DOCSLIB.ORG

1999-2007 (Pdf)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1999-2007 (Pdf) Orchestral Training Association Orchestra in 1952. From 1954 to 1956, hehmpleted the Teachers Certijication Program at Teachers College, Columbia University. From 1960 to 196 1, he taught music theory and composition at the University of Alabama. He taught music theory and composition at Western Illinois University from 1966-1968, at Paterson State College from 1968 to 1970 and from 1977 to 1978, and at Herbert H. Lehman, CUNY from 1970 to 1977. Allan is Professor Emeritus of Virginia Commonwealth University, where. he taught from 1978 to 1996:Allan1s works are published by Boosey & Hawkes, Associated Music Publishers, Carl Fischer & Company, Seesaw Music Corporation, Music For Percussion, Roncorp Incorporated, Falls House Press, and others. His music is recorded on CRI, Orion, Advance, Open Loop, Centaur, Contemporary Record Society, Titanic, Pro Viva, and North/South labels. Allan's composition prizes include awards from the George Eastman Competition (1 983), the National Endowment for the Arts (1983), the Virginia Music Teachers Association (1979, 1988, and 1991), the Eric Satie Mostly Tonal Award, the Chautauqua Annual Choral Competition Award, the Lind Solo Song Competition (l989), and the Flute Choir Competition at the University of-Toledo (1994). Allan is listed in a number of references including the New ,Groves Dictionary of Music and Musicians. Willia Estelle Daughtrey, Hamiton University Professor Emeritus of music, is a native of Portsmouth. She received her Bachelor of Science degree in music education and piano from Hampton Institute, the Master of Music and Doctor of Philosophy degrees in interdisciplii~aryhumanities-musicology from Syracuse University, New York. Willia served on the Hampton University music faculty from 1958 to 1997. Adolphus Hailstork is Professor of Music at Norfolk State University. He received his doctorate in composition from Michigan State University, where he studied with H. Owen Reed. Previously, he had studied at the Manhattan School of Music with Vittorio Giannini and David Diamond, at the American Institute at Fontainbleau with Nadia Boulanger, and at Howard University with Mark Fax. Dolph has written many works for chorus, solo voice, various chamber ensenibles, band, and orchestra. Among his compositions are Celebrahon, which was recorded by the Detroit Symphony Orchestra; the award-winning band compositions, Out ofthe Depths and Amencan Guernica, and the award-winning choral and chamber works, Mourn not the Dead and Consort Prece. In 1990, a consortium of orchestras commissioned the Piano Concerto, which was premiered in 1992. Other coinmissioned works include Festrval Musrc for the Baltimore Symphony and the opera Paul Laurence Dunbar: Comnron Ground for the Dayton Opera Company. Recent perfoimances of Dolph's works have been led by Daniel Barenboim with the Chicago Symphony, Lorin Maezel with the Pittsburgh Symphony, and Kurt Masur with the New York Philharmonic. Bmce Hammel received his Doctor of Music degree in bassoon performance at Florida State University, where. he studied with William Winstead. At the University of Mchigan (Master of Music degree in wind instruments), he