Missing an Opportunity
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
(At) Miracosta
The Creative Music Recording Magazine Jeff Tweedy Wilco, The Loft, Producing, creating w/ Tom Schick Engineer at The Loft, Sear Sound Spencer Tweedy Playing drums with Mavis Staples & Tweedy Low at The Loft Alan Sparhawk on Jeff’s Production Holly Herndon AI + Choir + Process Ryan Bingham Crazy Heart, Acting, Singing Avedis Kifedjian of Avedis Audio in Behind the Gear Dave Cook King Crimson, Amy Helm, Ravi Shankar Mitch Dane Sputnik Sound, Jars of Clay, Nashville Gear Reviews $5.99 No. 132 Aug/Sept 2019 christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu Hello and welcome to Tape Op 10 Letters 14 Holly Herndon 20 Jeff Tweedy 32 Tom Schick # 40 Spencer Tweedy 44 Gear Reviews ! 66 Larry’s End Rant 132 70 Behind the Gear with Avedis Kifedjian 74 Mitch Dane 77 Dave Cook Extra special thanks to Zoran Orlic for providing more 80 Ryan Bingham amazing photos from The Loft than we could possibly run. Here’s one more of Jeff Tweedy and Nels Cline talking shop. 83 page Bonus Gear Reviews Interview with Jeff starts on page 20. <www.zoranorlic.com> “How do we stay interested in the art of recording?” It’s a question I was considering recently, and I feel fortunate that I remain excited about mixing songs, producing records, running a studio, interviewing recordists, and editing this magazine after twenty-plus years. But how do I keep a positive outlook on something that has consumed a fair chunk of my life, and continues to take up so much of my time? I believe my brain loves the intersection of art, craft, and technology. -
Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-1-2021 Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums Caroline Pollard Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Applied Statistics Commons, Categorical Data Analysis Commons, and the Statistical Models Commons Recommended Citation Pollard, Caroline, "Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums" (2021). Honors Theses. 1909. https://egrove.olemiss.edu/hon_thesis/1909 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. USE OF LINEAR DISCRIMINANT ANALYSIS IN SONG CLASSIFICATION: MODELING BASED ON WILCO ALBUMS By Caroline Pollard A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford, MS May 2021 Approved By ______________________________ Advisor: Professor John Latartara ______________________________ Reader: Professor Gerard Buskes ______________________________ Reader: Professor Michael Worthy © 2021 Caroline Pollard ALL RIGHTS RESERVED ACKNOWLEDGEMENTS I would like to extend a big thank-you to my readers, Dr. Buskes and Dr. Worthy, and especially my advisor, Dr. Latartara. It has such a pleasure working under and with these knowledgeable professors. They have kindly offered guidance and critiques through this process, and my argument and writing would not be as strong without their work on this as well. -
Salvati Dal Rock and Roll
SENTIREASCOLTARE online music magazine GIUGNO N. 32 Wilco salvati dal rock and roll Hans Appelqvist King Kong Laura Veirs Valet Keren Ann Feist Low PelicanStars Of The Art Lid Of Fighting Smog I Nipoti Marino del CapitanoJosé Malagnino Cristina Zavalloni Parts & Labor Billy Nicholls Dead C The Sea And Cake Labrador Akoustic Desease Buffys eSainte-Marie n t i r e a s c o l t a r e WWW.AUDIOGLOBE.IT VENDITA PER CORRISPONDENZA TEL. 055-3280121, FAX 055 3280122, [email protected] DISTRIBUZIONE DISCOGRAFICA TEL. 055-328011, FAX 055 3280122, [email protected] MATTHEW DEAR JENNIFER GENTLE STATELESS “Asa Breed” “The Midnight Room” “Stateless” CD Ghostly Intl CD Sub Pop CD !K7 Nuovo lavoro per A 2 anni di distan- Matthew Dear, uno za dal successo di degli artisti/produt- critica di “Valende”, È pronto l’omonimo tori fra i più stimati la creatura Jennifer debutto degli Sta- del giro elettronico Gentle, ormai nelle teless, formazione minimale e spe- sole