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Helen Kluger Playwright
Helen Kluger Playwright Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Credits Theatre Production Company Notes THE DACHA Glasgow Lunchtime Theatre directed by Philip Howard BETTER IN MY DREAMS Waterman's Arts Centre, Brentford Dir: Sylvia Syms HONEY, YOU'RE TALKING New End Theatre, Hampstead, Kings Co-written with THROUGH YOUR HAT! Head and Salisbury Playhouse Elizabeth Romilly SWEET POUNDS OF FLESH Performed at The Arts Theatre Club TABLE HOPPING AT JOE'S Performed at the IVC, Covent Garden Co-written with Gary Lyons Radio Production Company Notes FOOTBALLERS' WIVES Radio 4 Dir: Jeremy Mortimer WE WHO SERVE Radio 4 Dir: Jeremy Mortimer FIFTEEN LOVE Radio 5 Co-written with Gillian Bevan and Tessa Peake- Jones Dir: Sally Avens SYNCHRO Radio 4 Dir: Jeremy Mortimer NO RIGHTS, ONLY Radio 4 Co-written with Gillian Bevan and Tessa Peake- WRONG Jones Dir: Lesley Manning An Independent Tight Assets Theatre Production United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes RUKULIBAM World Service Dir: Gordon House "Independent" newspaper choice of "95". Bronze award winner in The New York Festivals. ONE DAY, I'LL FLY AWAY Radio 4 Dir: Sally Avens PASSIONATE PLAYING World Service Dir: Gordon House HOLDING HANDS Radio 4 Dir: Tessa Peake-Jones Starring Barbara Leigh-Hunt and Richard Pasco. FUNNY BONES Radio 4 Dir: Marilyn Imrie ON THE ROCKS Radio 4 Dir: Pauline Harris LONELY HEARTS Radio 4 Dir: Sally Avens THE DACHA Radio 4 Dir: Gemma Jenkins THE SISTER OF DEATH Radio 4 Dir: Sally Avens GOOSE A thriller written for Dir: Celia de Wollf the Internet Starring Imelda Staunton as Janet and Tessa Peake-Jones as Margaret. -
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14 SATURDAY 02 MAY 2020 Professor Martin Ashley, Consultant in Restorative Dentistry at panel of culinary experts from their kitchens at home - Tim the University Dental Hospital of Manchester, is on hand to Anderson, Andi Oliver, Jeremy Pang and Dr Zoe Laughlin SAT 00:00 Midnight News (m000hq2x) separate the science fact from the science fiction. answer questions sent in via email and social media. The latest news and weather forecast from BBC Radio 4. Presenter: Greg Foot This week, the panellists discuss the perfect fry-up, including Producer: Beth Eastwood whether or not the tomato has a place on the plate, and SAT 00:30 Intrigue (m0009t2b) recommend uses for tinned tuna (that aren't a pasta bake). Tunnel 29 SAT 06:00 News and Papers (m000htmx) Producer: Hannah Newton 10: The Shoes The latest news headlines. Including the weather and a look at Assistant Producer: Rosie Merotra the papers. “I started dancing with Eveline.” A final twist in the final A Somethin' Else production for BBC Radio 4 chapter. SAT 06:07 Open Country (m000hpdg) Thirty years after the fall of the Berlin Wall, Helena Merriman Closed Country: A Spring Audio-Diary with Brett Westwood SAT 11:00 The Week in Westminster (m000j0kg) tells the extraordinary true story of a man who dug a tunnel into Radio 4's assessment of developments at Westminster the East, right under the feet of border guards, to help friends, It seems hard to believe, when so many of us are coping with family and strangers escape. -
Sir Peter Maxwell Davies: a Catalogue of the Orchestral Music
SIR PETER MAXWELL DAVIES: A CATALOGUE OF THE ORCHESTRAL MUSIC 1955: “Burchiello” for sixteen percussion instruments “Opus Clavicembalisticum(Sorabji)” for orchestra “Work on a Theme by Thomas Tompkins” for orchestra 1957: St. Michael”-Sonata for seventeen wind instruments, op.6: 17 minutes 1958: “Prolation” for orchestra, op.8: 20 minutes 1959: “Five Canons” for school/amateur orchestra “Pavan and Galliard” for school/amateur orchestra “Variations on a Theme for Chords” for school/amateur orchestra 1959/76: Five Klee Pictures for orchestra, op.12: 10 minutes + (Collins cd) 1960: Three Pieces for junior orchestra 1961: Fantasy on the National Anthem for school/amateur orchestra 1962: First Fantasia on an “In Nomine” of John Taverner for orchestra, op.19: 11 minutes Sinfonia for chamber orchestra, op. 20: 23 minutes + Regis d) 1963: “Veni Sancte