DOCSLIB.ORG

December 31, 2005 N

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
December 31, 2005 N Hawaii Newspaper Obituaries January 1 - December 31, 2005 N Lucille "Lucy" Stephanie Souza Nacionales, 56, of Keaau died March 16 at Hilo Medical Center. Born in Hakalau, she was a waitress at The Fairmont Orchid Hawaii at the Mauna Lani Resort and member of the Trinity Church. Friends may call 6-9 p.m. Wednesday at Borthwick Hawaii Funeral Home Chapel; funeral service at 7 p.m. Friends may also call noon to 9 p.m. Thursday at her home for a celebration of life (Hawaiian Paradise Park, turn right off Kaloli Drive onto 22nd Avenue, sixth house on the left). Survived by husband, Alfred Nacionales Sr. of Keaau; sons, Anthony Pruett of Keaau, George (Traci) Gutierrez Jr. of Honolulu, Nelson Gutierrez of Florida; daughters, Tania Adams of Denver, Tara Pruett of Kailua, Oahu; sister, Loretta Pigeon-Souza of Keaau; brother, John (Laura) Souza Jr. of Kohala; nine stepchildren, five grandchildren, numerous nieces and nephews. Arrangements by Borthwick Hawaii Funeral Home. [HTH Mar. 22, 2005] Ernestwyne Loke Nacua, 68, of Wailuku, died Feb. 11, 2005, at Hale Makua Kahului. Visitation will begin at 9 a.m. Friday at St. Ann’s Church, with a service at 11 a.m. Burial will be at 12:30 p.m. at Maui Memorial Park. The family requests aloha attire. Ballard Family Mortuary is assisting with the arrangements. Mrs. Nacua was born June 13, 1936, in Lahaina. She was a cook with the Maui Country Club. She is survived by four sons, Jamie (Brenda) Nacua, Keone (Julie) Nacua, Adrian (Heidi) Minobe-Nacua and Moses (Tina) Nacua; three daughters, Ellen (Tony) Reyes, Amandarose Borrero and Charlene (Ben) Hokoana; a sister, Hannah Richardson; two brothers, Joseph Padua and Andrew Padua; and 2 grandchildren and one great-grandchild. [MN Feb. 13, 2005] MATSUKO NADAMOTO, 87, of Kapahulu, died May 12, 2005. Born in Honolulu. Survived by brother, Iwao "Dugan"; nieces and nephews. Private service held. Arrangements by Moanalua Mortuary. [Adv June 19, 2005] SHIZUYO NAGAMI, 97, of Kailua, died July 17, 2005. Born in Honohina, Hawai'i. Retired Japanese language teacher and seamstress. Survived by son, Carl; daughters, Sue Watanabe and Ruby Hiraishi; brother, Tadashi Tsugawa; sisters, Kinuko Tsuda and Wakako Tsugawa; eight grandchildren; 13 great-grandchildren. Service held. Arrangements by Nuuanu Memorial Park & Mortuary. [Adv July 26, 2005] KAME NAGAMINE, 75, of 'Ele'ele, Kaua'i, died March 10, 2005. Born in Port Allen, Kaua'i. Survived by sister, Haruko Asato; brother, Soyei; Private service held.Arrangements by Borthwick Kauai Mortuary. [Adv Mar. 15, 2005] Leslie Sadami Nagamine,55, of Hilo died June 11 at Hilo Medical Center. Born in Hilo, he was an auto mechanic for the Fairway Service Station in Hilo. Private services held. No koden. Survived by companion, Priscilla Taniguchi of Hilo; brother, Ernest (Marian) Nagamine of Hilo; sisters, Blanche (Dwight) Urasaki, Beverly Watanabe and Geraldine Sleightholm of Hilo; sister-in-law, Joanne Nagamine of Hilo; numerous uncles, aunts, nephews, nieces and cousins. Arrangements by Dodo Mortuary. [HTH June 19, 2005] THELMA TAMAYO NAGAMINE, 89, of Honolulu, died March 8, 2005. Born in Waiakea, Hawai'i. Retired co-owner of Flamingo Enterprises Inc. Survived by sons, Roy and Daniel; daughters, Winifred Kataoka, May Tamashiro, Jean