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History 600: Weimar Culture and the Rise of Nazism Fall 2015, Humanities 5245, T 1:20-3:15 Instructor: Prof
History 600: Weimar Culture and the Rise of Nazism Fall 2015, Humanities 5245, T 1:20-3:15 Instructor: Prof. Koshar ([email protected]) Department Website: http://history.wisc.edu/faculty_rk.htm Personal Website: http://rudykoshar.net/ Office hours, 4101 Humanities, Thursdays, 1:30-3:30 & by appt. Did Weimar fail? The answer to this question was once thought to be a classic no-brainer. Historians uniformly praised the innovativeness and vibrancy of Weimar art, literature, architecture, city planning, cinema, and popular culture. But in political histories of the era from 1918 to 1933, the Weimar Republic stood both as the symbol of a failed democracy and as a prelude to Nazism, war, and genocide. Weimar’s association with liberal collapse and the rise of authoritarianism has been enduring. As recently as 2013, an American political commentator in The New Republic warned that a stalemated “Weimar America” faced some of the same challenges that pre-fascist Germany faced. Over the past two decades, an interdisciplinary scholarship has re-examined Weimar politics by focusing not just on elections and parties but also on the symbols and discourses of political culture. This scholarship has uncovered new realms of previously unexplored social and political experience and thereby re-opened the question of Weimar’s failure. In this seminar we study some of the new research themes as well as some of the classic topics: work, class, gender, body politics, citizenship, visual culture, popular culture, and consumption. We’ll use a broad array of primary sources, including novels, films, memoirs, official documents, and more. -
CHAPTER 2 the Period of the Weimar Republic Is Divided Into Three
CHAPTER 2 BERLIN DURING THE WEIMAR REPUBLIC The period of the Weimar Republic is divided into three periods, 1918 to 1923, 1924 to 1929, and 1930 to 1933, but we usually associate Weimar culture with the middle period when the post WWI revolutionary chaos had settled down and before the Nazis made their aggressive claim for power. This second period of the Weimar Republic after 1924 is considered Berlin’s most prosperous period, and is often referred to as the “Golden Twenties”. They were exciting and extremely vibrant years in the history of Berlin, as a sophisticated and innovative culture developed including architecture and design, literature, film, painting, music, criticism, philosophy, psychology, and fashion. For a short time Berlin seemed to be the center of European creativity where cinema was making huge technical and artistic strides. Like a firework display, Berlin was burning off all its energy in those five short years. A literary walk through Berlin during the Weimar period begins at the Kurfürstendamm, Berlin’s new part that came into its prime during the Weimar period. Large new movie theaters were built across from the Kaiser Wilhelm Memorial church, the Capitol und Ufa-Palast, and many new cafés made the Kurfürstendamm into Berlin’s avant-garde boulevard. Max Reinhardt’s theater became a major attraction along with bars, nightclubs, wine restaurants, Russian tearooms and dance halls, providing a hangout for Weimar’s young writers. But Berlin’s Kurfürstendamm is mostly famous for its revered literary cafés, Kranzler, Schwanecke and the most renowned, the Romanische Café in the impressive looking Romanische Haus across from the Memorial church. -
Art and the Politics of Recollection in the Autobiographical Narratives of Stefan Zweig and Klaus Mann
Naharaim 2014, 8(2): 210–226 Uri Ganani and Dani Issler The World of Yesterday versus The Turning Point: Art and the Politics of Recollection in the Autobiographical Narratives of Stefan Zweig and Klaus Mann “A turning point in world history!” I hear people saying. “The right moment, indeed, for an average writer to call our attention to his esteemed literary personality!” I call that healthy irony. On the other hand, however, I wonder if a turning point in world history, upon careful consideration, is not really the moment for everyone to look inward. Thomas Mann, Reflections of a Nonpolitical Man1 Abstract: This article revisits the world-views of Stefan Zweig and Klaus Mann by analyzing the diverse ways in which they shaped their literary careers as autobiographers. Particular focus is given to the crises they experienced while composing their respective autobiographical narratives, both published in 1942. Our re-evaluation of their complex discussions on literature and art reveals two distinctive approaches to the relationship between aesthetics and politics, as well as two alternative concepts of authorial autonomy within society. Simulta- neously, we argue that in spite of their different approaches to political involve- ment, both authors shared a basic understanding of art as an enclave of huma- nistic existence at a time of oppressive political circumstances. However, their attitudes toward the autonomy of the artist under fascism differed greatly. This is demonstrated mainly through their contrasting portrayals of Richard Strauss, who appears in both autobiographies as an emblematic genius composer. DOI 10.1515/naha-2014-0010 1 Thomas Mann, Reflections of a Nonpolitical Man, trans. -
