Cast September 24, 2010 September 25, 2010 Book Signing Count Almaviva, disguised as this evening Lindoro, a student and in love with Rosina ...... Nick Fitzer Marco Stefani during Intermission Fiorello, a gypsy musician . . . . . Sean McCarther Conor Angell

Figaro, a barber ...... Scott Hogsed John Orduña

Doctor Bartolo...... Thomas lorioF Jason Eck

Rosina, Bartolo’s ward and love interest...... Angela Kloc Angela Kloc

Don Basilio, Rosina’s music teacher. . . . . Cody Medina Hirotaka Kato

Berta, Dr. Bartolo’s housemaid. . . .Charis Peden Ashleigh Guida

Ambrogio, Bartolo’s manservant . . .Andrew Morstein Andrew Morstein

The Sergeant of the Police Force. . .Nathanael Brown Nathanael Brown

A Notary, in the employ of Figaro. . .Steven Linville Steven Linville

Marianne Williams Tobias, George Calder, C. David Higgins, TO OUR PATRONS: Curtain time for IU Opera Theater is promptly at 8 p.m., by which time all opera goers should be in their seats. Latecomers will be and Charles H. Webb will be signing copies of Opera for All seated only on the third terrace, or at the discretion of the management. Thank you Seasons in the lobby during tonight’s intermission. for your cooperation.

Il barbiere di Siviglia will conclude at approximately 10:45 p.m. Copies of the book are INDIANA UNIVERSITY No Cameras, Flash Equipment, or Audio Recorders are allowed in the auditorium available for purchase of the Musical Arts Center. at Music Marketplace in the lobby. One Hundred Sixty-Fifth Program of the 2010-11 Season

Indiana University Opera Theater presents as its 413th production Il barbiere di Siviglia A Comic Opera in Three Acts

Music by Gioachino Rossini Libretto by Cesare Sterbini

Arthur Fagen, Conductor Nicholas Muni, Stage Director C. David Higgins, Set & Costume Designer William Jon Gray, Chorus Master Patrick Mero, Lighting Designer Stefano Sarzani, Italian Diction Coach

Projected titles by Words for Music

This evening’s performance is dedicated to the memory of David Edward Albright.

Il barbiere di Siviglia, Critical Edition by Zedda, used by arrangement with Boosey & Hawkes

Il barbiere di Siviglia premièred on February 20, 1816 at the Teatro Argentina, Rome

______Musical Arts Center Friday Evening, September Twenty-Fouth Saturday Evening, September Twenty-Fifth Friday Evening, October First Saturday Evening, October Second Eight O’Clock music.indiana.edu David Edward Albright 1936-2010

On August 17, 2010, the Jacobs School of Music lost a dear colleague and supporter, David Albright. This evening’s performance is dedicated to David’s memory. David Edward Albright graduated from Indiana University with a bachelor’s degree in journalism in 1958 and a master’s degree in journalism in 1959. He was editor of the Indiana Daily Student during his journalism studies at IU. He then received a second master’s degree and his Ph.D. in international relations from Columbia University. David served in the Army at the start of the Vietnam War, working in the intelligence service. In 1982, David and his wife, Ruth, moved to Montgomery, Ala., where he was a professor of national security at the Air War College, the Air Force’s school for colonels and lieutenant colonels. In 1994, he and Ruth returned to their “roots” in Bloomington, a move that brought a great deal of joy and fulfillment into their lives. David worked as a senior research associate for the Indiana University Center for the Study of Global Change. He frequently taught courses on international security in the twenty- first century and was very active in bringing in notable outside authorities to enrich students’ lives at IU. David recently stepped down as president of the Theatre Circle, an organization that supports the IU Department of Theatre and Drama. He was a past president of the local National Society of Arts and Letters and the chairman of the national six-year planning and competition committee. David was also active with the Society of the Friends of Music and frequently attended Jacobs School of Music events and performances. The Jacobs School of Music is grateful to have received the friendship and generosity of David and Ruth Albright for so many years and is indebted to Ruth for her involvement as president of the Society of the Friends of Music. Cast of Characters

Count Almaviva, disguised as Lindoro, a student and in love with Rosina . Nick Fitzer, Marco Stefani

Fiorello, a gypsy musician...... Sean McCarther, Conor Angell

Figaro, a barber ...... Scott Hogsed, John Orduña

Doctor Bartolo...... Thomas lorio,F Jason Eck

Rosina, Dr. Bartolo’s ward and love interest ...... Angela Kloc

Don Basilio, Rosina’s music teacher ...... Cody Medina, Hirotaka Kato

Berta, Dr. Bartolo’s housemaid . Charis Peden, Ashleigh Guida

Ambrogio, Dr. Bartolo’s manservant...... Andrew Morstein

The Sergeant of the Police Force...... Nathanael Brown

A Notary, in the employ of Figaro...... Steven Linville

Gypsy Girls, in the employ of Figaro . Carrie Reading, Serena Eduljee, Julie Wyma

Chorus, as Gypsy Musicians, then as the Police Force: ...... James Arnold, Corey Bonar, Nathanael Brown, Brandon Gauby, Luis Antonio Gonzalez, Will Hearn, W. Jermaine Jackson, Blake Kendall, Benjamin Koenig, Steven Linville, Darren Miller, Michael Powell, Jacob Thomason, Ryan Torino, Benjamin Werley, Zachary Weber

Place: Seville, Spain Time: 1820, on the eve of Mardi Gras Background to the Plot

Figaro, a jack-of-all-trades and an aspiring author working in Madrid wormed his way into the royal court and was befriended by the Almaviva family. As a reward for his service, he was awarded a post in the royal government to serve as an apprentice apothecary. Promptly sent to work on a stud farm in Andalusia, he was in charge of administering drugs to the animals. But having found it much more lucrative to sell these same drugs to humans, was arrested and sent back to Madrid, where he tried his hand as a playwright, achieving both fame and infamy for his caustic wit. Finally, run out of town and up to his ears in debt, he worked his way southward, surviving scandal after intrigue after incarceration. He settled down in Seville, where he now earns his living as a barber by day and as a matchmaker and engineer of amorous intrigue by night, where his real profit lies. By the time the opera starts, he has earned fame as both master barber and master schemer. Rosina, daughter of a minor noble family, was suddenly orphaned when both her parents died. The royal court placed her into the guardianship of a nobleman of like rank, Doctor Bartolo, who is charged with her care until she reaches the age of majority, when she will gain control of her substantial financial inheritance. Doctor Bartolo found himself attracted to the charms of the young lady and, despite the vast difference in age, fell in love with her. As her legal guardian, having complete power to arrange a marriage for his ward, he decided to simply appoint himself as her future husband. Further, he designated her inheritance as the dowry due to him as her husband. He was in the process of working out this scheme when he learned of a suitor secretly pursuing his young ward. In a panic, he decided to re-locate to a house he owns in Seville. The young Count Almaviva, heir to the title and wealth of one of most powerful families in all of Spain, was about to be promised in an arranged marriage to a noblewoman he did not even know. Despairing over this familial obligation, he yearned to find true love—a woman who would love him for himself and not because he was Count Almaviva. One day at the Prado museum in Madrid, he saw a young woman and was immediately struck with love for her. He inquired after her identity and discovered she was the daughter of a certain nobleman named Doctor Bartolo. Before he could approach her, she suddenly disappeared from Madrid, and all attempts to find her in that city proved futile until, finally, he learned that she was relocated to Seville by Bartolo, who suspected that she was being pursued. In an act of desperation and in disobedience to the obligations of his title and family, he abandoned the royal court and traveled south, incognito, to the dangerous and fascinating city of Seville to find his beloved. Disguising himself as a poor student named Lindoro and armed only with as much gold as he could carry on his own and the name of his beloved’s father, he began an intense search for her whereabouts. In order to avoid detection, he went “underground” and hired a gypsy named Fiorello to help him track down the house of Doctor Bartolo. When he found the location, he remained beneath his beloved’s balcony day and night, sleeping in the courtyard under an abandoned wagon, hoping to catch a glimpse of her. Desperate, exhausted, and terrified of being robbed or worse, he decided, in a final act of desperation, to serenade his beloved, hoping to catch a glimpse of her and some sign of her favor. He has hired Fiorello to bring his gypsy clan to accompany the song he has written for his beloved. The Opera Act I Fiorello and his gypsy clan arrive at the pre-determined time, anxious about being discovered and jailed for loitering illegally in the courtyard of a nobleman. The Count wakes suddenly, and they accompany his serenade. When Rosina fails to appear, the Count crumbles in desperation, paying Fiorello much more than expected. This sparks a massive feeding frenzy among the gypsies, who first thank him profusely, then rob him of his remaining gold. Figaro, the infamous barber of Seville whose sideline is matchmaking, is preparing himself and his workers for their busiest time of the year, the Carnival season, when amorous intrigue and mayhem are the orders of the day. The Count recognizes his former servant and decides to enlist his help, explaining his situation. When he points out the house of his beloved, Figaro explains that he has complete access as the barber and adds that Rosina is not the daughter of Bartolo but only his ward. The Count is overjoyed at this stroke of luck and promises Figaro untold wealth if he will help him win his beloved. Figaro clears his busy schedule, bumping this project up to high priority.

Act II Rosina declares her love for Lindoro, the young student who has serenaded her beneath her balcony and determines to be victorious over her tyrannical guardian and to marry Lindoro at all costs. She writes him a note professing her love and begins to scheme about how to get it delivered. Her music teacher, Don Basilio, arrives with news for Doctor Bartolo. He has gotten wind that Count Almaviva is the secret suitor of Rosina and that the young nobleman has arrived in Seville to win her hand. This terrifies Doctor Bartolo: going up against such a powerful family could be dangerous. Basilio suggests a remedy, slander, which he has developed into a foolproof system capable of dispatching any adversary within a few days. Though intrigued, Bartolo decides he must move more quickly and marry the girl this very day to prevent Almaviva from succeeding in snatching away his beautiful ward. They begin drawing up the marriage contract. Figaro, having overheard this dastardly plot, reports it to Rosina, who laughs it off as ridiculous. Besides, she has more pressing matters, like how to convey her feelings to her lover without seeming too forward. She and Figaro play a little cat and mouse game on this subject, and she finally reveals the note she has written, eliciting a promise from Figaro that he will deliver it. Bartolo enters, having seen Figaro with his ward and begins questioning her with suspicions that Figaro may be helping Almaviva gain access to Rosina. She tells a pack of lies, narrowly escaping each trap Bartolo lays out for her. Bartolo, in exasperation, finally threatens her with house arrest if she persists, unveiling a monstrous contraption he has been constructing for just that purpose. Rosina runs to her room, weeping. A drunken soldier (Almaviva in disguise) arrives, producing a military billeting order to lodge in Bartolo’s house. Bartolo is stunned by this turn of events and produces an exemption he obtained from the royal court. This throws a monkey wrench into the Count’s plans, and he has to improvise. Complications mount, tempers flare, and the ensuing chaos brings the police force in to take action. After all witnesses have reported, the Sergeant at Arms decides it is the drunken soldier who must be arrested. In a coup de théâtre Almaviva privately reveals his true identity to the Sergeant, and the arrest order is reversed. Everyone is stunned. How could this have happened? This leads to even more chaos, and there is a fit of group insanity as the curtain falls on part one.

