Maori Meteors Submission
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Supplemental Cultural Impact Assessment, May 2007
Supplemental Cultural Impact Assessment for the Proposed Advanced Technology Solar Telescope (ATST) at Haleakalā High Altitude Observatories Papa‘anui Ahupua‘a, Makawao District, Island of Maui TMK: (2) 2-2-07:008 Prepared for KC Environmental and The National Science Foundation (NSF) Prepared by Colleen Dagan, B.S. Robert Hill B.A. Tanya L. Lee-Greig, M.A. and Hallett H. Hammatt, Ph.D. Cultural Surveys Hawai‘i, Inc. Wailuku, Hawai‘i (Job Code: HALEA 2) May 2007 O‘ahu Office Maui Office Kailua, Hawai‘i 96734 16 S. Market Street, Suite 2N Ph.: (808) 262-9972 www.culturalsurveys.com Wailuku, Hawai‘i 96793 Fax: (808) 262-4950 Ph: (808) 242-9882 Fax: (808) 244-1994 Cultural Surveys Hawai‘i Job Code: HALEA 2 Management Summary Management Summary Report Reference Supplemental Cultural Impact Assessment for the Proposed Advanced Technology Solar Telescope (ATST) at Haleakalā High Altitude Observatories Papa‘anui Ahupua‘a, Makawao District, Island of Maui TMK: (2) 2-2-07:008 (Dagan et al. 2007) Date May 2007 Project Number CSH Job Code: HALEA 2 Project Location Overall Location: Pu‘u Kolekole, Haleakalā High Altitude Observatories (TMK [2] 2-2-07:008), as depicted on the USGS 7.5 minute Topographic Survey Map, Portions of Kilohana Quadrangle and Lualailua Hills Quadrangle. Preferred ATST Site Location: Mees Solar Observatory Facility Alternate ATST Site Location: Reber Circle Land Jurisdiction State of Hawai‘i Agencies National Science Foundation (NSF) – Proposing Agency Association of Universities for Research in Astronomy (AURA) – Proposing Agency University of Hawai‘i Institute for Astronomy (UH IfA) – Managing Agency U.S. -
Portrayals of the Moriori People
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. i Portrayals of the Moriori People Historical, Ethnographical, Anthropological and Popular sources, c. 1791- 1989 By Read Wheeler A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in History, Massey University, 2016 ii Abstract Michael King’s 1989 book, Moriori: A People Rediscovered, still stands as the definitive work on the Moriori, the Native people of the Chatham Islands. King wrote, ‘Nobody in New Zealand – and few elsewhere in the world- has been subjected to group slander as intense and as damaging as that heaped upon the Moriori.’ Since its publication, historians have denigrated earlier works dealing with the Moriori, arguing that the way in which they portrayed Moriori was almost entirely unfavourable. This thesis tests this conclusion. It explores the perspectives of European visitors to the Chatham Islands from 1791 to 1989, when King published Moriori. It does this through an examination of newspapers, Native Land Court minutes, and the writings of missionaries, settlers, and ethnographers. The thesis asks whether or not historians have been selective in their approach to the sources, or if, perhaps, they have ignored the intricacies that may have informed the views of early observers. The thesis argues that during the nineteenth century both Maori and European perspectives influenced the way in which Moriori were portrayed in European narrative. -
And Taewa Māori (Solanum Tuberosum) to Aotearoa/New Zealand
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Traditional Knowledge Systems and Crops: Case Studies on the Introduction of Kūmara (Ipomoea batatas) and Taewa Māori (Solanum tuberosum) to Aotearoa/New Zealand A thesis presented in partial fulfilment of the requirement for the degree of Master of AgriScience in Horticultural Science at Massey University, Manawatū, New Zealand Rodrigo Estrada de la Cerda 2015 Kūmara and Taewa Māori, Ōhakea, New Zealand i Abstract Kūmara (Ipomoea batatas) and taewa Māori, or Māori potato (Solanum tuberosum), are arguably the most important Māori traditional crops. Over many centuries, Māori have developed a very intimate relationship to kūmara, and later with taewa, in order to ensure the survival of their people. There are extensive examples of traditional knowledge aligned to kūmara and taewa that strengthen the relationship to the people and acknowledge that relationship as central to the human and crop dispersal from different locations, eventually to Aotearoa / New Zealand. This project looked at the diverse knowledge systems that exist relative to the relationship of Māori to these two food crops; kūmara and taewa. A mixed methodology was applied and information gained from diverse sources including scientific publications, literature in Spanish and English, and Andean, Pacific and Māori traditional knowledge. The evidence on the introduction of kūmara to Aotearoa/New Zealand by Māori is indisputable. Mātauranga Māori confirms the association of kūmara as important cargo for the tribes involved, even detailing the purpose for some of the voyages. -
Legacy – the All Blacks