Shimabukuro and Sandra Chong; 13 grandchildren; nine great-grandchildren; brother, Larry Akamine; sister, Ruth Uyehara. Service 10 a.m. Sunday at Hosoi Garden Mortuary. No flowers. Casual attire. [KGIN Mar. 16, 2005] GEORGE TAMOTSU NAGANO, 75, of Honolulu, died July 16, 2005. Born in Honolulu. Retired city and county surveyor. Survived by son, Thomas; brother, Michael; sister, Florence Miyashiro; a grandchild. Visitation 5:30 p.m. Friday at Diamond Head Mortuary; service 6 p.m. Casual attire. [Adv July 30, 2005] JANICE AKEMI NAGANO, 48, of Honolulu, died July 20, 2005. Born in Honolulu. A state social worker. Survived by brother, Thomas; niece, Amy. Visitation 5 p.m. Friday at Diamond Head Mortuary; service over the ashes 6 p.m. Arrangements by Hawaiian Memorial Park Mortuary. [Adv August 2, 2005] NATSUYO NAGANO, 74, of Honolulu, died Jan. 20, 2005. Born in Ka'u, Hawai'i. Retired baker at Ali'iolani Elementary School. Survived by husband, George; son, Thomas; daughter, Janice; brother, Earl Nakamoto; grandchild. Service 9:15 a.m. Wednesday at Diamond Head Mortuary; inurnment to follow at Diamond Head Memorial Park. Casual attire. [Adv Jan. 27, 2005] HENRY HIROSHI NAGANUMA, 64, of Honolulu, died Feb. 6, 2005. Born in Honolulu. Self-employed contractor doing business as Kikuta Painting Corp. Survived by wife, June; sons, Ryan and Rayson; daughter, Kim Sasaki; two granddaughters; mother, Yayoi; sisters, Ethelwyn Miyoshi and Clara Fujii. Visitation 5 p.m. Friday at First Presbyterian Church of Honolulu; service 6 p.m No flowers. Casual attire. Arrangements by Hosoi Garden Mortuary. [Adv. Feb. 14, 2005 MITSUO (MITS; RONALD) NAGAOKA Age 72, of Honolulu, passed away April 8, 2005 at Kuakini Medical Center. He was born May 3, 1932 in Lahaina, Maui. He retired as an Electronic Techinician at Pearl Harbor Naval Shipyard. He is survived by wife, Jean; daughters, Rona (Calvin) Kasashima, Jodie (Edwin) Masuda of Lihue; daughter-in-law, Loriann Nagaoka; 6 grandchildren, Kristal, Kellie, & Kori Masuda; Shannon & Sean Nagaoka; Rachel Kasashima; brother, Kazumi (Eliza) Nagaoka of Lahaina; sister, Lily (Myles) Takenaga of California. He was preceded in death by son, Ronald Nagaoka, Jr.; parents, Shuichi & Shigeko Nagaoka; brothers, Charlie (Lillian) Yanagawa, Takumi (Lillian) Nagaoka, Shigeto (Doris) Nagaoka; and sister, Sumiko (Charlie) Okimoto. INURNMENT AT HAWAII STATEVETERANS CEMETERY, KANEOHE. [Adv Apr. 17, 2005] GLORIA L. NAGATA, 57, of Honolulu, died June 6, 2005. Born in Hilo. A seamstress. Survived by sisters, Geraldine Nishimura, Amy Tom, Martha Oyama and Ann Nagata. Private services. Arrangements by Ultimate Cremation Services of Hawai'i. [Adv June 10, 2005] JEAN REIKO NAGATA, 75, of Honolulu, died Feb. 16, 2005. Born in Tokyo. A homemaker. Survived by sons, Ben, Andrew and David; daughter, Lei; two grandchildren; brother, Kenichi Yoshida; sisters, Mitsuko Kogure and Toshiko Yoshida. Private service held. Arrangements by Hosoi Garden Mortuary. [Adv Feb. 28, 2005] Kay Hirano Nagata, 80, of San Mateo, Calif., and formerly of Maui, died May 29, 2005, in San Mateo. Funeral services will be held at 2 p.m. Sunday at the San Mateo Buddhist Temple. O’Connell Chapel in San Mateo is assisting with the arrangements. Mrs. Nagata was born Nov. 15, 1924, in Paia. She is survived by three daughters, Susan (Tod) Bottari, Lori (Harvey) Wong and Joni (Mark) Toyooka; and eight grandchildren. [MN June 3, 2005] MATSUE NAGATA, 86, of Kapa'a, Kaua'i, died Feb. 9, 2005. Born on Kaua'i. Cook for Kaua'i Kitchen in Koloa. Survived by daughter, Carol Peters; sons, Wayne and Kurt; sisters, Yoshie Yamamoto and Mariko Hataishi; six grandchildren; three great-grandchildren. Service 10:30 a.m. Monday at Koloa Jodo Mission. Casual attire. Arrangements by Borthwick Kauai Mortuary. [Adv Feb. 11, 2005] HATSUE NAGATOSHI, 87, of Honolulu, died Feb. 6, 2005. Born in Kealia, Kaua'i. Survived by husband, Tokumi; daughters, Sandra, Beverly Nishimoto and Susan Yamaguchi; brothers, Masahiro and Masaaki Morimoto; sisters, Beatrice Barnal and Yoshie Isokane; three grandchildren. Private service held. Arrangements byDiamond Head Mortuary. [Adv Feb. 21, 2005] ROY YEICHI NAGO, 79, of Hono-lulu, died Feb. 9, 2005. Born in Pepe'ekeo, Hawai'i. Retired press supervisor for Service Printers. Survived by wife, Sally; son, Randall; daughter, Shereen Wachi; three grandchildren; brothers, Jerry, Brad, Tadao and Yoshio; sister, Mildred Tamaye. Service 4 p.m. Sunday at Hosoi Garden Mortuary. No flowers. Casual attire. [Adv Feb. 16, 2005] JOHN HOPENI NAHINU SR., 62, of Waialua, died July 18, 2005. Born in Honolulu. Employed by Waialua Sugar Co. and retired City and County of Honoluluemployee. Survived by wife, Gloria; sons, John Jr., David, Milton and Kaniala; daughters, Nadine Pactol and Jolynn Davis; 11 grandchildren; brothers, Eugene Nahinu and Ruben Baggayan; sisters, Moana Nahinu, Elizabeth Long, Floretta Volkening and Cecilia Nunies. Visitation 6 to 9 p.m. Saturday at Mililani Mortuary Mauka Chapel; service 7 p.m. Casual attire. [Adv August 3, 2005] SHERRY MAY "AUNTY TIGER" MAHEALANI NAHINU, 55, of Honolulu, died March 1, 2005. Born in Honolulu. Survived by companion, Nelson Seda; sons, Emijoe and Kamuela; daughters, Anela Nahinu, Eliza Nahinu, Leinaala Nahinu, Noelani Puerto and Aloha Seda; brothers, Charles, Samuel, Randall "Randy" and Sherwood "Biggie" Nahinu; sisters, Noreen Kapahua, Winifred DeSoto and Jackie Nahinu; eight grandchildren; Visitation 6 to 9 p.m. Friday at The Church of Jesus Christ of Latter-day Saints, Kalihi Ward; service 8 p.m Graveside service 10 a.m. Saturday at Hawaiian Memorial Park. Casual attire. Arrangements by Borthwick Mortuary. [Adv Mar. 8, 2005] Jo Ann Kaleipuanani Nahoopii, 41, of Kapaakea, Molokai, died May 31, 2005, at Molokai General Hospital. Visitation will begin at 3:30 p.m. Thursday at Ka Hale Laa O Iruselema Hou church in Kalamaula, Molokai, with a service at 7:30 p.m. Molokai Mortuary is assisting with the arrangements. Ms. Nahoopii was born July 9, 1963, in Hoolehua, Molokai. She is survived by her companion, Chris Kaauwai; a son, Enoka Nahoopii; five daughters, Ipo Nohea Nahoopii-Kaauwai, Jonelle Nahoopii-Kaauwai, Christyne Nahoopii-Kaauwai, Kawailehua Nahoopii- Kaauwai and Audrey Elizabeth Nahoopii-Kaauwai; two brothers, Joseph Nahoopii Jr. and John Nahoopii; and two sisters, Joni Kadowaki and Joelle Kaai. [MN June 7, 2005] HARUMI "JAMES" NAITO, 82, of Honolulu, died May 9, 2005. Born in Honolulu. A retired dairy maintenance man. Survived by brothers, Paul and Harold; sisters, Toshiko Yagi, Carol Hirazumi, Bessie Genishi, Jean Hirazumi, Harriet Brown, May Maruyama and Alice Naito. Visitation 3 to 4 p.m. Friday at Hawaiian Memorial Park Mortuary; Buddhist service over the ashes 4 p.m.
