Remember Gay Victims: an Exploration Into the History
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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Chapter 5. Between Gleichschaltung and Revolution
Chapter 5 BETWEEN GLEICHSCHALTUNG AND REVOLUTION In the summer of 1935, as part of the Germany-wide “Reich Athletic Com- petition,” citizens in the state of Schleswig-Holstein witnessed the following spectacle: On the fi rst Sunday of August propaganda performances and maneuvers took place in a number of cities. Th ey are supposed to reawaken the old mood of the “time of struggle.” In Kiel, SA men drove through the streets in trucks bearing … inscriptions against the Jews … and the Reaction. One [truck] carried a straw puppet hanging on a gallows, accompanied by a placard with the motto: “Th e gallows for Jews and the Reaction, wherever you hide we’ll soon fi nd you.”607 Other trucks bore slogans such as “Whether black or red, death to all enemies,” and “We are fi ghting against Jewry and Rome.”608 Bizarre tableau were enacted in the streets of towns around Germany. “In Schmiedeberg (in Silesia),” reported informants of the Social Democratic exile organization, the Sopade, “something completely out of the ordinary was presented on Sunday, 18 August.” A no- tice appeared in the town paper a week earlier with the announcement: “Reich competition of the SA. On Sunday at 11 a.m. in front of the Rathaus, Sturm 4 R 48 Schmiedeberg passes judgment on a criminal against the state.” On the appointed day, a large crowd gathered to watch the spectacle. Th e Sopade agent gave the setup: “A Nazi newspaper seller has been attacked by a Marxist mob. In the ensuing melee, the Marxists set up a barricade. -
Sherman, Martin (B
Sherman, Martin (b. 1938) by Bud Coleman Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2007 glbtq, Inc. Reprinted from http://www.glbtq.com Activist and fellow playwright Larry Kramer paid tribute to Martin Sherman by noting that he "has consistently written about his sexuality and has managed to make a living out of it." This is no small feat for an artist whose peers have more often than not created their art from inside the closet. Best known for his groundbreaking play Bent (1978), this iconoclastic playwright and screenwriter has created an impressive body of work. The only child of Russian-Jewish parents, Sherman was born in Philadelphia on December 22, 1938, but grew up in Camden, New Jersey. His father was an attorney. Yiddish was spoken at home; and as his grandparents were observant, they kept a Kosher home. Frequent theater trips to Philadelphia and New York City helped Sherman get through adolescence. Sherman was educated at Boston University, where he received a B.A. and an M.F.A. in theater. Although trained as an actor, he was early drawn to writing plays. He describes his early efforts as "terrible," though some were given Off-Off-Broadway productions by the Herbert Berghof Playwrights Foundation, including the one-act play Next Year in Jerusalem (1968). In Sherman's own account, a 1975 production of his play Passing By by London's Gay Sweatshop "was the first good production I'd ever had of anything." The story of the relationship between two men--a painter and a diver--in New York, whose bond is tested by illness and by their focus on career goals, Passing By and another early gay-themed play, Cracks (1975), set in the Los Angeles home of a recently murdered rock star, anticipate his breakthrough achievement in Bent but fail to rise to the latter's moral seriousness. -
1 Lgbtgaily Tours & Excursions
LGBT 1 OurOur Tour. YourLGBT Pride. Philosophy We have designed a new product line for a desire to be part of the colorful battle for human LGBT publicum, offering more than a simple pride with friends from all over the world, Iwe travel! If you are looking for a special itinerary have the perfect solution for you. in Italy discovering beautiful landscapes and uncountable art and cultural wonders, or if you We want to help in creating a rainbow world. and now choose your LGBT experience... Follow us on: www.GailyTour.com @GailyTour @gailytour Largo C. Battisti, 26 | 39044 - Egna (BZ) - ITALY Tel. (+39) 0471 806600 - Fax (+39) 0471 806700 VAT NUMBER IT 01652670215 Our History & Mission Established in 1997 and privately owned, Last addition to the company’s umbrella is the providing competitive travel services. Ignas Tour has been making a difference to office in Slovakia opened in 2014, consolidating Trust, reliability, financial stability, passion and our client’s group traveling experiences for two Ignas Tour's presence in the Eastern European attention to details are key aspects Ignas Tour decades. market and expanding and diversifying even is known for. In 1999 opening of a sister company in more the product line. The company prides itself on a long-term vision Hungary, adding a new destination to the Ignas Tour maintains an uncompromising and strategy and keeps in sync with the latest company’s portfolio. Since 2001 IGNAS TOUR commitment to offer the highest standards market trends in order to develop new products is also part of TUI Travel plc. -
