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Solar Eclipses in the Outlook of the Slavs
ics & Ae ys ro h sp p a o r c t e s T A e Prokofyev, J Astrophys Aerospace Technol 2014, 2:2 f c h o Journal of Astrophysics & n l o a DOI: 10.4172/2329-6542.1000107 l n o r g u y o J Aerospace Technology ISSN: 2329-6542 Research Article Open Access Solar Eclipses in the Outlook of the Slavs Prokofyev A* KITION Planetarium & Observatory, Kiti, Larnaca, Cyprus *Corresponding author: Alexandr Prokofyev, KITION Planetarium & Observatory, Ammochostou 9, Kiti, 7550, Larnaca, Cyprus. Tel: +357 99037440; E-mail: [email protected] Rec date: Jul 1, 2014, Acc date: Jul 26, 2014, Pub date: Aug 15, 2014 Copyright: © 2014 Prokofyev A. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Abstract The article provides an overview of descriptions of total solar eclipses in different literature forms, rites and toponyms of Slavs. It is shown that the solar eclipse had a prominent role in the worldview of the tribes. Explanations of some terms of Slavic outlook are given with suggestions for the correct terminology. A program for further investigation in Slavic and other people’s culture is proposed. Keywords: Total solar eclipse; Archeoastronomy; Mythology; Slavs; Character 'Akhet' (Figure 2) should be translated as 'eclipse' instead of Akhet; Myth of creation of the world; Myth of end of the world; 'horizon'. Then the next well-known text obtains a simple explanation. Dragon slayer; Tales During the advance of the eclipse (former translation: after sunset at the horizon) Ra joins the fight against the forces of darkness, Introduction crocodiles, snakes and so on. -
Russian Byliny As Discursive Space
Putting Words in Their Mouths: Russian Byliny as 83 Discursive Space Putting Words in Their Mouths: Russian Byliny as Discursive Space Kate Christine Moore Koppy Marymount University and the University of the District of Columbia Community College Arlington, Virginia, United States of America Abstract This article follows the Melnitsa Animation Studio into the imagined medieval space of their bogatyr films. With particular focus on Melnitsa’s use of the Il’ia Muromets corpus in Илья Муромец и Соловей Разбойник [Il’ia and the Robber], we consider the complex set of conflicts among characters and ideas that reflect concepts of identity and social issues in contemporary Russia. In moments of cultural unrest, adaptations of canonical stories serve as a discursive space for the community to redefine itself. In the nineteenth, twentieth, and twenty-first centuries, the byliny [western Slavic heroic epics] have functioned as tools of cultural cohesion at critical moments of national self-redefinition. Most recently, the Студия анимационного кино Мельница [Melnitsa Animation Studio] (1) has adapted the byliny into animated films for children, in which stories of medieval princes, heroes, and villains become a discursive space for the exploration of social issues in the post-Soviet Russian Federation. Melnitsa’s 2007 film Il’ia and the Robber is the most recent example in a steady stream of adaptation and retelling of byliny from the time they were first printed to the present. Along that timeline, there are three moments in which adaptations flourish, and each of these coincides with a crucial moment of redefinition of Russian culture. The nineteenth century recording of these heroic epics, which adapts them from dynamic oral epics to written texts (2), was part of the wave of romantic nationalism that drove scholars across Europe to gather folkloric material as the feudal city-states of the medieval period coalesced into more stable nations. -
The Pre-Revolutionary Folk Tale Character Archetypes in Grigori Aleksandrov's Four Musical Comedies, 1934 – 1940