Load more

Recommended publications
  • Film from Both Sides of the Pacific Arw
    Portland State University PDXScholar Young Historians Conference Young Historians Conference 2012 Apr 26th, 1:00 PM - 2:15 PM Painting the Enemy in Motion: Film from both sides of the Pacific arW Avery Fischer Lakeridge High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Film and Media Studies Commons, and the History Commons Let us know how access to this document benefits ou.y Fischer, Avery, "Painting the Enemy in Motion: Film from both sides of the Pacific arW " (2012). Young Historians Conference. 9. https://pdxscholar.library.pdx.edu/younghistorians/2012/oralpres/9 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Painting the Enemy in Motion: Film from both sides of the Pacific War Avery Fischer Dr. Karen Hoppes HST 202: History of the United States Portland State University March 21, 2012 Painting the Enemy in Motion: Film from both sides of the Pacific War On December 7, 1941, American eyes were focused on a new enemy. With the Japanese attack on Pearl Harbor, no longer were Americans concerned only with the European front, but suddenly an attack on American soil lead to a quick chain reaction. By the next day, a declaration of war was requested by President Roosevelt for "a date that will live on in infamy- the United States of America was suddenly and deliberately attacked by naval and air forces of the Empire of Japan ..
    [Show full text]
  • John Ford Film Series at Museum of Modern Art
    I THE MUSEUM OF MODERN ART No. 50 n WEST 53 STREET. NEW YORK 19. N. Y. For Immediate Release ffUFHONl: CIRCLI B-8900 JOHN FORD FILM SERIES AT MUSEUM OF MODERN ART JOHN FORD: NINE FILMS, a new auditorium series at the Museum of Modern Art, 11 West 53 Street, will begin with THE IRON HCRSE, June 7-13, daily showings at 3 pm. The 1921* silent film, an epic of the first American trans-continental railroad, features George O'Brien and Madge Bellamy, With the program changing each Sunday, the review of films by Mr, Ford, the eminent American director, will continue daily at 3 and 5:30: June lk-20, FOUR SONS (19ft), with Margaret Mann, Francis X. Bushman, Jr; June 21-27, THE INFORMER (1935), with Victor McLaglen; June 28-July h, STAGECOACH (1929), with John Wayne, Claire Trevor, John Carradine; July 5-11, YOUNG MR. LINCOLN (1939), with Henry Fonda, Alice Brady; July 12-18, LONG VOYAGE HOME (19^0), with John Wayne, Thomas Mitchell, Barry Fitzgerald; July 19-25, T"E GRAPES OF WRATH (19lO), with Henry Fonda, Jane Darwell, John Carradine; July 26-Aufust 1, MY DARLING CLEMINTINE (19^6), with Henry Fonda, Linda Darnell, Victor Mature; August 2-8, THE QUIET MAN (1952), with John Wayne, Maureen OfHara, Barry Fitzgerald. THE QUIET MAN will be shown at 3 pm only, Richard Griffith, Curator of the Film Library, says of the new Museum series: "To choose nine films by John Ford for this exhibition will seem to the great director's admirers an act of impertinence.
