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Naming the Extrasolar Planets
Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named. -
Chaotic Descriptor Table
Castle Oldskull Supplement CDT1: Chaotic Descriptor Table These ideas would require a few hours’ the players back to the temple of the more development to become truly useful, serpent people, I decide that she has some but I like the direction that things are going backstory. She’s an old jester-bard so I’d probably run with it. Maybe I’d even treasure hunter who got to the island by redesign dungeon level 4 to feature some magical means. This is simply because old gnome vaults and some deep gnome she’s so far from land and trade routes that lore too. I might even tie the whole it’s hard to justify any other reason for her situation to the gnome caves of C. S. Lewis, to be marooned here. She was captured by or the Nome King from L. Frank Baum’s the serpent people, who treated her as Ozma of Oz. Who knows? chattel, but she barely escaped. She’s delirious, trying to keep herself fed while she struggles to remember the command Example #13: word for her magical carpet. Malamhin of the Smooth Brow has some NPC in the Wilderness magical treasures, including a carpet of flying, a sword, some protection from serpents thingies (scrolls, amulets?) and a The PCs land on a deadly magical island of few other cool things. Talking to the PCs the serpent people, which they were meant and seeing their map will slowly bring her to explore years ago and the GM promptly back to her senses … and she wants forgot about it. -
Lila and Kween and the Turbulent Priest Written by X-22, Based on Characters by Roundersofter
Lila and Kween and the Turbulent Priest Written by x-22, Based on characters by RounderSofter The glorious sun bathed everything in a copper glow. Fanfare blared over the crowd's reverent silence as the giant doors rumbled, light playing over gold plate as they slowly opened. The marble of the magnificent temple shone like precious metal in the sunlight, from towering spire to tendrils of columned wings fanning out to embrace the immense throng. The rapturous followers were crammed together in the vast plaza. They pushed madly to come closer to the polished platform that cleaved through the crowd. Soon the doors were open and the fanfare died down. Out of the mysterious gloom of the sprawling temple and into the pleasant warmth stepped the Blessed One. Mad cheers went up from the crowd for the High Priestess. Sole custodian of the faith, pinnacle of the temple hierarchy. The faithful worshipped her. Kings bowed to her will. She was fat as only the supreme pontiff of Hunger and Feasting could be, but beautiful. Her girth rivalled her height, but her lilac and pink clothes she wore as if she were the Goddess of Beauty herself. Thick, blue hair fell over her shoulders and elegant robes. The high priestess' bulging hips barely cleared the doorway as she waddled slowly towards the gently sloping stairs down to the marble platform below. Her big eyes surveyed her faithful and her heart swelled at the sight. Lila! Lila! Lila! she imagined them chanting, but the din was incomprehensible. A smile spread across the high priestess' broad features. -
Sample File ACCURSED DEFILER CR 4 (1,100 XP) CHECKLIST M Undead, NE Speed 30' 1
Sample file ACCURSED DEFILER CR 4 (1,100 XP) CHECKLIST M undead, NE Speed 30' 1. Accursed Defiler 33. Forest Marauder 66. Ratatosk 2. Amphiptere 34. Frostveil 67. Ravenala AC 12 HP 75 (10d8+30) 3. Angel, Fidele 35. Ghoul, Darakhul 68. Rift Swine S 19|+4 D 14|+2 C 17|+3 I 6|–2 W 15|+2 Ch 14|+2 4. Angler Worm 36. Ghoul, Imperial 69. Sandman Skills Percept +4, Stealth +4 5. Arboreal Grappler 37. Ghoul, Iron 70. Sap Demon 6. Aridni 38. Giant, Flab 71. Sarcophagus Slime Dmg Resist necrotic; nonmagic bludg/pierc/slash 7. Asanbosam 39. Giant, Thursir 72. Scorpion, Night weapons 8. Bagiennik 40. Gnoll Havoc & Stygian Fat-tail Dmg Imm poison 9. Bearfolk Runner 73. Selang Cond Imm charmed, exhaustion, frightened, poisoned 10. Bereginyas 41. Goat-man 74. Serpopard Senses darkvision 60', #14 11. Bouda 42. Harpy, Owl 75. Skitterhaunt 12. Cactid 43. Hound Of The 76. Spider, J'ba Fofi Languages knows ancient language, can’t speak 13. Carrion Beetle Night 77. Spire Walker Cursed Existence At 0 hp in desert terrain, its body 14. Cavelight Moss 44. Hulking Whelp 78. Subek disintegrates into sand & a sudden dry breeze. But 15. Dau 45. Imy-ut Ushabti 79. Swarm, Beetle unless killed in a hallowed location, w/radiant dmg, or 16. Death Butterfly 46. Jaculus Prismatic Swarm & Greater 47. Kikimora 80. Swarm, Scarab by a blessed creature, it reforms at next sundown 17. Deep One & Deep 48. Kongamato Manabane 1d100 miles away in a random direction. One Hybrid Priest 49. Lich Hound 81. -