LEGACY WHAT THE ALL BLACKS CAN TEACH US ABOUT THE BUSINESS OF LIFE LEGACY 15 LESSONS IN LEADERSHIP JAMES KERR Constable • London Constable & Robinson Ltd 55-56 Russell Square London WC1B 4HP www.constablerobinson.com First published in the UK by Constable, an imprint of Constable & Robinson Ltd., 2013 Copyright © James Kerr, 2013 Every effort has been made to obtain the necessary permissions with reference to copyright material, both illustrative and quoted. We apologise for any omissions in this respect and will be pleased to make the appropriate acknowledgements in any future edition. The right of James Kerr to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. A copy of the British Library Cataloguing in Publication data is available from the British Library ISBN 978-1-47210-353-6 (paperback) ISBN 978-1-47210-490-8 (ebook) Printed and bound in the UK 1 3 5 7 9 10 8 6 4 2 Cover design: www.aesopagency.com The Challenge When the opposition line up against the New Zealand national rugby team – the All Blacks – they face the haka, the highly ritualized challenge thrown down by one group of warriors to another. -
The Early History of New Zealand
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES *f Dr. T. M. Hockkn. THE EARLY HISTORY OF NEW ZEALAND. BEING A SERIES OF LECTURES DELIVERED BEFORE THE OTAGO INSTITUTE; ALSO A LECTURETTE ON THE MAORIS OF THE SOUTH ISLAND. By The Late Dr. T. M. Hocken. WELLINGTON, N.Z. JOHN MACKAY, GOVERNMENT PRINTER. I9I4. MEMOIR: DR. THOMAS MORLAND HOCKEN, The British nation can claim the good fortune of having on its roll of honour men and women who stand out from the ranks of their fellows as examples of lofty patriotism and generosity of character. Their fine idea of citizenship has not only in the record of their own lives been of direct benefit to the nation, but they have shone as an example to others and have stirred up a wholesome senti- ment of emulation in their fellows. There has been no lack of illustrious examples in the Motherland, and especially so in the last century or so of her history. And if the Motherland has reason to be proud of her sons and daughters who have so distinguished themselves, so likewise have the younger nations across the seas. Canada, South Africa, Aus- tralia, New Zealand, each has its list of colonists who are justly entitled to rank among the worthies of the Empire, whose generous acts and unselfish lives have won for them the respect and the gratitude of their fellows ; and, as I shall hope to show, Thomas Morland Hocken merits inclusion in the long list of national and patriotic benefactors who in the dominions beyond the seas have set a worthy example to their fellows. -
Identity and Alternative Versions of the Past in New Zealand
1 Identity and alternative versions of the past in New Zealand Geoffrey Clark Archaeology and Natural History, College of Asia and the Pacific, The Australian National University, Australia Introduction During the 1990s, New Zealand/Aotearoa experienced tumultuous debate over indigenous land rights, and the use of Maori culture and language, debate which was associated with the settlement of historical and contemporary grievances between the Crown and Maori. The study of New Zealand’s human past during this period became politicised and problematic because different versions of that past could be mobilised to support various agendas and cultural groupings. The redistribution of state-owned resources to Maori through the Waitangi Tribunal process and settlement negotiations with the government gave added intensity to debates about ownership and culturally appropriate use of the past, as did the fact that, with several notable exceptions, most professionally trained historians and archaeologists were of European descent. The refashioning of the cultural landscape at this time allowed concepts of identity to be destabilised, essentialised and reconstructed. For instance, some people of non-Maori descent, often glossed as ‘Pakeha’ (but see Goldsmith 2005), who historically belonged to the dominant colonial group, felt threatened by the prospect of a Maori cultural and economic renaissance supported by government redistribution of assets and the assertion that Maori had ancestral rights to New Zealand, as opposed to everyone else. Within Maoridom there were schisms between groups and subgroups involving membership and affiliation, and uncertainty over the rights of urban Maori to access resources through the Waitangi Tribunal. Most of all, if Maori were enshrined as the indigenous people of the land then the non-Maori majority might be considered ‘non-indigenous’, a term that carries the negative environmental connotations of being foreign, exotic and invasive to the land. -
E. Mervyn Taylor's Prints on Maori Subjects
