Wiss. Volontariat, Museum Barberini, Potsdam

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Wiss. Volontariat, Museum Barberini, Potsdam Potsdam, 15.01.2021–14.01.2022 Bewerbungsschluss: 15.11.2020 Sandra Spudy Das Museum Barberini in Potsdam, gegründet 2017, ist mit Ausstellungen zum französischen Impressionismus und zu aktuellen Fragestellungen zu Künstlern wie Vincent van Gogh, Pablo Picasso oder Gerhard Richter hervorgetreten. Es wird von der Hasso Plattner Stiftung getragen. Stifter ist der Kunstsammler und SAP-Gründer Hasso Plattner. Ab dem 15.01.2021 besetzen wir, für die Dauer von einem Jahr, mit der Möglichkeit zur Verlängerung um ein weiteres Jahr, die Stelle eines wissenschaftlichen Volontärs (m/w/d) in Vollzeit. Die Vergütung liegt bei 2200 Euro brutto pro Monat. Aufgaben - Unterstützung bei den Vorbereitungen internationaler Leihausstellungen - Unterstützung bei der redaktionellen Bearbeitung von Ausstellungskatalogen - Unterstützung bei der Pflege und wissenschaftlichen Aufarbeitung der ständigen Sammlung Anforderungen - abgeschlossenes Studium der Kunstgeschichte oder einer eng verwandten Disziplin (Promotion erwünscht) - Teamfähigkeit sowie sehr gute Sozial- und Kommunikationsfähigkeiten - Sehr gute Englisch-Kenntnisse (Kenntnisse weiterer Fremdsprachen erwünscht, insbesondere Französisch, Spanisch und/oder Italienisch) - Interesse an wissenschaftlichem Arbeiten und dem Verfassen kunsthistorischer Texte - Kenntnisse im Bereich der französischen Moderne von Vorteil, insbesondere Impressionismus, Neoimpressionismus und Fauvismus Bei Interesse senden Sie bitte Ihre aussagekräftigen Bewerbungsunterlagen (Anschreiben, Lebens- lauf und Zeugnisse, ggfs. auch Empfehlungsschreiben) an [email protected]. Bewer- bungsende ist der 15.11.2020. Die Stelle kann frühestens ab dem 15.01.2021 besetzt werden. Ein späterer Einstieg wäre unter Umständen auch möglich. Bei Rückfragen zu dem Stellenprofil und dem Bewerbungsverfahren steht Ihnen Dr. Daniel Zamani, Kurator am Museum Barberini, jederzeit gerne zur Verfügung (M +49 175 6870 197, E [email protected]). Quellennachweis: JOB: Wiss. Volontariat, Museum Barberini, Potsdam. In: ArtHist.net, 24.09.2020. Letzter Zugriff 29.09.2021. <https://arthist.net/archive/23608>. 1/1.

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1932 Born in Dresden, Germany Present Lives and Works in Cologne, Germany 1952-1957 Studied at the Dresden Art Academy, Dresde
GERHARD RICHTER 1932 Born in Dresden, Germany Present Lives and works in Cologne, Germany Education 1952-1957 Studied at the Dresden Art Academy, Dresden, Germany 1961-1963 Studied at the Dusseldorf Art Academy under KO Gotz, Dusseldorf, Germany Selected Exhibitions 2020 Gerhard Richter, Marian Goodman Gallery, New York Gerhard Richter. New Drawings 2017-2019, Kunstsammlungen Dresden, Germany Gerhard Richter: Painting After All, The Metropolitan Museum of Art, New York Gerhard Richter: 100 Self-Portraits, Kunstmuseum Winterthur, Switzerland Gerhard Richter, Bank Austria Kunstforum, Vienna 2019 Gerhard Richter: Prints, Gagosian, New York Richter #2, Wada Garou Tokyo, Tokyo Gerhard Richter: Overpainted Photographs, Gagosian, London Gerhard Richter: Seascapes, Guggenheim Museum Bilbao, Spain Gerhard Richter. “PATH,” Wako Works of Art, Tokyo Gerhard Richter. Editions, Drafts, Letters, Materials, Albertinum, Staatliche Kunstsammlungen Dresden, Germany 2018 Resume—Gerhard Richter--, Wada Garou Tokyo Gerhard Richter: Early Workds, Museum Wiesbaden, Germany Gerhard Richter: Self-Portraits, 1993, Staatliche Kunstsammlungen Dresden, Germany Gerhard Richter. Abstraction, Museum Barberini, Potsdam, Germany Material Matters, Fondation Beyeler, Switzerland 2017 Gerhard Richter / About Painting, S.M.A.K. Museum of Contemporary Art, Ghent The Human Form, Berggruen Gallery, San Francisco Gerhard Richter: About Painting, Stedelijk Museum, Amsterdam Gerhard Richter: About Painting, Early Works, Kunstmuseum Bonn, Germany Gerhard Richter, National Gallery,