Intermission Act III Bartolo, completely baffled by the soldier episode, decides that Almaviva is somehow directly involved in this farce. Just then, a monk named Don Alonso (again, Almaviva in disguise) arrives, bestowing endless blessings upon the household. Bartolo knows he has seen his face somewhere before but cannot place it. When Alonso explains that he is a student of Basilio and is here to substitute for Rosina’s singing lesson due to the sudden illness of Basilio, Bartolo becomes suspicious and is about to throw the scoundrel out when Alonso produces the love note Rosina had written earlier. Bartolo is shocked. Alonso explains that he can solve Bartolo’s problem with Almaviva if he is permitted to speak with the girl in private. He will tell her that he got her note from the Count’s mistress and that the nobleman is only toying with her emotions in order to procure her sexually. Bartolo recognizes that this is slander—but it is also a brilliant solution. He gives Alonso, his new trusted friend, carte blanche with the girl. Rosina is brought in for her music lesson, and Alonso reveals his true identity to her, along with the plot Figaro and he have created to come to her balcony at midnight and rescue her from Bartolo. But he has no opportunity to warn her about the lie he had to invent regarding her love note. Chaos once again begins to mount as Figaro enters to give Bartolo a distracting shave, stealing a key from him, which can unlock her balcony grating. Suddenly, who should appear but Don Basilio to give the beautiful Rosina her lesson. Bartolo is confused again until Alonso tells him that Basilio knows nothing about the love note plot and that he must be kept in the dark, or their plan will be destroyed. Bartolo sees the wisdom of this course of action and plays along with the others in trying to get rid of Basilio. Sensing that something is up, Basilio takes advantage of the situation by blackmailing each participant in exchange for his leaving the house. Once he is gone, the love note slander is back on track. Just as Alonso is about to finally explain that aberation to Rosina, Bartolo discovers the treachery and explodes in fury. Figaro and Almaviva barely escape his wrath. Bartolo meets with Basilio, who explains that Alonso was not working for the Count but was actually the Count himself. In a panic, Bartolo sends Basilio to get the notary to execute his marriage to Rosina immediately while Bartolo destroys any love Rosina might have for her beloved Lindoro by slandering him. When he breaks the news to Rosina, she is crushed and, in an act of vengeance, agrees to marry Bartolo, who is thrilled. A violent thunderstorm erupts. Figaro and the Count arrive at Rosina’s balcony to begin the elopement proceedings. Rosina rebuffs them both, revealing that she now knows her beloved Lindoro was only acting as a pimp for the lecherous Count. Though stunned, the Count asks whether Rosina truly loved her Lindoro. She admits the depth of her feeling for him and the pain she now feels. Overjoyed at having won her sincere love, the Count now reveals his true identity, and all is cleared up between them. Suddenly, the young ward will become a Countess. The celebrations are cut short by the arrival of Basilio and the Notary. Figaro suggests they depart by way of the ladder that they used to enter Rosina’s balcony. But they soon discover the ladder is missing. In a stroke of genius, Figaro co-opts the Notary, who weds the Count and Rosina on the spot. When Bartolo breaks into the room with the police force, he insists the intruders must be arrested. Once again Count Almaviva reveals his identity and the fact that Rosina is now his wife. Bartolo capitulates and gives his blessing on their union. All celebrate as the clock strikes twelve and Carnival begins.

Director’s Note For this production, we have tried to get under the skin of Il barbiere di Siviglia, to seek out fresh interpretations of each character and each situation, to preserve a feeling of period while instilling it with a contemporary sensibility. This particular opera, probably second only to Bizet’s Carmen, is mired in cliché and stereotype, bound by gimmicks that are 150 years old, stale, and predictable. This is the furthest thing from how the opera struck audiences at its inception. It was shocking in it extravagance, original in its wit and startling in its energy. The music still is, of course. Rossini, the man and the composer, was nothing if not a brilliant wit. He was anything but stodgy and conventional. Taking our cue from the spirit of the man and his opera, we have tried to explore the eccentric side of each character, the “dark side” if you will, without it becoming heavy. By grounding the style in a more or less realistic environment, we hope the “madness” of the plot and the behavior of the characters will come across as both more eccentric and believable. At the core of the piece is the conflict between order and chaos. Dr. Bartolo is an agent of control and tyranny, almost to the point of being obsessive. Figaro is the agent of chaos and liberty. When these two forces collide, brought together in battle by two young people in love, we have a conceptual triangle: Order–Chao–Love. Love brings everything together with its irresistible power, and even Bartolo capitulates to it in the end. Paralleling these three forces are three distinct scenic environments: Bartolo’s interior, Figaro’s shop, and the streets. Placing these three environments on a single turntable allows the spinning of the plot to echo in the rotation of the scenic environment. We should remember that Bartolo is Figaro’s father, which is revealed in the sequel, The Marriage of Figaro. The father and son are alike in key ways. In our production, Bartolo has an underbelly existence as a sort of mad scientist, grappling to reconcile scientific discoveries, such as the exploration of electricity and hypnosis, with the strict admonitions of the church. He is a walking contradiction: an old man who is madly in love, a religious man who studies science, the man of reason who is almost never in control of his emotions. Figaro is also multi-faceted, not only in his abilities, skills, and talents but also because, though he worships gold, he has a heart of gold. He is both opportunistic and idealistic in the extreme. The comical and farcical aspects of the piece bloom because of these contradictions of character, and it is the universal healing power of true love that reconciles everything.

— Nicholas Muni Rossini’s Opera Based on Beaumarchais’s Musical Play by Nik Taylor When Rossini and Sterbini chose to adapt Pierre Beaumarchais’s play Le barbier de Séville as an opera, they were selecting a work that had a long musical past. Beaumarchais had originally conceived the story for a comic opera libretto, a version that was never set to music and performed. But when a revised play version premièred in 1775, its many musical moments included original songs by the French violinist and composer Antoine-Laurent Baudron. In 1782, in response to the continued triumph of the play, the composer Giovanni Paisiello wrote an exceptionally successful operatic version of the story that was performed in many of Europe’s major musical centers well into the nineteenth century. Between the première of Paisiello’s work and Rossini’s in 1816, a total of four other operatic versions were composed, demonstrating the strong connection between music and Beaumarchais’s comedic play. One of the reasons for this association was that the characters in Le barbier de Séville were similar to the stock types in contemporary comedic opera. In addition, the original spoken text contains a number of memorable musical moments, including the Count’s serenade below Rosina’s window and the comedic music lesson. Beaumarchais’s play was thus a natural choice for an opera because music played a central role. Rossini and Sterbini greatly expanded one of the first and most important musical moments of Beaumarchais’s play: Count Almaviva’s serenade. In the play, the music in this section is relatively short; the Count speaks of his love for Rosina, though he has never met her; Figaro enters composing a song, learns of the Count’s desires, and coaches the Count through a serenade for his beloved in which he introduces himself as the poor “Lindoro.” Rossini and Sterbini reorganized and added to this episode for a more satisfying musical display. Their opera begins with a band of musicians quietly setting up for an another serenade— one that does not occur in Beaumarchais’s work—opulently scored for guitar, solo winds, and many other instruments. In Rossini’s opera, this added musical number introduces the Count as a romantic character deeply enchanted by the young Rosina. After Figaro’s entrance aria, the famous “Largo al factotum della città,” the barber encourages the Count to sing yet another, more modest serenade accompanied only by guitar. This second song intensifies our understanding of the Count’s romantic intentions with Rosina. Rossini and Sterbini expanded upon the simple opening of Beaumarchais’s play by setting not only the original serenade but by adding another, enriching the musical scene at the beginning of the opera. Rossini also adds music to the play in Rosina’s music lesson with the Count, who is then disguised as “Alonso,” under the close supervision of Bartolo. Rosina decides to sing “Contro un cor che accende amore,” an aria full of trills, runs, and other elaborate bel canto embellishments. This ornate style bores Bartolo, who has been in and out of sleep during her performance, allowing Rosina and the Count a moment to enjoy each other’s company. Bartolo responds to Rosina’s sophisticated performance with a primitive tune from his youth. His song, “Quando mi sei vicina,” is simple, old-fashioned, and in a strict dance meter— drastically different from Rosina’s aria. Rossini’s careful choice of musical styles and their connotations for contemporary audiences underlines the generational and cultural differences between Rosina and Bartolo. While Rossini and Sterbini were certainly not the first to set Beaumarchais’s story to music, their Il barbiere di Siviglia is by far the most famous today. Perhaps one reason for this is their musical expansion of the original story. Rossini’s music in these scenes does not simply fulfill the original stage directions but rather they deepen our understanding of the characters, their emotions and their situations in ways only music can.

Artistic Staff Biographies Arthur Fagen, Conductor Professor Arthur Fagen joined the faculty of the IU Jacobs School of Music in 2008 and is currently chair of the orchestral conducting department. From 2002 to 2007, he was the music director of the Dortmund Philharmonic Orchestra and the Dortmund Opera. Following his successful concerts with the Dortmund Philharmonic at the Grosse Festspielhaus in Salzburg, Fagen and the Dortmund Philharmonic were invited to the Concertgebouw in Amsterdam and the Palais de Beaux Arts in Brussels as well as on tours in Salzburg, Beijing, and Shanghai. He has conducted operas at the Lyric Opera of Chicago, Metropolitan Opera, Vienna State Opera, Munich State Opera, Deutsche Oper Berlin, Staatsoper Berlin, and New York City Opera, and orchestras that include the Baltimore Symphony Orchestra, the Czech Philharmonic, Munich Radio Orchestra, Tokyo Philharmonic, Orchestre de la Suisse Romande, Deutsche Kammerphilharmonie, Orchestra della RAI (Torino, Naples, Milano, Roma,), and the Bergen Philharmonic.

He has recorded Rossini with Flores and Kasarova for BMG, and has made numerous symphonic recordings with the Bayerischer Rundfunk, SFB, and WDR Cologne. He records regularly for Naxos, for which he has completed the six symphonies and piano concerti of Bohuslav Martinů. His last Martinů CD was awarded Editor’s Choice in the March 2010 edition of Gramophone. Future engagements include the world première of Alice in Wonderland by Giovanni D’Aquila at Teatro Massimo Palermo as well as return engagements to the Orchestre Philharmonique de Nice, Orquesta di Navarra, Haydn Orchester, and Bolzano Festival.

Fagen is also music director of the Atlanta Opera, where he will be conducting Faust and Don Giovanni in the 2011-12 season.

William Jon Gray, Chorus Master William Jon Gray, Assistant Professor, teaches graduate-level conducting, choral literature, and score study and is chair of the Jacobs School of Music’s choral conducting department. He served for three seasons as associate conductor of the Carmel Bach Festival in California, where he prepared and performed major choral/orchestral works in collaboration with Bruno Weil. He served as interim conductor of the Indianapolis Symphonic Choir, preparing the choir for performances with Raymond Leppard and the Indianapolis Symphony Orchestra. As artistic director of the Bach Chorale Singers, Gray conducted major choral/ orchestral works. The Chorale Singers’ 1998 commercially release CD recording In Praise of the Organ: Latin Choral and Organ Music of Zoltán Kodály, under Gray’s direction, received national attention and critical acclaim in the American Record Guide and the American Organist. Gray served as artistic director of the Masterworks Chorus and Orchestra of Washington, D.C., from 1986 to 1993. He has been assistant conductor of the Handel and Haydn Society of Boston, and has appeared as guest conductor with the National Chamber Orchestra, the Lafayette Symphony Orchestra, and the Handel and Haydn Society.

Gray studied at Indiana University, The Juilliard School, the New England Conservatory, and Boston University, and has studied conducting with Robert Porco, Thomas Dunn, and Richard Pittman. Gray worked and performed frequently with Robert Shaw and has appeared as a member of the Robert Shaw Festival Singers in recordings and concerts in France and in concerts at Carnegie Hall.

