Volume 8, Spring 2007
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TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
Montana Kaimin, March 19, 2008 Students of the Niu Versity of Montana, Missoula
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 3-19-2008 Montana Kaimin, March 19, 2008 Students of The niU versity of Montana, Missoula Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Students of The nivU ersity of Montana, Missoula, "Montana Kaimin, March 19, 2008" (2008). Montana Kaimin, 1898-present. 5105. https://scholarworks.umt.edu/studentnewspaper/5105 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. UMʼs Independent Campus Newspaper Since 1898 Wednesday MVolume CX, Issueontana 81 Kaimin March 19, 2008 Inside the Kaimin Arts p 7 On Campus Today Forecast Sports p 5 Finals week will start with • 9-11 a.m. President’s Open Offi ce Hours, University Hall 109 High 45F UM billiards player headed • 6 p.m. ASUM Senate meeting, UC 330-331 Low 29F Wilco, get worse from there • 7 p.m. “Lunafest,” short fi lms by, for and about women, UC Theater to nationals – Courtesy of UM Events Calendar UM possible stop on Obama’s Montana trip Elizabeth Harrison Montana’s June 3 primary draws for the Obama campaign. When Democratic But Tinsley said his subsequent MONTANA KAIMIN near, the candidate might campaign he found out the senator was to party, he phone calls to the campaign in other areas of the state as well. -
Wilco-Songs Minimalistisch
Folkdays … Wilco-Songs minimalistisch Musik | Jeff Tweedy: Together At Last Jeff Tweedy, das ist einerseits ein Singer-Songwriter, andererseits ist er der Macher von Wilco in Zusammenarbeit mit John Stirratt, Glenn Kotche, Mikael Jorgensen, Nels Cline und Pat Sansone. Er war auch einmal mit dem Band-Projekt Golden Smog zu hören und es gibt neue Bands von ihm genannt Loose Fur und Tweedy. Das zuerst kurz als Fakten. Von TINA KAROLINA STAUNER Das neue Album von Jeff Tweedy ›Together At Last‹ ist wie ein Überbleibsel aus einer Zeit, in der die Freude Americana, Alternative Country und Neofolk zu hören manchmal fast ungetrübt war. Kein Mainstream laberte irgendeinen Klimbim dazwischen und neben Befindlichkeits- und Beziehungstexten war Sozial- und Gesellschaftskritik in Lyrics ein Zeichen für Anspruch und Niveau. Die Chicagoer Independent-Band Wilco hatte sich mit den ersten Alben in den 1990er Jahren mit Leib und Seele in den Spirit einer ganzen Independent-Generation gespielt. Entstanden aus Uncle Tupelo war Wilco immer wichtig im Diskurs. Bezogen auf traditionelles Wissen über Country und Folk hatte die Band einen ureigenen Sound und integrierte manchmal auch neue und elektronische Klänge in den Kontext. Mittlerweile scheint Jeff Tweedy teils zynisch bis zum geht-nicht-mehr und nach ›Star Wars‹ und ›Schmilco‹ mit Cover-Artwork wie ein Cartoon kam ein ›Together At Last‹. Vergangenheit ist das Woody Guthrie Project, das er mit Nora Guthrie und Billy Bragg vor Jahren veröffentlichte. Vergangenheit sind die frühen Independent-Jahre, wenn es überhaupt noch Leute gibt, die sich daran erinnern. Vergangenheit ist die Band-Dokumentation ›Man in the Sand‹. Vergangenheit sind Songs wie ›In A Future Age‹. -
The Daily Gamecock, TUESDAY, JANUARY 20, 2009
University of South Carolina Scholar Commons January 2009 1-20-2009 The aiD ly Gamecock, TUESDAY, JANUARY 20, 2009 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2009_jan Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, JANUARY 20, 2009" (2009). January. 