mani di Mar- proveniente da Lee- rimentale. Con il co Fasolo, arriva al ds. Guidata dalla nuovo lavoro, “Asa Breed”, l’uomo di Detroit, si nuovo “The Midnight Room”, sempre su Sub voce del cantante Chris James, voluto anche rivela più accessibile che mai. Sì certo, rima- Pop. Registrato presso una vecchia e sperduta da DJ Shadow affinché partecipasse alle regi- ne il tocco à la Matthew Dear, ma l’astrattismo casa del Polesine ed ispirato forse da questa strazioni del suo disco, la formazione inglese usuale delle sue produzioni pare abbia lasciato sinistra collocazione, il nuovo album si districa mette insieme guitar sound ed elettronica, ri- uno spiraglio a parti più concrete e groovy. -
It's Harvest Time Again
SEPT. 22-28, 2016 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM ----------------------Feature • Columbia City Haunted Jail --------------------- It’s Harvest Time Again By Mark Hunter “Each year The Master likes to, ahem, dom body parts?” I said. revamp the place,” the man said. “Some new “As you like it, sir.” It’s harvest time at the Columbia City paint, a couple of throw pillows.” Right. I like it when I’m out of there. Haunted Jail. And the crop is blood. “Don’t you mean fresh blood and ran- The place gives me the creeps, probably Yes, it’s hard to believe because it’s lousy with creepers, but it’s been a full year since or stalkers, as the locals call them. the batty one ordered his Even in the relatively well-lighted servants to sow the seeds of gloom, I had the sense I was being death in the halls of the jail. followed, either by practiced acro- But what’s time to a vam- bats or zombie contortionists. Turns pire? The flutter of a wing? out the zombie contortionists were October 15 | 8pm Don’t bother asking Deimos on a break and out of their autopsy Nosferatu. He doesn’t wear a room cages. watch. The tour led up a narrow stair- HE R E COM E The MUMMI E S A year ago Deimos re- case to the third floor where only Sponsored by Jefferson Pointe leased his fellow bloodsuck- VIPs are allowed, for a small fee of and Fort Wayne CW ers to gain control of the zom- course. -
UNION Chapel
Wooden Nickel -----------------------------------------Spins --------------------------------------- CD of the Week David Todoran $9.99 True BACKTRACKS I remember 1998 like it was The Byrds yesterday, and I remember how I Mr. Tambourine Man (1965) enthusiastic I was back then about the future of Americana. Lucinda A couple of months before I was Williams’ Car Wheels on a Gravel born, folk rock was introduced to Road was brand new, and it proved The Byrds. In 1965 folk music was that there was a place for rootsy grit alive and well, but this release sort of within the confines of popular music. Wilco were in the process of “plugged in” and created a new ripple translating the No Depression vibe of its first album into the retro of music that was only relevant to the jangle of Summerteeth, and on the local scene, David Todoran re- coffee shops of Greenwich Village. leased Solstice, solid evidence that he knew where American music With a couple of Dylan covers and some Pete Seeger, the band had been and where it was going, and that he knew how to tie the two relied heavily on Missouri native Gene Clark to write a few songs $11.99 together. It was a giddy time for fans like me. for this debut record. Clark delivered, and this has since become And then everything went dark. Williams took three years to one of the best releases from the mid 60s. follow up Car Wheels, and she stumbled a bit when she did. After With the title track as the opener, you get Clark, Jim (Roger) John MAyeR Summerteeth and the departure of Jay Bennett, Wilco turned their McGuinn and a 23-year-old David Crosby creating some passion- Paradise Valley back on songs that Jeff Tweedy disdainfully referred to as “rockers” ate harmonies in front of heavy folk guitars that just sway into and focused instead on feedback- and rumble-laden jams. -
