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Westfield, NJ
0C fi 2 •-•om < n _J cc _j THE WESTFIELD LEADER « UJ O >~i MLJU. The Leading and Moat Widely Circulated Weekly Newspaper In Union County -i t~ « in 1/1 3 (VI UJ 0- •* 3 USPS 6B0O2I) NINETY!- 10.40 Second CIB\S Potlupc I'uitl WESTFIELD, NEW JERSEY, THUKSDAY, MAY 5, 1983 Published u Wesiriclil. N. J. Every Thunday 26 Pages—25 Cents Bagger, Quinn Join GOP Slate, 403 Teachers Among 561 Democrats Name One Appointed by School Bd. Incumbents Harry Trenton and Washington, ment by drawing on my waste committee." Brown, first ward, and concern for our community background and ex- Capone, 39, is assistant The Westfield Board of staff and notify staff teaching staff members, 49 tain tenure with the Leo J. Senus. "This James Capone, third ward, based on lifelong perience, which includes professor of management Education appointed SGI members who will not be secretaries, 53 custodians 1983-1984 appointment. number includes all staff have been joined by residence, and thoughtful five years as township at- science at Kean College, a staff members for the offered a contract for next and maintenance "For a variety of members, including those newcomers Richard Bag- new ideas from the unique torney and four years ex- position he has held since 1963-1964 school term at a year at this time. Thus, the employees, 43 adminis- reasons, personnel holding whose salaries are con- ger, second ward, and Tom vantage point of youth. perience as planning board 1975, and teaches courses special meeting last week. special meeting was held trators, supervisors and 38 staff positions have been tingent upon federal or Quinn, fourth ward, in "Westfield is fortunate to attorney, as well as the ex- in business law, accoun- According to law, the last Wednesday. -
Girls Like Us: Linder
Linder Sterling is a British These include her 13-hour artist and performer whose NICOLE EMMENEGGER improvised dance perfor- career spans the 1970s WORDS mance piece Darktown Cake- B Manchester punk scene to Y walk and her most recent her current collaborations work, The Ultimate Form, a with Tate St. Ives and The 'performance ballet' inspired Hepworth Centre in north- at the photographed by Barbara Hepworth, fea- west England. turing dancers from North- PORTRAITS PORTRAITS ern Ballet and costumes by She has worked in a variety B arbara Pam Hogg. of mediums – from music H B Y DEVIN (as singer/songwriter/gui- Ives St. Tate Museum in epworth We met at the The Barbican B tarist for post-punk band LAIR Centre in London on a crisp Ludus) and collage (using March morning, just days a steady scalpel to splice after the opening of her first pornographic images into big retrospective at Le Musée feminist statements), to her d’Art Moderne in Paris. current durational works. Linder 18 19 Nicole Emmenegger: First off, thank you for send- Yes, I used to have this fascination for the mid-fifties. People ing through the preparatory text about you and your I know at every age seem to have this fascination about the work. It ended up being ten pages in 10-point font! culture that you were born into, climbed into. It’s your own personal etymology and you have to go back and work it Linder: How strange, I don’t even enjoy writing! out. It’s good detective work. It makes sense and how lucky for you that 1976 was such a great year. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
Pizza Inn ~ Ree •Izza R··············~ R···············,• FREE PIZZA
Southern Illinois University Carbondale OpenSIUC October 1984 Daily Egyptian 1984 10-12-1984 The aiD ly Egyptian, October 12, 1984 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_October1984 Volume 70, Issue 40 Recommended Citation , . "The aiD ly Egyptian, October 12, 1984." (Oct 1984). This Article is brought to you for free and open access by the Daily Egyptian 1984 at OpenSIUC. It has been accepted for inclusion in October 1984 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Pepsi donates new Ii.lain scoreboard for Arena Ih Ed Fo!,.\ be<!n linE'!! up to loot three· W.. II scoreboards would also scoreboa rd for about a yea r Sia H\\rih';' fo urths of the b.1I for the sound need to be ,"stalled at each end Most scoreboard manufacturers s\'stem. accordlO ll to Bruce of the Arena. because the large help clienlS loca te sponsors to .\ gift of a new sroreboard and S"'inburne. \ 'Ice president for size of thc new maIO scoreboa rd buy the equipment. he said . and ~ound svslem for the Arena . student affairs . A sponsor (or would make it nearly impossible the Federal ign Company and \\ orth about $150 .000. has been the remaming one-fourth is for pl ayers and officials to s~ Harry Crisp of Pepsi-ColJ ap offered to the t'mversit\' bUI " expected to be .denllf.ed what's dIsplayed on it. sa id proached the niversity abou. a offiCia ls are not optimi lic that shortly:' according to a Swinburne. -
