Some Things Poetry Can Tell Us About the Process of Social Change in Vietnam
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"One Doesn't Translate the Words but Life and Human Beings." An
4/6/2018 "One doesn’t translate the words but life and human beings." An Interview with Mireille Gansel — Bookwitty Interviews | Bookwitty "One doesn’t translate the words but life and human beings." An Interview with Mireille Gansel By Olivia Snaije September 28, 2017 Wit (3) Native language is not a set of grammar rules and regulations, it is the child’s spiritual nourishment. -Janusz Korczak https://www.bookwitty.com/text/one-doesnt-translate-the-words-but-life-and-human/59c557ae50cef717c087c399 1/15 4/6/2018 "One doesn’t translate the words but life and human beings." An Interview with Mireille Gansel — Bookwitty Interviews | Bookwitty Mireille Gansel, photo Jean-Yves Masson Translation, for Mireille Gansel, is a “delicate seismograph at the heart of time”; words must be continuously re-examined, and interpreted, depending on their cultural and historical framework. One of today’s foremost translators, Gansel grew up in post-war France. Her family was Jewish from Eastern Europe, where they lost everything to Nazi Germany. German had been their lingua franca, and Gansel chose to study it, in order to be able to communicate with her family—even if for her father, who grew up in Hungary, German was the language of “persecutors and those who humiliate”. Gansel’s slim and sensitive memoir, Translation as Transhumance, has just been elegantly translated into English by another outstanding translator, Ros Schwartz; it opens with Gansel’s father translating a letter from Hungarian for his family in France. In her foreword, Lauren Elkin explains the significance of Gansel’s title (which is roughly the same in French): “Transhumance refers to the seasonal movement of a shepherd and his flock to another land, or humus. -
New Economies of Sex and Intimacy in Vietnam by Kimberly Kay Hoang
New Economies of Sex and Intimacy in Vietnam by Kimberly Kay Hoang A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Raka Ray, Chair Professor Barrie Thorne Professor Irene Bloemraad Professor Peter Zinoman Fall 2011 New Economies of Sex and Intimacy Copyright 2011 by Kimberly Kay Hoang Abstract New Economies of Sex and Intimacy in Vietnam by Kimberly Kay Hoang Doctor of Philosophy in Sociology and the Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Raka Ray, Chair Over the past two decades, scholars have paid particular attention to the growth of global sex tourism, a trade marked by convergence between the global and local production and consumption of sexual services. In the increasingly global economy, the movement of people and capital around the world creates new segments of sex work, with diverse groups of consumers and providers. This dissertation examines the dialectical link between intimacy and political economy. I examine how changes in the global economy structure relations of intimacy between clients and sex workers; and how intimacy can be a vital form of currency that shapes economic and political relations. I trace new economies of sex and intimacy in Vietnam by moving from daily worlds of sex work in Ho Chi Minh City [HCMC] to incorporate a more structural and historical analysis. Drawing on 15 months of ethnography (2009-2010) working as a bartender and hostess I analyze four different bars that cater to wealthy local Vietnamese men and their Asian business partners, overseas Vietnamese men living in the diaspora, Western expatriates, and Western budget travelers. -
Vietnamese Aesthetics from 1925 Onwards
CHAPTER 3: VIETNAMESE SOCIALIST REALISM: THE ARTS OF THE DEMOCRATIC REPUBLIC OF VIEÄT-NAM (THE NORTH) 1945-1975 Figure 1: Communal House at Döông Xaù Village, Gia Laâm District in Haø Noäi’s outskirts, photograph taken by Boi Tran Huynh. 131 This chapter examines the change in Vietnamese aesthetics in the Democratic Republic of Vieät-Nam, hereafter ‘the North’, from 1945 to 1975. In this era, Socialist Realism was established and applied to every aspect of the arts, which became a vehicle to serve the ideology of Marxism. Its relations shaped Vieät- Nam’s international agenda with the Communist bloc, especially with the Soviet Union and the People’s Republic of China. During this period, Vieät-Nam adopted and developed these two influences while the French influence became subtler. The conflict between North and South Vieät-Nam led to an emphasis on the fabrication of new aesthetics, aimed toward forging a national identity within the orbit of international Communism. Simultaneously, attempts were made to eliminate individualism in the art of Modernism with the assertion that it represented western decadent bourgeois art. Interestingly, it was in this context that a number of artists deviated from the Socialist mainstream and, through personal style and expression, produced artworks that counterbalanced the official view. Also, two private art collectors established themselves as alternative patrons to the arts. COMMUNISM AS A WAY OUT OF COLONIALISM: Hoà Chí Minh, (fig2) founded the Democratic Republic of Vieät-Nam on the 2nd of September 1945. In the Independence Declaration that he delivered in Ba Ñình Square to some 400,000 freedom-hungry Vietnamese and a small number of World War II American officers and other foreigners, Hoà Chí Minh deliberately used quotes from the 1776 American Declaration of Independence and the 1789 French Declaration of the Rights of Man and the Citizen. -
