Summer 1986 Silver Medal Rescue
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Module 1: Arts and Crafts of Mindanao
Republic of the Philippines Department of Education Regional Office IX, Zamboanga Peninsula 7 Zest for Progress Zeal of Partnership ARTS Quarter 3 - Module 1: Arts and Crafts of Mindanao Name of Learner: ___________________________ Grade & Section: ___________________________ Name of School: ___________________________ WHAT I NEED TO KNOW In this module, you will be learning the different arts and crafts of Mindanao – the salient features of arts of Mindanao by showing the relationship of the elements of arts and processes among the diverse cultural communities in the country. Thus, you will also learn how lines, shapes, forms, value, color, texture and space give more meaning and significance to an artwork. This module will help you explore the arts of people of Mindanao and how animism and the Islamic religion fused together and produced a uniquely Filipino artistic tradition. The arts and crafts of Mindanao include their cultural attire, textiles, tapestries, crafts, accessories and body ornaments which are a combination of designs from indigenous people that resides in the regions and the colorful and rich influence from their indigenous belief system. Most of their crafts are made of materials that are abundant in their areas. Their designs are derived from their surroundings and represent their cultural community. Some are used for religious activities while some have utilitarian functions and even became large industry for them. Even until now, the skills in weaving, sculpting and crafting have been an important part of their community. Thus, these become the people’s way of living and their means of survival. These are passed on from generation to generation. -
Ku Po'e Ha'ole: Striving to Reach the Pu'uku: Claire Robinson Highest
A. A. A. K U p U NA EC SEQ HE S TE Q LEDG OFOURK U , L S Oc ober 22 - 29, 2006·Wa i i i Beac Marrio Reso an S a· onolu u a ari .,.. 2 Association of Hawaiian Civic Clubs P..O.Box 1135, Honolulu, Hawai'i 96807 Aloha Kakou, On behalf of the Board of Directors of the Association, I welcome you back to The Waikl'kl Beach Marriott Resort and Spa ·our home away from home". This is ourthird convention at this hotel. let us all reaoquaimourseNes with Waikl'kl' under the watchful eyes of our fOUnder, Prince Jonah KOhi6Kalaniana'ole as we welcome Lono-i-ka-makahiki at the start of the makahiki season, The Oahu CounCil has put together outstanding pre-oonvention activities for all to enjoy and to reconnect with our kOpOnaas we continue to strengthen the values of wisdom for the future... "Ho'ikabka waiwaina'auao 0 na 'aiM", There are some workshops and activities that are not in your brochure so please make note and try not to miss them. The Association continues to grow, even with the.merger of four clubs into two.1 We will charter at least three new dubs at this convention and reinstate the charter of the Lana'i Hawaiian Civic Club. Ho'omab'i, dubs who have increased your membership this yearl The AssociatiOn's Officers and Committee Chairs have worked hard all year, We held a successful Education Summit, completed an Economic Development Survey and sponsored a Puwalu NoNa.La' elua. This first Puwalu provided a forum for our distinguished KOpOna,. -
Clemente C. Morales Family Salinas, California
The Filipino American Experience Research Project Copyright © October 3, 1998 The Filipino American Experience Research Project Clemente C. Morales Family Salinas, California Edited by Alex S. Fabros, Jr., The Filipino American Experience Research Project is an independent research project of The Filipino American National Historical Society Page 1 The Filipino American Experience Research Project Copyright © October 3, 1998 The Filipino American Experience Research Project Copyright (c) October 3, 1998 by Alex S. Fabros, Jr. All rights reserved. Printed in the U.S.A. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system now known or to be invented, without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper, or broadcast. Published in the United States by: The Filipino American Experience Research Project, Fresno, California. Library of Congress Cataloging-in-Publication Data Library of Congress Catalog Card Number: 95-Pending First Draft Printing: 08/05/98 For additional information: The Filipino American Experience Research Project is an independent project within The Filipino American National Historical Society - FRESNO ALEX S. FABROS, JR. 4199 W. Alhambra Street Fresno, CA 93722 209-275-8849 The Filipino American Experience Research Project-SFSU is an independent project sponsored by Filipino American Studies Department of Asian American Studies College of Ethnic Studies San Francisco State University 1600 Holloway Avenue San Francisco, CA 94132 415-338-6161 (Office) 415-338-1739 (FAX) Page 2 The Filipino American Experience Research Project Copyright © October 3, 1998 TABLE OF CONTENTS TABLE OF CONTENTS ................................................................................. -
PNAAY066.Pdf
--------¥...----... ..................L Y. .V'I\ CSUDIES IN FAMILY PI.ANNING1 LEARNING ABOUT RURAL WOMEN Sondra Zeidenstein ,uest editor A Special Issue LEARNING ABOUT RURAL WOMEN Sondra Zeidenstein guest editor Studies in Family Planning Editorial Committee Editorial Staff George F.lBiow:n, Chairmnan Vakt-d'i sladt, ,",1,1n g tLditou Judith Bruce RobertI I1 h,I z'ks tI I ditor EthilI'.Churchill Renet, honthl-..I induction Design Marguri Mcv / Sul,11 A. Rthbbns A Publication of S. BLruce Scheartr The lPopu lti(iouncilH Irving Sivin One} I lammnarskjold Paza Btoverly W\inikoff New ",.i.,N.Y. 10017 Leaming about Rural Women This special issie of Stuoh's in Fimnihr llan nin' , is one of a series of issues dedicated to a single2 subject Oar program. ()ur intention is to pr-,wide an examina tion in depth of selected key topics br'vond the rangtOf a single artiCle. This special issue focis,',, oin wVa\'s in which the rolk's aid status of Iurl womn,- in different societies am he betterl understood, There is a vital neCCd to understand rual \vomln, not as a Se of statistic,, -Iulas individuals nerforllling crucial roles in societv ank the it rteplavi ng fundam1entalh iinprtant parts in the de\elOplllenl pro'ess. A varietv of wavs to learn abo tit rl aI women ae11adescribed. Sole ap proaches adopt standard sociologi,:al and demographic nethodologies, while others employ anthropological technic'ies. All attempt to ,egin from th- Point of view Of the individual womaion, toiunderstand how she s(Xs herself in the soci ety arotind her and how she adapts to clhlngt>, brought about by d1 ve'lopmlent efforts and other social forces. -
Report on the Singing Detective25th Anniversary Symposium, University
JOSC 4 (3) pp. 335–343 Intellect Limited 2013 Journal of Screenwriting Volume 4 Number 3 © 2013 Intellect Ltd Conference Report. English language. doi: 10.1386/josc.4.3.335_7 Conference Report David Rolinson University of Stirling Report on The Singing Detective 25th Anniversary Symposium, University of London, 10 December 2011 [I]n keeping with the modernist sensibility and self-reflexivity of Hide and Seek and Only Make Believe, the decision to root a view of the past in the experiences and imagination of a writer protagonist, emphasises the fact that, far from being an objective assessment, any perspective on history can only ever be subjective. (Cook 1998: 217) This one-day symposium, organized by the Department of Media Arts at Royal Holloway, University of London, celebrated the 25th anniversary of Dennis Potter’s The Singing Detective (tx. BBC1, 16 November 1986–21 December 1986). As the notes for the event explained, it sought to pay trib- ute to the BBC serial’s ‘narrative complexity, generic hybridity and formal experimentation’ and to bring scholars and practitioners together ‘to assess its subsequent influence upon television drama and the cinema’. This combination of academic and practitioner perspectives has been a welcome 335 JOSC_4.3_Conference Report_335-343.indd 335 7/19/13 9:56:44 PM David Rolinson 1. Although not feature of British television conferences in recent years, facilitating a reward- discussed on the day, biographical-auteurist ing exchange of ideas. This piece is, therefore, partly a report of the day’s approaches reward but proceedings but also a response to some of the many ideas that were raised by also imprison critics the interviews and presentations. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Lesley Sharp and the Alternative Geographies of Northern English Stardom