THE ENGAGING LINE: E. MERVYN TAYLOR’S PRINTS ON MAORI SUBJECTS A thesis submitted in partial fulfilment of the requirements for The Degree of Master of Arts in Art History in the University of Canterbury by Douglas Horrell 2006 Contents Contents..................................................................................................................... i Abstract ....................................................................................................................1 Introduction..............................................................................................................2 Chapter One: The making of an artist: history of the development of Taylor’s early career through his close association with Clark, MacLennan, and Woods..................6 Chapter Two: Meeting of worlds: the generation of Taylor’s interest in Maori culture......................................................................................................................19 Chapter Three: Nationalist and local influence: art as identity...............................37 Chapter Four: Grey’s Polynesian Mythology: the opportunity of a career..............46 Chapter Five: A thematic survey of E. Mervyn Taylor’s prints on Maori subjects..56 Conclusion ..............................................................................................................72 Acknowledgements.................................................................................................76 Bibliography...........................................................................................................77 -
The Origins and Commencement of National Indigenous Political Representation in New Zealand Through the 1867 Maori Representation Act
‘A Proud Thing To Have Recorded’: The Origins and Commencement of National Indigenous Political Representation in New Zealand through the 1867 Maori Representation Act PAUL MOON Abstract In 1867, the New Zealand House of Representatives passed the Maori Representation Act, which entitled Māori males aged twenty-one and over to vote for a Māori member of the House. This article traces the constitutional origins of the Act, and concludes with a survey of the initial responses in some Māori communities to the passage of the legislation. What is evident in this analysis is that the Act was driven by various motives, ranging from pacifying Māori hostility, to the desire by some legislators to secure a parliamentary presence for Māori in order to make the House more representative. Introduction In 1840, the British Crown concluded the Treaty of Waitangi with around 540 Māori chiefs. This heralded the commencement of direct colonial rule through governors, who presided without the aid of any representative assembly. The passage of the 1852 New Zealand Constitution Act, however, gave New Zealand a bicameral parliament, which came into being in 1854. However, over the next decade, Māori continued to be largely excluded from the legislative process, even though some of the statutes passed by the early New Zealand parliaments affected Māori land, often adversely. Just over a decade after New Zealand acquired its own parliament, consideration began to be given by some of the country‟s politicians to the possibility of the indigenous Māori population having representation in the lower house – the House of Representatives. The purpose of this article is to survey the events leading up to establishment of the four Māori seats through the provisions of the 1867 Maori Representation Act, and the aftermath of the Act‟s passage. -
Culture and Colonization: Revisiting the Place of Writing in Colonial New Zealand
Culture and Colonization: Revisiting the Place of Writing in Colonial New Zealand TONY BALLAntYne This essay attempts to untangle a central conceptual and analytical knot in recent New Zealand historical writing: the interrelationship between culture and colonization. It explores the ways in which approaches to New Zealand’s colonial past have been transformed over the past 25 years and attempts to historicize these shifts by framing them against international intellectual developments and the cultural and political currents that reconfigured visions of the past in these islands. The essay then offers an assessment of a key preoccupation of recent scholarship: the relationships between writing and colonization. This discussion identifies some limitations of the existing work as well as underscoring where it does have real analytical purchase, before closing by pointing to some possible paths for future work. These new lines of inquiry, I argue, not only require us to ask some new questions about the cultural work writing did in a colonial context, but also necessitate a reassessment of how colonization actually worked on the ground. In explaining how the question of culture came to occupy centre stage in the historiography on colonial New Zealand, we must recognize that this shift is not unique but rather part of a broader shift in the intellectual terrain of Anglophone nations. Over the past three decades there has been a remarkable rekindling of historical work on colonialism. Questions about the dynamics of empire-building and the nature of colonial culture have shifted to the very centre of historical debate and humanities scholarship. In the late 1970s, the study of empire had seemingly reached a dead end and it was not an intellectual enterprise that was generating new analytical models or much controversy. -
Analysing the Origin of Māui the Semi-Divine Trickster in Polynesian Mythology*