USING LITERATURE in a COURSE on the VIETNAM WAR Jonathan
USING LITERATURE IN A COURSE ON THE VIETNAM WAR Jonathan Goldstein West Georgia College In sharing my experience with team-teaching a course on the Vietnam War, I hope to demonstrate that the inclusion of literary texts into the social science curriculum can strengthen both pedagogy and interest. Teachers of college courses that focus on other aspects of United States involvement in the world may fmd some of the experience applicable to their concerns.1 The Vietnam War course we taught at West Georgia College in 1984 and again in 1987 used textbooks by Stanley Karnow, Guenter Lewy, and George Herring.2 The vast body of war-related literary works in French, Vietnamese, and English was untapped as a classroom resource. While the Vietnam experience may not yet have produced a Red Badge of Courage, an All Quiet on the Western Front, a Naked and the Dead, or the multilingual masterpieces of the Spanish Civil War, it has evoked, as Joe Dunn has suggested, a volume of war literature in three languages that expands year by year? The remainder of this paper is my recommendation for a revised curriculum for our Vietnam course, using literature as a major component of the curriculum. WHY INCLUDE LITERARY WORKS IN A VIETNAM WAR COURSE? There seem to be two reasons why some of this literature should be incorporated into a Vietnam War course. The first is a general one that might apply to other history courses. Literary texts, when used as supplements to analytical histories and historical documents, can raise cultural and historical consciousness. -
New Voices: Socio-Cultural Trajectories of Vietnamese Literature in the 21St Century
New Voices: Socio-Cultural Trajectories of Vietnamese Literature in the 21st Century NEW VOICES: SOCIO-CULTURAL TRAJECTORIES OF VIETNAMESE LITERATURE IN THE 21st CENTURY Dana HEALY School of Oriental and African Studies (SOAS), University of London Thornhaugh Street, Russell Square, WC1H 0XG London, UK [email protected] Many important changes have taken place in the domain of Vietnamese literature in the last two decades as the country embraced the new globalized consumer age. This article examines the ways in which contemporary Vietnamese literature responds to the new social and cultural milieu delineated by rapidly developing market economy, globalization, and rise in new technologies, mass media and the internet. It highlights the role of young generation of writers whose enthusiasm, unorthodox creativity, penchant for experiment and resentment of authority contributed to the transformation of Vietnamese literature from a ‘servant of revolution’ to the purveyor of entertainment, modernity and individualism. It also analyses the changes in the publishing industry and evaluates the role of the internet in Vietnam as a vital alternative space which can accomodate various forms of marginalized writing. Key words: Vietnamese literature, publishing, the internet, popular literature Introduction Contemporary literature in Vietnam derives its momentum from a new generation of writers. With their youthful enthusiasm, unorthodox creativity, penchant for experiment, resentment of authority and desire for freedom they are defying established Vietnamese -
The Thickening Web of Asian Security Cooperation: Deepening Defense
The Thickening Web of Asian Security Cooperation Deepening Defense Ties Among U.S. Allies and Partners in the Indo-Pacific Scott W. Harold, Derek Grossman, Brian Harding, Jeffrey W. Hornung, Gregory Poling, Jeffrey Smith, Meagan L. Smith C O R P O R A T I O N For more information on this publication, visit www.rand.org/t/RR3125 Library of Congress Cataloging-in-Publication Data is available for this publication. ISBN: 978-1-9774-0333-9 Published by the RAND Corporation, Santa Monica, Calif. © Copyright 2019 RAND Corporation R® is a registered trademark. Cover photo by Japan Maritime Self Defense Force. Limited Print and Electronic Distribution Rights This document and trademark(s) contained herein are protected by law. This representation of RAND intellectual property is provided for noncommercial use only. Unauthorized posting of this publication online is prohibited. Permission is given to duplicate this document for personal use only, as long as it is unaltered and complete. Permission is required from RAND to reproduce, or reuse in another form, any of its research documents for commercial use. For information on reprint and linking permissions, please visit www.rand.org/pubs/permissions. The RAND Corporation is a research organization that develops solutions to public policy challenges to help make communities throughout the world safer and more secure, healthier and more prosperous. RAND is nonprofit, nonpartisan, and committed to the public interest. RAND’s publications do not necessarily reflect the opinions of its research clients and sponsors. Support RAND Make a tax-deductible charitable contribution at www.rand.org/giving/contribute www.rand.org Preface Since the turn of the century, an important trend toward new or expanded defense cooperation among U.S. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Lê Thị Huệ: Writing between Exilic Homelessness and Situated Nomadism Permalink https://escholarship.org/uc/item/6m18261n Author NGUYEN, KHUYEN VU Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Lê Thị Huệ: Writing between Exilic Homelessness and Situated Nomadism By Khuyen Vu Nguyen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Sau-ling Cynthia Wong, Chair Professor Evelyn Nakano Glenn Professor Hertha D. Sweet Wong Fall 2012 ABSTRACT Lê Thị Huệ: Writing between Exilic Homelessness and Situated Nomadism By Khuyen Vu Nguyen Doctor of Philosophy in Ethnic Studies University of California, Berkeley Professor Sau-ling Cynthia Wong, Chair Over the past three decades, more than 300 Vietnamese American authors have produced at least 550 novels, 200 collections of short stories and poetry in addition to over 100 volumes of informal reflective and formal commentary essays in their native language. Nonetheless, a majority of this literature remains in utter obscurity, both within and beyond the borders of Vietnamese America. My dissertation focuses on the body of work of the feminist writer Lê Thị Huệ whose expansive breadth and constantly evolving aesthetics render her an appropriate representative and a singular phenomenon among her contemporaries in the Vietnamese diaspora. I propose the double concept exilic homelessness and situated nomadism as the theoretical framework to read Lê’s body of work and as a means through which to understand Lê’s ethics and aesthetics. -
Vietnamese Aesthetics from 1925 Onwards
CHAPTER I: VIETNAMESE PRE-COLONIAL CULTURE FROM 18th CENTURY TO 1884 Figure 1: A Female Donor, 18th Century, Buùt Thaùp Temple, photograph by Boi Tran Huynh. 8 As the introduction implies, Vieät-Nam has a long history of rivalling regimes: one thousand years of Chinese authority, one hundred years of French colonisation and from 1954, the rise of Vietnamese Socialism. Unravelling the impact of these influences is critical to understanding Vietnamese art but it is made complicated by unconvincing interpretations of the past. The post-1975 era witnessed a Socialist exaltation of the masses, accompanied by Socialist solutions to Neo-Confucian failures of the 1800s and the influence of French colonialism. In historical accounts, the pre- colonial era is interpreted as both ‘pure’ and ‘simple’ and conjures nostalgic notions of village life. While the exploitation of Vieät-Nam by the Chinese and French was intense, this Socialist account is a simplification that romanticises pre-colonial society. For instance, the extent to which Vietnamese society, during this period, not only responded to but shaped foreign or external influences are obscured. Moreover, alternative influences such as patronage of the elite, trade and immigration, have been understated. This is not to suggest that village art was insignificant but, rather, to acknowledge other influences on art during the pre-colonial era that have been overlooked in current Vietnamese interpretations of earlier regimes. This chapter questions the view that pre-colonial art is a form of ‘unaffected’ village art through an analysis of two prevailing opinions espoused by some influential Vietnamese communist art historians.1 First, that folk art in village communal houses characterised the aesthetics of pre-colonial times and second, that this was the dominant form of Vietnamese traditional art. -
Vietnamese American Literature and Refugee Aesthetics a Dissertation
Postcolonial Appetites: Vietnamese American Literature and Refugee Aesthetics A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Timothy K. August IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Keya Ganguly, Adviser May 2014 © Timothy K. August, 2014 i Acknowledgements During the writing of this dissertation I have learned that any project of this size must be a collaborative effort. Expressing the proper amount of gratitude for those who have helped me along the way is an impossible yet rewarding task. Growing up I understood very little about the academic environment, I did not know what producing a PhD meant nor what it entailed. Working in this institution, then, was constantly an education and I learned from, defined myself with, and at times against, who and what I saw around me. While I would like to thank everyone that I met along the way I am particularly grateful for the ongoing support and council of a select group of fellow graduate students: Namrata Gaikwad, Na-Rae Kim, Catherine Nguyen, Garnet Kindervater, Sara Saljoughi, and Liz Zanoni. It has been a privilege to build this cohort of colleagues from both inside and outside my home department of Cultural Studies and Comparative Literature, which reflects how much my journey has benefited from working in interdisciplinary environments. The faculty, staff, and students in the Asian American Studies program have been generous intellectual interlocuters during the entirety of my time here, a development that has shaped both my present and my future. As well, working for, and with, the University of Minnesota’s Writing Center refined my writing, revising, and editing skills, but just as importantly taught me ways to generate a generous, welcoming, and healthy academic environment. -