C. David Higgins, Set & Costume Designer Born in Bloomington, Ind., and raised not two blocks from campus, designer Professor C. David Higgins started his theatrical studies at IU intent on becoming an actor/dancer before he discovered his love for scenic design. He studied with the famous C. Mario Cristini and became proficient in the Romantic-Realist style of scenic design and painting. After earning his master’s degree, he joined the staff of Indiana University Opera Theater and has worked there as master scenic artist since the Musical Arts Center opened in 1971. He was appointed to the faculty in 1976 and now serves as chair of the Opera Studies Department and principal designer for Opera Theater, where he designs both scenery and costumes for major new productions. His design credits throughout the United States include the Atlanta Opera, San Antonio Festival, Memphis Opera, Norfolk Opera, Louisville Opera, Detroit Symphony, Canton Ballet, and Sarasota Ballet as well as many other venues. His Indiana University productions have been seen throughout North America as rentals and co-productions by major regional opera companies. His many international credits include the Icelandic National Theater; Ballet San Juan de Puerto Rico; Korean National Opera; Seoul City Opera; Korean National Ballet; Dorset Opera (England); Teatro la Paz de Belem, Brazil; and the Teatro National de São Paulo, Brazil. He has designed the scenery and costumes for the world première of Our Town (Ned Rorem), the American premières of Jeppe (Sandström) and The Devils of Loudun (Penderecki), and the collegiate premières of Nixon in China (Adams) and The Ghosts of Versailles (Corigliano) as well as many other operas and ballets. He has received critical acclaim in such publications as Opera News and the New Yorker magazine and is known for his Italianate painting style.

Patrick Mero, Lighting Designer Patrick Mero is the head of lighting for the IU Jacobs School of Music. He has designed the lighting for La bohème, Tosca, L’italiana in Algeri, and, most recently, West Side Story. He has also done extensive design work for the Jacobs School of Music Ballet Department and the African American Institute’s Dance Ensemble. In addition to his work on the MAC stage, Mero’s designs have been seen in several Cardinal Stage Company productions, including The Grapes of Wrath, The Diary of Anne Frank, If You Give a Mouse a Cookie, and Inherit the Wind. Other work around Bloomington includes the tango opera Maria de Buenos Aires and Transformations, both at the Buskirk-Chumley Theater. Mero originally hails from Charleston, S.C., but calls Bloomington home.

Nicholas Muni, Stage Director Distinguished Artist in Residence at the University of Cincinnati College-Conservatory of Music (CCM) since 2006, Nicholas Muni has directed over two hundred productions in North America, Europe, and Australia with companies including San Francisco Opera, New York City Opera, Canadian Opera Company in Toronto, Houston Grand Opera, Seattle Opera, Los Angeles Opera, Glimmerglass Opera, and Opera Theater of St. Louis. In Europe, he has directed for the Prague National Opera, the Kurt Weill International Festival, Theater Erfurt, Tirolerlandestheater in Innsbruck, Stadttheater Bern, and Stadttheater Giessen. His revival of Jenůfa at the Canadian Opera Company in winter 2003 received the prestigious DORA award for best theater production of the year. In addition, he has served as artistic director for the Tulsa Opera (1987-93) and Cincinnati Opera (1996-2005). Recent productions include Das Liebesverbot at Glimmerglass Opera, L’amico Fritz at San Francisco Opera Merola, Carmen at Boston Lyric Opera, and Ballo delle ingrate,Combattimento di Tancredi e Clorinda, and Trouble in Tahiti at Portland Opera. Upcoming productions include Cendrillon at Miami University, Cardillac at Opera Boston, La vida breve at Manhattan School of Music, and Giulio Cesare at CCM.

Stefano Sarzani, Italian Diction Coach Born and raised in Italy, Stefano Sarzani is currently a master’s student in orchestral conducting at the Jacobs School of Music, under the guidance of David Effron and Arthur Fagen. He studied piano and composition in Pesaro (Italy) at the Conservatorio Statale di Musica, G.Rossini, graduating in piano in 2007 and composition in 2009. He previously received the conducting degree of the Accademia Musicale Pescarese, where he studied with Gilberto Serembe, and has also studied conducting with Donato Renzetti, Otto Werner-Mueller, Harold Farberman, and Michael Jinbo. He has worked as a vocal coach, diction coach, and piano accompanist.

Cast Biographies

Born and reared in Ireland, baritone Conor Angell currently studies with Andreas Poulimenos as he works towards his doctorate. Before coming to Bloomington, he was a studio artist at Kentucky Opera, singing roles in Werther, Pirates of Penzance, Verdi’s Otello, Telemann’s Don Quichotte, and Tchaikovsky’s Iolanta. His operatic credits include roles in Le nozze di Figaro, Così fan tutte, La bohème, Rigoletto, Susannah, Don Giovanni, Die Zauberflöte, Madama Butterfly, La vida breve, Candide, He Cried Uncle (world première), The Ballad of Baby Doe, The Gondoliers,and Sweeney Todd. Angell has trained in the Opera North and Brevard Music Center Young Artist programs. He completed his master’s degree at UNC-Greensboro and his bachelor’s degree at Taylor University. Angell has performed as a soloist with orchestras in Indiana and North Carolina in oratorio and concert works. Bass-baritone Nathanael Brown has appeared many times in roles on the Jacob School of Music stage—in La Rondine, The Light in the Piazza, The Love for Three Oranges, La traviata, Les contes d’Hoffmann, A Wedding, La bohème, and Rigoletto. With the Indianapolis Opera, he has performed Tosca and Ariadne auf Naxos and was invited to sing in their Pasticcio scenes program last spring as Don Alfonso, Leporello, and Horace Tabor. Over the summer, Brown sang in Haydn’s Lord Nelson Mass. He studied with Timothy Noble for three years. He has been contracted to sing the role of Don Alfonso in Ball State University’s production of Così fan tutte

Jason Eck, bass, is a first-year graduate student pursuing a Master of Music in Voice at the Jacobs School of Music. This production marks his première with IU Opera Theater. Eck graduated from the Oberlin Conservatory of Music with a Bachelor of Music. His credits there included Sarastro (The Magic Flute), Peter Quince (A Midsummer Night’s Dream), Father/Singer #8 (Transformations), and Dulcamara (L’elisir d’amore). He has also participated in summer festivals such as Opera Theater of St. Louis (Ufficiale, The Barber of Seville)and The Music Academy of the West (Colline, La bohème). From Binghamton, N.Y., Eck studies with Timothy Noble.

Nick Fitzer, originally from Detroit, Mich., is currently in his second year of graduate study at Indiana University. He received his Bachelor of Music from Eastern Michigan University. A veteran performer, Fitzer has sung with various companies and orchestras across the Midwest, including Opera Theatre of St. Louis, Michigan Opera Theatre, Toledo Opera, Arbor Opera Theatre, the Comic Opera Guild, the Jackson Symphony, Plymouth Oratorio Society, and Ann Arbor Symphony Orchestra. He has sung a wide range of operatic roles including Rinuccio in Gianni Schicchi, Nanki-Poo in The Mikado, and Ladislas in a staged recording of Victor Herbert’s The Fortune Teller for the Library of Congress. His oratorio credits include, among others, Carmina burana, Schubert’s Mass in E-Flat Major, and in 2007, a world première of Joshua Bornfield’s Missa Brevis. Fitzer made his IU debut singing the tenor soloist in Stravinsky’s Les Noces, in a joint production with IU Ballet Theater and the Contemporary Vocal Ensemble. He has won several awards and honors, including the Indianapolis Matinee Musicale, the Wilfred C. Bain Opera Scholarship, the Jessye Norman Award, the Jon Vickers Award, and the Barry Manilow Competition. Fitzer is a student of Costanza Cuccaro.

Bass-baritone Thomas Florio recently graduated with his master’s degree from the Indiana University Jacobs School of Music, with which he was additionally awarded the faculty-nominated Performer’s Certificate, and is currently pursuing his doctoral degree with Brian Horne. In 2007, he was a member of the Wolf Trap Opera Studio, when he sang Judge No. 3 in John Musto’s Volpone, the recording of which was nominated for a 2009 Grammy Award (Best Opera Recording). In July 2010, he won First Prize in the NATS Artist Award competition, which carries a cash prize as well as contracts for recitals in New York and at the 2012 NATS National Convention. In August 2010, he performed the role of Dulcamara (L’elisir d’amore) as a member of the Merola Opera Program of the San Francisco Opera. In November of 2010, he will perform the bass solos in W. A. Mozart’s Coronation Mass and Vesperae solennes de confessore with the Cincinnati Symphony Orchestra. He was recently featured as the bass soloist in Messiah with the Lafayette Symphony. At IU, he has performed the roles of Raimondo (Lucia di Lammermoor), Giuseppe (The Light in the Piazza), Falstaff (The Merry Wives of Windsor), and Figaro (Le nozze di Figaro) with IU Opera Theater and Miles Gloriosus (A Funny Thing Happened on the Way to the Forum) with the Department of Theatre and Drama. In 2007, he graduated cum laude from James Madison University in his native Virginia, where his roles included Monsieur Choufleuri (Monsieur Choufleuri), Sarastro (Die Zauberflöte), and Frank Murrant (Street Scene). Performer Diploma student Ashleigh Guida, soprano, studies with Patricia Stiles. A native of Glendale, Ariz., Guida received her bachelor’s degree from the University of Arizona, where she studied with Faye Robinson. She last appeared on the IU stage as Gabriella in La Rondine, Signora Naccarelli in the collegiate première of The Light in the Piazza, and a member of the ensemble and dance corps in The Most Happy Fella, in addition to performing in the ensemble for The Love for Three Oranges. At the University of Arizona, she performed the roles of Mariane in Tartuffe,Alma March in Little Women, and Mrs. Nolan in The Medium.She has appeared in La traviata and Macbeth with the Arizona Opera Company. She has received the Metropolitan Opera National Council Encouragement Award for the Arizona District and was the winner of the Arizona NATS in 2005 and 2006, respectively. At the University of Arizona, Guida was a Medici Scholar and was the recipient of the Presser Scholarship and the Igor Gorin Memorial Award. Scott Harrison Hogsed began his professional training with the San Francisco Opera Merola program singing the title role in Don Giovanni. During his five seasons at New York City Opera, he sang the roles of Count Almaviva in Le nozze di Figaro, Dancairo and Morales in Carmen, Fritz in Die tote Stadt, Schaunard in La bohème, Peter in Hansel and Gretel, Fiorello in Il barbiere di Siviglia, and Anthony in Sweeney Todd. Other roles have included Schlemil in Les contes d’Hoffmann at Seattle Opera, Angelotti in Tosca at Atlanta Opera, the Baron in La traviata at Kentucky Opera, and Dandini in La Cenerentola at the Ash Lawn Opera Festival. On the concert stage, he sang with the Brooklyn Philharmonic under Robert Spano in the title role of Sibelius’ Kullervo, was a Messiah soloist with Orchestra Atlanta, performed the title role in Verdi’s Un giorno di regno at Caramoor, sang the baritone solos in J. S. Bach’s Mass in B Minor and St. John Passion with The Atlanta Bach Choir, and was filmed for PBS as Ned Keene in Peter Grimes under the baton of Seiji Ozawa. Most recently, he has been seen as Enrico in Lucia di Lammermoor, Germont in La traviata, the baritone soloist in Benjamin Britten’s War Requiem, and Signor Naccarelli in Adam Guettel’s The Light in the Piazza at Indiana University. He is a student of Costanza Cuccaro. Bass-baritone Hirotaka Kato, from Shizuoka, Japan, is a second-year Performer Diploma student at IU, where he studies with Andreas Poulimenos. He received his bachelor’s degree in vocal performance from Tokyo University of the Arts, where he performed Guglielmo in Così fan tutte and Gubetta in Lucrezia Borgia. After he received his bachelor’s, he made his professional opera debut as Papageno in The Magic Flutewith Hamamatsu City Opera in Japan. From 2004 to 2007, Kato was a member of Seiji Ozawa’s Ongaku-Juku Opera Project. He also has been featured as a soloist with many orchestras in Japan. Kato came to the U.S. for extended study of singing. As a master’s student, he studied voice at the Peabody Institute of the Johns Hopkins University. At Peabody, he performed several opera roles, including Bartolo in The Marriage of Figaro, Lindorf and Dr. Miracle in The Tales of Hoffmann, and Harasta in The Cunning Little Vixen. Last fall, Kato appeared with IU Opera Theater as Speaker in The Magic Flute.This summer, he attended Aspen Music Festival.

