DOCSLIB.ORG

Revista De Temas Nicaragüenses. Dedicada a La Investigación Sobre

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Revista De Temas Nicaragüenses. Dedicada a La Investigación Sobre No. 51 - Julio 2012 ISSN 2164-4268 RR E EV V I I SS T T A A DDE E TTE E M M A A S S NNI I CC A A R RA A G GÜ Ü E EN N S S E E S S dedicada a documentar asuntos referentes a Nicaragua Contenido NUESTRA PORTADA Dr. y Gral. Máximo Jerez Tellería (1818-1881) ...............................................................6 Flavio Rivera Montealegre Breve biografía de Máximo Jerez Tellería y su actuación pública desde 1838 hasta su muerte. DE NUESTROS LECTORES................................................................................................ 13 GUÍA DE LECTURA en Tiempo Zero RTN 51 .................................................................... 15 Róger Araica Salas DEL ESCRITORIO DEL EDITOR Nuestra huella de agua ................................................................................................ 21 Se analiza la huella de agua en Nicaragua y se compara con otros países. Por huella de agua se entiende el consumo de agua de lluvia, el consumo de aguas superficiales y profundas (lagos y pozos) y los cuerpos de agua que contaminamos. La exportación de productos agrícolas y animales es también una exportación de agua. LÉXICO MODERNISTA en los Versos de Azul... (3º Entrega) ...........................................25 Eduardo Zepeda-Henríquez Serie alfabética del uso, origen y significado del léxico usado por Rubén Darío en su libro Azul… ENSAYOS La Universidad de Granada y sus tesis doctorales ......................................................28 Jorge Eduardo Arellano El cierre de la Universidad de Granada, recuento de los graduados y sus tesis doctorales El Dr. Rafael Núñez, Benefactor de Rubén Darío......................................................45 Carlos Tünnermann Bernheim Notas biográficas de Rafael Núñez, presidente de Colombia y del apoyo que dio A Rubén Darío, nombrándolo cónsul en Buenos Aires. Las bibliotecas públicas comunitarias en el desarrollo socio-económico de Nicaragua.....................................................................................................................50 James Campbell Jerez 1 Revisión metodológica de las bibliotecas públicas y comunitarias, obstáculos que debe resolver, nueva misión, elementos fundamentales que deben forman la biblioteca, su función social, sistematización de indicadores, comité de apoyo a la bibliotecas, promoción de la biblioteca, programa radial, hábitos de lectura, grupos de trabajo entre los adultos, proyección de películas. Oye como Canta la Cigarra..........................................................................................74 Róger Araica Describe la labor de preservación y protección ambiental que realizan Rubén Rivera y su esposa Chepita, propietarios de la finca Charco Verde, en la isla de Ometepe. Hablando sobre el valor de la vejez y la muerte ..........................................................76 por Hugo J. Vélez Astacio Meditación sobre el significado de la vida y el valor de la vejez y la muerte. Benjamín Itapses .........................................................................................................78 Rubén Darío Las líneas que siguen, fragmentos de El Oro de Mallorca, novela inconclusa y no publicada de Rubén Darío, constituyen uno de los más sugestivos documentos humanos. Bajo el transparente velo de Benjamín Itaspes, músico célebre, se ocultaba el propio Rubén Darío, según confesión, por otra parte inútil, que de viva voz hizo el autor pocos días antes de morir. Posdata, en España...................................................................................................... 81 Rubén Darío Estas páginas de Darío, las más valiosas de su Autobiografía, son fiel trasunto de su estado de ánimo en vísperas de la catástrofe a que había de arrastrarle su paisano Bermúdez, ¡Cuántas ilusiones y tribulaciones al borde de la tumba! HISTORIA Aproximaciones a la Historia de Metapa o Ciudad Darío ..........................................84 Mario Rizo Recuento de la historia del municipio y de los valores humanos que lo enaltecen. El legado histórico de las mujeres en las luchas campesinas de la comarca “La Tronca” .......................................................................................................................110 Mario Argüello Narra la participación de las mujeres de La Tronca en la sindicalización de los campesinos, cuando sus compañeros sufrían prisión. Datos curiosos sobre algunos Conquistadores de Nicaragua................................... 