    [Show full text]
  • Mutual Aesthetics Joseph D
    Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2016 Mutual Aesthetics Joseph D. Sherry Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Other Film and Media Studies Commons, and the Visual Studies Commons Recommended Citation Sherry, Joseph D., "Mutual Aesthetics" (2016). Honors Projects Overview. 117. https://digitalcommons.ric.edu/honors_projects/117 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. MUTUAL AESTHETICS VISUAL STYLE IN THE FILMS OF F.W. MURNAU AND JOHN FORD, 1928-1941 By Joseph D. Sherry An Honors Project Submitted in Partial Fulfillment Of the Requirements for Honors In The Film Studies Program The School of Arts and Sciences Rhode Island College 2016 Sherry 1 Introduction F.W. Murnau wrote, “All great arts have had great artists born to understand them as no other men can, and the motion picture is the single art expression of our age.”1 Murnau made this remark shortly after his masterpiece, Sunrise: A Song of Two Humans (1927), was released by Fox Film Corporation. Sunrise’s production riveted the entire studio lot due to its scope and Murnau’s international reputation; its subsequent critical success solidified Murnau’s place in Fox’s top-tier of directors. But John Ford, also one of Fox’s top-tier directors, once brusquely remarked, “It’s no use talking to me about art .
    [Show full text]
  • Songliste Koreanisch (Juli 2018) Sortiert Nach Interpreten
    Songliste Koreanisch (Juli 2018) Sortiert nach Interpreten SONGCODETITEL Interpret 534916 그저 널 바라본것 뿐 1730 534541 널 바라본것 뿐 1730 533552 MY WAY - 533564 기도 - 534823 사과배 따는 처녀 - 533613 사랑 - 533630 안녕 - 533554 애모 - 533928 그의 비밀 015B 534619 수필과 자동차 015B 534622 신인류의 사랑 015B 533643 연인 015B 975331 나 같은 놈 100% 533674 착각 11월 975481 LOVE IS OVER 1AGAIN 980998 WHAT TO DO 1N1 974208 LOVE IS OVER 1SAGAIN 970863기억을 지워주는 병원2 1SAGAIN/FATDOO 979496 HEY YOU 24K 972702 I WONDER IF YOU HURT LIKE ME 2AM 975815 ONE SPRING DAY 2AM 575030 죽어도 못 보내 2AM 974209 24 HOUR 2BIC 97530224소시간 2BIC 970865 2LOVE 2BORAM 980594 COME BACK HOME 2NE1 980780 DO YOU LOVE ME 2NE1 975116 DON'T STOP THE MUSIC 2NE1 575031 FIRE 2NE1 980915 HAPPY 2NE1 980593 HELLO BITCHES 2NE1 575032 I DON'T CARE 2NE1 973123 I LOVE YOU 2NE1 975236 I LOVE YOU 2NE1 980779 MISSING YOU 2NE1 976267 UGLY 2NE1 575632 날 따라 해봐요 2NE1 972369 AGAIN & AGAIN 2PM Seite 1 von 58 SONGCODETITEL Interpret 972191 GIVE IT TO ME 2PM 970151 HANDS UP 2PM 575395 HEARTBEAT 2PM 972192 HOT 2PM 972193 I'LL BE BACK 2PM 972194 MY COLOR 2PM 972368 NORI FOR U 2PM 972364 TAKE OFF 2PM 972366 THANK YOU 2PM 980781 WINTER GAMES 2PM 972365 CABI SONG 2PM/GIRLS GENERATION 972367 CANDIES NEAR MY EAR 2PM/백지영 980782 24 7 2YOON 970868 LOVE TONIGHT 4MEN 980913 YOU'R MY HOME 4MEN 975105 너의 웃음 고마워 4MEN 974215 안녕 나야 4MEN 970867 그 남자 그 여자 4MEN/MI 980342 COLD RAIN 4MINUTE 980341 CRAZY 4MINUTE 981005 HATE 4MINUTE 970870 HEART TO HEART 4MINUTE 977178 IS IT POPPIN 4MINUTE 975346 LOVE TENSION 4MINUTE 575399 MUZIK 4MINUTE 972705 VOLUME UP 4MINUTE 975332 WELCOME
    [Show full text]
  • Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
    DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language.