studied with Hugh Cooper. He earned a Bachelor of Music Education degree from the Crane School of Music and a Bachelor of Arts degree in biology from Hamilton College. He is Associate Professor of Music at Virginia Commonwealth University, has extensive performance experience. He has served as principal bassoonist with the Amarillo, Tallahassee, and Charlottesville symphonies, and frequently performs with the hchmond Symphony on bassoon and contra-bassoon. He has been an amve performer of chamber music as well and is currently a member of the VCU Woodwind Qwntet, Currents, the University of hchmond's new music ensemble, and the Albermarle Ensemble at the University of Virgirua. He has recorded with the National Wind Players on Klavier records and with Currents on the Centaur label. He recently traveled to Poland to record Allan Blank's Concertinofor Bassoon and Strrng Ensemble with the Polish National Radio Symphony Orchestra. In 1992, he performed as a guest artist at the Shanghai Conservatory in China. James Preston Herbison, a native of Oklahoma City, Oklahoma, is Associate Professor of Music at Norfolk State University, where he teaches music theory, literature, and appreciation and conducts the \UniversityOrchestra He earned the Bachelor of Music Education degree from the University of Oklahoma, the Master of Music degree from the University of Michigan, and the Doctor of Musical Arts degree fiom the Catholic University of America. After his appointment to the faculty at Hampton University in 1970, he taught music theory, coached chamber music, directed the Hampton University combined student and community orchestra, and taught humanities. In addition, he taught and directed orchestra in the Newport News public schools and taught private cello andlor chamber music at the Governor's School for the Arts, Christopher Newport University, and the College of William and Mary. Jim is currently assistant principal , . , : . i: ' .' .. , -' ..... '. I. ... , < ,. ,.. ,. ., . ...I.. - .... ... , I ? .... ....... ... .. ? .../ ... , .. ... ... .. 2.:. .. - ..... , , - ." ',, , . \ ' : .>'- .1 , ........ , . ::.. ..... ... , , . I- .- . ~. - ..... ,. *..I , ... ,,, ... r .... .. .I . i . ? . -. ... -. , . _.I .... , , , :.-. ... ... ... -.<. .... -I . -.-. , , ,. i. ..... ' .:. .' ',. : ,' ; ......... : ,.. +. , ' 1 ... , .. .... ..... I. .,," ' .> ._. ....... , , .' ... , ,. ..... .\ . ... ..... ~ , .... , .- . ,_ . ....... , ,- -.. , , , . ... , .. , .. ;... ,- .....: . ...( \.;. ,' . ,. , .. ., . -. .. $ I. .... .... ... , . .. '. : . ...... - ,. - ..,.- 'I. , ., . , ,. , ... : -. , ,, .. .... :, ., .:.. ....... , .. , .. ......... 1 I . .......... ., - . - _..> . ....... .>. ........ ,. '>\ ., 5 .. :.. ..... - . ',.. , ' .., .I ,: .. ' .. , 2. ..:. :. .... .... , . " : , , ..... ': . ' .piamperfo-& kqh~en~~~te,~$~er~ty.~h~~&~y coa~hes.uith'~hom&~chumaihcr. She. .. .. .. : ....- < .I ;. ... ... ., . : , ' . , , .*&hes pia$ivn liq m.@6 in.~K&sa'&e and at the ~irginia'Govemo~s~Sch.oo1~forfieArts, a&rnpanies'- ::I . ;. ;. '. , . - , -... I( . .... ... &rves,as'p ..-" -;! ' -, ';th&virmaB,@& chbrdt, adju,@citorfor the.Natio@ GuilG of if&o Tedch&..~he ':: , +, < . , .. - . ...: ... fiequehdy.appearsas a.611 ~~et~hol&.