132 Eddy Kuhl Descripción de las aventuras de los conquistadores Hernado de Soto y Hernán Ponce de León en Nicaragua, y de otros capitanes. MEDIO AMBIENTE La Salvación de Nicaragua .........................................................................................141 Guillermo Noffal Zepeda 2 Un llamado a los nicaragüenses y a sus gobernantes para salvar el lago Xolotlán de la contaminación, y los efectos positivos que su ecuperación tendrían sobre el desarrollo del país. TEMAS MEXICANOS En homenaje a Carlos Fuentes: Una re-lectura de su “Aura” a la luz de un posible modelo real................................................................................................................. 154 Víctor Valembois Analiza la novela de Carlos Fuentes “Aura” y relaciona a la protagonista con un personaje real, la esposa de Maximiliano, Emperador de México, Marie Charlotte, para usar solo dos de sus ocho nombres. PINTURA CAMPESINA Wilfredo González y su Mural de Animales Silvestres .............................................. 157 GEOGRAFÍA El Mapa de 1826 de las Provincias Unidas de América Central................................ 158 José Mejía Lacayo Se usa el mapa de los países de América Central para describir los errores repetitivos que plagaron todos los mapas hasta poco antes del siglo XX. ARCHAEOLOGY - ENGLISH SECTION “Quebrada de las Inscripciones”............................................................................... 167 Epraim G. Squier This paper from E. G. Squier describes the petroglyphs at Cailagua, Masaya. The modern papers, which try an interpretation of the meaning of petroglyphs, do not have any historical or scientific value, according to archaeologists. Reproducing this paper from Squier is a way of returning to the petroglyphs their historical and scientific values. GENEALOGÍA Primera aproximación a los Solari Vidaurre de Nicaragua ........................................... 174 Norman Caldera Cardenal Recopila la geenalogía de la familia Solari en Nicaragua que son el caso más complicado, pero si no intento al menos una aproximación, tendría que dejarlos por fuera. Hago la aclaración del caso y espero que las correcciones me las aporten los lectors. HISTORIA NATURAL Cedro Macho.............................................................................................................. 188 Describe una de las maderas comerciales desde el punto de vista botánico, por sus propiedades mecánicas y usos, para divulgar conocimientos. Nuestras Palomas y Tórtolas..................................................................................... 192 Una descripción ornitológica de las palomas y tórtolas identificadas en Nicaragua RESEÑAS Un Testimonio Singular de la Poesía Nicaragüense del Siglo XXI.......................... 202 Milagros Hernández Chiliberti Reseña el libro de poemas “Lluvia en Verano” de Alexander Zosa Cano. 3 Presentación de Eddy Kühl en el Cafetín Literario Kolschitzky en Masaya............. 206 Francisco-Ernesto Martínez Presentación de Eddy Kühl a la audiencia del Cafetín Literario Kolschitzky, Masaya el 7 de febrero de 2009. Datos biográficos y publicaciones de Eddy Kühl. 4 Editor: José Mejía Lacayo [email protected] Sitio Web: www.temasnicas.net Correo: [email protected] Diseño de portada: Flavio Rivera Montealegre ISSN 2164-4268, Revista de Temas Nicaragüenses, No. 51, Julio 2012, publicada mensualmente por José T. Mejía, 3861 S. Deerwood Dr., Harvey, LA 70058, USA ISSN ISSN 2164-4268, Revista de Temas Nicaragüenses, No. 51, Julio 2012, published monthly by José T. Mejía, 3861 S. Deerwood Dr., Harvey, LA 70058, USA Derechos de Autor © Los autores de los artículos – Julio 2012 Cada artículo es propiedad del autor del artículo y no puede ser distribuido ni reprodu- cido individualmente, salvo aquellos que sean del dominio público. La publicación de cada artí- culo requiere la autorización del autor del artículo, quien puede enviarle una copia del artículo solicitado. © José T. Mejía, editor - Julio 2012 La