Spiritus” for soprano, contralto, tenor, baritone, chorus and orchestra, op.22: 20 minutes 1964: Second Fantasia on an “In Nomine” of John Taverner for orchestra, op. 23: 39 minutes + (Decca cd) 1967: Songs to Words by Dante for baritone and small orchestra 1969: Foxtrot “St. Thomas Wake” for orchestra, op.37: 20 minutes + (Naxos cd) Motet “Worldes Bliss” for orchestra, op.38: 37 minutes 1971: Suite from “The Boyfriend” for small orchestra, op.50b: 26 minutes * + (Collins cd) 1972: “Walton Tribute” for orchestra Masque “Blind Man’s Buff” for soprano or treble, mezzo-soprano, mime and small orchestra, op.51: 20 minutes 1973: “Stone Liturgy-Runes from a House of the Dead” for mezzo-soprano and orchestra, -
Newsletter Autumn 2012
THE BRITISH INSTITUTE FOR THE STUDY OF IRAQ المعھد البريطاني لدراسة العراق NEWSLETTER NO. 30 Autumn 2012 THE BRITISH INSTITUTE FOR THE STUDY OF IRAQ (GERTRUDE BELL MEMORIAL) REGISTERED CHARITY NO. 1135395 A company limited by guarantee registered in England and Wales No. 6966984 BISI Newsletter 30 (Autumn 2012) The next BISI Newsletter will be published in spring 2013. Brief contributions are welcomed on recent research, publications, members’ news and events. The BISI Assistant Administrator, Lauren Mulvee edited this Newsletter with kind assistance from others. An A4 version of the newsletter will be available on the website. However if you would like to read the text in a larger print, please get in touch at [email protected]/020 7969 5274. TABLE OF CONTENTS • Chair of Council’s Report pp. 3-4 • Editorial pp. 5-6 • Arnulf Hausleiter - Obituary Anthony R. Green pp. 7-8 • Joan Oates - Obituary Dr Benham Abu Al-Soof pp. 8-9 Fieldwork, Research & Academic Conference Grant Reports • Noorah al-Gailani – Field Research Visit to Document the Material Culture of Two Qadiri Sufi Shrines pp. 10-15 • Hannes Artens – Observations on Political Field Research in the Kurdistan Region of Iraq pp. 15-17 Outreach Grant Reports • Sarook Sarky – Ecotourism Stakeholder Workshop pp. 17-19 • Sarah Panizzo – The Jews of Kurdistan, ‘My Father’s Paradise’ pp. 19-21 • Fran Hazleton – Discover Mesopotamia through Storytelling: A New 3-Year Project is Launched pp. 21-22 Visiting Scholars Programme • Khyam Allami – Sound of Iraq Project: Step 1 – Training at the British Library Sound Archive pp. 22-24 • Mohammad Kasim Mohammad Jwad – Visiting Iraqi Scholar Report p. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Uch Ado' Excellent As Weisbuch, Mrs. Bensley NATIONWIDEMEI SCHOLARSHIP in a Recent Letter, It Was An- Nounced That Paul William Smith Lead Fine Cast Performance Jr
America~'s OldestFone Prep School July2,ed85 Newspaper L.80, NO. 20 PHILLIPS ACADEMY, ANDOVER, MASS. THURSDAY, MARCH 8, 1956 PRICE, 15 CENTS uch Ado' Excellent As Weisbuch, Mrs. Bensley NATIONWIDEMEI SCHOLARSHIP In a recent letter, it was an- nounced that Paul William Smith Lead Fine Cast Performance Jr. has passed the final round of the by ,JON MIDDLEBROOK National Merit Scholarship compe- tition. Despite Shakespeare's title,_1!Much Ado About Nothing" as presented Final announcement as to how by the Hallowell players last Saturday evening was a great success. All of much of a scholarship he has been granted will he made May . the actors handled their roles competently throughout, and were able to The eight oer P.A, semni-final- establish and maintain the personality of each character and yet not des- ists-Langley Keyes, Marsh Mc- the ontnuiyoftheac- Call, Richard Parks, Woodbury troy ecniutoftea-Ranwom, John Randolph, George tion. Naturally much of the credit Hoopes, and Steve Rosenkranz- - ~~~~~~~~~~~~~~~forthis continuity is Shakespeare's failed to make the final round. but an equally large portion I'm Each received a Certificate of sure belongs to Mr. Hallowell, the Merit. director. SHAKESPEARE DEFIES though by self-definition "an ass", Since Shakespeare often defies gave one of the finest performances the Andover mind even in class, it of the evening in his portrayal of a - ~~~~~~~~~~~~~~~~~~~~~~~~ishard for me to give more than a pompous, uneducated man. 4 ~~~~~~~~~~~~~~~~~~broadoutline of the troubles of the Comedians, however, immediately two pairs of lovers. Tom Weisbuch remind me of Jan Hartman's ter- .was lost to Mrs. -