    [Show full text]
  • Films Saved from Twentieth Century
    Hf NO. 41 The Museum of Modern Art FOR IMMEDIATE RELEASE 11 West 53 Street, New York, N.Y. 10019 Tel. 955-6100 Cable: Modemart TOM MIX, CLARA BOW, AND OTHER EARLY STARS ON MUSEUM SCREEN "Riders of the Purple Sage" and "Just Tony," two early silent films of Tom Mix, and "Call Her Savage," starring Clara Bow, the early sex siren, will be part of a special series of "rescued" films to be shown at The Museum of Modern Art. The program, starting April 10, 1971, consists of Twentieth Century-Fox films preserved by the Museum, which have not been seen here since their original release. "Riders of the Purple Sage," a 1925 Zane Grey romance, was made by Fox four times between 1914 and 1941. Of the Tom Mix version Eileen Bowser, Associate Curator in charge of the Museum's Film Archive, points out "the camera is permitted to get closer than usual to the actor: he avoided close-ups as a rule, not only to show off to the full his splendid riding and roping skills, but also because he made little pretense of being a dramatic actor." Mix, according to Mrs. Bowser, outranked all other cowboy stars in popularity. He made his debut on film in 1919, but prior to that time he had been a star of touring Wild West shows, and he was billed as "Tom Mix Ex-U. S. Marshall, Expert Roper and Bronco Buster." The second picture starring Mix, "Just Tony," is of 1922 vintage. Named after the celebrated horse Mix rode,which plays an important role in the story, it was made on location in Nevada in the Valley of the Eagles.
    [Show full text]
  • Parents Say Dallas Suspect Changed After His Service
    Parents say Dallas suspect changed after his service Family says military life MORE ON RECENT caused man to be a hermit VIOLENCE BY NOMAAN MERCHANT Texas mom who was shot protecting The Associated Press her son says she would march again TUESDAY, JULY 12, 2016 75 CENTS A5 SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894 DALLAS — Military service Open-carry law poses challenge to law A5 changed the Dallas gunman from enforcement 2 SECTIONS, 18 PAGES | VOL. 121, NO. 225 an extrovert into a hermit, his par- ents said in an interview excerpt published Monday. THE ASSOCIATED PRESS lawyer who represented him, John- Micah Johnson’s mother, Del- Dallas Police Officer Rebecca Tristan, son was accused of sexually ha- OPINION phine Johnson, told TheBlaze web- left, is comforted by a supporter on rassing a female soldier while de- site in an interview that her son Sunday outside Dallas Police head- ployed. wanted to be a police officer as a quarters. His father, James Johnson, said child. His six years in the Army haltingly and through tears, “I Don’t forget that Reserve, including a tour in Af- thought the military represented, don’t know what to say to anybody ghanistan, were “not what Micah it just didn’t live up to his expecta- police officers’ thought it would be ... what he tions.” According to the military SEE SUSPECT, PAGE A7 lives matter, too A8 A morning in art camp TELEVISION State’s drought status worsens Corn harvest coming; Sumter now ‘incipient’ BY JIM HILLEY [email protected] 200 years Areas in the Upstate are suffering from dry condi- tions and hot weather, lead- of history ing the South Carolina Drought Committee to up- From renovations to logistics grade four northwestern counties to “moderate and more, learn about the drought.” The committee A9 also upgraded much of the executive mansion state, including Clarendon and Sumter counties, to “in- cipient drought.” Counties in the northeast- ern part of the state includ- ing the Pee Dee and Ker- shaw and Lee counties re- Fingerprinting main listed as “normal” by the commission.