revista entera como archivo PDF es propiedad de José T. Mejía, quien no es respon- sable del contenido de los artículos. Se autoriza la redistribución de la revista entera para uso no comercial, y la impresión de una copia para uso no comercial. La integridad del archivo PDF debe respetarse; se prohíbe la extracción de los artículos individuales de la revista. Copyright Notice © The authors of each article - July 2012 Each article is the property of its author and may not be individually reproduced or dis- tributed, except those that are in the public domain. Publication of the individual articles re- quires the author’s prior written permission that may send a copy of the article upon request. © Jose T. Mejia, editor - July 2012 The magazine as a whole as a PDF file is property of José T. Mejía, who is not respon- sible for the contents of the articles. Its redistribution for non-commercial use is authorized as well as the printing of one copy for non-commercial use. Te integrity of the PDF file shall be respected; it is prohibited the extraction of any individual
Load more

Recommended publications
  • Andrea Solari Oil Paintings
    Andrea Solari Oil Paintings Andrea Solari [Italian Renaissance painter, 1460-1524] Charles d'Amboise canvas painting, 48244-Solari, Andrea-Charles d'Amboise.jpg Oil Painting ID: 48244 | Order the painting Ecce Homo canvas painting, 48245-Solari, Andrea-Ecce Homo.jpg Oil Painting ID: 48245 | Order the painting Man with a Pink Carnation canvas painting, 48246-Solari, Andrea-Man with a Pink Carnation.jpg Oil Painting ID: 48246 | Order the painting Portrait of a Man canvas painting, 48247-Solari, Andrea-Portrait of a Man.jpg Oil Painting ID: 48247 | Order the painting The Lute Player canvas painting, 48248-Solari, Andrea-The Lute Player.jpg Oil Painting ID: 48248 | Order the painting 1/2 Virgin of the Green Cushion canvas painting, 48249-Solari, Andrea-Virgin of the Green Cushion.jpg Oil Painting ID: 48249 | Order the painting Total 1 page, [1] Solari, Andrea (Nationality : Italian Renaissance painter, 1460-1524) Andrea Solari (also Solario) (1460 in Milano - 1524) was an Italian Renaissance painter. Initially named Andre del Gobbo, he was one of the most important followers of Leonardo da Vinci, and brother of Cristoforo Solari, who gave him his first training. His paintings can be seen in Venice, Milan, The Louvre and the Château de Gaillon (Normandie, France). One of his better known paintings is the Virgin of the Green Cushion (c. 1507) in the Louvre (illustrated here). • We provide hand painted reproductions of old master paintings. You will be amazed at their accuracy. • If you can't find what you are looking for? Please Click Here for upload images for quote.
    [Show full text]
  • The Art of the Metropolitan Museum of New York
    tCbe Hrt of tbe flftetiopoUtan fIDuseum 3Bg tbe Same Butbor 2L XTbe art of tbe IRetberlanb (Balleriea Being a History of the Dutch School of Painting Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in the many Galleries With 48 Illustrations. Price, $2.00 net £ L. C. PAGE & COMPANY New England Building, Boston, Mass. GIBBS - C HANNING PORTRAIT OF GEORGE WASHINGTON. By Gilbert Stuart. (See page 287) fje gtrt of iWetcopolitany 3*1 it scnut of 3Ul” Motfe & Giving a descriptive and critical account of its treasures, which represent the arts and crafts from remote antiquity to the present time. ^ By David C. Preyer, M. A. Author of “ The Art of the Netherland Galleries,” etc. Illustrated Boston L. C. Page & Company MDCCCC1 X Copyright, 1909 By L. C. Page & Company (incorporated) All rights reservea First Impression, November, 1909 Electrotyped and Printed at THE COLONIAL PRESS C.H . Simonas Sr Co., Boston U.S.A. , preface A visit to a museum with a guide book is not inspiring. Works of art when viewed should con- vey their own message, and leave their own im- pression. And yet, the deeper this impression, the more inspiring this message, the more anxious we will be for some further information than that conveyed by the attached tablet, or the catalogue reference. The aim of this book is to gratify this desire, to enable us to have a better understanding of the works of art exhibited in the Metropolitan Museum, to point out their corelation, and thus increase our appreciation of the treasures we have seen and admired.