1 Reading Athenaios' Epigraphical Hymn to Apollo: Critical Edition And
Reading Athenaios’ Epigraphical Hymn to Apollo: Critical Edition and Commentaries DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Corey M. Hackworth Graduate Program in Greek and Latin The Ohio State University 2015 Dissertation Committee: Fritz Graf, Advisor Benjamin Acosta-Hughes Carolina López-Ruiz 1 Copyright by Corey M. Hackworth 2015 2 Abstract This dissertation is a study of the Epigraphical Hymn to Apollo that was found at Delphi in 1893, and since attributed to Athenaios. It is believed to have been performed as part of the Athenian Pythaïdes festival in the year 128/7 BCE. After a brief introduction to the hymn, I provide a survey and history of the most important editions of the text. I offer a new critical edition equipped with a detailed apparatus. This is followed by an extended epigraphical commentary which aims to describe the history of, and arguments for and and against, readings of the text as well as proposed supplements and restorations. The guiding principle of this edition is a conservative one—to indicate where there is uncertainty, and to avoid relying on other, similar, texts as a resource for textual restoration. A commentary follows, which traces word usage and history, in an attempt to explore how an audience might have responded to the various choices of vocabulary employed throughout the text. Emphasis is placed on Athenaios’ predilection to utilize new words, as well as words that are non-traditional for Apolline narrative. The commentary considers what role prior word usage (texts) may have played as intertexts, or sources of poetic resonance in the ears of an audience. -
Words: Dragon, Andromeda, Medusa, Perseus, Myth
Athens Journal of Mediterranean Studies - Volume 7, Issue 3, July 2021 – Pages 201-232 Medusa Must Die! The Virgin and the Defiled in Greco-Roman Medusa and Andromeda Myths By Sharon Khalifa-Gueta* Andromeda and Medusa are two types within the same motif—that of the motif of ―the woman and the dragon‖. This article positions a mythical hero between these two women and contrasts their relationship with dragons, along with a further fresh investigation of women and dragons in ritual and cultural context. The complexity of this motif, in contrast to the dragon-slayer topos, is explored, shedding light on social views, desires, and fears toward women in the ancient Greco-Roman cultural context. These female figures are contrasted within one mythical sequence, elucidating their educational role for men. This investigation also confronts the ―good‖ versus the ―defiled‖ woman and clarifies why a ―holy-defiled‖ woman, such as Medusa, cannot exist in patriarchal cultures, and therefore must be isolated, killed, or otherwise controlled by patriarchal society. Keywords: dragon, Andromeda, Medusa, Perseus, myth Introduction The myth sequence of Perseus is well studied, mostly as part of the dragon- slayer topos. This article aims to shift the attention from Perseus to his two encounters with females, Andromeda and Medusa, and suggest that by placing them together in the same myth sequence a motif with binary visualisations emerges. While Medusa‘s image has already been broadly investigated, Andromeda has mostly been neglected, with Perseus‘s figure gaining the most attention in this myth. Focusing on the artistic manifestation of the syntagm ―the woman and the dragon‖ reveals a Greco-Roman cultural binary of the ―good‖ versus the ―bad‖ woman. -
About Greek Goddesses As Mothers Or Would-Be Mothers