This is a repository copy of Lesley sharp and the alternative geographies of northern english stardom. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/95675/ Version: Accepted Version Article: Forrest, D. and Johnson, B. (2016) Lesley sharp and the alternative geographies of northern english stardom. Journal of Popular Television, 4 (2). pp. 199-212. ISSN 2046-9861 https://doi.org/10.1386/jptv.4.2.199_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Lesley Sharp and the alternative geographies of Northern English Stardom David Forrest, University of Sheffield Beth Johnson, University of Leeds Abstract Historically, ‘North’ (of England) is a byword for narratives of economic depression, post-industrialism and bleak and claustrophobic representations of space and landscape. -
Folder: 4/12/78 [2]; Container 71
4/12/78 [2] Folder Citation: Collection: Office of Staff Secretary; Series: Presidential Files; Folder: 4/12/78 [2]; Container 71 To See Complete Finding Aid: http://www.jimmycarterlibrary.gov/library/findingaids/Staff_Secretary.pdf President Jimmy Carter American Society of Newspaper Editors Tuesday, April 11, 1978 During the last fifteen months, good progress has been made in sustaining growth and creating jobs. Four-and-a-half million more people are at work today than fifteen months ago. The unemployment rate has fallen by nearly twenty-five percent. Average household income, after adjustment for both taxes and inflation, is 5 percent higher now than a year ago. Business profits in the second half of 1977 were 15 percent higher than one year before, and during that time the inflation rate was held to a reasonable and predictable level. But too many Americans -- particularly young people and members of minority groups -- are still ·.-;:-· - 2 - ' ) without jobs. I am determined to sustain our economy's progress towar.d high employment and rising real income, with both existing. programs and with new, carefully targeted incentives to encourage private business to hire the hard-core unemployed~ t!J~ :a...M:: W'e have"'economic problems which cause us continuing deep concern. Our nation's economic health can be protected only if we can cope with the two developments that now threaten it most seriously -- the high level of oil imports and the increasing rate of inflation. These two problems both imper.il our economic recovery and threaten the strerigth of the dollar, ·and they must be co.ntrolled. -
Phil Davis: the Process of Acting
Phil Davis: the process of acting Article Accepted Version Cassidy, G. and Knox, S. (2018) Phil Davis: the process of acting. Critical Studies in Television: The International Journal of Television Studies, 13 (3). pp. 315-332. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602018785833 Available at http://centaur.reading.ac.uk/77043/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1177/1749602018785833 Publisher: Sage All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Phil Davis: The Process of Acting Gary Cassidy and Simone Knox Abstract: British actor Phil Davis has had a long and distinguished career across film, television and theatre. He has received widespread acclaim for his ‘invisible’ acting and ‘unshowy’ performances. This article provides insights into Davis’ approach to and view on the process of acting via a transcribed interview that was conducted as the closing keynote of the ‘Acting on Television: Analytical Methods and Approaches’ symposium hosted at the University of Reading on the 8 April 2016. This material is framed by a contextualising introduction that provides an overview of Davis’ work and proposes that John Flaus’ (1992) concept of lamprotes is useful for understanding Davis’ acting. -
The Boats of the Tawi-Tawi Bajau, Sulu Archipelago, Philippines
The Boats of the Tawi-Tawi Bajau, Sulu Archipelago, Philippines Received 20 February 1990 H. ARLO NIMMO ISLAND SOUTHEAST ASIA has perhaps the greatest variety of watercraft of any culture area in the world. Through centuries of adaptation to tropical riverine and maritime environments, the people of this island world have created hundreds-indeed, prob ably thousands-of different kinds of boats. The primitive rafts that first transported the early inhabitants to offshore islands evolved into the sophisticated sailing vessels that allowed this population to become the most far-flung on earth before the expan sion of European cultures. By the time Europeans began to venture beyond their shores, Austronesian speakers had spread throughout all of Island