Angela Kloc is a native of Milwaukee, Wis., and is in her second year of graduate studies at Indiana University. In February, Kloc appeared on the IU stage singing the title role in Lucia di Lammermoor. She received her bachelor’s from Oberlin Conservatory in both musicology and vocal performance under the tutelage of Marlene Ralis Rosen. Her opera credits at Oberlin include The Queen of the Night (The Magic Flute), La Fée (Cendrillon), Amore (L’incoronazione di Poppea), Caroline (The Secret Marriage), and Despina, cover (Così fan tutte), as well as scenes from Die Entführung aus dem Serail, Der Rosenkavalier, Too Many Sopranos, Il matrimonio segreto, The Ballad of Baby Doe, and Dido and Aeneas. She is a member of Pi Kappa Lambda and currently studies with Costanza Cuccaro.

Steven Linville is a second-year Master of Music student from Franklin, Ind. He completed his Bachelor of Music in Vocal Performance at DePauw University in 2006, where he was designated the Fitzpatrick Opera Award recipient for his contributions to the DePauw Opera program. His previous operatic roles include Don Basilio in Le nozze di Figaro, Gherardo in Gianni Schicchi, Pluto in Orpheus in the Underworld, Monostatos in Die Zauberflöte, Daniele in Betly, and chorus work with Indianapolis Opera. Recently, he returned to DePauw to perform as tenor soloist in W. A. Mozart’s Requiem. His recent IU performances include tenor soloist in Haydn’s Missa in Angustiis (“Lord Nelson Mass”) in summer 2010. Linville is a student of Brian Horne.

Baritone Sean McCarther is a third-year doctoral student in vocal performance and pedagogy at the IU Jacobs School of Music. He has been seen in Arabella (Graf Dominik), Rigoletto (Marullo), Les contes d’Hoffmann (Crespel), and in the première of ¡Únicamente la verdad! (Composer) with IU Opera; a student production of A Midsummer Night’s Dream (Theseus) with the Lee Norvelle Theatre; the staged première of Don Freund’s Romeo and Juliet (Romeo) with the Bloomington Playwright’s Project; Tigrane (Policare) with the Bloomington Early Music Festival; and Into the Woods (Baker) with JCM management. McCarther teaches secondary voice and undergraduate vocal pedagogy at the Jacobs School of Music and is an adjunct professor of voice at Vincennes University. He is a student of Robert Harrison. Hailing from Beulah, Colo., bass-baritone Cody Medina is pursuing a Doctor of Music. He received his Bachelor of Music degree from the University of Denver’s Lamont School of Music under the tutelage of Kenneth Cox. Medina also holds a Master of Music from the Indiana University Jacobs School of Music. Past performances with IU Opera Theater include Frère Laurent inRomeo et Juliette (Gounod), Herr Reich in Die lustigen Weiber von Windsor (Nicolai), Achilla in Giulio Cesare (Handel), Snooks in A Wedding (Bolcom), Olin Blitch in Susannah (Floyd), St. Peter in Too Many Sopranos (Penhorwood) and Comte des Grieux in Manon (Massenet). Medina has been featured as Il Re in Aida (Verdi) and the 5th Jew in Salome (Strauss) with Cedar Rapids Opera Theatre and Il Prefetto in Linda di Chamounix (Donizetti) with Cleveland Opera Troupe. Other roles include Dulcamara in L’elisir d’amore (Donizetti), Figaro and Antonio in Le nozze di Figaro (W. A. Mozart), and Simone and Betto in Gianni Schicchi (Puccini). He has appeared as a guest artist with the Colorado Youth Symphony Orchestra, the Lamont Symphony Orchestra, The Rome Festival Orchestra, and the Maud Powell Festival. Medina has been the baritone soloist in performances of Brahms’ Requiem, Beethoven’s Symphony No. 9, and an evening of American music with the Hendricks Symphonic Society, with which he will be the bass soloist in Verdi’s Requiem in May 2011. He was awarded Third place in the Denver Lyric Opera competition in February 2009. Medina is a student of Timothy Noble.

Andrew Morstein, baritone, makes his IU Opera Theater debut with his performance as Ambrogio. A junior vocal performance major studying with Timothy Noble, Morstein has recently been seen as Figaro in Sylvia McNair’s undergraduate Opera Workshop program, the IU student production of Gluck’s Orfeo ed Euridice, and in the Spring 2010 performance of Mendelssohn’s Elijah. Morstein was a finalist in the Helene G. Simon Campus Superstar competition last spring.

Omaha native John Orduña, baritone, is a doctoral student studying with Robert Harrison. While pursuing his Performer Diploma at the Jacobs School of Music, he has been seen as Pantalone (The Love for Three Oranges) and Mercutio (Romeo and Juliet). This summer, Orduña performed in J. S. Bach’s St. Matthew Passion at the Cincinnati May Festival under the baton of James Conlon. He also covered the role of Il Re in Handel’s Ariodante at the Princeton Festival under the baton of Richard Tang Yuk. Orduña received his Bachelor of Music from the Oberlin Conservatory of Music, where he performed the roles of Mercury (Orpheus and the Underworld), Norton (La Cambiale di Matrimonio), Le Geolier (Dialogues des Carmélites), and Guglielmo (Così fan tutte). He received his Master of Music from the Florida State University College of Music, where he performed the roles of Marcello (La bohème) and Poo-Bah (The Mikado).

Mezzo-soprano Charis Peden made her professional debut as Marcellina in Le nozze di Figaro this spring for Rogue Opera, a role previously performed as a young artist with Sugar Creek Symphony and Song and Bay View Music Festival. Roles performed with IU Opera Theater include Mme. de la Haltière in Cendrillon and Candace in the collegiate première of A Wedding. Other operatic roles include Miss Todd (The Old Maid and the Thief, ExArt, Ind.), La Principessa (Suor Angelica, Abilene Christian University, Texas), and Zita (Gianni Schicchi, understudy). Partial roles consist of Augusta (The Ballad of Baby Doe), Mrs. Olsen (Street Scene), Dritte Dame (Die Zauberflöte), Quickly (Falstaff), the Old Lady (Candide), and Ulrica (Un ballo in maschera). She is also a finalist of the 2009 Lake Regions Opera Company New Hampshire Opera Idol competition. Committed to the art of the song recital, Peden has participated in Wolf and Schumann Liederabends with collaborative pianists Casey Robards and Matt McFarlane as well as in the 2008 IU Student National Association of Teachers of Singing Chapter’s Living Composers Forum recital with Kimberly Carballo, featuring William Bolcom and Joan Morris. This November, Peden and Carballo will present a guest recital and master class series at the Universidad del Norte in Barranquilla, Colombia. A first-year doctoral student Peden studies with Patricia Stiles.

Tenor Marco Stefani is a second-year graduate student studying with Robert Harrison. He is an alumnus of University of the Pacific and Music Academy of the West. This is his first role with IU Opera Theater.

INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC

Our bi-weekly newsletter is always available at: music.indiana.edu/fanfare Here are a few more quick links!

music.indiana.edu/events music.indiana.edu/opera music.indiana.edu/ballet music.indiana.edu/iumusiclive Concert Orchestra

Violin I Cello Horn Sarah Drake Josue Valdepenas Zachary Quortrup Benjamin Hart Zachary Mansell Kenji Ulmer Erica Shirts Cole Tutino Yuko Tatsumi Alana Shannon Trumpet Borislava Iltcheva William Gerlach John Smith Bass Thomas Ribas Ran Seo Adam Cobb Eva van Haaften Matthew Gray Timpani Hanna Woo Ellen Miller Parker Lee Jonathan Chern Flute Percussion Violin II Magdalena Falasca, Nicholas Taylor Alexandru Hamzea Piccolo Lee Allman Azusa Chapman Pei-San Chiu, Yuri Hirano Piccolo Onstage Guitar Hannah Linz Gabriel Gutierrez Liaht Slobodkin Oboe Andrew Bloom Lindsay Flowers Harpsichord Khaled Mohammed Angela Quatrini Alice Baldwin Grace Kim Clarinet Orchestra Manager Viola Kevin Schaffter Sarah Paradis Emilee Newell Kevyn Bailey Azusa Chapman, Olivia Chew ass’t. Sarah Lee Bassoon Forrest Wu Christina Feigel Orchestra Set-Up Daniel Wunderle Kaitlyn Paradise Hsing Yu Wang Eunje Kim Matthew Gray Huan-Hsi Chen

Librarian Mariel Stauff Student Production Staff Assistant Conductor...... Brian Onderdonk Assistant Stage Manager ...... Sara Radke Diction Coach...... Stefano Sarzani Head Fly Person ...... Ashley Hughes Deck Supervisors...... Jesse Willet, Kelsey DeWitt Stage Supervisor ...... Abby Lefkove Head Deck Electrician...... Jonathan Schull Light Board Operator. Patrick Dagley Prop Master. Hannah Carter Paint Assistants...... Sara Radke, Sarah Stone Paint Crew...... Eric Dagley, Melody Eotvos, Elizabeth Hadley, Nolan Moss, Laura Sibrel, Adam Svoboda Electrics Crew ...... Ryan Boyce, Patrick Clark, Mark Davies, Heather Forrester, Kelly Glyptis, Rebecca Johnstone, Skylar Kooi, Alyssa Martins, Adam Svoboda, Eric Svoboda, June Tomastic, Sean Vann Deck Crew...... Jeff Cierniak, Andrew DeVoe, Alana Dion, Jowi Estava, Joshua Held, Ashton Hendrich, Jennifer Kempfer, Robbie Kozub, Adam Lamirand, Carley Matey, Danielle McClendon, Caitlin Saraceno, Kurt Semmler, Victoria Scanlan, Eric Schulze, Alana Shannon, Matthew Storino, Steven Wilson, Tommy Wilson Costume Assistants...... Molly Fetherston, Charis Peden, Emily Solt Costume Crew...... Jennifer Albert, Colleen Beucher, Joseph Beutel, Jasmine Brown, Jill Cimasko, Lydia Dahling, Paul Dandridge, Elizabeth Fittro, Eileen Jennings, Margaret Musick Assistant House Managers...... Lindsay Flowers, Jonathan Matthews Audio Production Crew ...... Ran Deng, Ari Kaplan, Andreas Kramer, Robert Rossman, Matthew Tobey, Stephanie Yingst Supertitle Operator . Emily Smokovich A Choreographer’s Evening Fall Ballet

Celebrating the role of the choreographer October Noir Glinka Pas de Trois 8, 9 Choreography by Twyla Tharp Choreography by George Balanchine Music by Béla Bartók Music by Mikhail Glinka Musical Arts Center at 8pm Allegro Brillante The Baker Dances To the Pointe NEW Production! at 7pm Choreography by George Balanchine Choreography by Joshua Bergasse

Music by Peter Ilyich Tchaikovsky Music by WorldDavid N. Baker PREMIERE!

