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New Economies of Sex and Intimacy in Vietnam by Kimberly Kay Hoang
New Economies of Sex and Intimacy in Vietnam by Kimberly Kay Hoang A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Raka Ray, Chair Professor Barrie Thorne Professor Irene Bloemraad Professor Peter Zinoman Fall 2011 New Economies of Sex and Intimacy Copyright 2011 by Kimberly Kay Hoang Abstract New Economies of Sex and Intimacy in Vietnam by Kimberly Kay Hoang Doctor of Philosophy in Sociology and the Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Raka Ray, Chair Over the past two decades, scholars have paid particular attention to the growth of global sex tourism, a trade marked by convergence between the global and local production and consumption of sexual services. In the increasingly global economy, the movement of people and capital around the world creates new segments of sex work, with diverse groups of consumers and providers. This dissertation examines the dialectical link between intimacy and political economy. I examine how changes in the global economy structure relations of intimacy between clients and sex workers; and how intimacy can be a vital form of currency that shapes economic and political relations. I trace new economies of sex and intimacy in Vietnam by moving from daily worlds of sex work in Ho Chi Minh City [HCMC] to incorporate a more structural and historical analysis. Drawing on 15 months of ethnography (2009-2010) working as a bartender and hostess I analyze four different bars that cater to wealthy local Vietnamese men and their Asian business partners, overseas Vietnamese men living in the diaspora, Western expatriates, and Western budget travelers. -
Viet Nam Generation, Volume 4, Number Article 1 1-2
Vietnam Generation Volume 4 Number 1 Viet Nam Generation, Volume 4, Number Article 1 1-2 4-1992 Viet Nam Generation, Volume 4, Number 1-2 Follow this and additional works at: http://digitalcommons.lasalle.edu/vietnamgeneration Part of the American Studies Commons Recommended Citation (1992) "Viet Nam Generation, Volume 4, Number 1-2," Vietnam Generation: Vol. 4 : No. 1 , Article 1. Available at: http://digitalcommons.lasalle.edu/vietnamgeneration/vol4/iss1/1 This Complete Volume is brought to you for free and open access by La Salle University Digital Commons. It has been accepted for inclusion in Vietnam Generation by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. Viet Nam Generation, Volume 4, Number 1-2 Cover Page Footnote Edited by Dan Duffy. Contributing editors: Renny Christopher. David DeRose, Alan Farrell. Cynthia Fuchs, William M. King. Bill Shields, Tony Williams, and David Willson. This complete volume is available in Vietnam Generation: http://digitalcommons.lasalle.edu/vietnamgeneration/vol4/iss1/1 Viet N am Generation A Journal of Recent History and Contemporary Issues Volume A Number 1-2 David Luebke illustrations, from the Vietnam Generation, Inc. & Burning Cities Press reprint of Asa Baber's novel, Land of a Million Elephants. Contents In This Is s u e ........................................................................................ 5 Poetry by Rod McQuearey.................................................... 79 PublishER's Sta tem en t.................................................................4 -
Some Things Poetry Can Tell Us About the Process of Social Change in Vietnam
Southeast Asian Studies, Vol. 39, No. 3, December 2001 Some Things Poetry Can Tell Us about the Process of Social Change in Vietnam Neil L. JAMIESON* Abstract The renovation process in Vietnam has been described as a dialogic process involving extensive negotiation. This paper explores the proposition that there may be a distinctly if not uniquely Vietnamese character to this dialogic process, significantly involving the way semantic gaps are intentionally left in messages so that various recipients can fill them in by selecting from multiple possible interpretations of meanings one that best suits their own situation and unique life experience. Some eighteenth- and nineteenth-century poetry is examined to reveal how such mutual involvement of author and reader produced effective social commentary using ambiguity. Other examples from recent times demonstrate how Vietnamese continue to use ambiguity not just in poetry but also in fiction, urban folklore, and scientific and government documents as a means of commenting on and influencing the nature of social change in contemporary Vietnam. It is suggested that more attention should be paid to how Vietnamese talk to and about each other, employing ambiguity in ways that are culturally specific, historically conditioned, and extremely sensitive to context. Understanding renovation requires us to attend to gaps in meaning, to what is not said as well as to what is. In daily life, in literature, and in the process of social change, in Vietnam it is often the second or third meaning, collaboratively produced by the originator and recipients of a message, that is ultimately the most important. Introduction Vietnam is currently, not for the first time in its long history, undergoing a period of great social change. -
Filial Piety and Chastity in Nguyen Du's the Tale of Kieu
This study explores how issues of filial FILIAL PIETY AND piety and chastity are portrayed and CHASTITY IN NGUYEN discussed in the early 19 th century DU’S THE TALE OF KIEU Vietnamese masterpiece, The Tale of Kieu , by Nguyen Du. This long narrative poem recounts the plight of Kieu, a beautiful and 1 talented young girl who has to prostitute Montira Rato herself in order to save her father from a corrupt mandarin. The story highlights the conflict between the Confucian concepts Abstract of filial piety and female chastity, personal obligations and personal morality. The th The early 19 century Vietnamese Vietnamese who collaborated with the masterpiece, The Tale of Kieu by Nguyen French in the early 20 th century saw Du, is a story that famously highlights the themselves as torn by a similar conflict conflict between the Confucian concepts of and claimed that, like Kieu, they had to filial piety and female chastity, and prostitute themselves for the sake. The between personal obligations and Tale of Kieu reflects the tension in the 19 th personal morality. This paper explores century Vietnamese society caused by the how issues of love and sexual austere Confucian views of love, relationships, as portrayed in the Tale of relationships and sexuality. It is hoped that Kieu, influenced the thinking of the paper will contribute to an th Vietnamese intellectuals in the early 20 understanding of how closely the topics of century. Drawing on parallels to Kieu’s female chastity, Confucianism and plight, it is argued that the Vietnamese, nationalist movements were connected.