CALIFORNIA STATE UNIVERSITY, NORTHRIDGE a RESOURCE UNIT for the HIGH SCHOOL JAZZ ENSEMBLE a Thesis Submitted in Partial Satisfac
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COURSE CATALOG 2016-2017 Academic Calendar
COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Fun Time Bestellnummer 955.410
Von der SWR Big Band sind außerdem erschienen | other recordings by the SWR Big Band that are also available: Sammy Nestico and the SWR Big Band No Time like the Present 1 CD No.: 93.118 Basie Cally Sammy The Music of Count Basie and Sammy Nestico 1 CD No.: 93.123 Frank Foster Don Menza Toshiko Akiyoshi and the SWR Big Band and the SWR Big Band and the SWR Big Band A Fresh Taste of Thad Jones Voyage Let Freedom Swing and Frank Foster 1 CD No.: 93.189 2 CDs No.: 93.203 1 CD No.: 93.178 Eine große Auswahl von über 700 Klassik-CDs und DVDs finden Sie bei hänsslerCLASSIC unter www.haenssler-classic.de, auch mit Hörbeispielen, Download-Möglichkeiten und Künstlerinformationen. Gerne können Sie auch unseren Gesamtkatalog anfordern unter der Fun Time Bestellnummer 955.410. E-Mail-Kontakt: [email protected] Enjoy a huge selection of more than 700 classical CDs and DVDs from hänsslerCLASSIC at SAMMY NESTICO www.haenssler-classic.com, including listening samples, download and artist related information. You may as well order our printed catalogue, order no.: 955.410. E-mail contact: [email protected] AND THE SWR BIG BAND THE SWR BIG BAND BIG SWR THE 02 FUN TIME | Sammy NEstIco and the SWR BIG Band Die Band Die Musik 03 1 Blue Samuel [06:51] 10 Not really the Blues [03:38] Zusammengestellt aus der Vielzahl erstklassiger Blue Samuel: Ein Ableger von Blue Daniel. Wir (Nestico) Fenwood Music (Mandel) MPL Communications Musiker in Deutschland, hat die SWR Big Band haben die Taktart auf 4/4 geändert, eine neue eine Nische als feste europäische Jazzinstitution Melodie hinzugefügt und das Ganze mit meister- 2 11 Deutsch A New Day [04:11] The Four of Us (You ‘N’ Me) [04:45] erobert. -
Tonical Ambiguity in Three Pieces by Sergei Prokofiev
TONICAL AMBIGUITY IN THREE PIECES BY SERGEI PROKOFIEV by DAVID VINCENT EDWIN STRATKAUSKAS B.Mus.,The University of British Columbia, 1992 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (School of Music) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 1996 © David Vincent Edwin Stratkauskas, 1996 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of MlASlC- The University of British Columbia Vancouver, Canada •ate OCTDKER II ; • DE-6 (2/88) ABSTRACT There is much that is traditional in the compositional style of Sergei Prokofiev, invoking the stylistic spirit of the preceding two hundred years. One familiar element is the harmonic vocabulary, as evidenced by the frequent use of simple triadic sonorities, but these seemingly simple sonorities are frequently instilled with a sense of multiple meaning, and help to facilitate a tonal style which differs from the classical norm. In this style, the conditions of monotonality do not necessarily apply; there is often a sense of the coexistence of several "tonical" possibilities. -
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
Gabe Baltazar Stan Kenton Presents Gabe Baltazar Mp3, Flac, Wma
Gabe Baltazar Stan Kenton Presents Gabe Baltazar mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Stan Kenton Presents Gabe Baltazar Country: US Released: 1979 Style: Cool Jazz MP3 version RAR size: 1812 mb FLAC version RAR size: 1980 mb WMA version RAR size: 1870 mb Rating: 4.3 Votes: 544 Other Formats: XM AIFF APE WMA VOC MMF MP4 Tracklist Hide Credits When Johnny Comes Marching Home A1 3:35 Arranged By – Don MenzaWritten-By – Traditional What's New A2 5:56 Arranged By – Bill HolmanComposed By – Haggart*, Burke* Gabe A3 4:00 Composed By, Arranged By – Angel Peña* A Time For Love A4 Arranged By – Angel Peña*Arranged By [Strings] – Chuck HooverComposed By – Mandel*, 5:03 Webster* Take The A Train B1 Arranged By – Don MenzaComposed By – Billy StrayhornSoloist – Bob Cooper, Conte 4:22 Condoli* Love Song B2 6:40 Composed By, Arranged By – Don Menza Spanish Boots B3 6:45 Composed By, Arranged By – Don Menza Companies, etc. Copyright (c) – Creative World Records Phonographic Copyright (p) – Creative World Records Recorded At – Capitol Studios Published By – Warner Bros. Music Published By – Tempo Music Published By – Rondon Music Credits Bass – Chuck Domonico* Cello – Igor Horoshevsky, Ray Kelley Contractor – Hy Lesnick Drums – Earl Palmer, John Guerin, Steve Schaeffer Engineer – Hugh Davies French Horn – Art Maebe, George Price, Richard Perissi, Vince DeRosa* Graphics – Lexington Avenue West Guitar – Tommy Tedesco Harp – Dorothy Remsen Liner Notes – Stan Kenton Mastered By – Dave Ellsworth Percussion – Dale Anderson Photography -
Louis Armstrong (1901-1971)