Stellar Performances on Exhibit MAC Box office: (812) 855-7433 | music.indiana.edu/operaballet Jacobs School of Music Honor Roll Fiscal Year 2009-2010 Individual, Corporate, and Foundation Supporters The acobsJ School of Music wishes to recognize those individuals, corporations, and foundations who have made contributions to the school between July 1, 2009, and June 30, 2010. Those listed here are among the Jacobs School’s most dedicated and involved benefactors, and it is their outstanding generosity that enables the IU Jacobs School of Music to continue to be the finest institution of its kind in the nation. Individuals $100,000 and Up The Estate of Barbara M. Jacobs Jamie Bernstein The Estate of Harold R. Janitz Nina Bernstein Simmons The Estate of John D. Winters The Estate of Thomas L. Gentry Alexander S. Bernstein Gary and Kathy Anderson Jack and Dora Hamlin The Estate of Samuel W. Siurua $50,000 - $99,999 Marjorie Buell Mary Kratz Gasser

$20,000 - $49,999 Christel DeHaan Virginia Schmucker Pamela S. Buell Peter and Monika Kroener

$10,000 - $19,999 Jamey and Sara Aebersold Luba Dubinsky William and Carol Fox P. A. Mack Hank Bode and Susan Cartland-Bode Wade and Ann Harrison James and Jacqueline Morris Jack and Pamela Burks Ruth W. Johnson Lucy E. Cross $5,000 - $9,999 Olimpia F. Barbera Douglas and Margaret Strong Jay and Karen Goodgold Steve Russell and Mag Cole Russell Arthur and Therese Fell Stanley and Zelma* Ransom Bruce Bergland and S. Sue Aramian Susan J. Slaughter Cynthia Owen-Bergland Beth Stoner $1,000 - $4,999 Marianne L. Ackerson Paul and Ellen Gignilliat Charles* and Zelda Leslie Donald and Charlene Allen Frank C. Graves Edward and Terri Martin Atar and Evelyne Arad Rita B. Grunwald Thomas and Penelope Mathiesen Martha Aramian Alan J. Harris Darby A. McCarty Robert Barker and Patsy Fell-Barker The Estate of Bernhard C. Heiden Clarence and Nancy Miller Constance K. Bash Allan Hershfield and John and Geraldine Miller F. Dale and Linda Bengtson Alexandra Young Terry and Sara Miller Norma B. Beversdorf Jerome and Lucinda Hey Michael and Noemi Neidorff Douglass and Ruth Boshkoff William T. Hopkins Joan C. Olcott J. Peter Burkholder Michael S. Insel Juan Orozco William and Anita Cast David H. Jacobs James and Carol Orr William A. Crowle Anne L. Jarema Herbert E. Parks Jay and Jacqueline Dickinson Ross S. Jennings Eleanor R. Peterson Gary and Sandra Dowty Kenneth and Linda Kaczmarek Oswald G. Ragatz Thomas and Marian Drake Thomas and Gail Kasdorf Ellen M. Rainier Jeremiah and Chelsea Duggan Roberta H. Kletter Randall L. Tobias D. Kim and Jane Dunnick Arthur Koch and Stine Levy Roy and Marlene Rapp Nile and Lois Dusdieker Thomas and Theresa Kulb Edward and Lois Rath Thomas and Ellen Ehrlich James and Katherine Lazerwitz Gwyn and Barbara Richards Edward and Mary Fox Dennis and Judith Leatherman James and Mary Rickert Susan Fredrickson Robert and Sara LeBien William and Margaret Salin Randy Schekman and Nancy Walls Fredric and Roberta Somach Susan C. Thrasher Harold and Jeannette Segel W. Craig Spence G. Edward and Cynthia Towson Jefferson S. Shreve Ellen Strommen H. E. and Ruth Trusheim Curtis and Judith Simic Linda Strommen Ernst Walch Lorraine E. Sirucek Mark A. Sudeith Allen and Nancy White Phil and Charlotte Slaughter Charles and Brenda Surack David L. Wicker Catherine A. Smith $500 - $999 Vincent Adragna E. Irene Gallas and Frances Zweig P. Q. Phan Robert Althauser and Mary Goetze Jolaine L. Hill Nancy P. Rayfield Charles and Margaret Athey William and Karol Hope Robert and Joy Renshaw Linda A. Baker Chester Hublar Edward and Donna Ronco Mark and Mary Bauman Robert J. Hublar Herman E. Rowlett Christopher and Ruth Borman Linda S. Hunt E. W. and Ruth Ryan Karen M. Boston-Wright Jeffrey S. Jepsen John and Dora Ryan Harold and Karen Bratton Lynn A. Kane David D. Schrader Roberta Brokaw Michael Lynch and Emilia Martins Scharmal K. Schrock Malcolm H. Brown Robert and Marcia Mahnken Kenneth and Cecile Schubert Philip Caito and Dena Hancock Francis and Tracey Martin William R. Shindle J. P. and Barbara Carver Jerry and Phyllis McCullough John* and Viola Spencer Janice L. Clark Beverly A. McGahey Mary L. Stein James and Carol Clauser Emily Mitchell Bruce C. Trible J. Neal Cox Lawrence and Betty Myers Susan E. Trippet Leo and Kay Drey David and Jean Nanney Robert M. Van Besien Stephen and Barbara Ellis Delano and Luzetta Newkirk John P. Wentworth Jay Fern Dennis W. Organ Charles and Helga Winold Jon and Jann Fujimoto Doreen E. Pearse Laura S. Youens-Wexler Norman and Sharon Funk Barrie and Margaret Zimmerman $250 - $499 Paula J. Amrod John and Sharon Downey Francis and Winnifred McGinnis Ann C. Anderson Jeffrey and Deborah Ewald Daniel J. McKinley Donna K. Anderson Gabriel and Sara Frommer Steven A. McNeil Jeffrey and Gail Anthony Michael Gerry Daniel Melamed and Elizabeth Sabga Mary I. Arlin Lorraine Glass-Harris Brian K. Newell Kenneth and Elizabeth Aronoff Halina Goldberg Jon A. Olson James F. Ault Alan R. Goldhammer Elizabeth M. Paine Mary K. Aylsworth Glen G. Graber Sujal H. Patel Sandra C. Balmer Selma C. Grant Nancy G. Puckett David Y. Bannard Anne M. Hagan Philip S. Richardson Brian M. Barnicle Stephen and Jo Ellen Ham Steven L. Rickards Frederick and Beth Behning Brooks and Donna Hamm Sanford E. Rosenberg Euel Belcher and Margaret Evans Ralph E. Hamon Byuong and Patine Ryu Julian M. Blumenthal Steven and Leona Handelman Mary L. Sachse Laura A. Bornholdt Sheila Hass Robert Schneider and Sarah Mitchell Louise Breau-Bontes Gene and Judith Hedrick Richard and Ilene Sears Carl and Lois Brehm William and Marsha Heil David L. Shea Thomas and Katharine Brunner Harvey B. Holly David and Barbara Sheldon Mark and Jody Bruns Donna Hornibrook Sandra K. Sherman David Burkhart and Chris Holmes Nancy O. Hublar Kerry Krutilla and Chiu Shu-Chuan John N. Burrows Diane S. Humphrey Robert and Laurie Silber David and Margery Byrne Mark Hyams and Julia Erdmann Charles and Eleanor Six Marc and Jeanne Campbell Masanori and Seiko Igarashi Suzanne V. Smith Phyllip B. Campbell John L. Iltis John L. Snyder Philip and Elizabeth Capasso Wayne and Kristin Jones Fredrick and Lori Spencer Kevin A. Casseday Janet Kelsay Mike St John Verne and Gail Chapman Will and Ann Konneker Joyce A. Taylor Lloyd and Dorinda Chase George and Cathy Korinek Frances Tietov Robert and Gayle Chesebro Jeanne M. Kostiuk Kenneth L. T’Kindt Jay L. Cimmer Virginia A. Krauss Michael and Claudia Walk Jeffrey and Jennifer Cohen Gerald and Shirley Kurlander Christine J. Ward Charles and Ann Conrad Glenda G. Lamont Sidney and Kay Wessol Gordon Cooper and Dorothy Shaw Adrienne R. Lawrence L. Alan and Elizabeth Whaley John and Carol Cornwell Gregory and Veronica Leffler Wendy L. Whittemore Nora B. Courier Eric and Rebecca Lightcap Tony J. Wiederhold Katherine R. Covington John and Barbara Lombardo Donald H. Wissman Mary W. Davidson Julie R. Lustman Christopher Young and William Davis and Dell Harmsen Joshua MacCluer Brenda Brenner Mary L. Denne Richard and Geraldine Markus Craig and Cathy Zerbe Christopher and Tonja Deviney D. Jason McClellan Larry and Joyce Zimmerman $100 - $249 Robert and Kara Adams Aileen Chitwood Moira J. Fetterman Lois C. Adams Miller Matthew Christ and Gary P. Field Nancy J. Agres Sophia Goodman Jack Fields and Melissa Kevorkian Kurt and Susan Alexander Lawrence and Dianne Christensen Mary E. Fine Shirley T. Aliferis Marvin and Dolores Christie Donald and Myra Fisher James A. Allison Jonathan D. Chu Elfryda Florek Mike and Virginia Amick Cynthia M. Cirome Felicia Foland Joseph D. Amlung David Clark and Diane Coutre Frank J. Folz Richard and Evelyn Anderson Robert and Marcia Coleman Philip M. Ford Stella N. Anderson James D. Collier Roger and Jean Fortna James and Mary Babb Mark R. Conrad Bruce and Betty Fowler Margaret K. Bachman Kathryn J. Cooke William and Julie Froude Adrienne T. Bailey Kevin and Laura Cottrill Charles L. Fugo Cynthia L. Baker Connie Coulianos Edwin and Melanie Fuhrmann Joseph T. Banas Gretchen E. Craig Mauricio Fuks and Pamela L. Banks Bettejane Crossen Violaine Gabriel-Fuks H. Edward and Julia Barnicle Janet S. Crossen Dennis and Marcie Gamble Michael R. Barrett Samuel and Mary Crowl Douglass Garibaldi Patricia W. Barrett G. Michael and Kathy Cullen Paul H. Gebhard Robert R. Bartalot Bradley and Cheryl Cunningham Kathleen A. Gentes Michael and Joan Bartos Michael G. Cunningham Brice Gerlach and James Bates and Jena Huebner Max Curtis Michele Byrd-Gerlach John and Paula Bates Edward and Linda Dahm Craig C. Gibson Stephen E. Bates David and Donna Dalton Robert J. Giesting Charles F. Becker John T. Dalton Susann Gilbert Martin and Judy Becker Eugene B. Daniels Katherine M. Gilbert-O’Neil Mary F. Berk Janice E. Daniels Ezekiel and Viola Gilliam Edward R. Bialon Gerald and Mary Danielson John M. Glover Lisa A. Billingham John D. Danielson Duane Goetze and Christine Swanson Abbe I. Binstock David and Bette Davenport Richard S. Gorden David and Judy Blackwell Kathryn M. Davidson Joyce M. Gouwens Fredrick and Ann Blackwell James W. Davies Susan E. Grathwohl Ronald and Regina Blais Michael and Leslie Deleget Linda J. Greaf Heinz H. Blankenburg Richard and Barbara Dell Jane C. Greenberger Marvin R. Blickenstaff Robert D. Depoy Charles and Theresa Greenwood John and Mary Blutenthal John F. DeVivo David E. Greiwe Michael and Pamela Bobb Ronald and Audrey DeVore William and Robin Gress Alice M. Bogemann Thomas Diaz and Mary Diaz-Przybyl Teddy and Phyllis Gron Christine M. Bohlman Roger D. Dickerson John and Nola Gustafson Bruce A. Boissonnault Barbara C. Dickey Holli M. Haerr Lawrence and Mary Bond Richard and Barbara Domek Laurel K. Hagerman William H. Bondurant D. Michael Donathan Rebecca B. Hall Arthur and Karen Bortolini Paul T. Dove Anthony J. Halloin Bennet and Cynthia Brabson David A. Drinkwater Stanley and Hilary Hamilton Elizabeth M. Brannon Margaret J. Duffin Josephine Hansen Jeffrey L. Bransford Gregory S. Dugan Charlene A. Harb Merry R. Brauch Silsby S. Eastman Harvey and Judith Harris Clayton and Pauletta Brewer Robert and Robin Eatman Stephen and Martha Harris Joan T. Bricetti Ruth L. Ebbs Betty J. Hedges Carl and Connie Brorson Marjorie A. Eddy William and Constance Hegarty Dorothea M. Brown Karin M. Edwards Jay and Carolyn Henges Edward P. Bruenjes Joseph E. Elliott Michael Henoch and Louise Dixon Hal and Freddie Burke Charles and Anna Ellis Laura B. Hentges Ralph M. and Ann Burns Michael J. Ellis Thomas and Suzanne Herendeen Doris J. Burton Herman and Mary Emmert Florence E. Hiatt Giuliana C. Busch Stanley and Pamela Engle Leslie W. Hicken Rebecca C. Butler Lucille I. Erb Joe and Margaret Hickman Nanette Canfield David R. Ernst J. William and Karen Hicks Joseph R. Car David Evenson and Lois Leventhal Carlton L. Higginbotham James A. Carlson Pauline E. Eversole Ford D. Hill Christopher and Andrea Carrington Gerald F. Falasca Lowell and Ruth Hoffman Christopher Carson and Mark and Jennifer Famous Marilyn L. Hoffman Deborah Bloom Elliot Fan and Elaine Chu Edith Holm Robert and Susan Cave Teresa K. Fancher Nicholas and Katherine Holzmer Bruce and Cheryl Cazenave John and Suzanne Farbstein Bernard and Helen Hoogland Patricia E. Chambers Kevin and Carolyn Farrell Dennis and Judith Hopkinson Harriet R. Chase John Fearnsides and Margaret Jenny Ray and Phyllis Horton Lee A. Chelminiak Jean E. Felix Emily L. Hostetter James and Janice Childress Salvatore and Carol Ferrantelli Robert and Jacqueline Hounchell Ivan and Anne Hughes Paul and Donna Love Russell L. Otte John and Cindy Hughes Patricia D. Lust Stephen and Elise Overcash Craig D. Hultgren Marie T. Lutz Mary A. Owings James and Janet Humphrey Alma E. Lyle Tracey L. Paddock Lois Humphrey Ian Lytle and Marija Grahovac Gerry Pagano Gregory A. Imboden Frances M. Madachy Hyung-Sun Paik Gayle Jackson Robert W. Magnuson Donald and Jeanette Palla Carole L. James Joseph Manfredo Leila S. Palmer Jathan and Marjorie Janove Rochelle G. Mann Carol L. Pampalone Warren W. Jaworski John L. Maple Lois F. Pardue Robert and Kathryn Jessup Brian D. Marcus Robert and Sandra Parker Earl and Shirley Johnson Nancy R. Marron Kenneth D. Pennington Kathleen L. Johnson Rose M. Martin Don Perkins Thomas and Marilyn Johnson Thomas and Mary Martz Kathie I. Perrett Anne S. Jones Richard and Susan Marvin Frederick and Velma Peterson Clark and Nancy Jones John M. Maryn E L. Petrulis Russell L. Jones Joel and Sandra Mathias Edward Petsonk Kenneth and Elyse Joseph Joseph V. Matthews Deborah E. Phelps Scott and Mary Joseph Andrea Matthias Cheryl L. Phillips Michael W. Judd Barbara E. Mayhew Alexander and Anne Pickard James R. Kallembach Marjorie E. McCall George W. Pickering Kathleen Katra Cullen and Rachel McCarty Robert Plank and T. Earline Moulder Patricia A. Katterjohn Scott McCray Richard and Carolyn Pollak Lawrence P. Katzenstein Herm and Carol McCreary Gregory Powell and Carol R. Kelly Ellen L. McGlothin Miriam McLeod Powell Karen L. Keltner Carmen J. McGrae Patricia A. Powell Steven and Kristin Kessler Jerry and Jane McIntosh Daniel Powers and Martha Krasnican Robert and Stephanie Keys Eric L. McIntyre Sylvanna T. Prechtl Myrna M. Killey Larry S. McKee Karen Pritchard Calvin and Margaret Kindig P. Douglas McKinney Jan E. Prokop John and Julianne King James and Nelia McLuckie Derrick M. Purvis Laura J. King Mary Jo McMillan Manuel and Catherine Ramos Cheryl Kinney Robin McNeil Susanna M. Rast Curtis J. Kinney Edwin B. Meissner John A. Rathgeb Joan Kirchner Stephen P. Merren Alan and Diana Rawizza W. John and Sarah Kitzmiller H. Patricia Merrill Donald M. Rebic Karen L. Klages Emanuel and Kathleen Mickel Lincoln and Marlene Record Marilyn J. Kloss Lydia P. Milham Phyllis E. Relyea Dean and Christy Kluesner Ben F. Miller Carolyn J. Rice John and Barbara Knipp Donald A. Miller Thomas and Kathryn Rice Philip L. Knoeppel James and Sylvia Miller Joann Richardson Robert Knowlton and Mary Edwards Judith E. Miller Mary A. Rickert Thomas and Linda Koch Ronald and Joyce Miller Susan M. Rider Moon S. Koh Clara M. Millett Thomas Ritchie and Kimberly J. Koons Patrick and Frances Mitchell Joyce Ruple Ritchie Marilyn L. Kouba Richard J. Mlynarski Donald and Lucy Ritter Joel S. Krueger Philip and Patty Moreau Leon L. Rix Scott W. Kunkel Isabelle Moretti Alice E. Robbins Glen Kwok Ruth E. Morrow Rosella Roberts Larry and Judy Lafferty Lynwood and Kristine Mueller Jerry and Cynthia Robinson Eric Lai and Grace Lok Paul F. Mueller Joy E. Robinson Betty E. Landis Frieda E. Myers Kenneth Rodbell and Lois B. Lantz Timothy and Dana Myers Kathleen Moonan Aldis and Susan Lapins Andrea Myslicki Helmut J. Roehrig Jaime Laredo and Sharon Robinson Jennifer L. Naab Bruce E. Ronkin Robert L. Larsen George and Diane Nadaf Linda J. Rosenthal C. Howard Larson Emery and Patricia Nagy Gerald J. Rudman Scott R. Latzky Emile G. Naoumoff Ruth F. Ruggles Akers George Lawrence and Judith Auer Falle D. Nelson Joseph and Rebecca Russell Glorianne M. Leck Joan Newton John and Judith Ryan Paul and Linda Lee Patricia B. Newton David and Ann Samuelson James A. Leick Kenneth H. Nichols Robert and Barbara Sanderman Robert B. Lennox Omar and Julia Nielsen Anne E. Sanders Kristin M. Lensch Carol L. Noe Michael and Susan Sanders Amy L. Letson Margaret V. Norman Thomas and Martha Sands Jerry and Jane Lewis Douglas and Roma North Virginia G. Sarber Joseph J. Lewis Philip and Jennifer Nubel John and Donna Sasse Barbara Liberman Philip R. Ohriner Norin F. Saxe Thomas and Nancy Liley Melinda P. O’Neal Mark and Erin Schaaf Lillian G. Livingston Adrienne Ostrander Vicki J. Schaeffer Susan M. Llewellyn Elayne Ostrower John and Sarah Schaffer Richard and Barbara Schilling Marcus G. St Julien Robert C. VanNuys Charles H. Schisler Darell and Susan Stachelski Lawrence A. Vanore Nancy J. Schmidt Judith L. Stahlhut Dianne Vars Michael D. Schroeder Howard and Eve Steinberg William and Shirley Vessels Matthew R. Schuler Paul Stephenson and Maria Schmidt Scott Wagenblast and Nancie Nelson Bradley and Jennifer Schulz Natalie N. Sterba Larry and Charlotte Wagner Christopher and Janet Schwabe Scott Stewart and Jeffrey Clanton Frederick P. Waible Monte Schwarzwalder and Janis M. Stockhouse Barbara J. Waite Rebecca Henry Robert and Virginia Stockton Raymond and Cheryl Waldman Daniel E. Scott Ernestine Stoop Jane E. Walker John A. Seest James L. Strause Susan L. Walker Richard Sengpiehl and Mary Adams Lawrence A. Strieby Sarah F. Ward Danny and Sarah Sergesketter Lester Suehiro and Haruka and Ayako Watanabe Stephen and Nancy Shane Bunnie Au-Suehiro Stephanie C. Wayland Nadine E. Shank Jerry and Joy Suhrheinrich Paul and Mary Waytenick Merry M. Shapiro Gregory and Rhonda Swanson James R. Wehrman Wayne and Lois Shipe William and Diana Taggart Grace C. Wei W. Robert and Jill Siddall Yasuoki Tanaka George Weremchuk Roger S. Simmons Richard and Lois Tappa Roger and Barbara Wesby Alan and Jackie Singleton James and Janet Tate Miriam E. Whaples Arvi Sinka Lawrence S. Tavel Mark and Jan Wheeler Robert V. Slack Jerry Telgheder James T. White Kevin and Jennifer Slaughter Helen C. Templeton John White and Martha Brand John and Donna Slinkard James J. Teutemacher Mark Wiedenmayer John W. Smallshaw Amy R. Tharp Thelma J. Wilcox Eliot and Pamela Smith Neil Theobald and Sheona Mackenzie Dolores Wilson John and Juel Smith Ross A. Thompson Lawrence A. Wilson Marvin K. Smith Carol A. Timmerman-Yorty Joseph and Arlita Winston Timothy and Kristin Smith Diana Tompa Carl and Donna Wiuff Lucille Snell Jennifer A. Tompa Peter and Teresa Wolf Susan E. Snortland Jonathan Towne and Rebecca Noreen Gregory Wolfe and Julie Hochman James and Carolyn Sowinski Philip and Alice Trimble Earl S. Woodworth Paul V. Spade Myrna D. Trowbridge Danny and Karen Wright Susan E. Spell Noelle M. Turner Giovanni Zanovello Barry R. Springer John and Alice Tweedle Henry and Carol Zeiter Peter and Ann Spurbeck Michael J. Valenti Conrad and Debora Zimmermann Charles J. Van Tassel Corporation and Foundation Donors $100,000 and Up Dorothy Richard Starling Foundation Theodore W. Batterman Family Foundation, Inc. $10,000 - $99,999 Christel DeHaan Family Foundation Summer Star Foundation for Nature, Art, and Humanity