I Wasn't on Some Campaign to Change the World, I Was a Drummer in A
Contents Masthead The Off 07 Loic maurin Apesanteur [ZERO GRAVITY] 17 The Sum Of The Parts John Maher 28 Dropping Names Don Lombardi 35 Maximum Break Richard Colburn 44 Retirement Bill Bruford 49 Out On A Limb CONTENTS A conversation with Eddie Prevost Issue One, December 2012 57 Rhythm As A Medium Ben Martin 62 Tatsuya Amano クロスフェイス [CROSSFAITH] Subscriptions/Newsletter Editor: Tom Hoare [email protected] Art Director: Luke Douglas [email protected] Web Editor: Andrew Jones Contributors: Ben Martin, Iain Bellamy, Kate Darracott, Flora Hodson, Elspeth Leadbetter, John Maher, Julia Kaye, Jim Bevington Thanks: Tim Wilson, Rew Kubayashi, Ryan Richards, BGM Rhythms, John Williamson, James Walker, Greg & Julia, Alex Sayles, Crystalline Connolley, Papillon Zamprioli, Needham Avenue, Glen Thomson Contact: Editorial: [email protected] Advertising: [email protected] Cover: A preoccupation with time. Reading note: We’ve made this magazine to be readable online, without the need to zoom and MASTHEAD scroll. It looks best when viewed in full screen. Issue One, December 2012 www Copyright © The Drummer’s Journal 2012 The proprietors and contributors to The Drummer’s Journal have asserted their right under the Copyright Designs and Patens Act 1988 to be identified as the owners and authors of this work. THE OFF www welve months ago, the brief conversation which sowed the seeds for The Drummer’s Journal occurred. It was between a good friend and myself. Having dredged out an assorted collection of drum magazines from under my bed, he selected a copy and Tread it cover to cover. He then picked up another and did the same. -
What Questions Should Historians Be Asking About UK Popular Music in the 1970S? John Mullen
What questions should historians be asking about UK popular music in the 1970s? John Mullen To cite this version: John Mullen. What questions should historians be asking about UK popular music in the 1970s?. Bernard Cros; Cornelius Crowley; Thierry Labica. Community in the UK 1970-79, Presses universi- taires de Paris Nanterre, 2017, 978-2-84016-287-2. hal-01817312 HAL Id: hal-01817312 https://hal-normandie-univ.archives-ouvertes.fr/hal-01817312 Submitted on 17 Jun 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. What questions should historians be asking about UK popular music in the 1970s? John Mullen, Université de Rouen Normandie, Equipe ERIAC One of the most important jobs of the historian is to find useful and interesting questions about the past, and the debate about the 1970s has partly been a question of deciding which questions are important. The questions, of course, are not neutral, which is why those numerous commentators for whom the key question is “Did the British people become ungovernable in the 1970s?” might do well to balance this interrogation with other equally non-neutral questions, such as, perhaps, “Did the British elites become unbearable in the 1970s?” My reflection shows, it is true, a preoccupation with “history from below”, but this is the approach most suited to the study of popular music history. -
Razorcake Issue #25 As A
