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Chapterhouse: Dune Frank Herbert April 1985 Those Who Would Repeat
Chapterhouse: Dune Frank Herbert April 1985 Those who would repeat the past must control the teaching of history. -Bene Gesserit Coda When the ghola-baby was delivered from the first Bene Gesserit axlotl tank, Mother Superior Darwi Odrade ordered a quiet celebration in her private dining room atop Central. It was barely dawn, and the two other members of her Council -- Tamalane and Bellonda -- showed impatience at the summons, even though Odrade had ordered breakfast served by her personal chef. "It isn't every woman who can preside at the birth of her own father," Odrade quipped when the others complained they had too many demands on their time to permit of "time-wasting nonsense." Only aged Tamalane showed sly amusement. Bellonda held her over-fleshed features expressionless, often her equivalent of a scowl. Was it possible, Odrade wondered, that Bell had not exorcised resentment of the relative opulence in Mother Superior's surroundings? Odrade's quarters were a distinct mark of her position but the distinction represented her duties more than any elevation over her Sisters. The small dining room allowed her to consult aides during meals. Bellonda glanced this way and that, obviously impatient to be gone. Much effort had been expended without success in attempts to break through Bellonda's coldly remote shell. "It felt very odd to hold that baby in my arms and think: This is my father," Odrade said. "I heard you the first time!" Bellonda spoke from the belly, almost a baritone rumbling as though each word caused her vague indigestion. She understood Odrade's wry jest, though. -
The Blackness of Liet-Kynes: Reading Frank Herbert's Dune Through
religions Article The Blackness of Liet-Kynes: Reading Frank Herbert’s Dune Through James Cone Peter Herman Theology & Religious Studies, Marymount University, Arlington, VA 22207, USA; [email protected] Received: 1 August 2018; Accepted: 17 September 2018; Published: 18 September 2018 Abstract: Frank Herbert’s landmark science fiction novel Dune has received numerous sequels, prequels, and film treatments. Detailing the saga of humanity’s far future beyond our present solar system, the work plays successfully with religious, political, and ecological themes. This essay deals with the social/theological implications of two figures within the story-world of Dune: Its protagonist and visible hero, Paul Atreides/Muad’Dib and the lesser figure of the “Imperial Planetologist” Dr. Kynes, also known to the Fremen as “Liet”. By reading these two figures through the theology of James Cone, we discover that the obvious hero is not a messianic figure but a demonic one. Further, it is the lesser character of Liet-Kynes who actually fulfills the messianic role in Cone’s theological system. This essay is preceded by and makes use of Jeremy Ian Kirk’s work with the film Avatar that provides similar analysis. Where Kirk’s principal concern is with the ethical considerations of Avatar, this essay will more closely bear on Cone’s dynamic of redemption and conversion, specifically his notion of dying to white identity to be reborn in blackness. Keywords: theology; whiteness; black liberation; liberation theology; soteriology; salvation 1. Introduction Frank Herbert’s six Dune novels provide an amazing and detailed view of a possible future for the human race among the stars.1 The world-building in which he engaged spans thousands of years and billions of miles in his speculative future version of our known universe.2 Religion, specifically the often cynical manipulations of the Bene Geserit Sisterhood, plays a role in the narrative. -
Feminism, Technology and Cyborg's in Frank Herbert's Dune