$1,000 - $9,999 Avedis Zildjian Company David G. Monette Corporation Kuehn Foundation Bloomington Classical Guitar Enterprise Holdings Foundation Martin and Son, Inc. Society, Inc. International Women’s Brass Saint Louis Symphony Orchestra Crown Management Conference, Inc. Salin Bank and Trust Company Bloomington, Inc. Juan Orozco LTD, Inc. Sweetwater Sound, Inc.

Up to $999 Blackburn Trumpets Buckin’ Hamm’s, Inc. Helios, Inc. Bloomington Chamber Singers Christ Church Pentreath House Bed and Breakfast Bruce Meredith, Inc. City Optical Company, Inc. TIS Group Four Walls LLC Dean’s Circle The Indiana University Jacobs School of Music Dean’s Circle includes individuals dedicated to making a difference in the cultural life of our nation. These unrestricted gifts of opportunity capital support the areas of greatest need, including financial aid, faculty, academic opportunity, and visiting artists. Visionary Members - $10,000 and Up Gary and Kathy Anderson Christel DeHaan David H. Jacobs, Jr. Jack and Pamela Burks Harold R. Janitz*

Strategic Members - $5,000 to $9,999 S. Sue Aramian Ruth W. Johnson Steve Russell and Mag Cole Russell Jay and Karen Goodgold Beth Stoner Supporting Members - $2,500 to $4,999 Frank C. Graves Peter and Monika Kroener Edward and Terri Martin Wade and Ann Harrison Dennis and Judith Leatherman Mark A. Sudeith Contributing Members - $1,000 to $2,499 Martha Aramian Kenneth and Linda Kaczmarek Gary and Christine Potter Robert Barker and Patsy Fell-Barker Thomas and Gail Kasdorf Edward and Lois Rath Constance K. Bash Arthur Koch and Stine Levy Gwyn and Barbara Richards F. Dale and Linda Bengtson George and Cathy Korinek James and Mary Rickert William and Anita Cast Thomas and Theresa Kulb William and Margaret Salin William A. Crowle James and Katherine Lazerwitz Randy Schekman and Nancy Walls Jeremiah and Chelsea Duggan Robert and Sara LeBien Harold Segel and Jeannette Jung Segel D. Kim and Jane Dunnick Charles* and Zelda Leslie Jefferson S. Shreve Nile and Lois Dusdieker P. A. Mack Curtis and Judith Simic Thomas and Ellen Ehrlich Darby A. McCarty Fredric and Roberta Somach Edward and Mary Ann Fox John and Geraldine Miller W. Craig Spence Paul and Ellen Gignilliat Terry and Sara Miller Charles and Brenda Surack Alan J. Harris Joan C. Olcott Randall L. Tobias William T. Hopkins James and Carol Orr Charles H. Webb, Jr. Ross S. Jennings Perry G. Parrigin David L. Wicker Herbert E. Parks