About Greek Goddesses as Mothers or Would-Be Mothers The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2020, April 10. About Greek Goddesses as Mothers or Would-Be Mothers. Classical Inquiries. Published Version https://classical-inquiries.chs.harvard.edu/about-greek-goddesses- as-mothers-or-would-be-mothers/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42660030 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Classical Inquiries Editors: Angelia Hanhardt and Keith Stone Consultant for Images: Jill Curry Robbins Online Consultant: Noel Spencer About Classical Inquiries (CI ) is an online, rapid-publication project of Harvard’s Center for Hellenic Studies, devoted to sharing some of the latest thinking on the ancient world with researchers and the general public. While articles archived in DASH represent the original Classical Inquiries posts, CI is intended to be an evolving project, providing a platform for public dialogue between authors and readers. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries for the latest version of this article, which may include corrections, updates, or comments and author responses. Additionally, many of the studies published in CI will be incorporated into future CHS pub- lications. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:CHS.Online_Publishing for a complete and continually expanding list of open access publications by CHS. -
The Project Gutenberg Ebook of Bulfinch's Mythology: the Age of Fable, by Thomas Bulfinch
The Project Gutenberg EBook of Bulfinch's Mythology: The Age of Fable, by Thomas Bulfinch This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Bulfinch's Mythology: The Age of Fable Author: Thomas Bulfinch Posting Date: February 4, 2012 [EBook #3327] Release Date: July 2002 First Posted: April 2, 2001 Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK BULFINCH'S MYTHOLOGY: AGE OF FABLE *** Produced by an anonymous Project Gutenberg volunteer. BULFINCH'S MYTHOLOGY THE AGE OF FABLE Revised by Rev. E. E. Hale CONTENTS Chapter I Origin of Greeks and Romans. The Aryan Family. The Divinities of these Nations. Character of the Romans. Greek notion of the World. Dawn, Sun, and Moon. Jupiter and the gods of Olympus. Foreign gods. Latin Names.-- Saturn or Kronos. Titans. Juno, Vulcan, Mars, Phoebus-Apollo, Venus, Cupid, Minerva, Mercury, Ceres, Bacchus. The Muses. The Graces. The Fates. The Furies. Pan. The Satyrs. Momus. Plutus. Roman gods. Chapter II Roman Idea of Creation. Golden Age. Milky Way. Parnassus. The Deluge. Deucalion and Pyrrha. Pandora. Prometheus. Apollo and Daphne. Pyramus and Thisbe. Davy's Safety Lamp. Cephalus and Procris Chapter III Juno. Syrinx, or Pandean Pipes. Argus's Eyes. Io. Callisto Constellations of Great and Little Bear. Pole-star. Diana. Actaeon. Latona. Rustics turned to Frogs. Isle of Delos. Phaeton. -
The Golden Bough (Vol. 1 of 2) by James George Frazer
The Project Gutenberg EBook of The Golden Bough (Vol. 1 of 2) by James George Frazer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Golden Bough (Vol. 1 of 2) Author: James George Frazer Release Date: October 16, 2012 [Ebook 41082] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE GOLDEN BOUGH (VOL. 1 OF 2)*** The Golden Bough A Study in Comparative Religion By James George Frazer, M.A. Fellow of Trinity College, Cambridge In Two Volumes. Vol. I. New York and London MacMillan and Co. 1894 Contents Dedication. .2 Preface. .3 Chapter I. The King Of The Wood. .8 § 1.—The Arician Grove. .8 § 2.—Primitive man and the supernatural. 13 § 3.—Incarnate gods. 35 § 4.—Tree-worship. 57 § 5.—Tree-worship in antiquity. 96 Chapter II. The Perils Of The Soul. 105 § 1.—Royal and priestly taboos. 105 § 2.—The nature of the soul. 115 § 3.—Royal and priestly taboos (continued). 141 Chapter III. Killing The God. 198 § 1.—Killing the divine king. 198 § 2.—Killing the tree-spirit. 221 § 3.—Carrying out Death. 233 § 4.—Adonis. 255 § 5.—Attis. 271 § 6.—Osiris. 276 § 7.—Dionysus. 295 § 8.—Demeter and Proserpine. 304 § 9.—Lityerses. 334 Footnotes . 377 [Transcriber's Note: The above cover image was produced by the submitter at Distributed Proofreaders, and is being placed into the public domain.] [v] Dedication. -
A Collection of First Tier Creatures from Heraldry and Beyond