~ational~~~tate~rbfessio~Teaching;; '. ...... i ,. , . , >. .. .., .,.... ',-Certificatesfrdm Ml"NA and: FAJ well. as ckrtific+ion through the AmeerieCollege of~usicj'kis:'. .... a ...:. .... ". ... - . , : -.. the 21st idition of.\yho's yoof @eriwWomeni'.Sheis-pBst president of the-. ,, -. - . .. ~ . -:. Jeanette is listed . w - ,. ~id'ter Music ~Achers~ow'aqd prekldent-elect of the Virginia:Misic Teachers AssocSOC&ition:Her ..- :, .: ... ..... , . ,.. ::<!,. ... .,' ...... : articles o<pianq-pedagogy havk been published,by:PianoGGld Notes: She is zq adjunct faculty memW 06 ...; .-. .....% ,; .... - ",A ', - . ..... , - - :: . :. ... .. ..-. ... ....,A .,. , .. ..Ti'dei;vatif~~~~~~~6lle~e.and Old ~omiriionuniveril~; -, "..'. ......... : . , . , .,!: ;.. ' .. - , , .,. ....... ...... -. -. .- . .- ... :... ... , %I. ...... v ... > . ; 5 ,. .' ". ; . 1 ._,I. 0 ' ?' .; ! ..:....., . ...> ... .. .. , ...... I:: Hanis;-iqd'~obert.~ar&llius :. ........ , . .... ~~h~'winsor -&died.clar&d %th.RobefiHanison; Diivid ofthe Clevelimd,' .. ... -"-1 ' . % .... .. Orchestra and composition iviih'John-&ehart:and,J~s,~rs.He received a Bachelor of Music degree . ... , . ; . ,.-:,. ': from H&delbeig'College ada' ~ast&of Arts,;degr&.in.m'usic theory from Kent state'uriiversik He.has ...... '1.:. ..... , . ., ..... L... :.. ,...- taught;music theory iinddesigned bandsmai trairiingg-xktefials'atfhe hedForces school of ~isic.:He:.:~.;...:...: 1 .... .;. ... :. - : ..... ..... i has also taughtcliijriet, -musictheory, and composition at the-virgi~aGovernor's School,f+ the' Arts. - .,Q , . ' , . , ...... ......... ,. .' John's &mposition priies iriclude,the ,lP92-~eli~Vocal Category &yard, the1995 DeliuS ~eybbard' . , .,-I .... : :-~a@g6ry A&&' a.tbl.992-and .199+,VMTA Con@ssioned Composer Competitions. In addition:tq..'1'' ....' - . ' - .... - . - ......... - ..: * .. :. ... ~.,. ' . .many N~~~~~perform&cesarourid the U,+ted,States,.h$ worb.krerkntly!selected forpeerforhnceat ....... -. I . , - ' . :. : the,l998'Southea$em ComposepLeagueFestival and .the' 1998 SCI Region',IKConferen&.He hasalso. ' ., .::. , ,.- . .... ~. , . , . - *e~ed.~rantsfrob the Ameiid Music Center and from.~&tt&e Composer, 1nc: Since ,1992, he'has ' ' : ', ... ... f.. ,. ... ..., . , .received ,commissionsfrdm :@OFVirgida arts.orgktions. Articles bjrand about ;lohn 'have'; ‘... 1 .:' .... *en . ': ....... .' I.. ' I <. ,... , . .iI) ' .: . '. ..... .. .. , ,, . .. &~~edin ~ompo&ruSA:: . .> . ,. ~ , . .. .,>.,-... ... ".I . 8. I.. J I. ..... .. - . - ,_+ ' _ .' . ~ - . , .. , -: ..,, . ,,.. ..i .<.. .. '. ... , . ., 3.. z. '. .......... ........ ..... <'. .: >: ., . ., ; . : , : ...... I . .: . ' : ,,. -. ., ", .. .., * ... ..... ....... , . : .. , :. ,; ,< ' . .': ,. , .. .- ' . , .. ...... : - ,.- .. -. *'I . , . -, . .i ..... ......... -... , . ., . , . .. .. '> . > )I.' .... ,. '.I . ,* . , ...... :. , . , , . .c .. , .. ~. , ... ......:,, ..... ..... ... .,: ... , . t L ..... ... , . I . - - I. ,. , .. ... ... -- ..+. ." .. , , . ,. ,. ,, . , d .,. ,; ... )._- . .. 'I ,,.*,-,. _,. ..... ........ ....... , . ,., . / " *.'., .- . ! '1 ..
Load more

Recommended publications
  • COURSE CATALOG 2016-2017 Academic Calendar
    COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes.