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Trepo - Institutional Repository of Tampere University UNIVERSITY OF TAMPERE RIKU SALMIVUORI FROM BOYARS TO BUREAUCRATS: THE PRE-REVOLUTIONARY FOLK TALE CHARACTER ARCHETYPES IN GRIGORI ALEKSANDROV'S FOUR MUSICAL COMEDIES, 1934 – 1940 ___________________________________ School of Social Sciences and Humanities Master's thesis in history Tampere, 2014 University of Tampere School of Social Sciences and Humanities SALMIVUORI, RIKU: From Boyars to Bureaucrats: The Pre-revolutionary Folk Tale Character Archetypes in Grigori Aleksandrov's Four Musical Comedies, 1934 – 1940 Master's thesis, 138 pages. History February 2014 In my master's thesis I study the society of the 1930s Soviet Union through its film culture's relation to the pre-revolutionary folk culture's traditional tale telling. My aim is to find out how the pre- revolutionary culture was reflected in the films. On the one hand the study approaches this question through the official Soviet concepts of the 1930s: the attempt to build a “new society” and through education create a whole “new man”. On the other hand, it supposes that hundreds of years of folk tradition will not simply vanish by the politicians setting such ambitious political aims. Therefore the aim is to study the films, a popular tool of education and definitely a representative of the officially sanctioned culture, in order to find out what traces were left of the pre-revolutionary culture in them and how they were used in the films. The conclusions drawn on this small sample can further be used to consider what actually was new in the new society and the new man. -
The Search for a New Russian National Identity
THE SEARCH FOR A NEW RUSSIAN NATIONAL IDENTITY: RUSSIAN PERSPECTIVES BY DR. JAMES H. BILLINGTON The Library of Congress AND DR. KATHLEEN PARTHÉ University of Rochester Part of the Project on Russian Political Leaders Funded by a Carnegie Foundation Grant to James H. Billington and the Library of Congress Issued by The Library of Congress Washington, D.C. February 2003 2 CONTENTS INTRODUCTION ....................................................................................................... 3 THE FIRST COLLOQUIUM ........................................................................... 5 THE SECOND COLLOQUIUM.................................................................. 31 THE THIRD COLLOQUIUM ....................................................................... 60 AFTERWORD.............................................................................................................. 92 ENDNOTES .................................................................................................................... 99 PARTICIPANTS ...................................................................................................... 101 ACKNOWLEDGMENTS................................................................................. 106 3 INTRODUCTION by James H. Billington This work combines and condenses the final reports on three colloquia I held in Russia with Dr. Kathleen Parthé on the search for a Russian national identity in the post-Soviet era. The colloquia, as well as two seminars at the Library of Congress in 1996 and 1997 -
Yankee, Go Home!: Translations and Poems with Critical Introduction
Utah State University DigitalCommons@USU Undergraduate Honors Capstone Projects Honors Program 5-2007 Yankee, Go Home!: Translations and Poems with Critical Introduction Devin Jay Hepner Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/honors Part of the Poetry Commons Recommended Citation Hepner, Devin Jay, "Yankee, Go Home!: Translations and Poems with Critical Introduction" (2007). Undergraduate Honors Capstone Projects. 677. https://digitalcommons.usu.edu/honors/677 This Thesis is brought to you for free and open access by the Honors Program at DigitalCommons@USU. It has been accepted for inclusion in Undergraduate Honors Capstone Projects by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. - ..... YANKEE, GO HOME! : TRANSLATIONS AND POEMS WITH CRITICAL INTRODUCTION by Devin Jay Hepner Thesis submitted in partial fulfillment of the requirements for the degree of DEPARTMENTAL HONORS in English ■ Approved: Thesis/Project Advisor Departmental Honors Advisor (Dr. Michael Sowder) (Dr. John McLaughlin) Director of Ho non Program (Dr. Christie Fox) UTAH STATE UNIVERSITY Logan, UT Spring 2007 This paper attempts to outline the various influences and similarities of my poetry to other poets and poetry of the twentieth -century . The critical introduction will cover those influences and the research I have done on the poets. It also contains individual poems that I feel have a connection with my own poetry and poetic translation. After the critical introduction, I include my poetry in stylistic order followed by Russian translations in chronological order. I will first describe how I came to write and read poetry and its value for me. -