Nomination Requirements
Nomination Requirements For the Michigan Blue Ribbon Exemplary Schools Program Prepared by: Grissom Middle School 35701 Ryan Road Sterling Heights, MI 48310 586-825-2560 Mrs. Suzanne Nye, Principal Warren Consolidated Schools Dr. James Clor, Superintendent PREPARATION OF SCHOOL SELF-ASSESSMENT STAKEHOLDERS POSITION Sue Fragnoli Co-Chair/Counselor Danielle McLean Co-Chair/Teacher Carol Klaiman Teacher/Editor/Section G Leader Sharon Fitzhenry Teacher/Editor Barbara Sikora Teacher Michelle Partridge Teacher Sandy Hawrys Secretary Karen Blaske Teacher/Section F Co-Leader Nancy Campbell Teacher/Section E Co-Leader Barbara Jones Teacher/Section H Leader Irina Hirchberger Teacher/Section C Leader Victor Kolpak Teacher/Section F Co-Leader Bob Maus Teacher/Section E Co-Leader Jennifer Pisha Teacher/Section A Leader Jacquelyn Walters Teacher/Section B Leader Heather Wasmuth Teacher/Section D Leader Dena Berke Teacher Sylvia Buck Teacher Eileen Byrnes Teacher Marge Czarnik Teacher Patrick Dailey Teacher Dave Elliott Teacher Sally Erdelean Teacher Ronna Fisher Counselor Christine Gluszewski Teacher Jeff Gray Teacher Judy Gregory Teacher Christine Guerreso Teacher Michael Gurney Teacher Heidi Kuhn Teacher Sue MacQuarrie Teacher Samar Mansour Teacher Tari Michaelson Teacher Patricia Mulholland Teacher Elizabeth Rinehart Teacher David Rodriquez Teacher Yvette Searle Teacher Jeff Skwier Teacher Debbie Tesch Teacher Justin Watson Teacher Marsha White Teacher Jeanne Yasso Teacher Elizabeth Zachary Teacher 2 PART I: ELIGIBILITY CERTIFICATION The signatures on the first page of this nomination package certify that each of the statements below concerning the school’s eligibility, previous recognition in the Blue Ribbon Schools Program, and compliance with U.S. Department of Education, Office of Civil Rights (OCR) requirements is true and correct. -
Rts Announces Winners for the Programme Awards 2009
P R E S S R E L E A S E Tuesday16 March 2010 RTS ANNOUNCES WINNERS FOR THE PROGRAMME AWARDS 2009 The Royal Television Society (RTS), Britain’s leading forum for television and related media, has announced the winners for the RTS Programme Awards 2009. The ceremony, held at Grosvenor House on Tuesday 16 March, was hosted by actor, comedian and radio presenter Rob Brydon and the awards were presented by RTS Chair, Wayne Garvie. The RTS Programme Awards celebrate all genres of television programming, from history to soaps, children's fiction to comedy performance. Covering both national and regional output, as well honouring the programmes themselves, they aim to recognise the work of exceptional actors, presenters, writers and production teams. The Winners: Scripted Comedy The Thick of It BBC Productions for BBC Two “An acerbic, intelligent and sweeping comedy which attained new heights. Faultless ensemble acting, meticulous writing and intricately contrived comedy climaxes combined to make this a series we didn‟t want to end.” Nominees Miranda BBC Productions for BBC Two The Inbetweeners A Bwark Production for E4 Entertainment Newswipe with Charlie Brooker Zeppotron for BBC Four “Right on the money... Refreshingly polemical and with real authenticity.” Nominees Britain's Got Talent A talkbackTHAMES and SYCO TV Production for ITV1 The X Factor A talkbackTHAMES and SYCO TV Production for ITV1 2-6 Northburgh Street, London EC1V 0AY +44 (0) 20 7490 4050 www.franklinrae.com Daytime and Early Peak Programme Come Dine With Me ITV Studios for -
The Persistence of Parody in the Music of Peter Maxwell Davies