Self-Reliance: Ethnography of Literature Outside Viet Nam
Self-Reliance: Ethnography of Literature Outside Viet Nam Daniel Edward Duffy A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Anthropology. Chapel Hill 2008 Approved by James Peacock Carole Crumley Patricia Sawin Eric Henry John McGowan © 2008 Daniel Edward Duffy ALL RIGHTS RESERVED ii ABSTRACT DANIEL EDWARD DUFFY: Self Reliance: Ethnography of Literature Outside Viet Nam (Under the direction of James Peacock, Carole Crumley, Patricia Sawin, Eric Henry, and John McGowan) Self-Reliance: Ethnography of Literature Outside Viet Nam calls for literary activity that recognizes the emergence of the nation of Viet Nam in the modern world order. First, an introduction summarizes the work. Then, the first chapter introduces the figure of Nhat Linh, a founder of modern literature in Viet Nam during the colonial period, who as the nationalist revolutionary Nguyen Tuong Tam later committed suicide in dissent to the Saigon government of Ngo Dinh Diem. The second chapter introduces the broad sweep of Vietnamese history since the founding of the Nguyen dynasty in 1801, in terms of what can be seen walking the streets of Paris visiting Vietnamese bookstores. The third chapter concludes the dissertation by returning to the figure of Nhat Linh and discussing what the author of the dissertation is doing with Vietnamese literature in Orange County, North Carolina. iii DEDICATION To my senior uncles, James Duffy, Ph.D. (Modern Languages, Harvard, 1952), abolitionist, and Robert C. DeVries, Ph.D. (Mineralogy and Geochemistry, Pennsylvania State University, 1953), who made gems for use, and to Huu Ngoc, patriotic scholar. -
BSO Volume 59 Issue 2 Front Matter
Volume LIX Part 2 1996 BULLETIN OF THE SCHOOL OF ORIENTAL AND AFRICAN STUDIES UNIVERSITY OF LONDON Published by Oxford University Press for The School of Oriental and African Studies Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.8, on 28 Sep 2021 at 17:45:18, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0041977X00031530 ) School of Oriental and African Studies University of London 1996 UK ISSN 0041-977X Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.8, on 28 Sep 2021 at 17:45:18, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0041977X00031530 CONTENTS ARTICLES PAGE GERRIT BOS: Baladhur (marking nut): a popular medieval drug for strengthening memory 229 SEL^UK ESENBAL: A fin de siecle Japanese romantic in Istanbul: the life of Yamada Torajiro and his Toruko gakan .... 237 SHIHAN DE SILVA JAYASURIYA: Indo-Portuguese songs of Sri Lanka: the Nevill Manuscript 253 ROBERT G. HENRICKS: The three-bodied Shun and the completion of creation 268 ROBERT R. RATCLIFFE: Drift and noun plural reduplication in Afroasiatic .......... 296 P. ALLSWORTH-JONES: Continuity and change in Yoruba pottery . 312 MARTIN R.L. CLAYTON: Free rhythm: ethnomusicology and the study of music without metre 323 NOTES AND COMMUNICATIONS FRANCOIS DE BLOIS: Shuhayd al-Balkhi, a poet and philosopher of the time of Razi 333 REVIEWS Ronald H. Sack: Cuneiform documents from the Chaldean and Persian periods. -
The Machinery of Vietnamese Art and Literature in the Post- Renovation, Post-Communist (And Post-Modern) Period
The Machinery of Vietnamese Art and Literature in the Post- Renovation, Post-Communist (and Post-Modern) Period Pham Thi Hoai [Vietnamese writer Pham Thi Hoai was the 2003-04 Distinguished Visitor of the Southeast Asian Studies Consortium of the University of California, Berkeley, and UCLA. She delivered the same lecture at both campuses. At UCLA it was held on February 4, 2004. Below is the English translation of her lecture.] * * * Thirty three years ago, when I submitted – from my small town — my first ever piece of writing to the “children’s creativity contest” of the Hanoi Pioneer Youth League (Thieu nien tien phong), the world was easy to understand. I don’t recall much about what I wrote. It may very well have been a story about a lazy child, who got bad grades and made mother worry. This mother, nevertheless, wrote to father at the front that their child was well behaved and studious. By mistake, the child read the letter. Ashamed and regretful, the child vowed to improve so as to be worthy of the image presented in her mother’s letter. Every piece of this world fit together and these pieces seemed easy to assemble. The left and right sides were clearly marked, without confusion. In Quang Tri, our army and people were winning big battles. On the loud speaker, our army and people won as regularly as the sun rises. At school, a student who earned high marks was compared to a brave soldier who killed Americans and their Southern Vietnamese lackeys. A high mark in math equaled one dead American.