Women of the Future: Gender, Technology, and Cyborgs in Frank Herbert’s Dune Mémoire Carrie Lynn Evans Maîtrise en littératures d’expression anglaise Maître ès arts (M.A.) Québec, Canada © Carrie Lynn Evans, 2016 Résumé Cette thèse défend les mérites d’une lecture cyborgienne de l’œuvre de science- fiction de Frank Herbert, Dune, où la vision particulière des sciences et technologies nous permet d’interpréter plusieurs personnages en tant que réitération Nouvelle Vague du cyborg. Publié en 1965, Dune introduit des personnages féminins atypiques pour cette époque compte tenu de leurs attributs tels qu’une capacité intellectuelle accrue, une imposante puissance de combat et une immunité manifeste contre la faiblesse émotionnelle. Cependant, le roman reste ambivalent en ce qui concerne ces femmes : en dépit de leurs qualités admirables, elles sont d’autre part caractérisées par des stéréotypes régressifs, exposants une sexualité instinctive, qui les confinent tout au mieux aux rôles de mère, maitresse ou épouse. Finalement, dans le roman, elles finissent par jouer le rôle du méchant. Cette caractérisation se rapproche beaucoup de celle du cyborg femelle qui est d’usage courant dans les productions de science fiction pour le grand public des décennies plus récentes. Par conséquent, cette thèse défend qu’une lecture cyborgienne de Dune complète et accroisse une analyse sexospécifique, car cette approche comporte une théorisation essentielle des réactions à l’égard de la technologie qui, selon Evans, sont entretissées dans la réaction patriarcale de ce roman à l’égard des femmes. Bien que ces créatures fictives ne soient pas encore communes à l’époque de la rédaction de Dune, Jessica et certains autres personnages du roman peuvent néanmoins être considérés comme exemples primitifs des cyborgs, parce qu’ils incarnent la science et la technologie de leur culture et qu’ils possèdent d’autres éléments typiques du cyborg. -
Foundation and Dune
Mythmoot III: Ever On Proceedings of the 3rd Mythgard Institute Mythmoot BWI Marriott, Linthicum, Maryland January 10-11, 2015 Foundation and Dune or, Hari Seldon and the Golden Path Neil A. Ottenstein and Phillip Menzies Introduction The idea of there being a similarity between the Dune novels by Frank Herbert and Foundation series by Isaac Asimov became apparent during one of the Mythgard Academy classes on Dune led by Corey Olsen. During this class we examined in great detail what Paul Atreides was experiencing when his ability to see the future started to surface in his consciousness. In describing the mechanics of Paul’s view of the future it became clear that Paul was not “seeing” the future in any kind of mystical way. This view of seeing the future reminded some participants in the class of Psychohistory as put forward by Hari Seldon in the Foundation series. In this series Psychohistory was entirely based upon science and mathematics once again totally unrelated to mysticism or magic in any way. This paper will look at these two methods of foretelling or predicting the future by describing and comparing what was experienced by Paul and the Psychohistorians. It will also examine the mechanics of “seeing” the future. We are able to do this because these abilities were rational based on science, mathematics, observation and extrapolation and totally explainable unlike magic or metaphysical forces. Both novels also described limitations to seeing the future by showing that some things were not able to be seen and anticipated. We will examine this by venturing into the sequel Foundation and Empire. -
The Bene Gesserit in Frank Herbert's Dune
T. Meza 1 Hugvísindasvið The Bene Gesserit in Frank Herbert’s Dune An analysis. Ritgerð til B.A.-prófs Luis Felipe Torres Meza December 2010 T. Meza 2 Háskóli Íslands Hugvísindasvið Enska The Bene Gesserit in Frank Herbert’s Dune An Analysis. Ritgerð til B.A.-prófs. Luis Felipe Torres Meza Kt.: 250786-3959 Leiðbeinendur: Matthew Whelpton og Valgerður Guðrún Bjarkadóttir December 2010 T. Meza 3 Abstract. The following is a work of literary analysis involving Frank Herbert’s Dune, which is the first published tome of what later became known as the Dune Chronicles. The Chronicles comprise six books authored by Frank Herbert many of which are referred to here, but this work centres only on Dune. This literary analysis focuses on the Bene Gesserit, an organization of women which plays a large part in the development of Herbert’s novel. The main objective of the discussion is to describe this conglomerate