Das Museum Barberini in Potsdam, Gegründet 2017, Ist Mit

Total Page：16

File Type：pdf, Size：1020Kb

Das Museum Barberini in Potsdam, gegründet 2017, ist mit Ausstellungen zum französischen Impressionismus und zu aktuellen Fragestellungen zu Künstlern wie Vincent van Gogh, Pablo Picasso oder Gerhard Richter hervorgetreten. Es wird von der Hasso Plattner Foundation getragen. Stifter ist der Kunstsammler und SAP-Gründer Prof. Dr. Hasso Plattner, dessen bedeutende Sammlung impressionistischer Malerei seit 2020 dauerhaft präsentiert wird. Gesucht wird zum nächstmöglichen Zeitpunkt ein Registrar (m/w/d) Vollzeit, unbefristet Ihre Aufgaben • Planung, Vorbereitung und Koordination des Leihverkehrs in enger Abstimmung mit der Direktorin und den Kuratoren • Prüfung und Verhandlung der Leihverträge und Facility Reports mit nationalen und internationalen Leihgebern • Erstellung und Überwachung von Ausstellungsbudgets • Organisation und Betreuung von Leih- und Transportvorgängen einschließlich Transportausschreibungen, Versicherungen, Rechnungsprüfung sowie Ausfuhr- und Zollformalitäten • Dokumentation des ein- und ausgehenden Leihverkehrs mit der Museumsmanagement Software MuseumPlus • Planung und Koordination von komplexen Ausstellungsauf- und -abbauten inkl. Kurierorganisation und Kurierbetreuung • Enge Zusammenarbeit mit Restauratorinnen, Art Handling Team, Ausstellungstechnik Ihr Profil • Abgeschlossenes Hochschulstudium der Museologie, des Kulturmanagements oder vergleichbarer Studiengänge; sehr gute kaufmännische Kenntnisse, juristische Zusatzqualifikation von Vorteil • Mehrjährige Erfahrung als Registrar in einem Kunstmuseum mit einem anspruchsvollen, international ausgerichteten Ausstellungsprogramm • Sehr gute Fähigkeiten im Projektmanagement • Nachgewiesene Erfahrung im Umgang mit Zahlen und Budgets, der Strukturierung von Abläufen und effektiver Planung • Kenntnisse in Fragen der präventiven Konservierung und Restaurierung, Pest Management • Sehr gute Kenntnisse von Museumssoftware und -datenbanken (MuseumPlus) sowie Microsoft Office Anwendungen • Vertrautheit mit der internationalen Museumslandschaft, eigenes Netzwerk • Verhandlungsgeschick, Zuverlässigkeit, exaktes Arbeiten auch unter Termindruck • Verhandlungssicheres Englisch sowie vorzugsweise eine weitere Fremdsprache Wir bieten • Unbefristete Stelle • Anspruchvolles und abwechslungsreiches Aufgabengebiet in einem der führenden Ausstellungshäuser im deutschsprachigem Raum • Leistungsgerechte Vergütung • Schlanke Organisationsstruktur, generalistisch arbeitendes, agiles Team Ihre aussagekräftige Bewerbung (Anschreiben, Lebenslauf, Zeugniskopien) senden Sie bitte unter Angabe Ihrer Gehaltsvorstellung bis zum 30.04.2021 in elektronischer Form mit dem Stichwort Registrar (m/w/d) an [email protected]. .