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Denver Art Museum to Premiere Landmark Monet Exhibition Claude Monet: the Truth of Nature Features More Than 100 Works Spanning the Artist’S Entire Career
Images available upon request. Denver Art Museum to Premiere Landmark Monet Exhibition Claude Monet: The Truth of Nature features more than 100 works spanning the artist’s entire career DENVER—July 23, 2018—The Denver Art Museum (DAM) will be home to the most comprehensive U.S. exhibition of Monet paintings in more than two decades when it presents Claude Monet: The Truth of Nature, in the fall of 2019. The exhibition will feature more than 100 paintings spanning Monet’s entire career and will focus on the celebrated French impressionist artist’s enduring relationship with nature and his response to the varied and distinct places in which he worked. Co-organized by the DAM and the Museum Barberini in Potsdam, Germany, Denver will be the sole U.S. venue for this presentation from Oct. 20, 2019 through Feb. 2, 2020. The exhibition will travel to the Museum Barberini in the spring of 2020. artworks that will be featured in the presentation. The exhibition will uncover Monet’s continuous Monet traveled more extensively than any other dialogue with nature and its places through a impressionist artist in search of new motifs. His thematic and chronological arrangement, from journeys to varied places including the rugged the first examples of artworks still indebted to the Normandy coast, the sunny Mediterranean, landscape tradition to the revolutionary London, the Netherlands and Norway inspired compositions and series of his late years. Princeton University Art Museum. The exhibition also will include six Monet paintings from the DAM collection; four of them were part of the Frederic C.
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Van Gogh. Stillleben – Pressemappe
Monet. Orte Pressekonferenz 20. Februar 2020, 11 Uhr Podium: Prof. Dr. Hasso Plattner, Stifter, Hasso Plattner Foundation Dr. Ortrud Westheider, Direktorin, Museum Barberini Dr. Christoph Heinrich, Direktor, Denver Art Museum Dr. Daniel Zamani, Kurator, Museum Barberini Im Anschluss an die Pressekonferenz findet ein gemeinsamer Rundgang durch die Ausstellung statt. Inhaltsverzeichnis der Pressemappe: Pressemitteilung Ausstellungsrundgang Daten und Fakten Ausstellungskatalog Veranstaltungs- und Vermittlungsprogramm Pressebilder Presseinformation zu Jasper Johns. The 100 Monotypes Die digitale Version der Pressemappe auf dem Stick enthält zusätzlich: Ausstellungskatalog Programmheft Ausstellungsflyer Raumplan Jahresvorschau 2020 W-LAN Netz: Barberini_Gast, ohne Passwort Bildmaterial finden Sie zum Download unter: www.museum-barberini.com/presse/ Kommunikation Museum Barberini T +49 331 236014 305 / 308 Achim Klapp, Marte Kräher Humboldtstr. 5-6 [email protected] 14467 Potsdam, Germany www.museum-barberini.com Pressemitteilung Monet. Orte 22. Februar – 1. Juni 2020 Vom 22. Februar bis 1. Juni 2020 präsentiert das Museum Barberini die Ausstellung Monet. Orte. Diese Werkschau ist eine der umfangreichsten Retrospektiven, die dem Künstler jemals an einem deutschen Museum gewidmet wurde. Sie entstand in Zusammenarbeit mit dem Denver Art Museum. Anhand von über 100 Gemälden spürt sie den Orten nach, aus denen Monet Inspiration bezog – von Paris und den Seine-Dörfern bis zu Reisezielen wie London oder Venedig. Die Schau versammelt zahlreiche Schlüsselwerke aus sämtlichen Schaffensphasen. Sie ist die erste Ausstellung, die Monets künstlerischen Werdegang im Hinblick auf seine Ortswahl und sein Ortsbewusstsein in den Blick nimmt. Der Ort war für Claude Monet (1840–1926) von entscheidender Bedeutung. Hier traf das von Wetter, Jahres- und Tageszeiten abhängige Licht auf die Landschaft. Hier ging er dem flüchtigen Spiel atmosphärischer Phänomene nach – dem, was zwischen ihm und dem Motiv lag.