of characters and analyse it as one single collective character with its own story and its own characteristics in order to expand the understanding of Dune. Although much work about this science fiction novel exists today, the implications of the Bene Gesserit have not been adequately discussed. There are critics who condemn Herbert’s depiction of women in his universe based on the comparison of power between the novel’s protagonist hero, Paul Atreides and his Bene Gesserit counterparts. Another important tendency in Dune criticism is the inaccurate view that limits the understanding of the Bene Gesserit as a religious organization, although Dune itself provides readers with evidence to the contrary. -
Frank Herbert's Dune
D U N E Part Two by John Harrison Based on the novel by Frank Herbert Revisions 11/15/99 © 1999 New Amsterdam Entertainment, Inc. Converted by duneinfo.com 101. ACT 1 FADE IN: 97 OMIT 98 INT. ARRAKEEN PALACE - AFTERNOON The Atreides banner is cut loose from its stanchions. It floats to the ground in a heap. Replaced by... The blue Griffin crest of House Harkonnen. PULL BACK TO REVEAL... A Palace under occupation. Harkonnen troops everywhere. An oppressive presence. 98 INT. ROYAL MARTMENTS - SAME BARON HARXONNEN is horizontal. Mid-air in his suspensor unit. Asleep. But... He is not resting comfortably. In fact, it looks he's having nightmares. His body twitches. His eyes flutter. And there behind him... Jessica. Right next to the Baron's face. Moving in on him. And then...next to her...Paul. Also closing in...until... The Baron jerks awake. Screaming. Waving his arms frantically in front of him. And now next to him... ...not Paul. His nephew....FEYD. Is that a smirk on his face? FEYD Another bad dream, Uncle? BARON HARKONNEN Indigestion. That's all. Miserable food here...can't wait to be off this foul planet. What are you doing here, boy? FEYD They're dead, Uncle. The Bene Gesserit witch and her son. Both dead. The Baron's eyes suddenly sharpen their focus. (CONTINUED) 102. 99 CONTINUED: FEYD We discovered a Fremen sietch not far from where our 'thopter was supposed to crash. They'd been rescued by that Atreides snake, Duncan Idaho. The ecologist, Kynes, was with them. -
BEHIND the DUNE WALKTHROUGH, V2.26 (2020 September)
BEHIND THE DUNE WALKTHROUGH, V2.26 (2020 September) The sexual scenes you could miss are in pink. All the others are inevitable. Important: If you did well with harvesting, you can speed time on the lower left part of the map. I don’t think you can have a good average harvest without that. BOOK1: Discover Arrakis Ask Duncan to follow you. He will always give clues to have fun with the girls. -When talking to Jessica about the Reverend Mother’s hotness, say “I can handle it”. It will lead to her titjob. -Talk to the Reverend Mother to do her “test”. -Take the ornithopter and go to the village. The smuggler will add a “sietch” to your map. -When you will be rich, pay to see her boobs, then pussy, etc. -In that sietch, the Fremen will accept to work with you at a point. So she shows a new sietch. -You can now touch 10 times her red button and talk about water saving. -The new troop will refuse to work with you. Find Harah in a sietch. At a point she will say she has back pain. Bring her to your doctor and do what she says: find suspensors by clicking lamps, and show them to the doc. Harah is treated, the fremen troop like you and work with you. -You’ll have a vision.Talk about it to a Bene Gesserit (Jessica or the Reverend Mother) so the story continues. -When you wake from your vision, convince Dr.Yueh that something is wrong with your urine/sperm -Do your job on Dune. -
Organizations of the Dune Universe