    [Show full text]
  • Giovan Antonio Bazzi (Il Sodoma) Pittore Vercellese Del Secolo
    C. FACCIO V tf GiOVAN ? ^ »» ANTON IO SAZZI ' > I L SO DO /A A f» ^ ^ * ’tIv ."> -)|^ ^ -9|f -^ -^ 9K“ -7 -^ )!(* *)|f ^ -)i^ ^ ^ ^ -^ ^ ^ ' ^ ^ ^ -yf: ^ r' ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ' " ^ ^ ^ )|^ -yf: ^ ^ ^ ^ ^ **^**^*^%*^********^ ~ ^ -7^ '"7F ?|^ -^ ^ -7^ -^r ^ ' ~ 9|f )!( z)!^ ^ ^ ^ ^ ^ ^ , *M*M44*M*!*M*M*!+!4*Ì^ ~ -^, -)|^ "4^ -)|f ")|^ '^. '^ ^ si/^J.^viv’^vi-'^U^'^^l.'^^l.^si/ si/ - nÌ/ si/ si/ si/ \|/ si/ si/ si/ si/ :4/ >1/ si/ \U -Tjt ^ ^ ^ Tfr •#: ^ si/ / si/ si/ si/ si/ si/ si/ si/ si/ si/ si/ si/ si/ si/ N^ si/ si/ \L> ’ sy •y . w jk- Sr w y w w ^ w j; ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ -)k ^ /TV. /TS. /fS /^ ^ /fv /7\ /T\ /^ /|\ /JS .TS . /Tv .^?TV. si/ si/ - si/ si/ si/ s^ si/ S^ si/ si/ si/ ^ si/ si/ si/ sL- - - ^ ."^^-7^'^:?|t,-^'^ 'Jjt if: , -ifr if^- ^ ^ ’k -i :% T'^ - •<•% '• t. • \ ,y' i t » ’S iiS s V \ À'.àLs' : ' Digitized by thè Internet Archive in 2016 with funding from Getty Research Institute https://archive.org/details/giovanantoniobazOOfacc GIOVAN ANTONIO BAZZI PITTORE VERCELLESE DEL SECCÌUÌ XVI Protome di Giovai! Antonio Pazzi dello scultore Cav. Francesco Porzio donata al Municipio di Vercelli dnll’avv, Antonio borgogna. (Fot. Masoero, Vercelli). CESARE FACCIO GIOVAN ANTONIO BAZZI (IL SODOMA) PITTORE VERCELLESE DEL SECOLO XVI VERGEI. LI GALLARDI & UGO - EDITORI 1902. Proprietà Letteraria VERCELLI PREMIATA TIPO-LITOGRAFIA GALLARLI E UGO 1902 THE J. PAUL GETTY fwUSEUM LIBRARY ALLA CITTÀ IX CUI XAC(^UE QUESTO STUDIO IL QUALE ATTESTA E DIMOSrRA COME NOX IXOXOKATO SUOXASSE NEL SECOLO PIU LU.AIIXOSO DELL’ ARTE ITALIAXA IL XOME DI VERCELLI E ]>ER MERITO DELLA SCUOLA DI PITTURA AI.LORA IX ESSA FIORl-;XTE E PER l’cJPERA ILLUS'PRE DEL ORAXDISSLAIO ARTEFICE XATO E CRESCIUTO ALL’oMPRA DELLE SUE TORRI l’ autore COX AFFETTO DI FIGLIUOLO AMOROSISSIMO D.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6’ x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NOTE TO USERS Copyrighted materials in this document have not been filmed at the request of the author. They are available for consultation at the author’s university library.