Slavic Mitra. Benevolent and Legal Pole of the Function of Religious Sovereignty in the Slavic Mythology and Epic
Slavic Mitra. Benevolent and Legal Pole of the Function of Religious Sovereignty in the Slavic Mythology and Epic* Martin Golema Dumézil’s discovery of two opposing and complementary faces of the highest power – on the one side legal and priestly, kind, benevolent, shining, near to world and people (“as Mitra”), and on the other side magic, violent, threatening, dark, invisible and dis- tant (“as Varuna”) – gave rise to a lot of research in various Indo-European traditions. Despite the impressive results of such research, the functional place of “Slavic Mitra” is still open. On the following pages we would like to try to indicate whom, where and how to look for this place. Introduced will be several hypotheses with the aim to show that just this functional place probably created an important and irreplaceable part, maybe one of the key pillars of the ancient Slavic model of the world. Keywords: Slavs, religious sovereignty, legal pole, “Slavic Mitra” As a basic source of substantial analogies we use the Vedic god Mitra. In the Rig-Veda there is only one hymn dedicated to him as to an independent divine being, far more often he creates an almost inseparable couple with Varuna that was often perceived as something integrated. He is worshipped at sunrise, his connection with the Sun and heaven explains the motives of the heaven ride. Horses, carriage, golden throne, metheglin, soma and cows are amongst his attributes. The name Mitra derives from the Indo-European root *mi-, *mei-, related to the idea of mediation, mutuality, legality, consent, and also to creating peace, friendship and affection (Топоров, 1988, 157–158). -
Byliuni 2016
Introduction to Byliny, Russian Heroic Poems By Luceta di Cosimo, BMDL, Aethelmearc. ©2005-2016 [email protected] The byliny (pleural of bylina) are Russian epic songs that are loosely tied to historical events of 11-16th centuries. Byliny were first collected in the mid to late 18th century. The first serious collection was collected in mid 1700s, by Kirsha Danilov, probably a krepostnoy (a serf) folk singer from Ural mountains for his master, a land and factory owner, P.A. Demidov. This collection was first published in 1804. Many other collections folowed. The bylina tradition seems to have died out in 1960’s; however, now seems to be on the rise again. The scholar who rediscoverd byliny was P.N. Rybnikov, who accidentally overheard a singer entertaining a group of travellers in 1860 in the Kizhi district. By the nineteenth century, the byliny survived only in the north of Russia, were performed for entertainment, and were sung by a single singer without music. Rubnikov later collected several hundred byliny in many variants, and published them between 1861-1867. A.F. Gilferding collected about 300 hundred tales from the same region in 1871-1872, which were published posthumously in 1873 as another collection.1 The term bylina (something that has happened), as applied to this sung folk epic was first used by Sakharov in 1830, the performers themselves used the term starina (something that is old).2 Performers and Performance: By the time byliny were collected, peasants in the Northern Russia were the only ones still performing byliny; however, there is some evidence that earlier, skomorokhi (travelling minstrels) and kaliki perekhozhiye (religious pilgrims) were also performers of byliny. -
A HISTORY of RUSSIA All Risplits Resejt'ed