    [Show full text]
  • From the Violin Studio of Sergiu Schwartz
    CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor
    [Show full text]
  • Andrea Solari Oil Paintings
    Andrea Solari Oil Paintings Andrea Solari [Italian Renaissance painter, 1460-1524] Charles d'Amboise canvas painting, 48244-Solari, Andrea-Charles d'Amboise.jpg Oil Painting ID: 48244 | Order the painting Ecce Homo canvas painting, 48245-Solari, Andrea-Ecce Homo.jpg Oil Painting ID: 48245 | Order the painting Man with a Pink Carnation canvas painting, 48246-Solari, Andrea-Man with a Pink Carnation.jpg Oil Painting ID: 48246 | Order the painting Portrait of a Man canvas painting, 48247-Solari, Andrea-Portrait of a Man.jpg Oil Painting ID: 48247 | Order the painting The Lute Player canvas painting, 48248-Solari, Andrea-The Lute Player.jpg Oil Painting ID: 48248 | Order the painting 1/2 Virgin of the Green Cushion canvas painting, 48249-Solari, Andrea-Virgin of the Green Cushion.jpg Oil Painting ID: 48249 | Order the painting Total 1 page, [1] Solari, Andrea (Nationality : Italian Renaissance painter, 1460-1524) Andrea Solari (also Solario) (1460 in Milano - 1524) was an Italian Renaissance painter. Initially named Andre del Gobbo, he was one of the most important followers of Leonardo da Vinci, and brother of Cristoforo Solari, who gave him his first training. His paintings can be seen in Venice, Milan, The Louvre and the Château de Gaillon (Normandie, France). One of his better known paintings is the Virgin of the Green Cushion (c. 1507) in the Louvre (illustrated here). • We provide hand painted reproductions of old master paintings. You will be amazed at their accuracy. • If you can't find what you are looking for? Please Click Here for upload images for quote.
    [Show full text]
  • Eva Dahlgren 4 Vast Resource of Information Not Likely Found in Much of Gay Covers for Sale 6 Mainstream Media
    Lambda Philatelic Journal PUBLICATION OF THE GAY AND LESBIAN HISTORY ON STAMPS CLUB DECEMBER 2004, VOL. 23, NO. 4, ISSN 1541-101X Best Wishes French souvenir sheet issued to celebrate the new year. December 2004, Vol. 23, No. 4 The Lambda Philatelic Journal (ISSN 1541-101X) is published MEMBERSHIP: quarterly by the Gay and Lesbian History on Stamps Club (GLHSC). GLHSC is a study unit of the American Topical As- Yearly dues in the United States, Canada and Mexico are sociation (ATA), Number 458; an affiliate of the American Phila- $10.00. For all other countries, the dues are $15.00. All telic Society (APS), Number 205; and a member of the American checks should be made payable to GLHSC. First Day Cover Society (AFDCS), Number 72. Single issues $3. The objectives of GLHSC are to promote an interest in the col- There are two levels of membership: lection, study and dissemination of knowledge of worldwide philatelic material that depicts: 1) Supportive, your name will not be released to APS, ATA or AFDCS, and 6 Notable men and women and their contributions to society 2) Active, your name will be released to APS, ATA and for whom historical evidence exists of homosexual or bisex- AFDCS (as required). ual orientation, Dues include four issues of the Lambda Philatelic Journal and 6 Mythology, historical events and ideas significant in the his- a copy of the membership directory. (Names will be with- tory of gay culture, held from the directory upon request.) 6 Flora and fauna scientifically proven to having prominent homosexual behavior, and ADVERTISING RATES: 6 Even though emphasis is placed on the above aspects of stamp collecting, GLHSC strongly encourages other phila- Members are entitled to free ads.
    [Show full text]
  • The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
    ! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176
    [Show full text]
  • July 15 All Around Low Er M Anhattan 2012 S Eason Festival G Uide R
    June 17–July 15 all around Lower Manhattan 2012 Season Festival Guide RiverToRiverNYC.com Free to All River To River® Festival Dear Festivalgoers, Lower Manhattan is a neighborhood that encourages With support from many public exploration—off New York City’s geometric grid, its and private partners since 2002, iconic architecture, winding streets, and waterfront pleasures provide unexpected rewards for our residents, River To River Festival has become workers, and visitors. an essential component of Lower Lower Manhattan Cultural Council (LMCC), as the lead Manhattan’s vital and vibrant partner for the River To River Festival since 2011, is cultural life. privileged to work with our partners Arts Brookfield, Battery Park City Authority, and The Seaport to create a Each summer, the Festival activates more than 25 indoor cultural celebration that resonates with Lower and outdoor locations in the neighborhood with an Manhattan’s particular topography. The Festival’s unparalleled collection of music, dance, theater, visual program has its own icons, histories, and surprises. art, film, and participatory experiences by renowned and breakout artists from New York City and beyond. For River To River Festival is made possible by our sponsors. more than 100,000 attendees from around the region We express our deepest thanks to our Founding and and overseas, River To River Festival provides an intense Title Sponsor American Express, as well as the Alliance and rewarding way to experience Lower Manhattan’s for Downtown New York, The Port Authority of New waterfronts, parks, plazas, and other hidden treasures. York and New Jersey, The Lower Manhattan The Festival’s densely packed schedule of daytime, Development Corporation, HUD, and other underwriters.