    [Show full text]
  • Europeana Network Association AGM 2017
    Practical Information Europeana Network Association AGM 2017 Contact Person responsible for the event: - Gina van der Linden +31 642 573 121 Venue Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci (Via San Vittore, 21, 20123 Milano, Italy). Useful numbers • Dial code for Italy: +39 • Emergency: call 112, the EU-wide emergency number for the police, fire and ambulance services Registration Please follow the signs inside the museum that will lead you to the registration desk which will be located close to the auditorium. At the registration desk you will receive your badge and conference folder. Your badge must be visibly displayed at all times during the meeting and the reception in the evening. Directions from the airport to the museum Getting to the city centre from the airport takes about 55-60 minutes by public transport. The Malpensa Express stops at Malpensa Airport terminal 1 and takes you to Milano N. Cadorna. It will be a 10 minute walk from the station to the museum: • Head west on Via Giovanni Boccaccio towards Via G. Leopardi • At the roundabout, take the 2nd exit onto Via Caradosso • Turn right onto Corso Magenta • Turn left onto Via Bernardino Zenale • Turn left onto Via San Vittore • You will find the destination on the right More information and the schedule of the Malpensa Express can be found here: http://www.milanomalpensa-airport.com/en/directions-and-parking/to-and-from/by- train. Prices for the Malpensa Express can be found here: http://www.malpensaexpress.it. 1/2 Europeana Annual General Meeting 2017 The European Culture Forum Please find below the directions from the Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci to the venue where the European Culture Forum will be held, Superstudio Group, Via Tortona, 27, 20144 Milan.
    [Show full text]
  • Leonardo Da Vinci 1452-1519
    *LXOLR&DURWWL /HRQDUGRGD9LQFL ,Q³/HRSHUHGL/HRQDUGR%UDPDQWHH5DIIDHOOR´0LODQR ,Q³/HRSHUHGL/HRQDUGR%UDPDQWHH5DIIDHOOR´0LODQR 3(5,2'2*,29$1,/( ,JUDQGLDUWLVWLQRQVRQRPDLVWDWLVROWDQWRHPLQHQWLDUFKLWHWWLRVFXOWRULR SLWWRUL EHQVu DQFKH XRPLQL GL JHQLR H WDORUD GL IDFROWj XQLYHUVDOL QRQ VROR FROWLYDURQR SDUHFFKL UDPL GHOO¶DUWH PD HEEHUR SXU VHPSUH YDVWD FXOWXUD PHQWH DOWDHSURIRQGRVHQWLUH3HUzTXDOJHQLRSLXQLYHUVDOHGL/HRQDUGRTXDOHPHQWH SLVWUDRUGLQDULDGHOODVXDHTXDOHLGHDOLWjSLVXEOLPH"(JOLFROWLYzDGXQWHPSR OHVFLHQ]HQDWXUDOLILVLFKHHPDWHPDWLFKHO¶LQJHJQHULDOHOHWWHUHODPXVLFDHOH DUWLEHOOHHWUDTXHVWHVSHFLDOPHQWHODSLWWXUDHODVFXOWXUD 6FKL]]RGLWHVWDJLRYDQLOH)UDPPHQWRGLXQGLVHJQR² 5DFFROWD:LQGVRU 1HOOHRSHUHGLSLWWXUDRGLVFXOWXUDGHJOLDUWLVWLPDJJLRULFKHULVSOHQGHWWHUR