Organizations of the Dune universe en.wikipedia.org/wiki/Organizations_of_the_Dune_universe Multiple organizations of the Dune universe dominate the political, religious, and social arena of the fictional setting of Frank Herbert's Dune series of science fiction novels, and derivative works. Set tens of thousands of years in the future, the saga chronicles a civilization which has banned computers but has also developed advanced technology and mental and physical abilities through physical training, eugenics and the use of the drug melange. Specialized groups of individuals have aligned themselves in organizations focusing on specific abilities, technology and goals. Herbert's concepts of human evolution and technology have been analyzed and deconstructed in at least one book, The Science of Dune (2008).[1][2][3] His originating 1965 novel Dune is popularly considered one of the greatest science fiction novels of all time,[4] and is frequently cited as the best-selling science fiction novel in history[.4][5] Dune and its five sequels by Herbert explore the complex and multilayered interactions of politics, religion, ecology and technology, among other themes. Young Alia Atreides in front of (from left to right) a Spacing Guild agent, Princess Irulan, Reverend Mother Mohiam and her Bene Gesserit, and Padishah Emperor Shaddam IV, from the Dune miniseries (2000) We've a three-point civilization: the Imperial Household balanced against the Federated Great Houses of the Landsraad, and between them, the Guild with its damnable monopoly on interstellar transport. — Reverend Mother Mohiam, Dune As Frank Herbert's Dune (1965) begins, the known universe is ruled by Shaddam IV, the 81st Padishah Emperor of House Corrino, whose power is secured by his control of the brutally efficient military force known as the Imperial Sardaukar. -
The Amtal Rule: Testing to Define in Frank Herbert's Dune
THE AMTAL RULE: TESTING TO DEFINE IN FRANK HERBERT'S DUNE by Adella Irizarry A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 2013 ACKNOWLEDGEMENTS I wish to extend my most sincere thanks to my supervisory committee for their helpful guidance with this project. Special thanks are extended to Dr. Elizabeth Swanstrom for her wise advice at all steps of this project. I would also like to acknowledge the support of my family and friends, most notably those who endured the process with me (because, sometimes, we can only endure) and gave me their support and help. iii ABSTRACT Author: Adella Irizarry Title: The Amtal Rule: Testing to Define in Frank Herbert’s Dune Institution: Florida Atlantic University Thesis Advisor: Dr. Elizabeth Swanstrom Year: 2013 In this project, I focus on the function of the “amtal,” or test of definition or destruction, in Frank Herbert's Dune. It is my argument that these tests “to destruction” determine not only the limits or defects of the person being tested, but also—and more crucially—the very limits and defects of the definition of humanity in three specific cultural spheres within the novel: the Bene Gesserit, the Fremen, and the Faufreluches. The definitions of “amtal” as well as “humanity,” like all definitions, are somewhat fluid, changing depending on usage, cultural context, and the political and social needs of the society which uses them. Accordingly, Dune remains an instructive text for thinking through contemporary and controversial notions about the limits of humanism and, consequently, of animalism and posthumanism. -
Frank Herbert’S Dune Series Is Considered Oneof the Most Popular and Significant Contributions to Sciencefiction Writing in Many Decades
0-8057-7514-5 FONIK 7tae Frank Herbert’s Dune series is considered oneof the most popular and significant contributions to sciencefiction writing in many decades. After winning the prestigious Hugo and Nebula awards in 1966 for Dune, Herbert went on to write five successive volumes to form a series: Dune Messiah, Children of Dune, God Emperor of Dune, Heretics of Dune, and Chapterhouse: Dune. Thefictional world that Herbert created was at once complex, compelling, andinstructive, and the series attracted readers of all ages. Herbert’s phenomenal achievements surpassed even that success—hepublished a total of thirty books in his literary career, twenty-three of which were science fiction novels. Some fans of his specu- late that his books spawned the ecological move- ment in the late sixties and early seventies. Despite the popularity of the Herbert books with general readers and in science fiction courses, the impact of his achievements has been, until now, inadequately assessed. William