From Understanding to Sustainable Use of Peatlands: the WETSCAPES Approach
Article From Understanding to Sustainable Use of Peatlands: The WETSCAPES Approach Gerald Jurasinski 1 , Sate Ahmad 2 , Alba Anadon-Rosell 3 , Jacqueline Berendt 4, Florian Beyer 5 , Ralf Bill 5 , Gesche Blume-Werry 6 , John Couwenberg 7, Anke Günther 1, Hans Joosten 7 , Franziska Koebsch 1, Daniel Köhn 1, Nils Koldrack 5, Jürgen Kreyling 6, Peter Leinweber 8, Bernd Lennartz 2 , Haojie Liu 2 , Dierk Michaelis 7, Almut Mrotzek 7, Wakene Negassa 8 , Sandra Schenk 5, Franziska Schmacka 4, Sarah Schwieger 6 , Marko Smiljani´c 3, Franziska Tanneberger 7, Laurenz Teuber 6, Tim Urich 9, Haitao Wang 9 , Micha Weil 9 , Martin Wilmking 3 , Dominik Zak 10 and Nicole Wrage-Mönnig 4,* 1 Landscape Ecology and Site Evaluation, Faculty of Agricultural and Environmental Sciences, University of Rostock, J.-v.-Liebig-Weg 6, 18051 Rostock, Germany; [email protected] (G.J.); [email protected] (A.G.); [email protected] (F.K.); [email protected] (D.K.) 2 Soil Physics, Faculty of Agricultural and Environmental Sciences, University of Rostock, J.-v.-Liebig-Weg 6, 18051 Rostock, Germany; [email protected] (S.A.); [email protected] (B.L.); [email protected] (H.L.) 3 Landscape Ecology and Ecosystem Dynamics, Institute of Botany and Landscape Ecology, University of Greifswald, partner in the Greifswald Mire Centre, Soldmannstr. 15, 17487 Greifswald, Germany; [email protected] (A.A.-R.); [email protected] (M.S.); [email protected] (M.W.) 4 Grassland -
Klaus Mann's Mephisto: a Secret Rivalry
Studies in 20th Century Literature Volume 13 Issue 2 Article 6 8-1-1989 Klaus Mann's Mephisto: A Secret Rivalry Peter T. Hoffer Philadelphia College of Pharmacy and Science Follow this and additional works at: https://newprairiepress.org/sttcl Part of the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Hoffer, Peter T. (1989) "Klaus Mann's Mephisto: A Secret Rivalry," Studies in 20th Century Literature: Vol. 13: Iss. 2, Article 6. https://doi.org/10.4148/2334-4415.1234 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Klaus Mann's Mephisto: A Secret Rivalry Abstract Critics of the 1960s and 1970s have focused their attention on Klaus Mann's use of his former brother-in- law, Gustaf Gründgens, as the model for the hero of his controversial novel, Mephisto, while more recent critics have emphasized its significance as a work of anti-Fascist literature. This essay seeks to resolve some of the apparent contradictions in Klaus Mann's motivation for writing Mephisto by viewing the novel primarily in the context of his life and career. Although Mephisto is the only political satire that Klaus Mann wrote, it is consistent with his life-long tendency to use autobiographical material as the basis for much of his plot and characterization. Mann transformed his ambivalent feelings about Gründgens, which long antedated the writing of Mephisto, into a unique work of fiction which simultaneously expresses his indignation over the moral bankruptcy of the Third Reich and reveals his envy of Gründgens's career successes. -
MEMBERSHIP DIRECTORY Australia University of Guelph International Psychoanalytic U
MEMBERSHIP DIRECTORY Australia University of Guelph International Psychoanalytic U. Berlin University College Cork Curtin University University of LethbridGe Justus Liebig University Giessen University College Dublin La Trobe University University of Ottawa Karlsruhe Institute of TechnoloGy University of Ulster Monash University University of Toronto Katholische Universität Eichstätt- Italy National Tertiary Education Union* University of Victoria Ingolstadt SAR Italy Section University of Canberra Vancouver Island University Leibniz Universität Hannover European University Institute University of Melbourne Western University Mannheim University of Applied International School for Advanced University of New South Wales York University Sciences Studies (SISSA) University of the Sunshine Coast Chile Max Planck Society* International Telematic University Austria University of Chile Paderborn University (UNINETTUNO) Ruhr University Bochum Magna Charta Observatory Alpen-Adria-Universität Klagenfurt Czech Republic RWTH Aachen University Sapienza University of Rome MCI Management Center Innsbruck- Charles University in Prague Technische Universität Berlin Scuola IMT Alti Studi Lucca The Entrepreneurial School Palacký University Olomouc University of Graz Technische Universität Darmstadt Scuola Normale Superiore Vienna University of Economics and Denmark Technische Universität Dresden Scuola Superiore di Sant’Anna Business SAR Denmark Section Technische Universität München Scuola Superiore di Catania University of Vienna Aalborg University TH -
A Study of the Space That Shaped Weimar Berlin Carrie Grace Latimer Scripps College