    [Show full text]
  • Joel Phillip Friedman
    ADDRESS 3131 CONNECTICUT AVENUE NW, APT. 2105 WASHINGTON, DC 20008-5001 TEL 202-450-2173 CELL 347-731-3471 EMAIL [email protected] WEB WWW.JOELFRIEDMAN.COM GREY BIRD MUSIC JOEL PHILLIP FRIEDMAN EDUCATION Columbia University 1998 DMA in Composition (Mellon Foundation President’s Fellow) Dissertation: Extreme Measures (piano trio with analytical paper) - Jonathan Kramer, advisor Boston University 1988 MM in Composition (Malloy Miller Award) Thesis: Concerto (In the Form of Variations) for Viola and Orchestra - Joyce Mekeel, Bernard Rands, advisors BM in Composition 1982 TEACHING American University 2014-present Adjunct Professorial Lecturer Levine School Of Music 2013-present Faculty Lecturer Stanford University 2008-2013 Continuing Studies Program Lecturer (Revolution: The Music of The Beatles, The Anatomy Of A Musical, We Will Rock You) Notre Dame de Namur University 2008-2013 FacultyTheory/Composition/History/Analysis Santa Clara University 2006-2013 Quarterly Part-Time InstructorTheory/Composition/Popular Music History/Orchestration The Osher Lifelong Learning Institute at Santa Clara University: Anatomy Of A Musical , Revolution: The Music of The Beatles Swarthmore College 2002-2006 Visiting Assistant Professor (Theory/Musicianship/Popular /Music History) Seton Hall University 1996-2002 Assistant Professor, tenure track (1997-2002) (Theory/Composition/Music History/Popular Music) Columbia University 1993-1996 Instructor Music Humanities (1995-96), Advanced Ear Training (1993-94) •• See addendum for additional employment and
    [Show full text]
  • Tonical Ambiguity in Three Pieces by Sergei Prokofiev
    TONICAL AMBIGUITY IN THREE PIECES BY SERGEI PROKOFIEV by DAVID VINCENT EDWIN STRATKAUSKAS B.Mus.,The University of British Columbia, 1992 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (School of Music) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 1996 © David Vincent Edwin Stratkauskas, 1996 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of MlASlC- The University of British Columbia Vancouver, Canada •ate OCTDKER II ; • DE-6 (2/88) ABSTRACT There is much that is traditional in the compositional style of Sergei Prokofiev, invoking the stylistic spirit of the preceding two hundred years. One familiar element is the harmonic vocabulary, as evidenced by the frequent use of simple triadic sonorities, but these seemingly simple sonorities are frequently instilled with a sense of multiple meaning, and help to facilitate a tonal style which differs from the classical norm. In this style, the conditions of monotonality do not necessarily apply; there is often a sense of the coexistence of several "tonical" possibilities.