ot too long ago, I went to visit some relatives back in Radon, the Bassholes, or Teengenerate, during every spare moment of Alabama. At first, everybody just asked me how I was my time, even at 3 A.M., was often the only thing that made me feel N doing, how I liked it out in California, why I’m not mar- like I could make something positive out of my life and not just spend N it mopping floors. ried yet, that sort of thing. You know, just the usual small talk ques- tions that people feel compelled to ask, not because they’re really For a long time, records, particularly punk rock records, were my interested but because they’ll feel rude if they don’t. Later on in the only tether to any semblance of hope. Growing up, I was always out of day, my aunt started talking to me about Razorcake, and at one point place even among people who were sort of into the same things as me. she asked me if I got benefits. It’s probably a pretty lame thing to say, but sitting in my room listen- I figured that it was pretty safe to assume that she didn’t mean free ing to Dillinger Four or Panthro UK United 13 was probably the only records and the occasional pizza. “You mean like health insurance?” time that I ever felt like I wasn’t alone. “Yeah,” she said. “Paid vacation, sick days, all that stuff. But listening to music is kind of an abstract. -
Song List by Artist
AMAZING EMBARRASSONIC Song list by Artist CALIFORNIA LUV 2PAC AND DR.DRE DANCING QUEEN ABBA MAMA MIA ABBA S. O. S. ABBA BIG BALLS AC/DC HAVE A DRINK ON ME AC/DC HELLS BELLS AC/DC HIGHWAY TO HELL AC/DC LIVE WIRE AC/DC SIN CITY AC/DC TNT AC/DC WHOLE LOT OF ROSIE AC/DC YOU SHOOK ME ALL NIGHT LONG AC/DC CUTS LIKE A KNIFE ADAMS, BRYAN SUMMER OF '69 ADAMS, BRYAN DRAW THE LINE AEROSMITH SICK AS A DOG AEROSMITH WALK THIS WAY AEROSMITH REMEMBER( WALKING IN THE SAND) AEROSMITH BEAUTIFUL AGUILARA, CHRISTINA LOST IN LOVE AIR SUPPLY MOUNTAIN MUSIC ALABAMA ROOSTER ALICE IN CHAINS ONE WAY OUT ALLMAN BROS RAMBLIN MAN ALLMAN BROS SISTER GOLDEN HAIR AMERICA SHE'S HAVING MY BABY ANKA, PAUL SUGAR, SUGAR ARCHIES AINT SEEN NOTHING YET BACHMAN TURNER OVERDRIVE LET IT RIDE BACHMAN TURNER OVERDRIVE TAKIN CARE OF BUSINESS BACHMAN TURNER OVERDRIVE EVERYBODY BACKSTREET BOYS FEEL LIKE MAKIN' LUV BAD CO. GOOD LOVIN' GONE BAD BAD CO. SHOOTING STAR BAD CO. NO MATTER WHAT BADFINGER DO THEY KNOW IT'S X-MAS BAND-AID MANIC MONDAY BANGLES WALK LIKE AN EGYPTIAN BANGLES SATURDAY NIGHT BAY CITY ROLLERS IN MY ROOM BEACH BOYS FIGHT FOR YOUR RIGHT TO PARTY BEASTIE BOYS COME TOGETHER BEATLES DAY TRIPPER BEATLES HARD DAYS NIGHT BEATLES LET IT BE BEATLES HELTER SKELTER BEATLES HEY JUDE BEATLES SOMETHING BEATLES TWIST AND SHOUT BEATLES LOSER BECK JIVE TALKIN' BEE GEES www.amazingembarrassonic.com Page 1 9/30/15 AMAZING EMBARRASSONIC Song list by Artist MASSACHUSETTS BEE GEES STAYIN' ALIVE BEE GEES HEARTBREAKER BENATAR, PAT HELL IS FOR CHILDREN BENATAR, PAT HIT ME W/YOUR BEST SHOT -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Punk-rock (These are excerpts from my book "A History of Rock and Dance Music") London's burning TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The effervescence of New York's underground scene was contagious and spread to England with a 1976 tour of the Ramones that was artfully manipulated to start a fad (after the "100 Club Festival" of september 1976 that turned British punk-rock into a national phenomenon). In the USA the punk subculture was a combination of subterranean record industry and of teenage angst. In Britain it became a combination of fashion and of unemployment. Music in London had been a component of fashion since the times of the Swinging London (read: Rolling Stones). Punk-rock was first and foremost a fad that took over the Kingdom by storm. However, the social component was even stronger than in the USA: it was not only a generic malaise, it was a specific catastrophe. The iron rule of prime minister Margaret Thatcher had salvaged Britain from sliding into the Third World, but had caused devastation in the social fabric of the industrial cities, where unemployment and poverty reached unprecedented levels and racial tensions were brooding. -
BUZZCOCKS Christmas 1976. Manchester Punk Pioneers
BUZZCOCKS Christmas 1976. Manchester punk pioneers Buzzcocks formed by Howard Devoto and Pete Shelley have recorded and are just about to have phenomenal success with the groundbreaking, Spiral Scratch EP. Two months later, as the release starts to take off, Howard Devoto leaves. A quick reshuffle and Pete Shelley takes over lead vocals. Over the years, the lineups change. Only Pete Shelley and Steve Diggle remain constant members of this iconic band. The methodology remains constant too: short, sharp slices of sublime guitar punk pop music, revered by a global army of fans and vitally influential to legions of bands coming up behind. Flash-forward to 2018. Buzzcocks have been throttling back a bit, being a bit more exclusive