LQWRUQR DOO¶DQQR FLQTXHFHQWR GL 5DIIDHOOR GL 0LFKHODQJHOR GL 7L]LDQR GHO &RUUHJJLR SHU QRQ ULFRUGDUQH FKH L SL FHOHEUL QRL WURYLDPR DQFRUD D VEDO]L WUDFFLDGHOORVWLOHHGHOODWHFQLFDGLSLVFXROHGHOOHTXDOLHVVLIXURQRDGXQWHPSR OD VLQWHVL FRPSOHVVLYD H O¶DSRJHR H OD WURYLDPR SHUVLQR DQFRUD LQ DOFXQH GHOOH FUHD]LRQL GHOOD ORUR HWj PDWXUD ,Q /HRQDUGR FLz QRQ DYYLHQH 1HOOD VXD JLRYLQH]]DQDWXUDOPHQWHHJOLVLDVVLPLOzWXWWDODWHFQLFDHSHUVLQRORVWLOHGHOOD VFXRODILRUHQWLQDGLSLWWXUDHGLVFXOWXUDJLXQWDDOORUDDOVXRSLHQRVYROJLPHQWR VHJXu SDUWLFRODUPHQWH LO PDHVWUR VXR LO 9HUURFFKLR H VL DYYLFLQz SXU PROWR DOOD PDQLHUD GHL 3ROODLXROR H GHO %RWWLFHOL O¶DQDORJLD FROOR VWLOH GHO 9HUURFFKLR GDSSULQFLSLRIXWDOHFKHSHUFHUWHRSHUHDYYLHQHGLULPDQHUGXEELRVLVHVLDQVXHR GHO PDHVWUR PD SRL XQD YROWD LQ SLHQR SRVVHVVR
    [Show full text]
  • Salvator Mundi Steven J. Frank ([email protected])
    A Neural Network Looks at Leonardo’s(?) Salvator Mundi Steven J. Frank ([email protected]) and Andrea M. Frank ([email protected])1 Abstract: We use convolutional neural networks (CNNs) to analyze authorship questions surrounding the works of Leonardo da Vinci in particular, Salvator Mundi, the world’s most expensive painting and among the most controversial. Trained on the works of an artist under study and visually comparable works of other artists, our system can identify likely forgeries and shed light on attribution controversies. Leonardo’s few extant paintings test the limits of our system and require corroborative techniques of testing and analysis. Introduction The paintings of Leonardo da Vinci (1452-1519) represent a particularly challenging body of work for any attribution effort, human or computational. Exalted as the canonical Renaissance genius and polymath, Leonardo’s imagination and drafting skills brought extraordinary success to his many endeavors from painting, sculpture, and drawing to astronomy, botany, and engineering. His pursuit of perfection ensured the great quality, but also the small quantity, of his finished paintings. Experts have identified fewer than 20 attributable in whole or in large part to him. For the connoisseur or scholar, this narrow body of work severely restricts analysis based on signature stylistic expressions or working methods (Berenson, 1952). For automated analysis using data-hungry convolutional neural networks (CNNs), this paucity of images tests the limits of a “deep learning” methodology. Our approach to analysis is based on the concept of image entropy, which corresponds roughly to visual diversity. While simple geometric shapes have low image entropy, that of a typical painting is dramatically higher.