F. Touponce’s authoritative and de- finitive treatment draws on archival materials, including taped interviews in which Herbert talks extensively about his childhood, recordings of conversations with Herbert about his work, and reproductions of the earliest versions of certain passages that demonstrate the develop- ment of the Dune cycle. With comments from Willis E. McNelly, editor and compiler of The Dune Encyclopedia andlifelong friend of Herbert, incorporated into the text, Touponce summa- rizes a vast amount of material describing the creation of the Dune cycle. (continued on back flap) Frank Herbert examines what Touponceterms the “Dostoyevskian complexity” of Herbert’s characters, the “polyphonic” quality of the nov- els, and the evocative themes that permeate his works and reveal a profound questioning ofroles that heroes play in our discovery of human potential and limitations. -
Luis Gerardo Méndez Se Inspira En Su Padre
SÁBADO 4 DE SEPTIEMBRE DE 2021 2 ETCÉTERA Luis Gerardo Méndez se inspira en su padre El actor de “Nosotros los nobles” toma fuerzas ante la pérdida de su familiar y continúa con proyectos televisivos. EL UNIVERSAL EL UNIVERSAL Cinta. El cineasta mexicano estará en el Festival de Cine de Ciudad de México Londres por su última producción titulada “Sundown”. Luis Gerardo Méndez consi- dera que seguir trabajando en lo que ama es una mane- Michel Franco ra de honrar a su padre, mé- dico que falleció en marzo pasado por Covid-19. competirá en “No es un secreto, se contagió haciendo su traba- jo y la verdad ha sido increí- Londres blemente duro e inspirador. Yo sé que mi papá era al- EL UNIVERSAL “Un profeta” del francés guien que disfrutaba mucho Ciudad de México Jacques Audiard. la vida y la celebraba, estoy La directora del certa- honrándolo haciendo lo que El mexicano Michel Fran- men, Tricia Tuttle, señaló amo”, dijo en un encuentro co participará con su últi- en un comunicado que las de prensa. ma película, “Sundown”, películas a concurso pre- El actor de “Nosotros los en la competición oficial tenden ser “una señal de nobles” y “Club de Cuer- del Festival de Cine de neón que dice brillando: vos” estuvo junto con la ac- Londres, que se celebrará ‘entre aquí’”. triz colombiana Juana en octubre, junto a otros “La selección de ocho Acosta hablando de su pró- nombres destacados como películas está llena de dia- xima participación en los los de Paolo Sorrentino o mantes cinematográficos, Premios Platino, a lo mejor Justin Kurzel. -
Desert Enlightenment: Prophets and Prophecy in American
DESERT ENLIGHTENMENT: PROPHETS AND PROPHECY IN AMERICAN SCIENCE FICTION Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in English By Justice Hagan UNIVERSITY OF DAYTON Dayton, Ohio May, 2013 DESERT ENLIGHTENMENT: PROPHETS AND PROPHECY IN AMERICAN SCIENCE FICTION Name: Hagan, Justice APPROVED BY: _________________________ Andrew Slade, Ph.D. Committee Chair Assistant Professor of English _________________________ Albino Carrillo, M.F.A Committee Reader Associate Professor of English _________________________ James Boehnlein, Ph.D. Committee Reader Associate Professor of English ii ABSTRACT DESERT ENLIGHTENMENT: PROPHETS AND PROPHECY IN AMERICAN SCIENCE FICTION Name: Hagan, Justice University of Dayton Advisor: Dr. Andrew Slade In the narratives of Dune, The Rise of Apocalypse, and Star Wars, the desert plays a pivotal role in the development of the central characters. As prophets or heralds of their respective sources, Paul Muad‟Dib, En Sabah Nur, and Anakin and Luke Skywalker enter the desert – either directly after their births or early in their formative years – and emerge as changed figures. Various elements and manifestations of the desert, such as the sandworms and the spice in Dune, affect each of these figures in unique ways. While the desert does have appreciable artistic value as an environment, the argument that its value is limited to that quality is flawed, especially as it is viewed by some of the characters in these stories as a too-harsh world. That unforgiving nature is central to the development of the prophets, as it forces them into a barrenness from which enlightenment originates.