Analysing the Origin of Māui the Semi-Divine Trickster in Polynesian Mythology* Martina Bucková Analýza pôvodu polobožského kultúrneho hrdinu Māuiho v polynézskej mytológii Resumé Kultúrny hrdina Māui je fenomén, ktorý sa objavuje takmer vo všetkých mytologických systémoch Polynézie. Pozoruhodný je jeho pôvod, ktorý je zvyčajne sčasti božský a sčasti ľudský. Príspevok analyzuje rôzne varianty polynézskych mýtov a zameriava sa najmä na informácie týkajúce sa jeho pôvodu, okolností narodenia, varianty mien rodičov a súrodencov. Abstract The cultural hero Māui is a phenomenon that occurs in nearly all the mytholo- gical systems of Polynesia. His origin is remarkable and is mostly partly divine and partly human. This paper analyses different variants of the Polynesian myths about Māui, espe- cially focusing on his origin, the circumstances of his birth and variants of his parents’ names and siblings. Keywords Polynesia, Mythology · Māui, Analysis of Variants in the Tradition A trickster or culture hero is a mythical being found in the mythologies of many archaic societies. In some mythologies, the culture hero is given a divine origin; in others he is a demigod or only a spirit that acts on the command of a higher deity. Prometheus, for example, was of a purely divine origin. According to Hesiod’s Theogony, he was the son of Iapetus and the Oceanid Clymene. Māui of Polynesia is an example of a culture hero who was present in most versions of myths of semi-divine origin: in Maori mythology he came from the 156 SOS 13 · 2 (2014) lineage of Tu-mata-uenga, and in Hawaiian mythology his mother was the goddess Hina-a-he-ahi (‘Hina of the fire’). -
In Māori Mythology, Tiki Is the First Man Created by Either Tūmatauenga Or Tāne
by Mike Prero In Māori mythology, Tiki is the first man created by either Tūmatauenga or Tāne. He found the first woman, Marikoriko, in a pond; she seduced him and he became the father of Hine-kau-ataata. By extension, a tiki is a large or small wooden or stone carving in humanoid form, although this is a somewhat archaic usage in the Māori language. Carvings similar to tikis and coming to represent deified ancestors are found in most Polynesian cultures. They often serve to mark the boundaries of sacred or significant sites. Tiki carving is one of the oldest art forms known to man, and all original Tiki carvings are unique. Each island culture introduced another variation to the carving technique. In most tiki cultures, Tiki statues carved by high-ranking tribesmen were considered sacred and powerful, and these were used in special reli- gious ceremonies. Tiki statues carved by anyone other than a high-ranking tribesman were used simply as decoration. Some island people still believe in the power of the Tiki, just as some statues are created to be used as fo- cus objects for ceremonies—similar to voodoo rituals. Statues carved with threatening expressions are often used to scare away evil spirits, and others with more amicable expressions are created for use in religious ceremonies, healing services, or to bring good luck. Each individually carved Tiki statue, whether stone or wood, displays the artistic creativity of its time. Many archaeologists believe the statues each have a unique story to tell, and that these specific symbols and carvings represented aspects of ancient life. -
Exploring the Cultural Origins of Differences in Time Orientation Between European New Zealanders and Māori Kevin D
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of San Francisco The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Organization, Leadership, and Communications School of Management 2012 Exploring the Cultural Origins of Differences in Time Orientation between European New Zealanders and Māori Kevin D. Lo University of San Francisco, [email protected] Carla Houkamau Follow this and additional works at: http://repository.usfca.edu/olc Part of the Anthropology Commons, International Business Commons, and the Sociology Commons Recommended Citation Kevin D. Lo, Carla Houkamau. Exploring the Cultural Origins of Differences in Time Orientation between European New Zealanders and Māori. NZJHRM. 2012 Spring. 12(3),105-123. This Article is brought to you for free and open access by the School of Management at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Organization, Leadership, and Communications by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. NZJHRM 2012 Spring Issue Exploring the Cultural Origins of Differences in Time Orientation Between European New Zealanders and Māori Exploring the Kevin D. Lo, School of Management, University of San Francisco Cultural Origins [email protected] and Carla Houkamau, Department of Management and International Business, University of Auckland1 of Differences [email protected] in Time Abstract: Previous research suggests that time orientation differs as a function of national culture. Orientation National cultures often cluster together by region, thus regional generalizations can provide insights on how cultures in a given cluster perceive time.