HANDBOUND AT THE UNlVtRSITY OF Digitized by the Internet Archive in 2010 with funding from University of Toronto http://www.archive.org/details/historyofrussia01kliu :iS^7 1 A HISTORY OF RUSSIA All risplits reseJT'ed. 1 ^ :^ A // HISTORY ^/RUSSIA BY V. O. KLUCHEVSKY LATE PROFESSOR OF RUSSIAN HISTORY IN THE UNIVERSITY OF MOSCOW TRANSLATED BY C. J. HOGARTH ^^^'^' X K\/pc, pycCKOM iicrQ^i^m(j:u>aKuiii<^oi VOLUME ONE LONDON: J. M. DENT ^ SONS, LTD. NEW YORK: E. P. BUTTON ^ CO. 191 DK Ho Printed by Ballantyne, Hanson &• Co. At the Ballantyne Press, Edinburgh — -V CONTENTS CHAPTER I PAGE The two points of view in the study of history— The principal factor in the development of Russian social life —The iour principal periods of Russian history —The Ancient Chronicle ; its genesis, authorship, and contents . I CHAPTER n Historical value of the Ancient Chronicle— Its importance for later Russian historians—A chronological error—The origin of that error—The work of compiling the Chronicle—Defects in the older versions—The theory of Slavonic unity—Manuscripts of the twelfth century—The divergent points of view of their authors 19 CHAPTER III Principal factors of the first period of Russian history —The two theories as toils starling-point—The races who inhabited Southern Russia before the coming of the Eastern Slavs—The Ancient Chronicle's tradition concerning the dispersal of the Slavs from the Danube—Jornandes on their distribution during the sixth century—The military union of the Eastern Slavs in the Carpathians—The period and peculiar features of their settlement of the Russian plain— Results of that settlement ...... -
RUSS 0090: Fall 2012: 1 University of Pittsburgh Department of Slavic
RUSS 0090: Fall 2012: 1 University of Pittsburgh Department of Slavic Languages and Literatures RUSS 0090: Russian Fairy Tales (Online Hybrid) Fall 2012 Instructor: Erin Alpert Day and Time: Online, with 3 Saturday sessions Email: [email protected] Room: CL 218 Office: CL 1417 CRN: 12112 Office hours: By appointment Objectives The primary goal of the course is to teach students about Russian Fairy Tales, and the Russian Fairy Tale tradition. Along the way, students will also learn about Russian culture and Russian literature. Students will also learn critical frameworks, such as Freudian, Structuralist, Marxist, and Feminist theories of criticism, as well as how to apply these frameworks to texts. A secondary goal of the course is to have students practice collaborative learning skills. Most meaningful ideas and achievements are the result of people working together to formulate, analyze, and perfect ideas. This course is designed so that the primary learning spaces are the discussion forums, where each module’s readings will be dissected and built upon through the participation of students and their interaction with each other and the instructor. Therefore, another goal of the course is to help students develop experience in this kind of collaborative space. Consequently, other goals of the course include developing and improving critical thinking, writing, textual analysis, and research skills. Form of the Course This is an online hybrid course. This means that the bulk of the course will be conducted online. Here you will find course materials, communicate with your instructor and your classmates, and find information on and submit all tasks and assignments. -
Archaeology, Ethnology & Anthropology of Eurasia
SIBERIAN BRANCH OF THE RUSSIAN ACADEMY OF SCIENCES INSTITUTE OF ARCHAEOLOGY AND ETHNOGRAPHY ARCHAEOLOGY, ETHNOLOGY & ANTHROPOLOGY OF EURASIA Number 2 (26) 2006 Published in Russian and English CONTENTS PALEOENVIRONMENT. THE STONE AGE 2 S.K. Vasiliev, A.P. Derevianko and S.V. Markin. Large Mammal Fauna of the Sartan Period from the Northwestern Altai (Based on Materials from Kaminnaya Cave) 23 N.I. Drozdov and V.P. Chekha. The Mammoth Fauna and Environmental Changes on the Taimyr Peninsula from the Middle Pleistocene through the Holocene 35 A.I. Saksa. The Karelian Isthmus: Origins of the Natural and Human Environment THE METAL AGES AND MEDIEVAL PERIOD 45 A.N. Alekseyev, E.K. Zhirkov, A.D. Stepanov, A.K. Sharaborin, and L.L. Alekseyeva. Burial of an Ymyiakhtakh Warrior in Kyordyughen, Yakutia 53 I.V. Aseyev. Ritual Objects from a Neolithic Site at the Elgen River Mouth and their Relevance in Prehistoric, Eastern Siberian Shamanism 61 S.P. Grushin. Origins of Various Design Elements in Seima-Turbino