    [Show full text]
  • A Feminist Political Economy of the Korean Popular Music Industry
    A Feminist Political Economy of the Korean Popular Music Industry by Hyejin Jo M.A., Hankuk University of Foreign Studies, 2016 B.A., Hankuk University of Foreign Studies, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art and Technology © Hyejin Jo 2019 SIMON FRASER UNIVERSITY Summer 2019 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Hyejin Jo Degree: Master of Arts Title: A Feminist Political Economy of the Korean Popular Music Industry Examining Committee: Chair: Daniel Ahadi Lecturer Dal Yong Jin Senior Supervisor Professor Martin Laba Supervisor Associate Professor Ju Oak Kim External Examiner Assistant Professor Department of Psychology and Communication College of Arts and Sciences at Texas A&M International University Date Defended/Approved: July 12, 2019 ii Abstract Gender disparity is an emerging issue in contemporary South Korea. Despite the significant increase in gendered concerns, there has been a lack of discussion on gender inequality problems in the Korean popular music industry. For this reason, this thesis aims to investigate gender inequalities and power relations embedded in the male-dominated Korean popular music industry by analyzing the texts, images and music of Korean girl groups through the lens of a feminist political economy. In doing so, this study utilizes textual analysis in order to examine how gendered hierarchy and patriarchal power, acting as industrial practices, exploit Korean girl groups in the Korean popular music industry.
    [Show full text]
  • John Ford Birth Name: John Martin Feeney (Sean Aloysius O'fearna)
    John Ford Birth Name: John Martin Feeney (Sean Aloysius O'Fearna) Director, Producer Birth Feb 1, 1895 (Cape Elizabeth, ME) Death Aug 31, 1973 (Palm Desert, CA) Genres Drama, Western, Romance, Comedy Maine-born John Ford originally went to Hollywood in the shadow of his older brother, Francis, an actor/writer/director who had worked on Broadway. Originally a laborer, propman's assistant, and occasional stuntman for his brother, he rose to became an assistant director and supporting actor before turning to directing in 1917. Ford became best known for his Westerns, of which he made dozens through the 1920s, but he didn't achieve status as a major director until the mid-'30s, when his films for RKO (The Lost Patrol [1934], The Informer [1935]), 20th Century Fox (Young Mr. Lincoln [1939], The Grapes of Wrath [1940]), and Walter Wanger (Stagecoach [1939]), won over the public, the critics, and earned various Oscars and Academy nominations. His 1940s films included one military-produced documentary co-directed by Ford and cinematographer Gregg Toland, December 7th (1943), which creaks badly today (especially compared with Frank Capra's Why We Fight series); a major war film (They Were Expendable [1945]); the historically-based drama My Darling Clementine (1946); and the "cavalry trilogy" of Fort Apache (1948), She Wore a Yellow Ribbon (1949), and Rio Grande (1950), each of which starred John Wayne. My Darling Clementine and the cavalry trilogy contain some of the most powerful images of the American West ever shot, and are considered definitive examples of the Western. Ford also had a weakness for Irish and Gaelic subject matter, in which a great degree of sentimentality was evident, most notably How Green Was My Valley (1941) and The Quiet Man (1952), which was his most personal film, and one of his most popular.