Copy Link

Recommended publications

1932 Born in Dresden, Germany Present Lives and Works in Cologne, Germany 1952-1957 Studied at the Dresden Art Academy, Dresde
GERHARD RICHTER 1932 Born in Dresden, Germany Present Lives and works in Cologne, Germany Education 1952-1957 Studied at the Dresden Art Academy, Dresden, Germany 1961-1963 Studied at the Dusseldorf Art Academy under KO Gotz, Dusseldorf, Germany Selected Exhibitions 2020 Gerhard Richter, Marian Goodman Gallery, New York Gerhard Richter. New Drawings 2017-2019, Kunstsammlungen Dresden, Germany Gerhard Richter: Painting After All, The Metropolitan Museum of Art, New York Gerhard Richter: 100 Self-Portraits, Kunstmuseum Winterthur, Switzerland Gerhard Richter, Bank Austria Kunstforum, Vienna 2019 Gerhard Richter: Prints, Gagosian, New York Richter #2, Wada Garou Tokyo, Tokyo Gerhard Richter: Overpainted Photographs, Gagosian, London Gerhard Richter: Seascapes, Guggenheim Museum Bilbao, Spain Gerhard Richter. “PATH,” Wako Works of Art, Tokyo Gerhard Richter. Editions, Drafts, Letters, Materials, Albertinum, Staatliche Kunstsammlungen Dresden, Germany 2018 Resume—Gerhard Richter--, Wada Garou Tokyo Gerhard Richter: Early Workds, Museum Wiesbaden, Germany Gerhard Richter: Self-Portraits, 1993, Staatliche Kunstsammlungen Dresden, Germany Gerhard Richter. Abstraction, Museum Barberini, Potsdam, Germany Material Matters, Fondation Beyeler, Switzerland 2017 Gerhard Richter / About Painting, S.M.A.K. Museum of Contemporary Art, Ghent The Human Form, Berggruen Gallery, San Francisco Gerhard Richter: About Painting, Stedelijk Museum, Amsterdam Gerhard Richter: About Painting, Early Works, Kunstmuseum Bonn, Germany Gerhard Richter, National Gallery,
[Show full text]
Denver Art Museum to Premiere Landmark Monet Exhibition Claude Monet: the Truth of Nature Features More Than 100 Works Spanning the Artist’S Entire Career
Images available upon request. Denver Art Museum to Premiere Landmark Monet Exhibition Claude Monet: The Truth of Nature features more than 100 works spanning the artist’s entire career DENVER—July 23, 2018—The Denver Art Museum (DAM) will be home to the most comprehensive U.S. exhibition of Monet paintings in more than two decades when it presents Claude Monet: The Truth of Nature, in the fall of 2019. The exhibition will feature more than 100 paintings spanning Monet’s entire career and will focus on the celebrated French impressionist artist’s enduring relationship with nature and his response to the varied and distinct places in which he worked. Co-organized by the DAM and the Museum Barberini in Potsdam, Germany, Denver will be the sole U.S. venue for this presentation from Oct. 20, 2019 through Feb. 2, 2020. The exhibition will travel to the Museum Barberini in the spring of 2020. artworks that will be featured in the presentation. The exhibition will uncover Monet’s continuous Monet traveled more extensively than any other dialogue with nature and its places through a impressionist artist in search of new motifs. His thematic and chronological arrangement, from journeys to varied places including the rugged the first examples of artworks still indebted to the Normandy coast, the sunny Mediterranean, landscape tradition to the revolutionary London, the Netherlands and Norway inspired compositions and series of his late years. Princeton University Art Museum. The exhibition also will include six Monet paintings from the DAM collection; four of them were part of the Frederic C.
[Show full text]
Van Gogh. Stillleben – Pressemappe
Monet. Orte Pressekonferenz 20. Februar 2020, 11 Uhr Podium: Prof. Dr. Hasso Plattner, Stifter, Hasso Plattner Foundation Dr. Ortrud Westheider, Direktorin, Museum Barberini Dr. Christoph Heinrich, Direktor, Denver Art Museum Dr. Daniel Zamani, Kurator, Museum Barberini Im Anschluss an die Pressekonferenz findet ein gemeinsamer Rundgang durch die Ausstellung statt. Inhaltsverzeichnis der Pressemappe: Pressemitteilung Ausstellungsrundgang Daten und Fakten Ausstellungskatalog Veranstaltungs- und Vermittlungsprogramm Pressebilder Presseinformation zu Jasper Johns. The 100 Monotypes Die digitale Version der Pressemappe auf dem Stick enthält zusätzlich: Ausstellungskatalog Programmheft Ausstellungsflyer Raumplan Jahresvorschau 2020 W-LAN Netz: Barberini_Gast, ohne Passwort Bildmaterial finden Sie zum Download unter: www.museum-barberini.com/presse/ Kommunikation Museum Barberini T +49 331 236014 305 / 308 Achim Klapp, Marte Kräher Humboldtstr. 5-6 [email protected] 14467 Potsdam, Germany www.museum-barberini.com Pressemitteilung Monet. Orte 22. Februar – 1. Juni 2020 Vom 22. Februar bis 1. Juni 2020 präsentiert das Museum Barberini die Ausstellung Monet. Orte. Diese Werkschau ist eine der umfangreichsten Retrospektiven, die dem Künstler jemals an einem deutschen Museum gewidmet wurde. Sie entstand in Zusammenarbeit mit dem Denver Art Museum. Anhand von über 100 Gemälden spürt sie den Orten nach, aus denen Monet Inspiration bezog – von Paris und den Seine-Dörfern bis zu Reisezielen wie London oder Venedig. Die Schau versammelt zahlreiche Schlüsselwerke aus sämtlichen Schaffensphasen. Sie ist die erste Ausstellung, die Monets künstlerischen Werdegang im Hinblick auf seine Ortswahl und sein Ortsbewusstsein in den Blick nimmt. Der Ort war für Claude Monet (1840–1926) von entscheidender Bedeutung. Hier traf das von Wetter, Jahres- und Tageszeiten abhängige Licht auf die Landschaft. Hier ging er dem flüchtigen Spiel atmosphärischer Phänomene nach – dem, was zwischen ihm und dem Motiv lag.