ISSUE #73 New Quark
ESSAY Beck’s List ANDREW LEAR NY DEFINITION of a “hero” has to be ex - Beck was not interested in hiding his sexuality either, pansive enough to accommodate everyone though he may not have had much choice. He seems to have from Achilles to Harriet Tubman, among been one of those gay guys with a feminine side that they can’t many other well-known examples both fic - easily conceal. As a child, he didn’t like to roughhouse but did tional and historical. One person in history like to play with dolls. As an adult, he was what we might call who isn’t well known, but who certainly fits a “swish”; sexually, he was a “bottom,” and a rather promis - almost any definition of a hero, is Gad Beck, who resisted the cuous one at that (but, like many people, he preferred cuddling Nazis inside Germany during World War II and saved several above all else). What’s more, he was remarkably open about dozen lives. all this, starting with his first experience at age eleven, with a Beck started life as a gay Jewish boy (also short, slight, and gym teacher, after which he didn’t hesitate to tell his mother nonviolent) and ended up leading the most successful resist - about the encounter. Aance cell in Nazi Berlin—and he even survived the war. In fact, Over time, Beck would develop a set of attitudes that make he lived until 2012, which means that if I had started my re - him look remarkably modern—in fact, quite admirable even search on him just a few years before I did, I might have been by today’s standards. -
Redalyc.PERIODISMO Y MEMORIA DE LAS VÍCTIMAS DE LA SHOAH
Razón y Palabra ISSN: 1605-4806 [email protected] Instituto Tecnológico y de Estudios Superiores de Monterrey México Schryver Kurtz, Adriana PERIODISMO Y MEMORIA DE LAS VÍCTIMAS DE LA SHOAH Razón y Palabra, vol. 14, núm. 70, noviembre-enero, 2009, pp. 1-15 Instituto Tecnológico y de Estudios Superiores de Monterrey Estado de México, México Disponible en: http://www.redalyc.org/articulo.oa?id=199520478032 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto RAZÓN Y PALABRA Primera Revista Electrónica en América Latina Especializada en Comunicación www.razonypalabra.org.mx PERIODISMO Y MEMORIA DE LAS VÍCTIMAS DE LA SHOAH Adriana Schryver Kurtz 1 RESUMEN Irónicamente, el periodismo, como parte noble del aparato mediático de la sociedad de consumo contemporánea, hoy representa una perspectiva real de rescate de la memoria de las vidas devastadas por la Shoah, uno de los eventos históricos más aterradores del siglo y que Theodor Adorno nombró, con pertinencia, de “La Era de las Catástrofes”. Acusada por Walter Benjamín de ser detonadora de la muerte de la narrativa, la prensa – a partir de una simple nota publicada el 22 de septiembre de 1981, en Der Tagesspiegel, vehículo de la República Federal Alemana – acabaría por develar las memorias aparentemente perdidas de la “judía” Felice Rahel Schragenheim, a través del valiente testimonio de la “aria” Elisabeth Wust, con quien viviría una tórrida historia de amor en 1943, bajo los efectos de la violencia política antisemita berlinesa, capital alemana del III Reich. -
Parallel Journeys:Parallel Teacher’S Guide
Teacher’s Parallel Journeys: The Holocaust through the Eyes of Teens Guide GRADES 9 -12 Phone: 470 . 578 . 2083 historymuseum.kennesaw.edu Parallel Journeys: The Holocaust through the Eyes of Teens Teacher’s Guide Teacher’s Table of Contents About this Teacher’s Guide.............................................................................................................. 3 Overview ............................................................................................................................................. 4 Georgia Standards of Excellence Correlated with These Activities ...................................... 5 Guidelines for Teaching about the Holocaust .......................................................................... 12 CORE LESSON Understanding the Holocaust: “Tightening the Noose” – All Grades | 5th – 12th ............................ 15 5th Grade Activities 1. Individual Experiences of the Holocaust .......................................................................... 18 2. Propaganda and Dr. Seuss .................................................................................................. 20 3. Spiritual Resistance and the Butterfly Project .................................................................. 22 4. Responding to the St. Louis ............................................................................................... 24 5. Mapping the War and the Holocaust ................................................................................. 25 6th, 7th, and 8th Grade Activities -