    [Show full text]
  • Pasco County's Leading Newspaper Dade City
    Published Weekly Tw elve Page* Read Dally Th e Da d e Cit y Ba n n e r This I . sue -•fcln'’ ■ PASCO COUNTY’S LEADING NEWSPAPER B ox til ■ ^ th r . I o3 iH i: DADE CITY BANNER. Est. 1913 Consolidated TH’: DADK CITY STAR, EsL 1904 October 9, 1915 DADE CITY, FLORIDA, THURSDAY, JANUARY 7,1954 Volume 50, Xo. 21 (bounty Fair Program, N eeds Dade City Attorney 3 Weather Records Still Seized Recalled To Service Were Established In Outlined To Kiwanis Members With Marine Corps County During 1953 The St. Leo College weather James F. Higgins, county agent cattle, citrus, poultry, seed. hay. j observer this week presented a an<l manager of tlie Pasco Coun­ anti oilier industries. He referred j Near Ehren ! brief summary of weather condi­ ty Fair, gave fellow Kiwanians to the theme of the Gr.sparilla in- j tions for this area during the an outline of Fair events in a vasion for the .State Fair and the year 1953. talk Tuesday at the club’s first Orange Festival which Winter j The report shows that three luncheon meeting of the new Haven features and requested Ki- This Week j records were established in 19 ."t3. e s s a y year. wanians to submit their ideas for j First, the total rainfall for the Lh. H. If. Fennell, as the new a .-.unable name for Pascu Coun- 2 Brothers A re ! year, *1.13 inches, was tlie high president, assumed his duties, as :.;;:iual fair. CapjUired In Raid | est in St.
    [Show full text]
  • Life Is Better With
    MICHIGAN POLICE CHIEFSOFFICIAL PUBLICATION OF THE MICHIGAN ASSOCIATION OF CHIEFS OF POLICE SUMMER 2021 LIFE IS BETTER WITH BLUE ALMA PD RECRUITS THERAPY DOG MMRMA & MACP: Partners in Excellence Providing comprehensive liability & property coverage and superior risk management services to Michigan public entities since 1980 www.mmrma.org • 800-243-1324 CONTENTSMICHIGAN POLICE CHIEFS SUMMER 2021.ISSUE 2 FEATURES 10 What is LERMA? 12 Life is Better with Blue 16 First Net: Providing Mobility and Flexibility for Michigan Law Enforcement 20 Spotlight Partner: Saima Mohsin 24 Organizational Transformation in 32 Policing 28 State Association of Chiefs of Police 32 Track-Kit: Michigan’s Sexual Assault Kit Tracking System Helps Law Enforcement 35 Winter Professional Development Conference Wrap-Up DEPARTMENTS 04 President’s Message 16 06 Director’s Message 08 Accreditation News 38 Member News 12 44 Supporting Members 46 Advertiser Index 35 PRESIDENT’SMESSAGE The summer months are fast approaching and with each passing day we get closer and closer to some sense of normalcy. The Michigan Association of Chiefs of Police has been busy navigating multiple issues over the past several months to help ensure our officers, our departments, and our profession remains safe and strong. This past February, we were able to safely hold our Winter Professional Development Conference. It may have looked a little different with safety measures and attendance limitations in place but the opportunity to have face-to-face presentations and the ability to meet with fellow professionals was not only appreciated but needed. As I write this, preparation for our Summer Professional Development Conference is underway.
    [Show full text]
  • The John Ford Collection
    The John Ford Collection The John Ford collection of manuscripts at the Lilly Library offers a view of Ford's entire motion picture career, from the silent era to his last movie in 1966. The material in this collection was acquired from Ford's children and grandson after his death . It was used extensively, but not exhaustively, by Ford's grandson Dan Ford in writing his biography Pappy: The Life of John Ford and includes much of the research material accumulated by Dan Ford for his book. The collection covers the years from 1906 to 1976 and contains approximately seven thousand items, of which twenty-five hundred are correspondence. John Ford was born Sean Aloysius Feeney in Portland, Maine, in 1895. He changed his name after joining his older brother Fran­ cis, who had taken the name of Ford, in Hollywood in 1913. He began his career as a prop man, stunt man, and actor, moving to directing in 1917 with a two-reeler entitled The Tornado. He spent the rest of his life directing films, through the transition from silents to sound, making over 130 in all and winning six Academy Awards. From 1917 until 1930 Ford directed at least 66 films, a great many of which were westerns starring the cowboy actor Harry Carey. Early in his career Ford was most often associated with Universal Studio but by the early twenties he was under contract to the Fox Film Corporation (later the Twentieth Century-Fox Film Corporation) until after World War II. It was at Fox that he had his first major success, with The Iron Horse in 1924.
    [Show full text]