10. https://scholarcommons.sc.edu/gamecock_2009_jan/10 This Newspaper is brought to you by the 2009 at Scholar Commons. It has been accepted for inclusion in January by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. IInaugurationnauguration DDayay dailygamecock.com UNIVERSITY OF SOUTH CAROLINA TUESDAY, JANUARY 20, 2009 VOL. 102, NO. 78 ● SINCE 1908 Weather TODAY HIGH 36° TONIGHT LOW 24° TOMORROW HIGH 45° Inside SPORTS Keri Goff / THE DAILY GAMECOCK President-elect Barack Obama and his wife Michelle wave to the crowd in front of the Lincoln Memorial before his speech Sunday at the kickoff concert. Millions gather for inauguration Performers, speeches draw morning. “three simple words: We Are One.” same steps that Dr. Martin Luther “Being from Texas, we wanted A star-studded cast of performers King, Jr. made his famous speech crowds to Washington, D.C. to be somewhere that the people and speakers, including Bruce more than 40 years ago, took an for historic occasion around us shared the excitement Springsteen , U2, Tiger Woods and optimistic look towards the future. The men’s basketball we had,” she said. “This is once in a Morgan Freeman, took turns on “As I stand here tonight, what lifetime.” stage. -
(At) Miracosta
The Creative Music Recording Magazine Jeff Tweedy Wilco, The Loft, Producing, creating w/ Tom Schick Engineer at The Loft, Sear Sound Spencer Tweedy Playing drums with Mavis Staples & Tweedy Low at The Loft Alan Sparhawk on Jeff’s Production Holly Herndon AI + Choir + Process Ryan Bingham Crazy Heart, Acting, Singing Avedis Kifedjian of Avedis Audio in Behind the Gear Dave Cook King Crimson, Amy Helm, Ravi Shankar Mitch Dane Sputnik Sound, Jars of Clay, Nashville Gear Reviews $5.99 No. 132 Aug/Sept 2019 christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu Hello and welcome to Tape Op 10 Letters 14 Holly Herndon 20 Jeff Tweedy 32 Tom Schick # 40 Spencer Tweedy 44 Gear Reviews ! 66 Larry’s End Rant 132 70 Behind the Gear with Avedis Kifedjian 74 Mitch Dane 77 Dave Cook Extra special thanks to Zoran Orlic for providing more 80 Ryan Bingham amazing photos from The Loft than we could possibly run. Here’s one more of Jeff Tweedy and Nels Cline talking shop. 83 page Bonus Gear Reviews Interview with Jeff starts on page 20. <www.zoranorlic.com> “How do we stay interested in the art of recording?” It’s a question I was considering recently, and I feel fortunate that I remain excited about mixing songs, producing records, running a studio, interviewing recordists, and editing this magazine after twenty-plus years. But how do I keep a positive outlook on something that has consumed a fair chunk of my life, and continues to take up so much of my time? I believe my brain loves the intersection of art, craft, and technology. -
Chuck Klosterman on Pop
Chuck Klosterman on Pop A Collection of Previously Published Essays Scribner New York London Toronto Sydney SCRIBNER A Division of Simon & Schuster, Inc. 1230 Avenue of the Americas New York, NY 10020 www.SimonandSchuster.com Essays in this work were previously published in Fargo Rock City copyright © 2001 by Chuck Klosterman, Sex, Drugs, and Cocoa Puffs copyright © 2003, 2004 by Chuck Klosterman, Chuck Klosterman IV copyright © 2006, 2007 by Chuck Klosterman, and Eating the Dinosaur copyright © 2009 by Chuck Klosterman. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020. First Scribner ebook edition September 2010 SCRIBNER and design are registered trademarks of The Gale Group, Inc., used under license by Simon & Schuster, Inc., the publisher of this work. For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1- 866-506-1949 or [email protected]. The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com. Manufactured in the United States of America ISBN 978-1-4516-2477-9 Portions of this work originally appeared in The New York Times Magazine, SPIN magazine, and Esquire. Contents From Sex, Drugs, and Cocoa Puffs and Chuck Klosterman IV The -
Post-Rock, Chicago School, Jim O'rourke. Über Materialbehandlung in Der Avantgarde Der Populären Musik