Parenthetical Girls
SENTIREASCOLTAREDIGital MAGAZINE SETTEMBRE N. 47 DAVID EUGENE EDWARDS ALVA NOTO SOUL JAZZ RECORDS NEW YEAR ARMATRADING PARENTHETICAL GIRLS 4 NEWS 6 TURN ON SILVER RAY, NEW YEAR, ALVA NOTO 16 TUNE IN PARENTHETICAL GIRLS, DAVID EUGENE EDWARDS 24 DroP OUT SOUL JAZZ, NOISE ROCK ITALIANO 42 RECENSIONI ABE VIGODA, KEVIN DRUMM, DAVID BYRNE & BRIAN ENO 106 WE ARE DEMO 108 REARVIEW Mirror JOAN ARMATRADING 120 CUlt MOVIE REDACTED 122 LA SERA DELLA PRIMA IL CAVALIERE OSCURO, FUNNY GAMES 126 I COSIDDETTI CONTEMPORANEI HANNS EISLER DIRETTORE Edoardo Bridda COOR D IN A MENTO Teresa Greco CON S ULENTI A LL A RE da ZIONE Daniele Follero Stefano Solventi ST A FF Gaspare Caliri Nicolas Campagnari Antonello Comunale Antonio Puglia HA NNO C OLL A BOR A TO Gianni Avella, Paolo Bassotti, Davide Brace, Marco Braggion, Filippo Bordignon, Marco Canepari, Manfredi Lamartina, Gabriele Maruti, Stefano Pifferi, Andrea Provinciali, Costanza Salvi, Vincenzo Santarcangelo, Giancarlo Turra, Fabrizio Zampighi, Giuseppe Zucco GUI da S PIRITU A LE Adriano Trauber (1966-2004) GR A FI ca Nicolas Campagnari IN C OPERTIN A Parenthetical Girls SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda Direttore responsabile Antonello Comunale Provider NGI S.p.A. Copyright © 2008 Edoardo Bridda. Tutti i diritti riservati.La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di SentireAscoltare SA 3 S W Make Mine Music, così come il progetto so- accorge di aver messo su anche nella stes- Inoltre installazioni audio e video, proiezio- lista di Glen Johnson, Textile Ranch (The sa cartella la versione non masterizzata del ni, incontri con gli artisti ospiti, in una se- NE Rest, I Leave It To The Poor)… nuovo disco Atlas Sound (Logos) e un inte- quenza ininterrotta di eventi, dal pomerig- ro disco nuovo dei Deerhunter (Weird Era gio a notte inoltrata. -
Wilco: Sunken Treasure Online
Fnel9 [FREE] Wilco: Sunken Treasure Online [Fnel9.ebook] Wilco: Sunken Treasure Pdf Free Tim Grierson ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #1031276 in eBooks 2011-01-01 2013-06-14File Name: B00DQCLDJ6 | File size: 64.Mb Tim Grierson : Wilco: Sunken Treasure before purchasing it in order to gage whether or not it would be worth my time, and all praised Wilco: Sunken Treasure: 8 of 8 people found the following review helpful. An Excellent Wilco OverviewBy CustomerThis book deserves more attention from Wilco fans. Tim Grierson provides an excellent overview of Wilco's career from A.M. to The Whole Love. Greg Kot's Wilco: Learning How To Die has more in-depth information on Jeff Tweedy's time in Uncle Tupelo and the struggles to complete and release Wilco's Yankee Hotel Foxtrot CD. However, Wilco: Sunken Treasure has the advantage of covering all of Wilco's career up to 2013 and features comments from a number of Wilco insiders (especially various studio engineers and producers) not included in Kot's book. And although Jeff Tweedy and other Wilco members were interviewed by Kot and not by Grierson, Wilco: Sunken Treasure appears to be better balanced. Grierson clearly admires Wilco's music but also provides space for various critics who have not been as enamored by all of Wilco's discography, particularly the tepid Sky Blue Sky and Wilco (the Album) releases. The author also provides a fair account of Jay Bennett's split with the band, his solo work, and untimely death without resorting to the sad caricature portrayed by Sam Jones' I Am Trying to Break Your Heart documentary and Kot's book. -
Blues Traveler