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2014 The lotP s of Alexanderplatz: A Study of the Space that Shaped Weimar Berlin Carrie Grace Latimer Scripps College Recommended Citation Latimer, Carrie Grace, "The lotsP of Alexanderplatz: A Study of the Space that Shaped Weimar Berlin" (2014). Scripps Senior Theses. Paper 430. http://scholarship.claremont.edu/scripps_theses/430 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. THE PLOTS OF ALEXANDERPLATZ: A STUDY OF THE SPACE THAT SHAPED WEIMAR BERLIN by CARRIE GRACE LATIMER SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR MARC KATZ PROFESSOR DAVID ROSELLI APRIL 25 2014 Latimer 2 TABLE OF CONTENTS Acknowledgements 3 Introduction 4 Chapter One: Berlin Alexanderplatz: The Making of the Central Transit Hub 8 The Design Behind Alexanderplatz The Spaces of Alexanderplatz Chapter Two: Creative Space: Alfred Döblin’s Berlin Alexanderplatz 23 All-Consuming Trauma Biberkopf’s Relationship with the Built Environment Döblin’s Literary Metropolis Chapter Three: Alexanderplatz Exposed: Rainer Werner Fassbinder’s Film 39 Berlin from Biberkopf’s Perspective Exposing the Subterranean Trauma Conclusion 53 References 55 Latimer 3 Acknowledgements I wish to thank all the people who contributed to this project. Firstly, to Professor Marc Katz and Professor David Roselli, my thesis readers, for their patient guidance, enthusiastic encouragement and thoughtful critiques. -
A History of German-Scandinavian Relations
A History of German – Scandinavian Relations A History of German-Scandinavian Relations By Raimund Wolfert A History of German – Scandinavian Relations Raimund Wolfert 2 A History of German – Scandinavian Relations Table of contents 1. The Rise and Fall of the Hanseatic League.............................................................5 2. The Thirty Years’ War............................................................................................11 3. Prussia en route to becoming a Great Power........................................................15 4. After the Napoleonic Wars.....................................................................................18 5. The German Empire..............................................................................................23 6. The Interwar Period...............................................................................................29 7. The Aftermath of War............................................................................................33 First version 12/2006 2 A History of German – Scandinavian Relations This essay contemplates the history of German-Scandinavian relations from the Hanseatic period through to the present day, focussing upon the Berlin- Brandenburg region and the northeastern part of Germany that lies to the south of the Baltic Sea. A geographic area whose topography has been shaped by the great Scandinavian glacier of the Vistula ice age from 20000 BC to 13 000 BC will thus be reflected upon. According to the linguistic usage of the term -
I Urban Opera: Navigating Modernity Through the Oeuvre of Strauss And
Urban Opera: Navigating Modernity through the Oeuvre of Strauss and Hofmannsthal by Solveig M. Heinz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Germanic Languages and Literatures) in the University of Michigan 2013 Doctoral Committee: Associate Professor Vanessa H. Agnew, Chair Associate Professor Naomi A. André Associate Professor Andreas Gailus Professor Julia C. Hell i For John ii Acknowledgements Writing this dissertation was an intensive journey. Many people have helped along the way. Vanessa Agnew was the most wonderful Doktormutter a graduate student could have. Her kindness, wit, and support were matched only by her knowledge, resourcefulness, and incisive critique. She took my work seriously, carefully reading and weighing everything I wrote. It was because of this that I knew my work and ideas were in good hands. Thank you Vannessa, for taking me on as a doctoral rookie, for our countless conversations, your smile during Skype sessions, coffee in Berlin, dinners in Ann Arbor, and the encouragement to make choices that felt right. Many thanks to my committee members, Naomi André, Andreas Gailus, and Julia Hell, who supported the decision to work with the challenging field of opera and gave me the necessary tools to succeed. Their open doors, email accounts, good mood, and guiding feedback made this process a joy. Mostly, I thank them for their faith that I would continue to work and explore as I wrote remotely. Not on my committee, but just as important was Hartmut. So many students have written countless praises of this man. I can only concur, he is simply the best. -
Big History: a Working Bibliography of References, Films & Internet Sites