Bronze Artifacts 68 M.G. Ivanova and I.V. Zhurbin. Evaluating Science-Based Approaches in the Study of the Medieval Udmurt Settlement Idnakar 80 A.M. Novichikhin and V.A. Trifonov. Zoomorphic Scepter Head from Anapa Museum 87 V.D. Kubarev and V.I. Zabelin. Avian Fauna in Central Asian Rock Art: Archaeological and Ethnological Evidence DISCUSSION ISSUES IN THE STUDY OF PREHISTORIC ART 104 E.P. Matochkin. Petroglyphs at Green Lake: Altai Bronze Age Monument ETHNOLOGY 116 O.N. Shelegina. Results and Perspectives for Studying Adaptation Processes in the Sustenance Culture of the Russian Population of Siberia (18th – Early 20th Centuries) 126 E.F. -
Introduction to Russian Folklore (3 Credits) Winter 2021 MW: 2:35-3:55 EDUC 627
4 Department of Ƒ Languages, Literatures, and Cultures Russian Studies RUSS 229: Introduction to Russian Folklore (3 credits) Winter 2021 MW: 2:35-3:55 EDUC 627 Instructor: Daniel W. Pratt Office: 688 Sherbrooke West, Room 375 Email: [email protected] Office Hours in Person: Tuesday, 1-2 PM Office Hours on Zoom: Wednesday, 1-2 PM https://mcgill.zoom.us/j/85464442420 Course Description: Folklore remains an integral part of Russian culture. It figures into the literary works of Pushkin, Dostoevsky, Tolstaya, Pelevin, in the music of Mussorgsky, Rachmaninoff, Prokofiev, and in various filmic adaptations. Introduction to Russian Folklore will provide students with a background not only in Russian folk beliefs and the major tales, but also in the history of folklore analysis. Students will be introduced to various folktales collected in the 19th century, as well as the literary, musical, and filmic versions of folktales of the 19th, 20th, and 21st centuries. The course introduces different theoretical approaches to folklore, providing the students with an arsenal of interpretive methodologies. Key questions that will be asked will include: What is folklore? How have folktales changed? Why do folktales and folkloric figures remain so popular today (see American TV shows like Grimm, Once Upon a Time, and Game of Thrones, or the recent Beauty and the Beast or even The Shape of Water)? No Russian is required as all texts and films will be in English (or with English subtitles), however the originals will be provided upon request. Required Materials: All texts will be available at The Word Bookstore (469 Milton St, Montreal, QC, H2X 1W3). -
Gorbachev and Yeltsin's Masculinities by Lindsay
! “He Carried Himself Like a Man”: Gorbachev and Yeltsin’s Masculinities By Lindsay Sovern Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts In the Department of History at Brown University Thesis Advisor: Patricia Herlihy, Professor Emerita April 4, 2014 Introduction There is little doubt that the two men who most influenced the collapse of the Soviet Union were Soviet President Mikhail Gorbachev and Russian President Boris Yeltsin. Historians have considered their individual personalities and relationship with each other as instrumental in dismantling one of the greatest superpowers of modernity. Historian George W. Breslauer calls both Gorbachev and Yeltsin “Event-Making Men,” meaning that they were both responsible for events that brought about the disintegration of the Soviet Union.1 However, Breslauer does not interrogate the gendered implications of that term, or even acknowledge that the term defines agency in masculine terms. In fact, no historians have explicitly considered the gendered aspects of Gorbachev and Yeltsin’s public images. This thesis explores the transfer of political power from Gorbachev to Yeltsin in 1991, as one that transpired between two men with at times similar, but distinct masculine images. Why consider the gendered aspects of Gorbachev and Yeltsin’s public images at all? In her explanation of gender history and why it matters, historian Naoko Shibusawa argues that gender is worth studying because of its role in shaping hierarchy—that is to say, “Presumptions about male superiority, however, have been so ingrained that it has appeared ‘natural’ that men should rule, while women should be ruled.”2 Gender histories challenge the naturalness of male domination, and this project is no different.