[Show full text]
NGA | 2017 Annual Report
N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M.
[Show full text]
P Re Sse Rele a Se
Presse release Presse Potsdam, June 12, 2019 Van Gogh: Still Lifes October 26, to February 2, 2020 Van Gogh: Still Lifes is the first systematic exploration of this important theme in the artist’s work in an exhibition. Of the roughly 800 paintings that Vincent van Gogh (1853–1890) created during his ten-year career as an artist, some 170––about a fifth––are still lifes. It is therefore all the more remarkable that there has never been a monographic exhibition dedicated to the genre of the still life in Van Gogh’s work. With exhibitions showcasing Henri-Edmond Cross and Pablo Picasso, the Museum Barberini launched a series dedicated to French modernist artists. Aspects of their work that have been neglected until now have been approached from new angles in international symposia held by the museum. In the autumn of 2019, the Museum Barberini will continue this series with the first exhibition of Vincent van Gogh’s still lifes. The carefully chosen selection of 27 paintings traces the development of the artist’s work from the earthy tones and simple everyday objects of the early paintings and the floral still lifes of his time in Paris to his radiant, exuberant southern motifs. From his very first painting, Still Life with Cabbage and Clogs (Van Gogh Museum, Amsterdam)––created at the end of 1881 in The Hague––to the vibrant floral works painted in Auvers-sur-Oise in 1890, during the last months of the artist’s life, for example Blossoming Chestnut Branches (Foundation E. H. Bührle, Zürich), Van Gogh returned to still lifes time and again.
[Show full text]
Press Release
marian goodman gallery FOR IMMEDIATE RELEASE GERHARD RICHTER 28 February – 25 April 2020 Exhibition on view: Friday, 28 February 2020 Marian Goodman Gallery New York is very pleased to announce an exhibition of new work by Gerhard Richter, on view from Friday, 28 February, through Saturday, 25 April 2020. The exhibition will present new abstract paintings and new drawings from the past three years, as well as a series of ink jet prints from 2012, and overpainted photos from 2008. The show coincides with a comprehensive survey of the artist’s work at The Met Breuer, New York, Gerhard Richter: Painting After All which will open to the public on 4 March 2020 and be on view through 5 July 2020. The current exhibition marks the return to abstract painting that has been at the core of Gerhard Richter’s practice since he returned to the brush and squeegee in 2014, following a period of exploration from 2008 forward of digital technologies applied to painting in the Strips — and chance techniques in the poured lacquer Reverse Glass works. Richter’s return to painting at this juncture included an important cycle of abstract works, Birkenau, which utilized abstraction in an inspired confrontation with history, and new landscapes which focused on erasure of the figurative in favor of the abstract. The new series of abstract works on view continue the trajectory reintroduced five years ago. The new paintings from 2016 to 2018 are mostly drawn from the Gerhard Richter Foundation and have been featured in important recent museum exhibitions of Richter’s work, such as Gerhard Richter: New Paintings at The Museum Ludwig, Cologne and the Albertinium, Dresden in 2017, and Gerhard Richter: Abstraction at Museum Barberini, Potsdam in 2018.
[Show full text]
P Re Ss Rele a Se
Press release Press Potsdam, June 18, 2020 Impressionism: The Hasso Plattner Collection From September 7, 2020 at the Museum Barberini Beginning on September 7, 2020, the Museum Barberini in Potsdam will present a permanent display of the extensive collection of Impressionist paintings of the museum’s founder, Hasso Plattner, including masterpieces by Monet, Renoir, and Signac. With thirty- four paintings by Claude Monet, there is no venue in Europe outside of Paris where visitors can see more works by this painter. This makes Potsdam one of the most important international centers of Impressionist landscape painting. The Museum Barberini now showcases a collection that is unique in Germany in addition to its temporary exhibitions mounted in cooperation with museums all over the world. Claude Monet, Camille Pissarro, Auguste Renoir, and Alfred Sisley formed a group in the 1860s and revolutionized art with light-infused landscapes that were liberated from the traditional subject matter of the era. In 1874 they became known as the “Impressionists,” who preferred to paint outdoors and captured fleeting impressions directly on the canvas. Artists such as Berthe Morisot, Paul Cézanne, and Gustave Caillebotte joined this new movement. More than a decade later, colleagues such as Paul Signac and Henri-Edmond Cross further developed the painting style of these pioneers, and even Pablo Picasso was inspired by the Impressionist style in 1901, the first year he spent in Paris. With its focus on the fleeting moment, this movement has lost none of its original charm. The Impressionists wanted to paint everything in a fresh way. Their gift of observation resulted in realistic images of surprising abstraction.