Ye Olde Physiologus A Collection of First Tier Creatures from Heraldry and Beyond DUNGEONS & DRAGONS, D&D, Wizards of the Coast, Forgotten Realms, the dragon ampersand, Player’s Handbook, Monster Manual, Dungeon Master’s Guide, D&D Adventurers League, all other Wizards of the Coast product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. All characters and their Sampledistinctive likenesses are property of Wizards of the Coast. This material is protected underfile the copyright laws of the United States of America. Any reproduction or unauthorized use of the material or artwork contained herein is prohibited without the express written permission of Wizards of the Coast. ©2016 Wizards of the Coast LLC, PO Box 707, Renton, WA 98057-0707, USA. Manufactured by Hasbro SA, Rue Emile-Boéchat 31, 2800 Delémont, CH. Represented by Hasbro Europe, 4 The Square, Stockley Park, Uxbridge, Middlesex, UB11 1ET, UK. Ye Olde Physiologus Author: K. David Ladage Alphyn......................................................5 Hellion....................................................21 Amphisbaena............................................6 Kopoacinth..............................................22 Antalope....................................................7 Lava Bear................................................23 Bonnacon..................................................8 Leucrocotta.............................................23 Boreyne.....................................................9 Mahr.......................................................24 -
Eidinow, E. (2019)
Eidinow, E. (2019). "The Horror of the Terrifying and the Hilarity of the Grotesque": Daimonic Spaces—and Emotions—in Ancient Greek Literature. Arethusa, 51(3), 209-235. http://muse.jhu.edu/article/719085 Peer reviewed version Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available online via Johns Hopkins University at http://muse.jhu.edu/article/719085 . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ “THE HORROR OF THE TERRIFYING AND THE HILARITY OF THE GROTESQUE”: DAIMONIC SPACES—AND EMOTIONS—IN ANCIENT GREEK LITERATURE ESTHER EIDINOW 1. INTRODUCTION: QUESTIONS OF CATEGORIES* The title of this paper quotes a phrase from Jean-Pierre Vernant’s discussion of the Gorgon that focuses on the ways in which representations of the gorgoneion (a Gorgon mask) were depicted as “disrupting the features that make up a human face,” producing “an effect of disconcerting strangeness that expresses a form of the monstrous that oscillates between two extremes: the horror of the terrifying and the hilarity of the grotesque” (1991.113).1 This portrayal ushers the reader into a murky world of concepts of alterity: as Vernant puts it, the Gorgon’s mask “expresses and maintains the radical otherness, the alterity of the world of the dead, which no living person may approach” (1991.121), and his analysis reveals this otherness as comprising a network of ideas that associate not only the realm of the dead, but also night, some particular qualities of the female, and monstrosity. -
Table of Contents
.........................................Table Of Contents............................................................... 0. About Dominions KB (Knowledge Base) <URL:#tn=0. About Dominions KB (Knowledge Base)> 0.1 Author <URL:#tn= 0.1 Author> 0.2 Description <URL:#tn= 0.2 Description> 0.3 Credits <URL:#tn= 0.3 Credits> 0.4 Version <URL:#tn= 0.4 Version> 1. Best tricks learned from MP games <URL:#tn=1. Best tricks learned from MP games> 1.1 Sneaky snipers <URL:#tn= 1.1 Sneaky snipers> 1.2 Wrathers <URL:#tn= 1.2 Wrathers> 1.3 Rain of stones <URL:#tn= 1.3 Rain of stones> 1.4 Black servant sneakers <URL:#tn= 1.4 Black servant sneakers> 1.5 Get upkeep free undead commanders <URL:#tn= 1.5 Get upkeep free undead commanders> 1.6 Beware the visiting heroes <URL:#tn= 1.6 Beware the visiting heroes> 2. Buffs in dominions III <URL:#tn=2. Buffs in dominions III> 2.1 (F)ire <URL:#tn= 2.1 (F)ire> 2.2 (A)ir <URL:#tn= 2.2 (A)ir> 2.3 (W)ater <URL:#tn= 2.3 (W)ater> 2.4 (E)arth <URL:#tn= 2.4 (E)arth> 2.5 A(S)tral <URL:#tn= 2.5 A(S)tral> 2.6 (D)eath <URL:#tn= 2.6 (D)eath> 2.7 (N)ature, <URL:#tn= 2.7 (N)ature,> 2.8 (B)lood <URL:#tn= 2.8 (B)lood> 3. Lessons learned from MP games <URL:#tn=3. Lessons learned from MP games> 3.1 Research <URL:#tn= 3.1 Research> 3.2 Raiding <URL:#tn= 3.2 Raiding> 3.3 Blood <URL:#tn= 3.3 Blood> 3.4 Assassination.