Southeast Asia, west to Madagascar, north to Taiwan, and east to Micronesia, parts of Melanesia, and the outposts of Polynesia. Perusal of a map of Island Southeast Asia explains the proliferation of watercraft in this area. Thousands of islands make up the modern nations of Indonesia, the Philippines, and Malaysia, and one can sail within sight of land throughout the entire area before reaching its outer limits. The lure of these islands to the always curious human mind as well as the abundant food resources in their surrounding waters were doubtless prime motivators for the first boat-builders-as indeed they continue to motivate contemporary boat-builders. Virtually all islands large enough to accommodate human populations are inhabited, and some have been so for mil lennia. The separation of human populations by expanses of water, as well as the diverse currents of history that have moved through the area, has resulted in a rich mosaic of distinctive cultures. -
The Prahus of the Sulu Zone
THE PRAHUS OF THE SULU ZONE By jim Warren INTRODUCTION The Sulu Sultanate lay at a most strategic point for the maritime trade of the nineteenth century. China, the Philippines and Mindanao were situated to the north. Borneo to the southwest, and to the southeast, Sulawesi and the Moluccas. The geopolitical and commercial advantages inherent in the Sultanate's location in this 'Zone' were both enviable and unique. This maritime trading zone was to provide a sociocultural context for inter-societal relations and commerce within the Sultanate and beyond after 1780. By fitting into the patterns of European trade with China in the late eighteenth century, the Sulu Sultanate established itself as a powerful commercial centre. The Sultanate's geographical position in relation to Asian routes of trade and exchange and its abundant natural resources for export to China attracted the attention of the West. The maritime and jungle products to be found within the Sulu Zone and in the area of its trading partners - tripang (sea slug), bird's nest, wax, camphor, and mother of pearl- were new products for redressing the British East India Company's adverse trade balance on the Canton tea market with China. The trade which Sulu established with Bengal, Manila, Macao, and Canton, and later Labuan and Singapore, initiated large-scale importation of weapons, luxury goods, and foodstuffs. Taosug (Sulu) merchants on the coast and their descendants developed an extensive redistributive trade with the Bugis of Samarinda and Berau to the south, which enabled the Sulu Sultanate to consolidate its dominance over the outlying areas of the Zone. -
2013 Jottings and in Memoriam
Quadrangle - 1930s and 1940s 30S CLASS REPS Jottings N Laurence Burkhalter 1937 Class of 1937 and so is Koda, the golden retriever. Life with- Last June, LARRY BURKHALTER visited out my dear husband of 66 years is a little harder the Cleveland Clinic because of some heart to take, but I keep healthy and busy, and Kathy !"#$% problems, and was advised that he needed a sees to it that I get out on trips. We took the 419-358-0488 valve replacement. After two preliminary trips Amtrack train across the northern route, from to Cleveland, he had the surgery on July 30. Portland to Chicago, visited son in Ann Arbor, Lorita Shull Fisher 1939 He returned to his apartment in Maple Crest, Michigan, and then returned by the southern & Bluffton Ohio on August 27 and is happy to California Zephyr. It was great! On each trip '()( report that the operation was successful, and we had tiny private compartments.—Lorita that his extended recovery is going well. *["#%",$./ Class of 1942 831-375-8301 Class of 1939 BETTY STUNTZ ALLEN has started an LAWRENCE TEMPLIN recently signed two electronic round-robin with her classmates. book contracts, one for a book of poems mostly Excerpted below are news from Chapters 1 written in old age, and the other a memoir, and 2 of the running document. BETTY keeps sort of. The memoir does have a Woodstock very busy and healthy with many activities at chapter, but the rest of the book is digression (in the retirement home where she lives, bocce alternate chapters) on ideas and themes relating outdoors, scrabble, singing, writing group, plus to his story and containing affection with three the Resident Council, Missions Committee, characters: himself, Krishnaswami and Rudyard Welcome Committee.