Bio | Blues Traveler Search The Site HOME MUSIC TOUR VIDEOS NEWS BLOG COMMUNITY Bio EMAIL It’s not every band that’s still staking out new musical territory and embracing fresh challenges more than 23 years into their career, but that’s the case with Blues Traveler. Having long ago SIGNUP graduated from the jam-band underground to mainstream stardom, the iconoclastic combo has consistently stuck to its guns and played by its own rules. For their new release (and Verve Forecast debut) North Hollywood Shootout, the quintet ventured out of their creative comfort zone to explore some adventurous new horizons. The resulting album is a landmark in Blues Traveler’s large and widely loved body of work, demonstrating the enduring strengths of the band’s songwriting while capturing the SEE ALL spontaneous spirit of their legendary live shows. TOUR THUNDER BAY, ONTA… 7/10/2010 The aforementioned body of work encompasses eight studio albums and four live discs, six of DATESTHUNDER BAY MARINA PARK GET TICKETS them certified Gold or Platinum, with combined worldwide sales of more than ten million units. The band’s best-known single, “Run-Around,” was the longest-charting radio single in Billboard history. Along the way, the band has played more than 2000 live shows in front of more than NORTH LAWRENCE, O…7/16/2010 three million people. ROCK N’ RESORT MUSIC F… GET TICKETS “We’re still trying to reconcile the different things we do, and cultivate what we’re individually LOUISVILLE, KY 7/17/2010 good at into something that’s bigger than the sum of its parts,” notes frontman and harmonica- FOURTH STREET LIVE – R… GET TICKETS slinger John Popper. -
Ashes of American Flags (2002) Wilco
MUSC-21600: The Art of Rock Music Prof. Freeze Ashes of American Flags (2002) Wilco LISTEN FOR • Acoustic guitars, relaxed tempo of country music • Singer-songwriter vocals • Collages of electronic noises in interlude, coda CREATION Songwriters Jeff Tweedy (lyrics, music), Jay Bennett (music) Album Yankee Hotel Foxtrot Label Nonesuch 79669 Instrumentation Lead vocals, electric guitars, acoustic guitars, bass, drums, piano, synth strings, various electric sounds Producer Wilco Recording The Loft (Chicago); 2000–1; stereo Charts Album 13 MUSIC Genre Alternative rock Form Contrasting verse-chorus. A four-measure vamp is used throughout the song to slow the action and introduce each verse, and unmeasured atmospheric sounds appear as a kind of contrasting bridge and as a segue into the next track on the album. Key D major Meter 4/4 MUSC-21600 Listening Guide Freeze “Ashes of American Flags” (Wilco, 2002) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Vamp (4) • Bell tree percussion, a piano vamp (short, repeated pattern), sustained guitar, and high strings open the track, getting louder in anticipation of the verse. 0:17 Verse 1 (8) “The cash machine” • Vocals enter, singing melody based on vamp. • Melodic guitar, acoustic guitar, drums, and bass enter. • Heavy dream beat, acoustic guitar, intimate vocal quality give a country feel to song. 0:45 Vamp (4) • Notice how the melodic guitar plays a call and response in the left and right channels. • Listen also for the sonic “wind” sounds. 1:00 Pre-chorus (4) “I wonder why” • Based on the second half of the verse. 1:14 Chorus (4) “All my lies” • Listen to the irregular snare drum pattern, which is odd for a chorus section. -
Recording of the Vonth
Record Reviews Recording of the Vonth WILCO: Yankee Hotel Foxtrot Nonesuch 79669-2 (CD). 2002. Wilco, prods.; lim O'Rourke, mix. AAD? TT: 51:51 Performance **** Sonics **** ver since he and partner Jay Farrar broke up the alternative-country band Uncle Tupelo in 1994, Jeff ETweedy has fashioned quite acareer with his subse- quent band, Wilco. Originally made up of former UT members — drum- mer Ken Coomer, multi-instrumentalist Max Johnston, and bassist John Stirrat — Wilco began as afairly straight- ahead rock/country-rock band, and picked up where Uncle Tupelo had left off. Wilco's first album, AM (1995), has songs like "Box Full of Letters," "I Must Be High," and "Passenger Side" — exactly the kind of easily accessible pop tunes Tweedy had written for UT From there, things began to get weird. Wilco's next album, Being There (1996), arare double album, was a19- Wilco: (from