Leadership Circle Members of the Leadership Circle have contributed lifetime gifts of $100,000 or more to the Indiana University Jacobs School of Music. We gratefully acknowledge the following donors, whose generosity helps the school reach new heights and build a sound financial framework for the future. More than $1,000,000 The Lilly Endowment Jack and Linda Gill The Estate of Clara L. The Estate of Barbara M. Jacobs Georgina Joshi Foundation, Inc. Nothhacksberger Dorothy Richard Starling Foundation Yatish Joshi and The Estate of Juanita M. Evans David H. Jacobs, Jr. Louise Addicott-Joshi* Krannert Charitable Trust Cook, Incorporated The Estate of Mrs. Juana Mendel $500,000 to $999,999 The DBJ Foundation The Estate of George A. Bilque, Jr. The Estate of Ruth E. Thompson Col. Jack I. and Mrs. Dora Hamlin Ann and Gordon Getty Foundation Jack and Pamela Burks The Estate of Eva M. Heinitz Alexander S. Bernstein Arthur R. Metz Foundation The Estate of Ione B. Auer Jamie Bernstein Robert O’Hearn W. W. Gasser* and Mary Kratz Gasser Nina Bernstein Simmons Gary and Kathy Anderson

$250,000 to $499,999 The Estate of Wilfred C. Bain David and Jacqueline Simon The Estate of Sylvia F. Budd The Estate of Lucille de Espinosa Melvin* and Bren Simon Beatrice P. Delany Charitable Trust The Estate of David H. Jacobs The Estate of Herman B Wells Irwin-Sweeney-Miller Foundation The Estate of Maidee H. Seward The Estate of Harold R. Janitz The Estate of Angeline M. Battista John* and Marilyn Winters The Presser Foundation IBM Corporation The Estate of Nina Neal Olimpia F. Barbera Rudolph and Joy Rasin Paul and Cynthia S. Skjodt The Estate of Alvin M. Ehret Murray and Sue Robinson Deborah J. Simon Christel DeHaan Family Foundation The Estate of Lee E. Schroeder The Estate of Emma B. Horn Richard E. Ford Herbert Simon Jamey and Sara Aebersold

$100,000 to $249,999 The Estate of Frances A. Brockman Bob Barker and Patsy Fell-Barker The Estate of Jascha Heifetz Charlotte Reeves Steve Russell and Mag Cole Russell Hank Bode and Susan Cartland-Bode Marianne W. Tobias The Estate of Jean P. Nay The Estate of Margaret H. Hamlin The Estate of Mavis M. Crow Thomson, Inc. Brabson Library and Smithville Telephone Company The Estate of Majorie Gravit Education Foundation Betty Myers Bain Penn Asset Equity LLC Georgia Wash Holbeck Living Trust, Fred and Arline Simon Artur Balsam Foundation Robert J. Harrison, Trustee The Estate of Marvin and Jean Creek and Doris Shoultz-Creek William D. Rhodes Foundation Joan Carmack Paul and Ellen Gignilliat Ford Meter Box Foundation, Inc. The Estate of Eugene and The Estate of William H. Earles David and Neill Marriott Eleanor Knapik The Estate of Robert D. Aungst The Estate of Dagmar K. Riley The Estate of Samuel and Cole and Kate Porter Memorial Vicky Felton Martha Siurua Graduate Fellowship in Music Trust Kenneth C. Whitener, Jr. The Estate of Margaret E. Miller Leonard Phillips and P. A. Mack The Estate of Mary C. Tilton Mary Wennerstrom The Estate of Dorothy Rey The Estate of Robert A. Edwards Summer Star Foundation for Nature, Fred C. Arto Scott and Kathryn Schurz Art, and Humanity Theodore W. Batterman Peter and Monika Kroener Bennet and Cynthia Brabson Foundation, Inc. Wade and Ann Harrison The Estate of Ursula Apel Robert J. Harrison The Estate of Eva Sebok The Estate of Thomas L. Gentry The Legacy Society The Legacy Society at the Indiana University Jacobs School of Music honors the following individuals, who have included the Jacobs School as a beneficiary under their wills, trusts, life insurance policies, retirement plans, and other estate-planning arrangements.

Anonymous (5) Thomas and Ellen Ehrlich Jack and Dora Hamlin Richard L. and Ann T. Alden H. Campbell Engles Charles Handelman Mildred Frazee Allen Eleanor Fell Mr. and Mrs. Gerald W. Hedman Janette Amboise-Chaumont Marianne V. Felton Clara Hofberg Ione Breeden Auer Philip C. Ford Rona Hokanson Dennis Bamber Frederick G. and David Holcenberg Olimpia F. Barbera Mary Moffatt Freeburne William T. and Kathryn R. Hopkins Christa-Maria Beardsley Mr. and Mrs. Howard M. Gabbert, II David Huggins Colleen Benninghoff Erika Gabor and David Marshall Verna L. Johnson Michael E. Bent Marcella Schahfer Gercken M. Bernice Jones and Charles C. Jones Richard and Mary Bradford Dr. M. A. Gilbert James and Katherine Lazerwitz Eileen T. Cline Harold and Lucille Goodman Lynn Vaught Lewis John and Doris Curran Ken W. Grandstaff Ann M. and Dr. Richard Lilly Susie Dewey Mary J. Griffin Bill and Brenda Little D. Michael Donathan Jonathan L. Gripe Harriett Block Macht Hon. P. A. Mack, Jr. Judit Pless Samuel W. and Martha K. Siurua Charles Jeffery Marlatt Jack Wallace Porter Catherine A. Smith Susan Sukman McCray Ben B. Raney, Jr. George P. Smith II Douglas and Jean McLain Stanley Ransom Mary Todd Snider Sylvia McNair Clare Rayner William D. and Donald and Sonna Merk Charlotte Reeves Elizabeth Kiser Strauss, Jr. William F. Milligan Albert and Lynn Reichle Douglas and Margaret Strong Robert A. Mix Naomi Ritter Hans and Alice Tischler Dale and Cynthia Nelson Murray and Sue Robinson Henry A. and Celicia Upper Del and Letty Newkirk Eleanor Roehr Nicoletta Valletti Robert O’Hearn Roy and Mary Samuelsen Robert J. Waller Fred Opie and Melanie Spewock Morton and Virginia Schmucker Charles Webb Eleanor Osborn Hubert and Norma Seller Michael Weiss Charles F. Peters Odette Fautret Shepherd Patricia and Robert Williams Leonard Phillips Donald G. Sisler Ross A. Wingler and Mary Wennerstrom

Friends of Music Honor Roll Fiscal Year 2009-2010 The mission of the Society of the Friends of Music is to raise scholarship funds for deserving, talented students at the Indiana University Jacobs School of Music. The society was established in 1964 by a small group led by Herman B Wells and Wilfred C. Bain. We are pleased to acknowledge outright gifts made between July 1, 2009, and June 30, 2010. We are grateful to these donors whose gifts help support scholarships in the 2010-2011 academic year.

Guarantor Scholarship Circle

Hoagy Carmichael $10,000 Wade and Ann Harrison Cole Porter $5,000 - $9,999 Robert Barker and Patsy Fell-Barker John and Adele Edgeworth Jeanette C. Marchant and Susie J. Dewey Stephen and Jo Ellen Ham Nelda Christ Ross S. Jennings Raymond H. Tichenor Friends of Music $10,000 and Above James and Laura Byrnes

Herman B Wells Circle Gold $2,500 – 4,999 Charles and Julia McClary P. Michael and Patricia Miller Edward and Janet Ryan

Silver $1,000 - $2,499 David* and Ruth Albright James and Joyce Grandorf Dale and Cynthia Nelson Richard E. Bishop Frank and Athena Hrisomalos Kenneth and Debra Renkens Eleanor J. Byrnes Lawrence and Celeste Hurst Gwyn and Barbara Richards William and Anita Cast Peter P. Jacobi Murray and Sue Robinson Jean Creek and Doris Shoultz-Creek Harold R. Janitz* William and Margaret Salin John and Beth Drewes Ned and Wendy Kirby Phyllis C. Schwitzer Don and Suzanne* Earnhart Robert and Andra Klemkosky Jefferson S. Shreve Frank Eberle and Cathy Cooper Peter and Monika Kroener Jean M. Smith William and Katherine Estes Dennis and Judith Leatherman L. Robert and Sylvia Stohler Harvey and Phyllis Feigenbaum Ronald and Linda Maus Gregg and Judith Summerville Richard E. Ford Mark and Alora McAlister J. William and Joan Whitaker Paul and Ellen Gignilliat Darby A. McCarty John and Linda Zimmermann Michael McRobbie and Laurie Burns McRobbie