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NGA | 2017 Annual Report
N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M.
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P Re Sse Rele a Se
Presse release Presse Potsdam, June 12, 2019 Van Gogh: Still Lifes October 26, to February 2, 2020 Van Gogh: Still Lifes is the first systematic exploration of this important theme in the artist’s work in an exhibition. Of the roughly 800 paintings that Vincent van Gogh (1853–1890) created during his ten-year career as an artist, some 170––about a fifth––are still lifes. It is therefore all the more remarkable that there has never been a monographic exhibition dedicated to the genre of the still life in Van Gogh’s work. With exhibitions showcasing Henri-Edmond Cross and Pablo Picasso, the Museum Barberini launched a series dedicated to French modernist artists. Aspects of their work that have been neglected until now have been approached from new angles in international symposia held by the museum. In the autumn of 2019, the Museum Barberini will continue this series with the first exhibition of Vincent van Gogh’s still lifes. The carefully chosen selection of 27 paintings traces the development of the artist’s work from the earthy tones and simple everyday objects of the early paintings and the floral still lifes of his time in Paris to his radiant, exuberant southern motifs. From his very first painting, Still Life with Cabbage and Clogs (Van Gogh Museum, Amsterdam)––created at the end of 1881 in The Hague––to the vibrant floral works painted in Auvers-sur-Oise in 1890, during the last months of the artist’s life, for example Blossoming Chestnut Branches (Foundation E. H. Bührle, Zürich), Van Gogh returned to still lifes time and again.
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Press Release
marian goodman gallery FOR IMMEDIATE RELEASE GERHARD RICHTER 28 February – 25 April 2020 Exhibition on view: Friday, 28 February 2020 Marian Goodman Gallery New York is very pleased to announce an exhibition of new work by Gerhard Richter, on view from Friday, 28 February, through Saturday, 25 April 2020. The exhibition will present new abstract paintings and new drawings from the past three years, as well as a series of ink jet prints from 2012, and overpainted photos from 2008. The show coincides with a comprehensive survey of the artist’s work at The Met Breuer, New York, Gerhard Richter: Painting After All which will open to the public on 4 March 2020 and be on view through 5 July 2020. The current exhibition marks the return to abstract painting that has been at the core of Gerhard Richter’s practice since he returned to the brush and squeegee in 2014, following a period of exploration from 2008 forward of digital technologies applied to painting in the Strips — and chance techniques in the poured lacquer Reverse Glass works. Richter’s return to painting at this juncture included an important cycle of abstract works, Birkenau, which utilized abstraction in an inspired confrontation with history, and new landscapes which focused on erasure of the figurative in favor of the abstract. The new series of abstract works on view continue the trajectory reintroduced five years ago. The new paintings from 2016 to 2018 are mostly drawn from the Gerhard Richter Foundation and have been featured in important recent museum exhibitions of Richter’s work, such as Gerhard Richter: New Paintings at The Museum Ludwig, Cologne and the Albertinium, Dresden in 2017, and Gerhard Richter: Abstraction at Museum Barberini, Potsdam in 2018.
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From Surprising Sales to Emotional Discoveries- the Van Gogh Stories
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Van Gogh Museum Enterprises 39 the Works Council 41
Van Gogh Museum Annual Report 2018 Van Gogh Museum Annual Report 2018 Contents Supervisory Board statement 5 1 Report of the Board 7 2018 in short 9 2 Overview of 2018 17 Museum Affairs19 The Mesdag Collection 26 Public Affairs28 Operations 36 Van Gogh Museum Enterprises 39 The Works Council 41 3 Appendices to annual report 43 Overview of the organisation 45 Social Annual Report 46 Acquisitions 48 Gifts 53 Supporters 54 Conserved works 57 Collection information 66 Overview of outgoing loans 67 Long-term loans to the VGM 76 Long-term loans to other museums 78 Research projects 79 Museum publications 81 Additional functions 82 Lectures and other academic activities 84 Publications employees 87 Supervisory Board statement 2018 was once again a resoundingly successful year for the Van Gogh Museum. Vincent van Gogh and his contemporaries continue to inspire millions of people all around the world, as is reflected in the sustained high numbers of visitors to both the museum and its website. In the past year, 2,165,000 art lovers from the Netherlands and abroad visited the museum, and our online fan base grew exponentially. After being officially opened by King Willem-Alexander during a celebratory event, the exhibition Van Gogh & Japan attracted an impressive 430,000 visitors, making it a great success. Van Gogh aspires was published last year, the Strategic Plan 2018-2020 outlining how the museum will work towards realising its Strategic Pillars in the years ahead. In its endeavours to deliver and uphold its mission, vision and core values, the museum focuses on three dimensions: local, global and digital.