    [Show full text]
  • Jazzette, Jazz 91.9 WCLK Monthly Newsletter Page 2
    Come along with Jazz 91.9 WCLK as we spread Holiday Joy with special programming and outreach this holiday season. We all know how hectic the hustle and bustle of the holidays can be with the shopping, gift giving, too many parties, and family and friends stopping by. FEATURE PAGE Lead Story 1 We invite you to set your dial to Jazz 91.9 and relax and #JazzUp with the perfect Cover Story 1 soundtrack for the holiday season. Community 2 Through the month of December, we Coverage are sprinkling our airwaves with Member 2 many of your favorite recorded Spotlight Christmas music selections. On Christmas we will present a special Station 3 musical celebration, Stand By Me Highlights featuring the Clark Atlanta University Events 3 Philharmonic Society and, Spelman and Morehouse Glee Clubs. Jazz Profile 4 On New Year’s Eve, enjoy Toast of Music Poll 4 Music Poll 4 the Nation, a broadcast of live Features 5 Jazz performances from various venues around the country. Wendy ▪ Tammy ▪ Aaron ▪ Reggie ▪ Shed ▪ The broadcast will include countdowns to New Year’s Dahlia ▪ Ray ▪ Juanita ▪ Barbara ▪ Kerwin ▪ Place your Joi ▪ Rob ▪ Marquis ▪ Morris ▪ Fonda ▪ in four distinct United Rivablue ▪ Jamal ▪ Debb ▪ logo here call States time zones. Jay ▪ Rodney (404) 880 - 8277. Jazz 91.9 WCLK In 2014, Jazz 91.9 WCLK will roll out an assortment Affiliations of special events in what is to be a yearlong observance that will symbolize the 40 years of excellence to the community. We are humbled by the hundreds of thousands of listeners who have made this journey with us.
    [Show full text]
  • Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
    JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space.
    [Show full text]
  • IX. Surviving Free Jazz 1962-1974
    IX. Surviving Free Jazz (1962-1974) And so it came to pass that, when jazz finally reached a level of complexity on a par with classical music, many people were unhappy—not only listeners in the audience, but record com- panies who couldn’t sell the stuff and musicians who either didn’t get it or didn’t want to play it if they did. It was just too bizarre to them, yet the jazz critics almost universally fell over them- selves promoting it and, by the mid-1960s, jazz as an art form was thriving (sort of) while jazz as a commercial music was all but dead. Theodor Adorno, teaching his elitist bile out in California, was probably ecstatic. Classical music, which had also entered a new and even more convoluted phrase of development as well, was similarly struggling to find audiences, but in this case the decision-making was relatively easy. The Boards of Directors of major symphonies and opera houses simply enforced a policy of allowing only a small number of contemporary works (and, in their judgment, “contemporary” went back to Schoenberg’s and Stravinsky’s work of the 1910s) per year on their programs. You either played the accepted standard repertoire, which they would now expand to include Gustav Mahler (who had formerly been verboten), or your contract would be nullified and a new music director would be hired. From this point on, I will unfortunately have to point out the weaknesses in the aesthetics of certain musicians in certain styles in order to elucidate the forward growth of the music.
    [Show full text]
  • For Immediate Release
    FOR IMMEDIATE RELEASE June 15, 2010 Contact: Joyce Evans San Jose Jazz Office: 408-288-7557 x2310 [email protected] SAN JOSE JAZZ ANNOUNCES ARTISTS FOR 21ST AT&T SAN JOSE JAZZ FESTIVAL Silicon Valley's Premier Summer Event Brings All-Star International Lineup to Downtown San Jose, August 13-15, 2010 San Jose, CA – San Jose Jazz today announced the artist roster for the upcoming AT&T San Jose Jazz Festival. Held the second weekend in August, this year's line up has an international flavor coupled with a diverse lineup that will please lovers of all genres of music. Past festivals have drawn over 100,000 people from Silicon Valley, California, and across the United States. "San Jose is becoming a world-class, international city and this edition of the jazz festival mirrors that growth from a regional event to one that is gaining recognition and fame across the globe," said Geoff Roach, CEO of San Jose Jazz. "As jazz continues to evolve into many different formats and forms, the goal of the festival is to embrace and showcase the artists driving the art form. We seek to present music not only from internationally known artists but also from the world-class talent that exists here in the Bay Area." Festival highlights include: Standards Updated - Modern takes on the classic jazz repertoire John Handy John is a consummate world musician and teacher who’s devoted his life to using music to elevate the human spirit. His soulful and fiery saxophone style is instantly recognizable to generations of jazz fans world-wide.
    [Show full text]