Big History: A Working Bibliography of References, Films & Internet Sites Assembled by Barry Rodrigue & Daniel Stasko University of Southern Maine (USA) Index Books & Articles on Big History…………………………………………...2–9 Works that Anticipated Big History……………………………………....10–11 Works on Aspects of Big History…………………………………………12–36 Cosmology & Planetary Studies…………. 12–14 Physical Sciences………………………… 14–15 Earth & Atmospheric Sciences…………… 15–16 Life Sciences…………………………….. 16–20 Ecology…………………………………... 20–21 Human Social Sciences…………………… 21–33 Economics, Technology & Energy……….. 33–34 Historiography……………………………. 34–36 Philosophy……………………………….... 36 Popular Journalism………………………... 36 Creative Writing………………………….. 36 Internet & Fim Resources on Big History………………………………… 37–38 1 Books & Articles about Big History Adams, Fred; Greg Laughlin. 1999. The Five Ages of the Universe: Inside the Physics of Eternity. New York: The Free Press. Alvarez, Walter; P. Claeys, and A. Montanari. 2009. “Time-Scale Construction and Periodizing in Big History: From the Eocene-Oligocene Boundary to All of the Past.” Geological Society of America, Special Paper # 452: 1–15. Ashrafi, Babak. 2007. “Big History?” Positioning the History of Science, pp. 7–11, Kostas Gavroglu and Jürgen Renn (editors). Dordrecht: Springer. Asimov, Isaac. 1987. Beginnings: The Story of Origins of Mankind, Life, the Earth, the Universe. New York, Berkeley Books. Aunger, Robert. 2007. “Major Transitions in “Big’ History.” Technological Forecasting and Social Change 74 (8): 1137–1163. —2007. “A Rigorous Periodization of ‘Big’ History.” Technological Forecasting and Social Change 74 (8): 1164–1178. Benjamin, Craig. 2004. “Beginnings and Endings” (Chapter 5). Palgrave Advances: World History, pp. 90–111, M. Hughes-Warrington (editor). London and New York: Palgrave/Macmillan. —2009. “The Convergence of Logic, Faith and Values in the Modern Creation Myth.” Evolutionary Epic: Science’s Story and Humanity’s Response, C. -
German Culture 1910- Music
German Culture 1910- Music During the mid 1920s, cabaret was a popular entertainment within cities Berlin and Munich, as the lift of censorship and hedonism of a society which had “lost everything” was lived out within these cabaret shows. Pre- viously under an authoritarian government, both entertainment and social activities were tightly regulated, causing many citizens to love the relaxed social attitudes of Weimar. The first cabaret in Germany dated back to 1901, however in the rule of Kaiser Wilhelm II, German cabarets were strictly forbidden to perform and promote its bawdy humour, provocative dancing and political satire. After the Weimar governments lifting of cen- sorship, cabarets began to transform and flourish, with entertainment in berlin through cabarets and nightclubs dominated by sex and politics, (with stories, jokes, songs and dancing all laced with sexual innuendo, also following no political line, meaning any party or leader was open to criti- cism or mockery). Especially after decades of restrictive, authoritarian gov- ernment, Weimar was a period of social liberalisation. Post 1924 economic revival saw many people seeking new forms of leisure activities, one being cabaret. Cabaret led to people being more open about their sexuality and gender too. Photos show Josephine Baker, an American dancer naked on stage and a revue at the Apollo theatre in Berlin, with chorus girls only covering themselves partly by flowers. This is significant in Germany con- sidered the previous culture of the Kaiser, this was unheard of. However Weimar Germany and the culture of cabaret also led to social divisions be- tween families and of classes in Germany too. -
Books Added to Benner Library from Estate of Dr. William Foote
Books added to Benner Library from estate of Dr. William Foote # CALL NUMBER TITLE Scribes and scholars : a guide to the transmission of Greek and Latin literature / by L.D. Reynolds and N.G. 1 001.2 R335s, 1991 Wilson. 2 001.2 Se15e Emerson on the scholar / Merton M. Sealts, Jr. 3 001.3 R921f Future without a past : the humanities in a technological society / John Paul Russo. 4 001.30711 G163a Academic instincts / Marjorie Garber. Book of the book : some works & projections about the book & writing / edited by Jerome Rothenberg and 5 002 B644r Steven Clay. 6 002 OL5s Smithsonian book of books / Michael Olmert. 7 002 T361g Great books and book collectors / Alan G. Thomas. 8 002.075 B29g Gentle madness : bibliophiles, bibliomanes, and the eternal passion for books / Nicholas A. Basbanes. 9 002.09 B29p Patience & fortitude : a roving chronicle of book people, book places, and book culture / Nicholas A. Basbanes. Books of the brave : being an account of books and of men in the Spanish Conquest and settlement of the 10 002.098 L552b sixteenth-century New World / Irving A. Leonard ; with a new introduction by Rolena Adorno. 11 020.973 R824f Foundations of library and information science / Richard E. Rubin. 12 021.009 J631h, 1976 History of libraries in the Western World / by Elmer D. Johnson and Michael H. Harris. 13 025.2832 B175d Double fold : libraries and the assault on paper / Nicholson Baker. London booksellers and American customers : transatlantic literary community and the Charleston Library 14 027.2 R196L Society, 1748-1811 / James Raven.