Post-Rock, Chicago School, Jim O'Rourke. Über Materialbehandlung in der Avantgarde der populären Musik Magisterarbeit Universität Lüneburg, Juni 2006 Fakultät I – Bildungs-, Kultur- und Sozialwissenschaften (ehem. Fachbereich III – Angewandte Kulturwissenschaften) vorgelegt von: Tobias Ruderer (Matrikelnummer: 111517) Fasanenweg 5 21337 Lüneburg Tel. 04131-767561 [email protected] Erstgutachter: Dr. Rolf Großmann, Universität Lüneburg Zweitgutachter: Dr. Christian Bielefeldt, Universität Lüneburg Inhaltsverzeichnis Einleitung......................................................................................................................4 1. Theorie des musikalischen Materials.......................................................................8 1.1 Phänomenologische Besonderheiten der Vorstellung eines künstlerischen Materials.....8 1.2 Grundzüge von Adornos Materialtheorie.......................................................................11 1.2.a Materialveränderung als musikimmanenter Prozess...............................................11 1.2.b Der Zwang des Materials........................................................................................13 1.2.c Material und Gesellschaft.......................................................................................15 1.3 Kritik und Probleme des Materialbegriffs......................................................................18 1.4 Stil, Konstruktion, Technik.............................................................................................21 2. Material -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Richard King Creates Harmony Through Musical Relationships
Richard King creates harmony through musical relationships By Jeremy Essig n 1982, Richard King booked a little-known band with a randomly chosen acronym to play at The Blue Note. Both the nightclub and the band, which had just recorded its first album, were 2 years old at the time. Following an appearance in support of their album Chronic Town, Michael Stipe and the other members of R.E.M. were about to leave The Blue Note, though known for building up on him. “I said, ‘No, it was Columbia when King’s partner Phil Costello noticed they were about bands, also holds a notorious place in alternative definitely (Costello).’” to loose a tire on their van, recalled Kevin Walsh – a longtime friend music history as the spot where an influential band Although The Blue Note of both King and Costello. self-destructed. might have missed out on Crow, When it came time to pay them, Costello provided extra money to Minnesota’s Husker Du, touring in support of King played an integral role in the purchase a new tire for the band, which would go on to become one 1987’s Warehouse: Songs and Stories, played their development of another regional of the most famous in rock and roll history. final show at The Blue Note. Drummer Grant Hart band — Uncle Tupelo from Belleville, Ill. “I can’t see myself at 30,” Stipe sang on “Little America,” the performed after missing the sound check and then Uncle Tupelo, whose members would band’s commentary on touring. On July 30, The Blue Note will do disappeared. -
January 20, 2006 | Section Three Chicago Reader | January 20, 2006 | Section Three 5
4CHICAGO READER | JANUARY 20, 2006 | SECTION THREE CHICAGO READER | JANUARY 20, 2006 | SECTION THREE 5 [email protected] The Meter www.chicagoreader.com/TheMeter The Treatment A day-by-day guide to our Critic’s Choices and other previews friday 20 Astronomer THE ASTRONOMER Multi-instrumentalist Charles Kim—the architect behind the deeply cinematic Pinetop Seven and Sinister Luck Ensemble—adds his vocals to the mix in his latest group, the Astronomer. But on the band’s eponymous self-released debut, his pedestrian singing lacks the supple, atmospheric quality of his guitar and pedal steel, NI diluting the effect of the spectral music: Kim played nearly TAT everything on the record, and the songs have a gentle, hovering beauty, but on the whole they sound lifeless. Hopefully he’ll get a spark from the musicians joining him here: Steve Dorocke (pedal steel), Jason Toth (drums), John TE MARIE DOS ET Abbey (upright bass), Jeff Frehling (accordion, guitar), and Emmett Kelly YV Tim Joyce (banjo). This show is a release party. The New Messengers of Happiness open. a 10 PM, Hideout, 1354 W. Wabansia, 773-227-4433, $8. —Peter Margasak BOUND STEMS These tuneful local indie rockers recently released their second EP, The Logic of Building the The Long Layover Body Plan (Flameshovel), a teaser for the forthcoming full- length Appreciation Night. Which label will release the LP is still up in the air: as Bob Mehr reported back in November, Guitarist Emmett Kelly liked Chicago so much he never finished his trip. the Bound Stems have attracted the interest of major indies like Domino and Barsuk. -
Musicdvds Comedic Note Wilco Singer’S Solo Video Hits Funny Bone
WINNIPEG SUN AV Friday,October 27,2006 winnipegsun.canoe.ca 27 MusicDVDs Comedic Note Wilco singer’s solo video hits funny bone JEFF TWEEDY news.The bad news: The emphasis on certain artists Sunken Treasure Live in the seems lopsided — six songs Pacific Northwest from Buffet and only one from Nonesuch | Warner We’ve known for years that Elton? — and all the celebrity introductions interrupt the Wilco leader Jeff Tweedy was flow.Still,hardly a disaster. a brilliant songwriter. But #### BAD BRAINS here’s something we didn’t Darryl know: Dude is freaking GINGER BAKER Live at CBGB 1982 hilarious. Check out his Sterdan MVD concert DVD Sunken In Africa Live at CBGB 1982 features MUSIC Eagle Eye | EMI the world’s greatest hardcore Treasure Live in the Pacific Hippie rock stars + too Northwest and see if you FROM THE BIG APPLE TO THE reggae-punk band,captured much money – common at the height of their powers, don’t agree. Filmed during a sense = entertainment. solo acoustic jaunt earlier BIG EASY: THE CONCERT playing in the birthplace of Ginger Baker in Africa follows American punk rock,during a this spring, the 90-minute FOR NEW ORLEANS the former Cream drummer follows Tweedy and his guitar three-day Various Artists on a bizarre 1971 odyssey residency that from town to town as he Rhino | Warner through Northern Africa to strums Wilco numbers like As natural disasters go, spanned Nigeria, where he supposedly Christmas Eve Shot in the Arm, I am Trying Hurricane Katrina was a wanted to build a studio. to Break Your Heart, Heavy doozy.On the to Boxing Day Armed with a Range Rover,a of 1982.What Metal Drummer and War on plus side,so small camera crew and the War, along with the was the more could sort of wide-eyed innocence any punk fan occasional tune by his old benefit that would get you taken band Uncle Tupelo and his concert possibly hostage today, the ginger want? Except perhaps the side project Loose Fur. -
MUSICAL INTERLUDE: the PLOT of the PLAY THROUGH POP CULTURE (Page 1 of 2)
MUSICAL INTERLUDE: THE PLOT OF THE PLAY THROUGH POP CULTURE (Page 1 of 2) Overview: Write the story of Romeo and Juliet through song titles. Grade: 6-12 Goal: To use contextual clues to relate the Shakespeare text and current songs. State Standards: English Writing Applications §2; Theater Arts §1 Outcomes: Students will research the play for clues to the characters, fully describe the arc of the play through modern lyrics and mood of the music played, and engage critical thinking skills to determine their choices. Activity: 1. Students will research current music to find connections of meaning through lyrics and musical expression to the plot of the play 2. Students will create a list of song that accurately describes the arc of the plot of the play, paying attention to particular words and moods that connect the song and the original text. 3. Have students share their lists, playing a few selections in class as time permits. Reflection: • What difficulty did you have finding the right songs, if any? • Were certain points of the play harder than others for which to find a current expression? • Does your soundtrack point to a certain interpretation of the story as you see it? • Were there certain characters you chose to highlight? Why? See example on the next page. - 30 - MUSICAL INTERLUDE (Page 2 of 2) By Daniel Moattar, from Urban High School, Cathleen Sheehan’s English class, April 2009 ------------------------- Act I: 1. Unnecessary Trouble (Hard-Fi, Stars of CCTV) 2. Older Guys (Teenage Fanclub, Thirteen) 3. The Wrong Girl (Belle and Sebastian, Fold Your Hands Child You Walk Like a Peasant) 4.