[Show full text]
From Surprising Sales to Emotional Discoveries- the Van Gogh Stories
AiA News-Service BLOG ADVENTURES WITH VAN GOGH Adventures with Van Gogh is a weekly blog by Martin Bailey, our long- standing correspondent and expert on the artist. Published every Friday, his stories will range from newsy items about this most intriguing artist to scholarly pieces based on his own meticulous investigations and discoveries. From surprising sales to emotional discoveries: the Van Gogh stories of 2019 The top exhibitions, books and auction news this year —plus the astonishing tale of the gun a blog by MARTIN BAILEY 20th December 2019 10:33 GMT As always, Van Gogh was constantly in the news in 2019—with major exhibitions, high value sales and conflicting news on whether it was safe for the Sunflower paintings to travel. But the biggest surprise of all was the emergence of the rusted gun that killed the artist. The corroded Lefaucheux revolver which probably killed Van Gogh, sold by AuctionArt le Fur & Associés, Paris on 19 June 2019 Photo: Martin Bailey It was an emotional moment for me when I picked up the corroded gun a few days before its auction in Paris, cradling it in my hands. I was surprised that the revolver was quite so small and light. My thoughts went back to that late afternoon in the summer of 1890 when Van Gogh set off for the wheatfields just above Auvers-sur- Oise, this weapon in his pocket. The Lefaucheux gun had been found in around 1960 by a farmer in a field in the area where the artist is believed to shot himself, but at that time the discovery received no publicity.
[Show full text]
Van Gogh Museum Enterprises 39 the Works Council 41
Van Gogh Museum Annual Report 2018 Van Gogh Museum Annual Report 2018 Contents Supervisory Board statement 5 1 Report of the Board 7 2018 in short 9 2 Overview of 2018 17 Museum Affairs19 The Mesdag Collection 26 Public Affairs28 Operations 36 Van Gogh Museum Enterprises 39 The Works Council 41 3 Appendices to annual report 43 Overview of the organisation 45 Social Annual Report 46 Acquisitions 48 Gifts 53 Supporters 54 Conserved works 57 Collection information 66 Overview of outgoing loans 67 Long-term loans to the VGM 76 Long-term loans to other museums 78 Research projects 79 Museum publications 81 Additional functions 82 Lectures and other academic activities 84 Publications employees 87 Supervisory Board statement 2018 was once again a resoundingly successful year for the Van Gogh Museum. Vincent van Gogh and his contemporaries continue to inspire millions of people all around the world, as is reflected in the sustained high numbers of visitors to both the museum and its website. In the past year, 2,165,000 art lovers from the Netherlands and abroad visited the museum, and our online fan base grew exponentially. After being officially opened by King Willem-Alexander during a celebratory event, the exhibition Van Gogh & Japan attracted an impressive 430,000 visitors, making it a great success. Van Gogh aspires was published last year, the Strategic Plan 2018-2020 outlining how the museum will work towards realising its Strategic Pillars in the years ahead. In its endeavours to deliver and uphold its mission, vision and core values, the museum focuses on three dimensions: local, global and digital.