left) Leroy Bach, Jeff Tweedy, Glenn Kotche, John Stirratt. song exploration of Tweedy's growing confidence as the band's source of original songs. It also marked the debut of ing keyboard effect—is one of the album's singles-in-wait- guitarist-keyboardist Jay Bennett. ing. It's followed by "Jesus, etc.," with sweet touches of vio- It was with Summerteeth that Wilco began taking alot lin and pedal-steel guitar (or, again, akeyboard effect that more chances. Gone were any vestiges of UT-styled twang. sounds like pedal-steel). In their place were guitar-based rock-pop songs of adarker As it has on every one of his previous albums, Tweedy's hue and numbers like "Pieholden Suite," in which Tweedy Beades jones rises on VHF, in the fragile, evenly paced began to fulfill his ambition of working on larger canvases melody of "Ashes of American Flags." (The song titles often that defied convenient stylistic pigeonholes. -
Jeff Tweedy in 1997
Aug. 27, 1997--- Stars of innocence smile down on the Northwest Side home Wilco singer- songwriter Jeff Tweedy shares with wife Sue and their 18-month-old son, Spencer. The shelves of an enclosed back porch contain vintage board games based on "The Beverly Hillbillies" and Mad magazine. An inlet near the front door features a Dennis Rodman doll, still in its original box. Tweedy's recent reading material includes "The Gas You Pass," Shinta Cho's best- seller for kids, and Taro Gomi's "Everyone Poops." Spencer is being toilet trained, but it is Wilco who is ready to get up and go. After the success of the double-CD "Being There," Wilco has emerged as Chicago's premiere songwriter's band. Only Smashing Pumpkins equals Wilco on the hometown register of national stardom. Warner Bros./Reprise rolled the dice on Wilco's rare 19-song double album that clocks in at just under 80 minutes of music. "We thought the double album was dicier than it turned out to be," said Bill Bentley, vice president of media relations for Warner Bros./Reprise. "Something like that is just not done by newer bands. But fans responded - well over 100,000 units sold." Wilco's 1995 debut record "A.M." sold about 64,000 units, according to SoundScan's count. Bentley added that the label likely will push "Being There" for Grammy consideration. "Being There" made the top 10 of dozens of critics' lists last year, and Tweedy was compared to an emerging Robbie Robertson and/or Bruce Springsteen several times. -
On Wilco and Being There
On Wilco and Being There Mike Lindgren February 16, 1997 was a cold, gray day in Boston, and Fenway Park was shrouded and dark. Across the street from the famous left-field wall was a dank, shabby nightclub called the Avalon Ballroom, which despite its rundown interior was the Boston stop of choice for mid-level bands touring the East Coast. The Chicago alt-country band Wilco would have arrived sometime in the afternoon, loaded in their gear, done a perfunctory soundcheck, gotten something to eat. Their show that night would be the seventeenth they had played in the last nineteen days; they were halfway through a bruising tour that had taken them as far south as Atlanta and as far west as Kansas. Their singer and Wilco guitarist Jeff Tweedy, guitarist and keyboardist Jay Bennett, bassist John Stirratt, and Being There drummer Ken Coomer were touring in support of their album Being There, an ambitious double record that had been out since October. 10/1996 Reprise Records A bare four blocks away, I was drinking vodka and beer in my apartment on Queensberry Street, chewing tobacco, getting ready for the show. It was a Sunday, so I was off work; it was the day before President’s Day, so I had no need to even try to keep in check the drinking that was already beginning to devour my life. I had planned on inviting a pretty girl I was sort-of dating to come with me, but she had abruptly ended our nascent relationship, so I would be going to the concert alone.