The Fight Hidden in Plain Sight
THE FIGHT HIDDEN IN PLAIN SIGHT SEXUAL AND REPRODUCTIVE HEALTH AND RIGHTS IN CENTRAL AND EASTERN EUROPE AND CENTRAL ASIA Table of contents: Introduction 5 Albania 6 Armenia 14 Belarus 22 Bosnia and Herzegovina 32 Bulgaria 38 Croatia 44 Georgia 52 Kazakhstan 60 Attribution-NonCommercial-NoDerivatives 4.0 International Latvia 64 Introduction: Antonina Lewandowska North Macedonia 68 Proof reading: Joel Henderson Cover and layout design: Julia Karwan-Jastrzębska, Joanna Meuś Moldova 76 ISBN 978-83-88-568-67-1 Published by: ASTRA Network Secretariat Poland 82 Nowolipie 13/15, 00-150, Warsaw, Poland Warsaw, Poland, 2020 Romania 92 Publication of this report was possible due to financial support of International Women’s Health Coalition. Russia 100 Introduction The year 2019 marked ASTRA Network’s 20th international attention, just like Polish Black anniversary of existence. For two decades, we Protest or Slovak Nebudeme Ticho to name have been monitoring the situation of sexual the latest ones, have had the power to stop and reproductive health and rights in Central draconian laws and keep the legislature intact. and Eastern Europe and Central Asia. Our However, Poland and Slovakia are not the only work focuses on supporting grassroot organ- ones that can mobilize the people – similar isations in the region and providing them initiatives, often organized or coordinated with opportunities to forward their work by ASTRA Network member organisations, even further – including the international were attended by tens of thousands in differ- arena. Our members are amazing actors in ent countries of the region as well. Activists their home countries, who do game-chang- defending human rights are fighting relent- ing grassroot work on community organizing, lessly to not let the far-right and religious providing healthcare and education, mobiliz- fundamentalists alter the system. -
Download HMD Booklet 2020
2020 Learning from the past ~ lessons for today Holocaust Education Trust Ireland in association with The Department of Justice and Equality Dublin City Council Dublin Maccabi Charitable Trust Jewish Representative Council of Ireland Council for Christians and Jews Holocaust Memorial Day The Holocaust Memorial Day commemoration is designed to cherish the memory of all of the victims of the Nazi Holocaust. A candle-lighting ceremony is an integral part of the commemoration at which six candles are always lit for the six million Jews who perished, as well as candles for all of the other victims. The commemoration serves as a constant reminder of the dangers of racism and discrimination and provides lessons from the past that are relevant today. Summary of the Declaration of the Stockholm International Forum on the Holocaust Issued in January 2000, on the 55th anniversary of the liberation of Auschwitz-Birkenau in 1945, and endorsed by all participating countries, including Ireland We, the governments attending the Stockholm International Forum on the Holocaust, recognise that it was a tragically defining episode of the 20th Century, a crisis for Europe and a universal catastrophe. The unprecedented character of the Holocaust fundamentally challenged the foundations of civilisation. After more than half a century, it remains an event close enough in time that survivors can still bear witness to the horrors that engulfed the Jewish people. The terrible suffering of millions of Jews and other victims of the Nazis has left an indelible stain across Europe that must forever be seared in our collective memory. The selfless sacrifices of those who defied the Nazis, and sometimes gave their own lives to protect or rescue Holocaust victims, must also be inscribed in our hearts. -
Jean Cocteau's the Typewriter
1 A Queer Premiere: Jean Cocteau’s The Typewriter Introduction Late in April 1941, toward the close of the first Parisian theatre season fol- lowing the Defeat, Jean Cocteau’s La Machine à écrire (The Typewriter) opened, then closed, then reopened at the Théâtre Hébertot. Written in the style of a detective drama, the play starred the actor generally known—at least in the entertainment world at the time—as Cocteau’s sometime lover and perpetual companion, Jean Marais, as identical twin brothers. The re- views are curiously reticent about what exactly occurred at the Hébertot, and historians and critics offer sometimes contradictory pieces of a puzzle that, even when carefully put together, forms an incomplete picture. The