education services for women. We shared our resources and experience with representatives from Asian, Latin and Deaf communities. In this year of reevaluating our direction and priorities, health promotion emerged as the guiding influence for our program planning and delivery. Health promotion gives us a way of understanding the role of education in treatment and prevention. Access to relevant and appropriate information and experience provide the basis for individuals to manage their own health. We want to renew our emphasis on community development and action. Individuals are looking for opportunities that enable them to have more personal control over their lives. For many, education can provide a pathway to empowerment. A decade ago, the gay and lesbian community founded AIDS Vancouver as a community-based organization to address an emerging epidemic that most of society preferred to ignore. -
Popular Music Analysis and Musicology: Bridging the Gap
Popular Music (1993) Volume 12/2. Copyright © 1993 Cambridge University Press Popular music analysis and musicology: bridging the gap RICHARD MIDDLETON Since their beginnings, popular music studies have conducted an implicit (some- times explicit) dialogue with musicology. To be sure, the musicological side of this conversation has more often than not been marked by insult, incomprehension or silence; and popular music scholars for their part have tended to concentrate on musicology's deficiencies. But musicology is changing (more about this later); at the same time, recent work on popular music suggests a new confidence, manifest- ing itself in part in a willingness to engage with and adapt mainstream methods.11 believe each needs the other. Within the sphere of analysis, the main problem felt to attach to mainstream methods has been the tendency to formalism. In contrast, popular music analysis has insisted (rightly, I think) on the priority of meaning. Much of the best work has been semiotic or interpretative (Laing, Tagg, Bradby, Grossberg) or has pursued theories of social and cultural homology (Hebdige, Shepherd). However imposing this body of work, though, there is a suspicion that sometimes insufficient atten- tion has been paid to the sounds themselves - to the intra-musical structures of what I call the 'primary' level of signification (Middleton 1990, p. 220). Somehow, we need to find ways of bringing the patterns created in the sounds themselves back into the foreground, without as a consequence retreating into an inappropri- ate formalism. And if we can do this, we may well find that we are contributing to an advance in general musical analysis. -
Country Women Piracy Gambit
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) aw CL V) W z HI CCVR H 3 -DIGIT 9011 'IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII I IIIIIII #90807GEE374EM002# BLBD 893 A06 B0093 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 111 UMW r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT www.billboard.com JULY 5, 2003 Shal aTwzin at the HOT SPOTS recent Country Music Aw r Is. The Mercury Piracy Gambit artist is the lone female with a current top 10 country single. Raises Stakes RIAA Lawsuit Strategy Risks Consumer Backlash BY BILL HOLLAND and BRIAN GARRITY WASHINGTON, D.C.-The music 5 'Phoenix Rising industry's promised blitzkreig of law- suits against Internet song swappers- The new "Marry Potter and the including file-sharing teens-could Order of the Phoenix" flies out quickly become a legal quagmire. of retail outlets in record num- some critics warn. bers: 5 m Ilion in 24 hours. But with frustration levels running high after months of fruitless educa- tional campaigns, the industry is hell- bent on raising the stakes in the war on music pirates. As it launched its newest offensive June 25, the industry picked up a major ally in Congress. Rep. Lamar Smith, R- Texas, the anti -piracy cham- (Continued on page 74) Majors' Woes Continue 5 Jam On It Country Women Gov't Mule's Warren Haynes is Talks among the artists helping Along With Merger this summer's hot jam band Lose Hit Magic BY MATTHEW BENZ tour to jell. -
Super Junior
Super Junior From Wikipedia, the free encyclopedia For the professional wrestling tournament, see Best of the Super Juniors. Super Junior Super Junior performing at SMTown Live '08 in Bangkok,Thailand Background information Origin Seoul, South Korea Genres Pop, R&B, dance, electropop, electronica,dance-pop, rock, e lectro, hip-hop, bubblegum pop Years active 2005–present Labels S.M. Entertainment (South Korea) Avex Group (Japan) Associated SM Town, Super Junior-K.R.Y., Super Junior-T,Super acts Junior-M, Super Junior-Happy, S.M. The Ballad, M&D Website superjunior.smtown.com,facebook.com/superjunior Members Leeteuk Heechul Han Geng Yesung Kangin Shindong Sungmin Eunhyuk Donghae Siwon Ryeowook Kibum Kyuhyun Korean name Hangul 슈퍼주니어 Revised Romanization Syupeojunieo McCune–Reischauer Syupŏjuniŏ This article contains Koreantext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of Hangul or Hanja. This article contains Chinesetext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of Chinese characters. This article contains Japanesetext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of kanji and kana. Super Junior (Korean: 슈퍼주니어; Japanese: スーパージュニア) is a South Korean boy band from formed by S.M. Entertainment in 2005. The group debuted with 12 members: Leeteuk (leader), Heechul, Han Geng, Yesung, Kangin, Shindong, Sungmin, Eunhyuk, Donghae, Siwon,Ryeowook, Kibum and later added a 13th member named Kyuhyun; they are one of the largest boy bands in the world. As of September 2011, eight members are currently active,[1] due to Han Geng's lawsuit with S.M.