but still very busy. The band signs their catalogue to Domino Records and announce a landmark performance of “Singles Going Steady” at the Royal Albert Hall for June 2019 with The Skids and Penetration. It looks as if Buzzcocks are going to enjoy some well deserved and high profile recognition of their contribution to British culture. On 6th December, that bright prospect is thrown into darkness with Pete's tragic and unexpected death. The Albert Hall show is recast as a tribute to Pete Shelley with remaining members Steve Diggle, Chris Remington, and Danny Farrant, joined by original band members, 'special guest' vocalists and guitarists. For now and into the future Buzzcocks will continue with Steve on lead vocals/guitar, Chris Remington on Bass, and Danny Farrant on Drums with an added guitarist. Commitments will be honoured; you can't hold a good band down. -
Punk's Division of Labour
Cadernos de Arte e Antropologia Vol. 6, No 1 | 2017 I Wanna Be Your Punk: DIY e culturas underground Design it Yourself? Punk’s Division of Labour Dr Russ Bestley Electronic version URL: http://journals.openedition.org/cadernosaa/1219 DOI: 10.4000/cadernosaa.1219 ISSN: 2238-0361 Publisher Núcleo de Antropologia Visual da Bahia Printed version Number of pages: 71-87 Electronic reference Dr Russ Bestley, « Design it Yourself? Punk’s Division of Labour », Cadernos de Arte e Antropologia [Online], Vol. 6, No 1 | 2017, Online since 01 April 2017, connection on 19 April 2019. URL : http:// journals.openedition.org/cadernosaa/1219 ; DOI : 10.4000/cadernosaa.1219 © Cadernos de Arte e Antropologia CADERNOSDESIGN IT YOURSELF? PUNK’S DIVISION OF LABOUR AA Dr Russ Bestley1 London College of Communication, United Kingdom Punk’s do-it-yourself call to arms led to a widespread adoption of the rhetoric, if not always the practice, of independence from traditional means of production. During the early period of punk’s development in the United Kingdom, a distinct division of labour can be seen in the impact of an ‘anyone can do it’ DIY ethos on a range of activities.2 hese range from live performance to the creation and manufacture of punk artifacts (clothes, posters, lyers, fanzines, records). While some of these areas ofered new opportunities for amateur producers, within more technical areas of manufacturing, including the physical production of records, do-it-yourself could only have a nominal impact. Many punk groups did not have access to sound recording technologies, and even of they did, they would have to hand over the cutting and pressing of vinyl to a professional outit. -
Theatre Where “ a Chorus of the Magazines
■ZM r. fe' -»i- ■- j GOV. BROWN AT A GAY PARTY WITH GOVERNOR BROVWM HERE IN SAN FRANCISCO, PROMISES & OOIWVIITMENTS. Details page 8 Photo GUY CORKY Continued from p«ce 2 PMC 3 The Art Commission was also MORE STREET VIOLENCE PM« 2 On Target victim, if it had not been for his thick denying any knowledge oL a sys Editorial coat. tem of “pay offs” worked Kiyt by C alifo rn ia Now that the election is over maybe The responding police officer filed persons in the Neighborhood Arts PERRY A. GEORGE City Hall and the police will find the a routine report, after sending the vic Programs whereby certain individuals time to do something about the vic THE ADAM CLAYTON POWELL POLITICAL AWARENESS AWARD GOES tim to the hospital. who are not actually qualified for NO CRUISING PLEASE ious attacks on gay men and lesbians TO THE ELECTORATE OF THE 5TH DISTRICT THE VOICE contacted Chief Charles any additional CETA money, actually in the streets. do get “ paid” CETA funds through a For all of you who arc too young or too unaware as to remember who Adam LONG BEACH, CA - X gay man On December 3, 1979 about 7:30 R. Gain, and found him deeply con Clayton Powell was, let me refresh your memory, way way back in the distant has been dismissed from his job with cerned. He promised to keep on the technique which has other names in the evening, at the comer of 24th used on the pay check as serrogates 1950’s one of the first black politicians to emerge was Adam Clayton Powell, as Princess Cruises because of “ques and Mission Streets, Michael Emrys case personally, but he leaves on Jan.- time went on and one seamy story after another emerged in the press about him, tionable sexual preference.’’ James 8th, 1980.