fragments are, however, intriguing. Merrill Rosenberg describes how, on the evening of April 29, 1941, the dress rehearsal (répétition génerale), sponsored “as a gala” by the daily Paris-Soir and attended by various “dig- nitaries,” caused in the Hébertot’s auditorium a demonstration by members of the Parti Populaire Français (PPF). This disruption prompted Vichy’s ambas- sador to Paris, Fernand de Brinon, to order the withdrawal of the production (“Vichy’s Theatrical Venture” 136). Francis Steegmuller describes the disor- der that greeted the Typewriter premiere and the revival of Les Parents Terribles (at the Gymnase later that year): “stink bombs exploded in the theatres, and hoodlums filled the aisles and climbed onto the stage, shouting obscenities at Cocteau and Marais as a couple” (442).1 Patrick Marsh too notes that these plays “were seriously disrupted by violent scenes fomented by fascist sym- pathizers and members of the Parti Populaire Français” (“Le Théâtre 1 2 THE DRAMA OF FALLEN FRANCE Français . -
REPORT on the Situation of the LGBT* Community of Saint Petersburg in 2019
REPORT ON THE SITUATION OF THE LGBT* COMMUNITY OF SAINT PetersbUrg IN 2019 Coming Out 2020 Report On The Situation of the LGBT* Community of Saint Petersburg in 2019 — St. Petersburg: Coming Out, 2020. - 152 pages. This report is based on the results of the discrimination research undertaken by the monitoring team of Coming Out LGBT* initiative group in 2019: the survey and the cases documented by the monitoring program during the year. It provides an analysis of the main problems and restrictions the LGBT* people of Saint Petersburg faced last year. In addition to the quantitative analysis of the survey data the report features an analysis of specific cases of discrimination, homophobic and transphobic violence as well as an analysis of the situation regarding LGBT* rights in Saint Petersburg in terms of its compliance with the Russian legislation and international human rights standards. Text: Jonny Dzhibladze, Polina Kislitsyna, Max Olenichev Translation to English: Bad Samaritan Design and layout: Karl Martin We thank everyone who participated in the online survey and contributed their stories to this report. We also express our gratitude to all members of the volunteer team of Coming Out who helped the research by monitoring public events, street protests, the Media and Social Media; interviewing the survivors; collecting and processing photo-, audio- and video materials: Mark Kandolsky, Lou Thornwood, Ruslan Savolainen, Alfred Miniakhmetov, Frank, Arthur and others. Contents Introduction .............................................................................................4 -
THE PERSECUTION of HOMOSEXUALS in NAZI GERMANY Kaleb Cahoon HIST 495: Senior Seminar May 1, 2017
THE PERSECUTION OF HOMOSEXUALS IN NAZI GERMANY Kaleb Cahoon HIST 495: Senior Seminar May 1, 2017 1 On May 6, 1933, a group of students from the College of Physical Education in Berlin arrived early in the morning to raid the office headquarters of the Institute for Sexual Research in Berlin. According to a contemporary anonymous report, the invading students “took up a military-style position in front of the house and then forced their way inside, with musical accompaniment… [and then] they smashed down the doors.”1 Once inside, the same group commenced to ransack the place: they “emptied inkwells, pouring ink onto various papers and carpets, and then set about the private bookcases” and then “took with them what struck them as suspicious, keeping mainly to the so-called black list.”2 Later that day, after the students had left “large piles of ruined pictures and broken glass” in their wake, a contingent of Storm Troopers arrived to complete the operation by confiscating nearly ten thousand books that they subsequently burned three days later.3 This raid was part of an overall campaign to purge “books with an un-German spirit from Berlin libraries,” undertaken early in the regime of the Third Reich. Their target, the Institute for Sexual Research founded by the pioneering German sexologist Magnus Hirschfeld, was one of the premier centers of progressive thought concerning human sexuality – most notably homosexuality – in the world.4 This episode raises a number of questions, including why Nazi leaders deemed this organization to possess “an un-German spirit” that thus warranted a thorough purge so early in the regime.5 The fact that Hirschfeld, like many other leading sexologists in Germany, was Jewish and that many Nazis thus regarded the burgeoning field of “Sexualwissenschaft, or the science of sex,” as “Jewish science” likely 1 “How Magnus Hirschfeld’s Institute for Sexual Science Was Demolished and Destroyed,” (1933) in The Third Reich Sourcebook, ed.