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Insight - University of Cumbria The Persistence of Parody in the Music of Peter Maxwell Davies Richard E McGregor It’s all about time. Indeed there is not a single piece of musical composition that is not in some way about time. And for Davies the manipulation of time is rooted in his understanding of late Medieval and early Renaissance musical techniques and practices refracted through post 12-note pitch manipulation. In this article I take to task the uncritical use of terminology in relation to the music of Peter Maxwell Davies. Though my generating text is the quotation from John Warnaby’s 1990 doctoral thesis: Since parody is implied in the notion of using pre-existing material as a creative model, it can be argued that, as traditionally understood, it is rarely absent from Maxwell Davies’s music[1] this is in no wise a criticism of Warnaby for whom I have much respect, and especially his ability to be able to perceive patterns, trends and unifying features between works and across extended periods of time. Rather, it is a commentary on particular aspects of Davies’s music which are often linked together under the catch-all term ‘parody’: EXAMPLE 1: Dali’s The Persistence of Memory[2] I take as my starting point the painting The Persistence of Memory by Salvador Dali, a painting which operates on a number of levels, the most obvious, because of the immediate imagery, being that is has something to do with time. -
Home As Archive - Event Transcript
Home As Archive - Event Transcript Event begins Title Slide: Pink background with white text that reads “Home as Archive: Presented in collaboration with Essex Book Festival & Metals Culture, Southend. EWF logo and festival dates are in the lower right corner” Video One: Katerina Bryant Welcome to Home as Archive. My name is Katerina and I will be a host and artist this evening. To begin, I would like to acknowledge the first nations and Traditional Owners of the land we are broadcasting from – I am currently on Kaurna land, where I live and write. I pay my respects to Elders past and present, and, as this is an online recording whose reach is far, to the Elders of the lands this recording might reach. For this event, we will be discussing home, spaces and histories. This is part of the wonderful EWF and is presented in collaboration with Essex Book Festival & Metal Culture, Southend. Tonight, we will be witnessing work by artists working between so-called Australia and Essex, England. They will be sharing artefacts from the archives of their personal histories. I anticipate there will be an intimacy tonight as we will be peering into these artists’ homes. Where we live and, who and what we share those spaces with, is intimate and vulnerable. In some ways the past year has allowed us to peer into each other’s homes over Zoom, but in others it has separated us from sharing space with people we cherish. I’d love to frame tonight as not only a look into these artist’s homes and lives but the creation of our own archive – capturing this moment through place and objects. -
Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8
Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8 SATURDAY 19 AUGUST 2017 Read by Robert Glenister monarchy and giving a glimpse into the essential ingredients of a Written by Sarah Dunant successful sovereign. SAT 00:00 Bruce Bedford - The Gibson (b007js93) Abridged by Eileen Horne In this programme, Will uses five objects to investigate a pivotal Episode 5Saul and Elise make a grim discovery in the nursing Produced by Clive Brill aspect of the art of monarchy - the projection of magnificence. An home. Time-hopping thriller with Robert Glenister and Freddie A Pacificus production for BBC Radio 4. idea as old as monarchy itself, magnificence is the expression of Jones. SAT 02:15 Me, My Selfie and I: Aimee Fuller©s Generation power through the display of wealth and status. Will©s first object SAT 00:30 Soul Music (b04nrw25) Game (b06172qq) unites our current Queen with George III; the Gold State Coach, Series 19, A Shropshire Lad"Into my heart an air that kills Episode 5In the final part of her exploration of the selfie which has been used for coronations since 1821. Built for George From yon far country blows: phenomenon, snowboarder Aimee Fuller describes how she will III in 1762, it reflects Britain©s new found glory in its richly gilded What are those blue remembered hills, be using social media as she sets out to compete for a place at the carvings and painted panels...but the glory was to be short lived. What spires, what farms are those? next Winter Olympics. -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights.