With a New Album and New Outlook, Jeff Tweedy and the Rest of Wilco Have Something to (Sort Of) Smile About
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Amjad Ali Khan & Sharon Isbin
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
Fraternity Denies Responsibility in Stabbing
There's no reason Wilco, Mayer rock Men's golf wins third not to vote the state Monday night straight tournament OPINIONS, Page 4 ENTERTAINMENT, Page 6 SPORTS, Page 8 Wednesday, October 11, 2006 Serving the University of Alabama since 1894 Vol. 113, Issue 38 ■ CRIME UPDATE Fraternity denies responsibility in stabbing fraternity party, saying that the The motion filed by the and another man, Reginald under state law, would require “He had never met him until Assailant says victim invited organization was not legally fraternity challenges Wilder’s Barnes, after the two were the organization to protect his injury occurred,” Shires him to party to buy drugs responsible for his protection claims that the fraternity could asked to leave. against an outside attack. said. or predicted the attack. have prevented the September The fraternity claims it Wilder rebuffed those claims Wilder was among a group BY NICHOLAS BEADLE The suit filed by Richard 2004 stabbing had fraternity had no responsibility to pro- in a response filed Tuesday. of Sigma Nu members escort- Senior Reporter “Kirk” Wilder’s attorney last members been trained to fol- tect Wilder from the stabbing Phone calls to Sigma Nu’s ing Gipson and another man, ■ [email protected] month seeks punitive dam- low the University’s rules for because such an attack, as far Lexington, Va., headquarters Reginald Barnes, out of the ages and payment for medi- event management. Wilder’s as fraternity members knew, were not returned this week. party after the initial skirmish Sigma Nu fraternity has cal costs from the UA Theta complaint also faulted the was improbable. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Montana Kaimin, March 19, 2008 Students of the Niu Versity of Montana, Missoula
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 3-19-2008 Montana Kaimin, March 19, 2008 Students of The niU versity of Montana, Missoula Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Students of The nivU ersity of Montana, Missoula, "Montana Kaimin, March 19, 2008" (2008). Montana Kaimin, 1898-present. 5105. https://scholarworks.umt.edu/studentnewspaper/5105 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. UMʼs Independent Campus Newspaper Since 1898 Wednesday MVolume CX, Issueontana 81 Kaimin March 19, 2008 Inside the Kaimin Arts p 7 On Campus Today Forecast Sports p 5 Finals week will start with • 9-11 a.m. President’s Open Offi ce Hours, University Hall 109 High 45F UM billiards player headed • 6 p.m. ASUM Senate meeting, UC 330-331 Low 29F Wilco, get worse from there • 7 p.m. “Lunafest,” short fi lms by, for and about women, UC Theater to nationals – Courtesy of UM Events Calendar UM possible stop on Obama’s Montana trip Elizabeth Harrison Montana’s June 3 primary draws for the Obama campaign. When Democratic But Tinsley said his subsequent MONTANA KAIMIN near, the candidate might campaign he found out the senator was to party, he phone calls to the campaign in other areas of the state as well. -
Wilco-Songs Minimalistisch
Folkdays … Wilco-Songs minimalistisch Musik | Jeff Tweedy: Together At Last Jeff Tweedy, das ist einerseits ein Singer-Songwriter, andererseits ist er der Macher von Wilco in Zusammenarbeit mit John Stirratt, Glenn Kotche, Mikael Jorgensen, Nels Cline und Pat Sansone. Er war auch einmal mit dem Band-Projekt Golden Smog zu hören und es gibt neue Bands von ihm genannt Loose Fur und Tweedy. Das zuerst kurz als Fakten. Von TINA KAROLINA STAUNER Das neue Album von Jeff Tweedy ›Together At Last‹ ist wie ein Überbleibsel aus einer Zeit, in der die Freude Americana, Alternative Country und Neofolk zu hören manchmal fast ungetrübt war. Kein Mainstream laberte irgendeinen Klimbim dazwischen und neben Befindlichkeits- und Beziehungstexten war Sozial- und Gesellschaftskritik in Lyrics ein Zeichen für Anspruch und Niveau. Die Chicagoer Independent-Band Wilco hatte sich mit den ersten Alben in den 1990er Jahren mit Leib und Seele in den Spirit einer ganzen Independent-Generation gespielt. Entstanden aus Uncle Tupelo war Wilco immer wichtig im Diskurs. Bezogen auf traditionelles Wissen über Country und Folk hatte die Band einen ureigenen Sound und integrierte manchmal auch neue und elektronische Klänge in den Kontext. Mittlerweile scheint Jeff Tweedy teils zynisch bis zum geht-nicht-mehr und nach ›Star Wars‹ und ›Schmilco‹ mit Cover-Artwork wie ein Cartoon kam ein ›Together At Last‹. Vergangenheit ist das Woody Guthrie Project, das er mit Nora Guthrie und Billy Bragg vor Jahren veröffentlichte. Vergangenheit sind die frühen Independent-Jahre, wenn es überhaupt noch Leute gibt, die sich daran erinnern. Vergangenheit ist die Band-Dokumentation ›Man in the Sand‹. Vergangenheit sind Songs wie ›In A Future Age‹. -
(At) Miracosta
The Creative Music Recording Magazine Jeff Tweedy Wilco, The Loft, Producing, creating w/ Tom Schick Engineer at The Loft, Sear Sound Spencer Tweedy Playing drums with Mavis Staples & Tweedy Low at The Loft Alan Sparhawk on Jeff’s Production Holly Herndon AI + Choir + Process Ryan Bingham Crazy Heart, Acting, Singing Avedis Kifedjian of Avedis Audio in Behind the Gear Dave Cook King Crimson, Amy Helm, Ravi Shankar Mitch Dane Sputnik Sound, Jars of Clay, Nashville Gear Reviews $5.99 No. 132 Aug/Sept 2019 christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu Hello and welcome to Tape Op 10 Letters 14 Holly Herndon 20 Jeff Tweedy 32 Tom Schick # 40 Spencer Tweedy 44 Gear Reviews ! 66 Larry’s End Rant 132 70 Behind the Gear with Avedis Kifedjian 74 Mitch Dane 77 Dave Cook Extra special thanks to Zoran Orlic for providing more 80 Ryan Bingham amazing photos from The Loft than we could possibly run. Here’s one more of Jeff Tweedy and Nels Cline talking shop. 83 page Bonus Gear Reviews Interview with Jeff starts on page 20. <www.zoranorlic.com> “How do we stay interested in the art of recording?” It’s a question I was considering recently, and I feel fortunate that I remain excited about mixing songs, producing records, running a studio, interviewing recordists, and editing this magazine after twenty-plus years. But how do I keep a positive outlook on something that has consumed a fair chunk of my life, and continues to take up so much of my time? I believe my brain loves the intersection of art, craft, and technology. -
Chuck Klosterman on Pop
Chuck Klosterman on Pop A Collection of Previously Published Essays Scribner New York London Toronto Sydney SCRIBNER A Division of Simon & Schuster, Inc. 1230 Avenue of the Americas New York, NY 10020 www.SimonandSchuster.com Essays in this work were previously published in Fargo Rock City copyright © 2001 by Chuck Klosterman, Sex, Drugs, and Cocoa Puffs copyright © 2003, 2004 by Chuck Klosterman, Chuck Klosterman IV copyright © 2006, 2007 by Chuck Klosterman, and Eating the Dinosaur copyright © 2009 by Chuck Klosterman. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020. First Scribner ebook edition September 2010 SCRIBNER and design are registered trademarks of The Gale Group, Inc., used under license by Simon & Schuster, Inc., the publisher of this work. For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1- 866-506-1949 or [email protected]. The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com. Manufactured in the United States of America ISBN 978-1-4516-2477-9 Portions of this work originally appeared in The New York Times Magazine, SPIN magazine, and Esquire. Contents From Sex, Drugs, and Cocoa Puffs and Chuck Klosterman IV The -
Televisions Marquee Moon Free
FREE TELEVISIONS MARQUEE MOON PDF Bryan Waterman | 144 pages | 27 Jul 2011 | Continuum Publishing Corporation | 9781441186058 | English | New York, United States Marquee Moon - Television | Songs, Reviews, Credits | AllMusic Television, St. Marks Place, New York City, The goal was to create something simpler, more caustic, the very antithesis of anything beyond three chords and the truth. Otherwise, the record fits in equally well with the Soho free-jazz loft scene as it does with the gyrating punk of CBGB. When I teach students, I teach them to play more like themselves. Both of them are gone, and all I have is the memories. But Television were not Televisions Marquee Moon that. We were punctual. And Televisions Marquee Moon. What kind of trip is this? Tom Verlaine. So Andy came up with Televisions Marquee Moon idea. He nearly took my fucking nose off. I was backing up while I was playing. The risks Johns and Televisions Marquee Moon band took in the studio paid off. We get it: you like to have control of your own internet experience. But advertising revenue helps support our journalism. To read our full stories, please turn off your ad blocker. We'd really appreciate it. Click the AdBlock button on your browser and select Don't run on pages on this domain. How Do I Whitelist Observer? Below are steps you can take in order to whitelist Observer. Then Reload the Page. Letra de la canción Marquee Moon - Television More Images. Please enable Javascript to take full advantage of our site features. Edit Master Release. New WavePunk. -
Richard King Creates Harmony Through Musical Relationships
Richard King creates harmony through musical relationships By Jeremy Essig n 1982, Richard King booked a little-known band with a randomly chosen acronym to play at The Blue Note. Both the nightclub and the band, which had just recorded its first album, were 2 years old at the time. Following an appearance in support of their album Chronic Town, Michael Stipe and the other members of R.E.M. were about to leave The Blue Note, though known for building up on him. “I said, ‘No, it was Columbia when King’s partner Phil Costello noticed they were about bands, also holds a notorious place in alternative definitely (Costello).’” to loose a tire on their van, recalled Kevin Walsh – a longtime friend music history as the spot where an influential band Although The Blue Note of both King and Costello. self-destructed. might have missed out on Crow, When it came time to pay them, Costello provided extra money to Minnesota’s Husker Du, touring in support of King played an integral role in the purchase a new tire for the band, which would go on to become one 1987’s Warehouse: Songs and Stories, played their development of another regional of the most famous in rock and roll history. final show at The Blue Note. Drummer Grant Hart band — Uncle Tupelo from Belleville, Ill. “I can’t see myself at 30,” Stipe sang on “Little America,” the performed after missing the sound check and then Uncle Tupelo, whose members would band’s commentary on touring. On July 30, The Blue Note will do disappeared. -
Keith Carlock
APRIZEPACKAGEFROM 2%!3/.34/,/6%"),,"25&/2$s.%/.42%%3 7). 3ABIANWORTHOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 'ET'OOD 4(%$25--%23/& !,)#)!+%93 $!.'%2-/53% #/(%%$ 0,!.4+2!533 /.345$)/3/5.$3 34!249/52/7. 4%!#().'02!#4)#% 3TEELY$AN7AYNE+RANTZS ,&*5)$"3-0$,7(9(%34(%-!.4/7!4#( s,/52%%$34/.9h4(5.$%2v3-)4( s*!+),)%"%:%)4/&#!. s$/5",%"!3335"34)454% 2%6)%7%$ -/$%2.$25--%2#/- '2%43#(052%7//$"%%#(3/5,4/.%/,$3#(//,3*/9&5,./)3%%,)4%3.!2%3%6!.34/-0/7%2#%.4%23 Volume 35, Number 3 • Cover photo by Rick Malkin CONTENTS 48 31 GET GOOD: STUDIO SOUNDS Four of today’s most skilled recording drummers, whose tones Rick Malkin have graced the work of Gnarls Barkley, Alicia Keys, Robert Plant & Alison Krauss, and Coheed And Cambria, among many others, share their thoughts on getting what you’re after. 40 TONY “THUNDER” SMITH Lou Reed’s sensitive powerhouse traveled a long and twisting musical path to his current destination. He might not have realized it at the time, but the lessons and skills he learned along the way prepared him per- fectly for Reed’s relentlessly exploratory rock ’n’ roll. 48 KEITH CARLOCK The drummer behind platinum-selling records and SRO tours reveals his secrets on his first-ever DVD, The Big Picture: Phrasing, Improvisation, Style & Technique. Modern Drummer gets the inside scoop. 31 40 12 UPDATE 7 Walkers’ BILL KREUTZMANN EJ DeCoske STEWART COPELAND’s World Percussion Concerto Neon Trees’ ELAINE BRADLEY 16 GIMME 10! Hot Hot Heat’s PAUL HAWLEY 82 PORTRAITS The Black Keys’ PATRICK CARNEY 84 9 REASONS TO LOVE Paul La Raia BILL BRUFORD 82 84 96 -
Never Mind the Sex Pistols, Here╎s CBGB the Role of Locality and DIY
Vassar College Digital Window @ Vassar Senior Capstone Projects 2020 Never mind the sex pistols, here’s CBGB the role of locality and DIY media in forming the New York punk scene Ariana Bowe Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation Bowe, Ariana, "Never mind the sex pistols, here’s CBGB the role of locality and DIY media in forming the New York punk scene" (2020). Senior Capstone Projects. 1052. https://digitalwindow.vassar.edu/senior_capstone/1052 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Bowe 1 Vassar College Never Mind The Sex Pistols, Here’s CBGB The Role of Locality and DIY Media in Forming the New York Punk Scene A thesis submitted in partial satisfaction of the requirements for the degree Bachelor of Arts in Media Studies. By Ariana Bowe Thesis Advisers: Professor Justin Patch May 2020 Bowe 2 Project Statement In my project, I will explore the New York City venue CBGB as one of the catalysts behind the rise of punk subculture in the 1970s. In a broader sense, I argue that punk is defined by a specific local space that facilitated a network of people (the subculture’s community), the concepts of DIY and bricolage, and zines. Within New York City, the locality of the punk subculture, ideas and materials were communicated via a DIY micro-medium called zines. -
The Prospector, September 19, 2017
University of Texas at El Paso DigitalCommons@UTEP The rP ospector Special Collections Department 9-19-2017 The rP ospector, September 19, 2017 UTEP Student Publications Follow this and additional works at: http://digitalcommons.utep.edu/prospector Part of the Journalism Studies Commons, and the Mass Communication Commons Comments: This file is rather large, with many images, so it may take a few minutes to download. Please be patient. Recommended Citation UTEP Student Publications, "The rP ospector, September 19, 2017" (2017). The Prospector. 293. http://digitalcommons.utep.edu/prospector/293 This Article is brought to you for free and open access by the Special Collections Department at DigitalCommons@UTEP. It has been accepted for inclusion in The rP ospector by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. CAREER ISSUE VOL. 103, NO. 4 THE UNIVERSITY OF TEXAS AT EL PASO SEPTEMBER 19, 2017 Embarking on new possibilities NEWS Career Expo returns to UTEP. pg. 4 ENTERTAINMENT Students make careers off lmmaking. pg. 11 SPORTS UTEP graduate assistants return to their alma mater. pg. 13 AYLIN CARDOZA/ BIOMEDICAL CONCENTRATION/JUNIOR GABY VELASQUEZ / THE PROSPECTOR PAGE 2 SEPTEMBER 19, 2017 EDITOR-IN-CHIEF OPINION ADRIAN BROADDUS , 747-7477 Social media is the next job resume Being a journalist sucks, but it’s what I want BY ADRIAN BROADDUS Then comes the seemingly easy solu- BY CHRISTIAN VASQUEZ and edit video on the fly, be a social rate story, complete with video and The Prospector tion to this—“when I’m ready to start media guru, be able to work with photos, two hours later? That’s just my career or get a job, I’ll just delete all The Prospector Imagine years mass amounts of data, memorize stupid.