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14 18 35 INTERVIEW ART HISTORY ARCHITECTURE Maltese artist in memory of more beautiful Matthew Attard Joseph Chetcuti as ruins No:10 + CHRISTINE XUEREB SEIDU €2.00 WHERE SOLD ART MARKET Lagos Art Market Blossoming “If Lagos doesn’t look to be a destination in the near future, art enthusiasts should definitely check out Nigerian artists at one of the over fifty African art fairs coming up this year globally.” Art Market, pg 39 , acrylic on canvas, 2015 INVERVIEW / IZABELA PLUTA Variable Depth, Shallow Water Of race, mythology and redefinitions of storytelling Wole Lagunju, Wole “The maps on NEWS Milan Design Week postponed + Palazzo Falson releases augmented reality game either side of the for visitors FEATURE A love affair with Porcelain REVIEWS New Goulandris Museum original paper merge in Athens + Monet at Barberini Palace in Potsdam COMMENT Works of art can help us learn together resulting the right lessons from history EXHIBITIONS Sebastian Tanti Burlò in Valletta + APS Mdina in new and random Cathedral Contemporary Art Biennale returns ARCHITECTURE influenced by algorithms distances and depths INTERVIEWS with Romina Delia at Arts Council Malta + arts funding and philanthropy expert – simultaneously real Melissa Cowley Q&A with Dr José A Herrera, Minister responsible for the Arts and Local and imag(in)ed” Government SPOTLIGHT Editor’s pick of events in Malta and around the world >> Pg.26 W Welcome / Team / Inside March - June ‘20 Editor-in-Chief Lily Agius he global Coronavirus to moments of contemplation, reflection support one another, and enjoy this edition (+356) 9929 2488 outbreak has gripped the and relative calm.
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Das Museum Barberini in Potsdam, Gegründet 2017, Ist Mit
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Henri-Edmond Cross, Peindre Le Bonheur
dossier de presse / juillet 2018 Henri-Edmond Cross, peindre le bonheur Musée des impressionnismes Giverny Du 27 juillet au 4 novembre 2018 www.mdig.fr présentation de l’exposition Henri-Edmond Cross Course de taureaux (détail), 1891-1892 Huile sur toile, 46,2 x 61 cm Collection particulière © Tous droits réservés Présentation / juillet 2018 Henri-Edmond Cross, peindre le bonheur « Je voudrais peindre du bonheur, des êtres heureux comme pourront l’être dans quelques siècles (?) les Henri-Edmond Cross, hommes, la pure anarchie réalisée… » peindre le bonheur Lettre de Cross à Signac, 8 juin 1893, Archives Signac. Le musée des impressionnismes Giverny a dans le Midi et dès 1892, ils se voient programmé pour l’été 2018 une rétrospective régulièrement au cours de l'été. Ensemble, ils ne consacrée au peintre néo-impressionniste Henri- tarderont pas à faire évoluer la technique de Edmond Cross. La dernière exposition Seurat vers le second néo-impressionnisme, monographique qui lui a été consacrée, Cross et privilégiant l'étude de la couleur à celle de la le néo-impressionnisme, s'est tenue au musée de lumière. À partir de 1895, ils renoncent en effet la Chartreuse à Douai, ville natale du peintre, en progressivement à la technique du petit point et 1998. Rappelons aussi l'importante exposition adoptent une touche plus large en usant de Henri-Edmond Cross et le néo-impressionnisme. couleurs de plus en plus fortes, rehaussées encore De Seurat à Matisse, qui eut lieu en 2012 au par l'effet du contraste. Cross participe à toutes les musée Marmottan-Monet à Paris ainsi qu'au manifestations néo-impressionnistes et ses Musée Matisse du Cateau-Cambrésis.
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