Dean Wilfred Bain Circle Patrons $500 - $999 James and Ruth Allen Richard S. Forkner Ambrose Ng Margaret K. Bachman Howard and Virginia Gest Carol R. Nicholas A. James Barnes Ralph E. Hamon Vera M. O’Lessker Mark and Mary Bauman Jeffrey and Lesa Huber James and Carol Orr David and Ingrid Beery Diane S. Humphrey Leonard Phillips and Jack and Pamela Burks Robert and Doris Johnson Mary Wennerstrom Leland and Helen Butler Kenneth and Linda Kaczmarek John and Dora Ryan John and Cathleen Cameron Marilyn J. Keiser L. David Sabbagh and Linda Simon Fred and Suzanne Dahling Sandra S. Kirby Anthony and Jan Shipps Lee and Eleanore Dodge George and Catherine Korinek Curtis and Judith Simic Mary P. Doyle Ronald and Carolyn Kovener George and Viola Taliaferro Barbara J. Dunn Herbert Kuebler and Phil Evans Henry and Celicia Upper David B. Edgeworth Howard and Carolyn Lickerman Susan B. Wallace Stephen A. Ehrlich Michael Molenda and Jack R. Wentworth Alan and Sara Feldman Janet Stavropoulos Jerry and Joan Wright Jay Fern Edward Mongoven and Judy Schroeder Sustainers $300 - $499 S. Christian and Mary Albright Kenneth R. Gros Louis Leonard and Louise Newman Rodger N. Alexander Robert and Martha Gutmann Martin and Shirley Newman James and Susan Alling Robert and Julie Hammel Roger and Ruth Newton Olimpia F. Barbera R. Victor and Martha* Harnack David and Barbara Nordloh Marian K. Bates Pierrette Harris Donald Orr and Caryl Thompson Mark and Ann Bear Steven L. Hendricks James and Helen Pellerite Ronald and Dee Bloom Ernest Hite and Joan Pauls John and Lislott Richardson Paul W. Borg Michael Larsen and Albert and Kathleen Ruesink Donald and Debbie Breiter Ayelet Lindenstrauss Dennis Senchuk and Karen Hanson Paul and Carolyn Brinkman Robert and Sara LeBien John and Lorna Seward Gerald and Elizabeth Calkins Jon and Susan Lewis Karen Shaw Sarah Clevenger David J. McClellan Odette F. Shepherd Charles and Helen Coghlan Jerry and Phyllis McCullough Richard Small and Elizabeth Hewitt Esther R. Collyer Dennis and Beverly McGuire Catherine A. Smith Bruce Corner and Gaye Gronlund Howard and Carolee Mehlinger Janet S. Smith James and Cinda Culver Rosemary G. Messick Lewis H. Strouse Sterling and Melinda Doster John and Geraldine Miller Paula W. Sunderman Michael and Cheryl Engber William and Diana Miller Kenneth and Marcia VanderLinden J. Robert and Betty Fields Herbert and Judy Miller Armen Vartian and Candice Foss Edward and Mary Anne Fox Dawn E. Morley Martha F. Wailes Donald and Sandra Freund Gerald and Anne Moss Steven and Judith Young Robert Goulet and Barbara Wolf Frieda E. Myers Donors $100 - $299 Robert Agranoff and Susan Klein Clyde and Mary Conger Stanley and Hilary Hamilton David and Melanie Alpers Edmond* and Maxine Cooper Kenneth and Judy Hamilton Miriam Alpert Gordon Cooper and Dorothy Shaw Kenneth and Janet Harker Ethan and Sandra Alyea Steven and Karin Coopersmith Robert and Ann Harman Gary and Kathy Anderson J. Robert Cutter Robert and Emily Harrison Robert and Patricia Anker Mark and Holly Dame James R. Hasler S. Sue Aramian John and Carol Dare Lenore S. Hatfield John and Dianna Auld Jefrey and Pamela Davidson Carol L. Hayes John and Teresa Ayres Linda Degh-Vazsonyi Carter and Kathleen Henrich Richard and Adrienne Baach Diantha V. DeGraw James and Sandra Hertling Donna M. Baiocchi Theodore R. Deppe David and Rachel Hertz Nicholas and Jean Balaguras Dominic and Susan Devito John D. Hobson William and Honey Baldwin Barbara M. Dixon Patricia H. Hodge Kenneth and Sarah Barker Marjorie D. Dogan Cynthia R. Hogan Robert and Patricia Bayer Jack Doskow and Jean Person Rona Hokanson Shirley Bell John and Elizabeth Droege Richard Holen and Ernest and Eva Bernhardt-Kabisch Jon and Sarah Dunn Anne Kojola-Holen Fay Blackburn Peter and Pearl Ekstrom Richard and Lois Holl Donald P. Bogard Joe and Gloria Emerson Jean C. Holsinger Charles and Nancy Bonser Mary I. Emison Norman and Judy Holy Ellen R. Boruff James and Jacqueline Faris Donna Hornibrook William Bosron and Sheila Barton Marianne Y. Felton Ruth D. Houdeshel Herbert and Juanita Brantley Richard and Susan Ferguson Robert and Jacqueline Hounchell Bill and Jaclyn Brizzard George and Jo Fielding Owen and Annette Hungerford Carl and Connie Brorson Elfryda Florek Amel A. Istrabadi Laurence and Mary Brown Charles R. Forker Marley Jesseph Alexander and Virginia Buchwald Anne T. Fraker Martin D. Joachim Pamela S. Buell Sarah E. Frey Lora D. Johnson Richard C. Burke Bernardino and Caterina Ghetti Donald and Margaret Jones Derek and Marilyn Burleson Jeffrey and Toby Gill Burton and Eleanor Jones Roger Byers Robert and Elizabeth Glassey Gwen J. Kaag James and Carol Campbell Michael and Patricia Gleeson Berkley Kalin Barbara Carlson James and Constance Glen Patricia C. Kellar Marvin Carmack* Vincent M. Golik Janet Kelsay Lee Chapman James and Roberta Graham Thomas and Mary Kendrick Jay and Nancy Cherry Henry and Alice Gray John and Julianne King Nelda M. Christ Jerry and Linda Gregory Robert and Rita Klausmeier Milford and Margaret Christenson Samuel L. Guskin Howard and Linda Klug John and Joan Cochran Jay and Sandra Habig Thomas and Linda Koch Lenora G. Cohen Hendrik and Jacobina Haitjema Arthur Koch and Stine Levy Ernest and Dawn Koenig Wesley and Patricia Oglesby Alan and Kathryn Somers Rosey Krakovitz Joan C. Olcott Stephen T. Sparks William and Mary Kroll Marcus R. Oliphant Alan and Donna Spears Shirley Krutilla Richard and Jill Olshavsky Janis Starcs Ronald and Cynthia Land Robert and Mary Orben Janos and Rae Starker David and Suzanne Larsen Dan F. Osen Donald and Dorothy Stejskal Merritt and Naomi Lawlis Steven E. Osen Malcolm and Ellen Stern John and Julia Lawson James and Amelia Pearce M. Dee and Rozella Stewart James and Katherine Lazerwitz Harlan and Joanna Peithman Robert and Virginia Stockton Edoardo A. Lebano Dorothy L. Peterson Monique J. Stolnitz Phillip and Linda Leckey Lloyd Peterson and Bruce and Shannon Storm Leslie and Kathleen Lenkowsky Margaret Intons-Peterson Linda Strommen Harlan Lewis and Doris Wittenburg Doris M. Philbrick William and Gayle Stuebe Mitzi A. Lewison Eleanor B. Phillippe Stella V. Tatlock Arthur J. Lindeman Carol Pierce Charlotte H. Templin George and Brenda Little Philip and Debra Ponella Neil Theobald and Sheona Mackenzie Lena D. Lo Foster and Nancy Poole Charles E. Thompson John and Constance Long Ronald and Frona Powell Sarah V. Thorelli Peter and Carol Lorenzen Earl and Dorothy Prout Aaron M. Tosky William and Violet Lynch Mildred R. Reich Rebecca M. Troyer P. A. Mack Joseph and Roberta Rezits Linda J. Tucker Kenneth Mackie and Yvonne Lai Myfanwy Richards Judith Walcoff James and Jeanne Madison Betty Rieger George Walker and William and Eleanor Mallory Joyce H. Ritter Carolyn Lipson-Walker Mayer and Ellen Mandelbaum Roger and Tiiu Robison Donovan R. Walling Nancy G. Martin Allan and Barbara Ross Robert and Patricia Webb Perry J. Maull Jerard and Nancy Ruff Eugene and Frances Weinberg Michael and Ann McAlexander Ruth L. Rusie Ewing and Kay Werlein Jerry and Jane McIntosh Lynn L. Schenck Mark Wiedenmayer James L. McLay Arthur and Norma Schenck Virginia N. Wightman Emily Meade Fredric and Nancy Schroeder G and Frances Wilhoit Stephen and Sandra Moberly John and Silvana Schuster Hana B. Wilson John and Patricia Mulholland Richard C. Searles James and Ruth Witten Frank T. Nagler Christian and Mary Seitz Thomas and Sara Wood Lee and Ardith Nehrt Richard and Denise Shockley Robert and Judy Woodley Delano and Luzetta Newkirk Lorraine E. Sirucek Virginia A. Woodward Daniel and Gale Nichols Ruth Skernick William and Margaret Yarber Timothy and Donna Noble David Smith and Marie Libal-Smith Gloria G. Noone Eliot and Pamela Smith Corporations and Foundations Argonaut Club Meadowood Retirement Community Psi Iota Xi Bloomington Thrift Shop Ochsner Revocable Trust

Planned Gifts We are grateful to those individuals who have expressed their interest in ensuring scholarship support for tomorrow’s students today, by making a planned gift through a testamentary gift in their estate planning by a will or trust, charitable gift annuity, or retirement plan. We are pleased to acknowledge here those individuals who have provided gift documentation and to remember those whose gifts have been received. David and Ruth Albright Anita Hursh Cast Jeanette Calkins Marchant, Margaret K. Bachman Esther Ritz Collyer in memory of Velma Douglas and Virginia Jewell and Emerson Calkins Judith C. Simic

Memorials and Tributes Each year, we receive gifts in honor or in memory of individuals whose leadership and good works have enriched the lives of so many. We are pleased to recognize those special individuals for their leadership and the donors whose gifts they have inspired. Argonaut Club, Jay Fern, Allan and Barbara Ross, in honor of Robert and in honor of Mary Goetze in memory of Kenda Webb Patricia Williams Cynthia Hogan, Jerard and Nancy Ruff, Gertrude Bates, in memory of Ruth Rhinehart in memory of Glenn Mather in honor of Charles Webb Ruth Houdeshel, Lorraine Sirucek, Ellen Boruff, in memory of Harry Houdeshel in memory of Jerry Sirucek in memory of Katherine Boruff Stephen and Jo Ellen Ham, Monique Stolnitz, Leland and Helen Butler, in memory of Jeanne Forkner in memory of George Stolnitz in memory of Kenda Webb John and Julianne King, Lewis Strouse, Dominic and Susan Debito, in memory of Charles Leslie in memory of Cora Strouse in honor of Donna Gallo Winston and Helen May, Leonard and Phyllis Van Lue, Stephen Ehrlich, in memory of Doris Neumann in memory of Harold Janitz in honor of John and Virginia and Jerrold Myerson, Kay and Ewing Werlein, Beth Drewes in memory of Albert Lazan in memory of Kenda Webb, and Alan and Sara Feldman, Ambrose Ng, in honor of Malcolm Webb in honor of Louise Newman in honor of Vanessa Ng Steven and Judith Young, David and Barbara Nordloh, in honor of Richard Saucedo in memory of Maidee Seward

Donations received between July 1, 2009, and June 30, 2010, will support scholarships for the 2010-2011 school year. They enrich your life; won’t you enrich theirs?

The performances of Jacobs School of Music students add immeasurably to our cultural life, but many of them could not be here without scholarship assistance. The Society of the Friends of Music is a volunteer organization whose mission focuses on providing scholarships for deserving, talented students at the Jacobs School of Music. Your annual membership contribution helps to fund these scholarships, and to thank you for your dona- tion, you will receive:

•The Libretto, the Friends of Music newsletter •IU Music, the Jacobs School of Music magazine •Prelude, the Jacobs School of Music monthly performance calendar •Invitations to special events

Guarantor Scholarship Circle $10,000 Hoagy Carmichael** $5,000 Cole Porter** Herman B Wells Circle $2,500 Gold** * Contributors admitted to designated dress rehearsals. $1,000 Silver** ** Contributors additional Dean Wilfred Bain Circle eligible for reserved parking upon request (812)855-5342 $500 Patron* $300 Sustainer* $100 Donor* $25 Explorer (age 50 and younger)

Name (s):______Address ______City ______State ______Zip ______E-mail ______New member Renewal

Checks should be made payable to the Friends of Music (I32I002430). Please mail this form to: Friends of Music, Jacobs School of Music, Indiana University, Bloomington, IN 47405. IU Opera Theater Production Staff General Manager...... Dean Gwyn Richards Executive Administrator of Strategic Planning...... Maria L. Levy Director of Production...... Timothy Stebbins Administrator of Music for Opera and Ballet...... Kimberly Carballo Operations Coordinator...... Jim Lile Guest Stage Manager...... Jennifer K. Burns Guest Assistant Stage Manager...... Jamie Hahn Coaches/Accompanists...... Alice Baldwin, Mark Phelps, Piotr Wisniewski Technical Director...... Alissia Lauer Technical Assistants ...... Zac Goodwin, Nikolaus Miller Executive Administrator of Instrumental Ensembles and Special Performance Activity. Thomas ieligmanW Director of Choral Studies and Chorus Master...... William Jon Gray Scenic and Properties Charge . Mark F. Smith Scenic Painter ...... Makenzie Kus Painting Assistant . Shane Cinal Lead Costume Specialist...... Dana Tzvetkov Guest Wig and Make-up Designer...... Kelly Holterhoff Costume Specialist...... Soraya Noorzad, Magdalena Tortoriello Part-Time First Hands...... Swallow Leach, Sara Nordling Head of Lighting...... Patrick Mero Electrical Maintenance...... Dennis Long Stage Carpenters...... Ken D’Eliso, Chad Green, Andrew Hastings Audio Technician . Wayne Jackson Coordinator of Audio Production ...... Fallon Stillman Production Administrative Assistant...... Elsa Finnegan Box Office and House Manager. Tridib Pal Director of Marketing and Publicity...... Alain Barker Publicity Assistant ...... Linda Cajigas Office ofarketing M and Publicity Editor . Skip Sluder