    [Show full text]
  • Centri Convenzionati Aggiornato Al Settembre 2016 ABRUZZO
    Consulta il centro convenzionato più vicino a te Per maggiori informazioni e/o aggiornamenti del presente elenco, l’Assicurato potrà rivolgersi al numero verde 800.196914 di Blue Assistance S.p.A. oppure consultare la propria area riservata sul sito www.blueassistance.it. Assicurazioni Investimenti Risparmio Salute Elenco centri convenzionati aggiornato al settembre 2016 ABRUZZO REGIONE STRUTTURA TIPO STRUTTURA INDIRIZZO NUM. TELEF. CITTA’ ABRUZZO CASA DI CURA DI Casa di Cura Via Veneto, 29 0863/4281 67051 AVEZZANO - AQ LORENZO ABRUZZO ECORAD MEDICAL Centro Medico Via Trento, 71 0863/20835 67051 AVEZZANO - AQ SYSTEM ABRUZZO VILLA LETIZIA Casa di Cura S.S. 80 n. 25/b 0862/46061 67010 PRETURO - AQ ABRUZZO DOTT. G. SPATOCCO Casa di Cura Viale Amendola, 93 0871/3521 66100 CHIETI - CH ABRUZZO LABORATORIO ANALISI Centro Medico Largo G.B. Vico, 15 0871/330191 66100 CHIETI - CH CLINICHE DR. NICOLA DI PERNA ABRUZZO ISTITUTO DIAGNOSTICO Centro Medico Viale Cappuccini, 49/51 0872/40459 66034 LANCIANO - CH ITALIANO MADONNA DEL PONTE ABRUZZO CENTRO INALAZIONI Centro Medico Via Venezia, 21 0873/343500 66050 SAN SALVO - CH FISIOKINESITERAPIA ABRUZZO CENTRO FERAGALLI Centro Medico Via Ancona, 25 085/4211992 65100 PESCARA - PE ABRUZZO FISIOTER Centro Medico Via F.F. D'Avalos, 9 085/7996252 65126 PESCARA - PE ABRUZZO KINESIS Centro Medico Via Regina Margherita, 085/374203 65123 PESCARA - PE 15 bis ABRUZZO LABORATORIO ANALISI Centro Medico Viale Regina Elena, 085/374108 65100 PESCARA - PE CLINICHE CARBONI 120/122 ABRUZZO LABORATORIO ANALISI Centro Medico Via Nicola Fabrizi, 127 085/4211933 65122 PESCARA - PE MARCHEGIANI ABRUZZO PIERANGELI Casa di Cura P.zza Pierangeli, 1 085/42411 65124 PESCARA - PE ABRUZZO STATIC DI PESCARA Centro Medico Via R.
    [Show full text]
  • Coombs2013vol1.Pdf (5.079Mb)
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. 'Distantia Jungit': Scots Patronage of the Visual Arts in France, c.1445 – c.1545 Volume 1 Bryony J Coombs Ph.D. History of Art The University of Edinburgh 2013 'Distantia Jungit'1 1 'Unites things distant,' or 'joins things that were apart'. Bérault Stuart d'Aubigny's motto referring to his role as the 'buckle' between the kingdom of Scotland and the kingdom of France. Giovio, 1559, 92. DECLARATION I hereby declare that this thesis is my own work and has not been submitted for any other degree or professional qualification except as specified. Signature:....................................................................... Date:......................... iii ABSTRACT This thesis examines interest in the visual arts by patrons of Scottish descent, active in France, c.1445 to c.1545: the Monypenny family, Bérault and Robert Stuart d'Aubigny, and John Stuart, Duke of Albany.
    [Show full text]
  • Compact Discs / DVD-Blu-Ray Recent Releases - Spring 2017
    Compact Discs / DVD-Blu-ray Recent Releases - Spring 2017 Compact Discs 2L Records Under The Wing of The Rock. 4 sound discs $24.98 2L Records ©2016 2L 119 SACD 7041888520924 Music by Sally Beamish, Benjamin Britten, Henning Kraggerud, Arne Nordheim, and Olav Anton Thommessen. With Soon-Mi Chung, Henning Kraggerud, and Oslo Camerata. Hybrid SACD. http://www.tfront.com/p-399168-under-the-wing-of-the-rock.aspx 4tay Records Hoover, Katherine, Requiem For The Innocent. 1 sound disc $17.98 4tay Records ©2016 4TAY 4048 681585404829 Katherine Hoover: The Last Invocation -- Echo -- Prayer In Time of War -- Peace Is The Way -- Paul Davies: Ave Maria -- David Lipten: A Widow’s Song -- How To -- Katherine Hoover: Requiem For The Innocent. Performed by the New York Virtuoso Singers. http://www.tfront.com/p-415481-requiem-for-the-innocent.aspx Rozow, Shie, Musical Fantasy. 1 sound disc $17.98 4tay Records ©2016 4TAY 4047 2 681585404720 Contents: Fantasia Appassionata -- Expedition -- Fantasy in Flight -- Destination Unknown -- Journey -- Uncharted Territory -- Esme’s Moon -- Old Friends -- Ananke. With Robert Thies, piano; The Lyris Quartet; Luke Maurer, viola; Brian O’Connor, French horn. http://www.tfront.com/p-410070-musical-fantasy.aspx Zaimont, Judith Lang, Pure, Cool (Water) : Symphony No. 4; Piano Trio No. 1 (Russian Summer). 1 sound disc $17.98 4tay Records ©2016 4TAY 4003 2 888295336697 With the Janacek Philharmonic Orchestra; Peter Winograd, violin; Peter Wyrick, cello; Joanne Polk, piano. http://www.tfront.com/p-398594-pure-cool-water-symphony-no-4-piano-trio-no-1-russian-summer.aspx Aca Records Trios For Viola d'Amore and Flute.