[Show full text]
ARTPAPER ISSUE 10 ISSUU.Pdf
14 18 35 INTERVIEW ART HISTORY ARCHITECTURE Maltese artist in memory of more beautiful Matthew Attard Joseph Chetcuti as ruins No:10 + CHRISTINE XUEREB SEIDU €2.00 WHERE SOLD ART MARKET Lagos Art Market Blossoming “If Lagos doesn’t look to be a destination in the near future, art enthusiasts should definitely check out Nigerian artists at one of the over fifty African art fairs coming up this year globally.” Art Market, pg 39 , acrylic on canvas, 2015 INVERVIEW / IZABELA PLUTA Variable Depth, Shallow Water Of race, mythology and redefinitions of storytelling Wole Lagunju, Wole “The maps on NEWS Milan Design Week postponed + Palazzo Falson releases augmented reality game either side of the for visitors FEATURE A love affair with Porcelain REVIEWS New Goulandris Museum original paper merge in Athens + Monet at Barberini Palace in Potsdam COMMENT Works of art can help us learn together resulting the right lessons from history EXHIBITIONS Sebastian Tanti Burlò in Valletta + APS Mdina in new and random Cathedral Contemporary Art Biennale returns ARCHITECTURE influenced by algorithms distances and depths INTERVIEWS with Romina Delia at Arts Council Malta + arts funding and philanthropy expert – simultaneously real Melissa Cowley Q&A with Dr José A Herrera, Minister responsible for the Arts and Local and imag(in)ed” Government SPOTLIGHT Editor’s pick of events in Malta and around the world >> Pg.26 W Welcome / Team / Inside March - June ‘20 Editor-in-Chief Lily Agius he global Coronavirus to moments of contemplation, reflection support one another, and enjoy this edition (+356) 9929 2488 outbreak has gripped the and relative calm.
[Show full text]
Henri-Edmond Cross, Peindre Le Bonheur
dossier de presse / juillet 2018 Henri-Edmond Cross, peindre le bonheur Musée des impressionnismes Giverny Du 27 juillet au 4 novembre 2018 www.mdig.fr présentation de l’exposition Henri-Edmond Cross Course de taureaux (détail), 1891-1892 Huile sur toile, 46,2 x 61 cm Collection particulière © Tous droits réservés Présentation / juillet 2018 Henri-Edmond Cross, peindre le bonheur « Je voudrais peindre du bonheur, des êtres heureux comme pourront l’être dans quelques siècles (?) les Henri-Edmond Cross, hommes, la pure anarchie réalisée… » peindre le bonheur Lettre de Cross à Signac, 8 juin 1893, Archives Signac. Le musée des impressionnismes Giverny a dans le Midi et dès 1892, ils se voient programmé pour l’été 2018 une rétrospective régulièrement au cours de l'été. Ensemble, ils ne consacrée au peintre néo-impressionniste Henri- tarderont pas à faire évoluer la technique de Edmond Cross. La dernière exposition Seurat vers le second néo-impressionnisme, monographique qui lui a été consacrée, Cross et privilégiant l'étude de la couleur à celle de la le néo-impressionnisme, s'est tenue au musée de lumière. À partir de 1895, ils renoncent en effet la Chartreuse à Douai, ville natale du peintre, en progressivement à la technique du petit point et 1998. Rappelons aussi l'importante exposition adoptent une touche plus large en usant de Henri-Edmond Cross et le néo-impressionnisme. couleurs de plus en plus fortes, rehaussées encore De Seurat à Matisse, qui eut lieu en 2012 au par l'effet du contraste. Cross participe à toutes les musée Marmottan-Monet à Paris ainsi qu'au manifestations néo-impressionnistes et ses Musée Matisse du Cateau-Cambrésis.
[Show full text]
PDF Download
Press release Press Potsdam, November 22, 2018 When and why does art touch us? Kick-of of the event and information programme on the current exhibitions with bestselling author Florian Illies An extensive programme of events and information with lectures, guided tours, discussions, concerts and films accompanies the two current exhibitions Colour and Light: The Neo- Impressionist Henri-Edmond Cross and Olympian Gods. The first will be the journalist and author Florian Illies. On November 26, 2018 he will discuss the seductive power of art with Christoph Amend, editor-in-chief of ZEITmagazin and publisher of WELTKUNST. What does (good) art do with us? When and why does art touch us? Which works accompany us all our lives? Florian Illies can say it for himself: During a visit to Frankfurt’s Städel, the then 10-year-old was enraptured by a large, colorful painting: Afternoon in the Garden by Henri-Edmond Cross. The re-encounter 36 years later with the work now exhibited in Potsdam becomes the occasion for a fundamental discussion, intensified by a short reading from his current bestseller 1913. On the occasion of the presentation Olympian Gods, the literary scholar and president of the German Academy for Language and Poetry Ernst Osterkamp portrays the legendary founder of art history Johann Joachim Winckelmann (1717-1768) a few days later on 29 November 2018. Winckelmann was fascinated by the beauty and presence of the body representations of the ancient sculptures. In an entertaining way, Ernst Osterkamp illustrates in his lecture how his idealized view of the statues of heroes and gods lives on in today’s notions of beauty.
[Show full text]