    [Show full text]
  • Pictorial Composition Schemes
    Jurate Macnoriute Pictorial Composition Schemes Introduction Let us determine pictorial composition as an arrangement of parts for forming a unified whole in such order that maximally helps for idea's expression. Let us determine compositional scheme (or pictorial composition scheme) as a structural geometric figure on that basis picture details are arranged. In most wide way pictorial composition schemes were analyzed by American artist and art theorist Henry Rankin Poore and published as book Pictorial Composition in 1903. Undoubtedly this Henry Rankin Poore's publication and two others (The Conception of Art, 1913; Art Principles in Practice, 1930) are substantial works of worldwide significance in realm of art composition. They represented best tutorials for American artists of the first half of the 20th century. On Poore's theoretical basis the generation of E.Hopper grew. I suxeeded to read H.R.Poore's Pictorial Composition in Lithuanian republican library in the end of 1994 when I prepared to represent my own art theories for professors of Vilnius art academy and interested in works of other similar authors. Later I tried to find this book for rereading in the same library, but could not -- it was already stolen -- what shows Poore's popularity. Fortunately leastwise my conspectus of Pictorial Composition survived in five pages. Thus I can know that H.R.Poore marked the seven schemes of pictorial composition: the triangle, the scales, the circle, the cross, rays, curvature or figure of letter S, and the rectangle (Fig.1). Some indetermination lies in H.R.Poore's addition of perspective planes: 1.
    [Show full text]
  • Bernardino Licinio: Portraiture, Kinship and Community in Renaissance Venice
    Bernardino Licinio: Portraiture, Kinship and Community in Renaissance Venice by Karine Tsoumis A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Karine Tsoumis 2013 Bernardino Licinio: Portraiture, Kinship and Community in Renaissance Venice Karine Tsoumis Doctor of Philosophy Department of Art University of Toronto 2013 Abstract Bernardino Licinio was a painter of Bergamasque origin active in Venice from c. 1510 to c. 1550. Licinio was a prolific painter of portraits, concert scenes and religious images for the home and headed a prosperous family workshop. Yet the artist is largely denied importance within the current art historical narrative, being conceived as “minor,” “provincial” or “second- rate.” My dissertation questions the “constructedness” of historical identities and presents the first nuanced understanding of Licinio’s place within Venetian culture. I argue that his status as “minor” is a modern construct rather than a reflection of his contemporaries’ perception. My dissertation inscribes itself within endeavours to “de-centre” the Renaissance conceptually, and is especially indebted to recent studies of material culture that challenge art historical hierarchies and aesthetic biases. The dissertation provides a multilayered reading of Bernardino Licinio’s artistic identity through frameworks that stem from what I consider unique aspects of his practice, while others arise from problems posed by his historiographical reception. The artist’s position between Venice and Bergamo provides the line of enquiry for chapter one, where I engage with the Bergamasque ii community conceived, on the one hand, as a form of historiographical framing, and on the other, as a social reality.
    [Show full text]