Access Access To To Thesis. Thesis. This thesis is protected by the Copyright, Designs and Patents Act 1988. No reproduction This thesis is protected by the Copyright, Designs and Patents Act 1988. No reproduction is permitted without consent of the author. It is also protected by the Creative Commons is permitted without consent of the author. It is also protected by the Creative Commons Licence allowing Attributions-Non-commercial-No derivatives. Licence allowing Attributions-Non-commercial-No derivatives. • A bound copy of every thesis which is accepted as worthy for a higher degree, must be deposited in the University of • A bound copy of every thesis which is accepted as worthy for a higher degree, must be deposited in the University of Sheffield Library, where it will be made available for borrowing or consultation in accordance with University Regulations. Sheffield Library, where it will be made available for borrowing or consultation in accordance with University Regulations. • All students registering from 2008–09 onwards are also required to submit an electronic copy of their final, approved • All students registering from 2008–09 onwards are also required to submit an electronic copy of their final, approved thesis. Students who registered prior to 2008–09 may also submit electronically, but this is not required. thesis. Students who registered prior to 2008–09 may also submit electronically, but this is not required. Author: .......................................................................................................................................................................... -
November 1987
EDUCATION DRIVER'S SEAT Playing In Two or Four by Ed Shaughnessy 48 IN THE STUDIO Those First Sessions by Craig Krampf 50 ROCK 'N' JAZZ CLINIC Two-Surface Riding: Part 1 by Rod Morgenstein 52 CORPS SCENE Flim-Flams by Dennis DeLucia 66 MASTER CLASS Portraits in Rhythm: Etude #9 by Anthony J. Cirone 76 ELECTRONIC INSIGHTS MIDI System Interconnections by Jim Fiore 78 ROCK CHARTS Carl Palmer: "Brain Salad Surgery" by William F. Miller 80 Cover Photo by Michael S. Jachles ROCK PERSPECTIVES Ringo Starr: The Middle Period by Kenny Aronoff 90 RANDY CASTILLO JAZZ DRUMMERS' WORKSHOP Imagine this: You are at home with a broken leg, and you get a Your Drum Setup call to audition for Ozzy Osbourne. That happened to Randy by Peter Erskine 94 Castillo, and he got the gig. Here, he discusses such topics as SOUTH OF THE BORDER his double bass drum work and showmanship in drumming. Latin Rhythms On Drumset by John Santos 96 by Robyn Flans 16 CONCEPTS The Natural Drummer CURT CRESS by Roy Burns 104 Known for his work in Germany's recording studios and his CLUB SCENE playing with the band Passport, Curt Cress has also recorded Hecklers And Hasslers with Freddie Mercury, Meatloaf, and Billy Squier. Curt by Rick Van Horn 106 explains why the German approach is attracting British and EQUIPMENT American artists and producers. SHOP TALK by Simon Goodwin 22 Evaluating Your Present Drumset by Patrick Foley 68 PRODUCT CLOSE-UP DRUMMERS OF Pearl MLX/BLX Pro Series Drumkits by Bob Saydlowski, Jr 110 CONTEMPORARY ELECTRONIC REVIEW Korg DDD-1 Drum Machine CHRISTIAN MUSIC: by Rick Mattingly 112 NEW AND NOTABLE 124 PART 1 PROFILES John Gates, Art Noble, and Keith Thibodeaux discuss their PORTRAITS work with a variety of Christian music bands, and clarify what Thurman Barker Christian music is and what it is not. -
Stratospheric Brochure
AID P U.S. POSTAGE ONPROFIT ORG. N PERMIT NO. 1260 PERMIT NO. LONG BEACH, CA. LONG BEACH, LIVE IN CONCERT! Maynard Ferguson and his Big Bop Box 8038 Nouveau Band plus O. Long Beach, CA 90808-0038 The Los Angeles Jazz Institute Angeles Jazz The Los P. over 50 years of M.F. Alumni featured in 18 concerts, 3 film showings and 8 panel discussions September 30-October 3, 2004 ★ Four Points Sheraton-LAX t is with great pleasure that the Los Angeles Jazz Institute presents: “Stratospheric”, celebrating the illustrious career of Maynard Ferguson Festival Facts and the multitude of composers, arrangers and instrumentalists DATES who have worked with him. September 30-October 3, 2004 From his earliest days in Canada to his work as a sideman and featured Featuring soloist, on to leading his own ensembles he has had a major impact on PLACE I the jazz world . an impact that carries on at the beginning of the I 21st century. MAYNARD FERGUSON The Four Points & BIG BOP NOUVEAU Sheraton at LAX ABOUT THE The concept of “Stratospheric” is to celebrate Maynard’s entire career and 50 years of 9750 Airport Blvd., LOS ANGELES from the late 1940s to the present. There are 18 concerts, 3 film Los Angeles, CA 90045 showings and 8 panel discussions featuring a wide array of alumni. Alumni including: The special convention rate JAZZ INSTITUTE Some concerts feature MF alumni leading their own groups and there is $79 and $89 per night. Slide Hampton The Los Angeles Jazz Institute are also a number of all-star bands playing the original arrangements Bill Holman Hotel stay not included houses and maintains one of in registration fee. -
Practice with a Purpose
20 Years ago in Bandworld Practice With a Purpose by Buddy Baker Vol. 3, #5, p.20 (May - July 2008) Will your students remember tomorrow what you taught them today? Jazz in education has come a long way in the past 20 years. Our jazz/rock ensembles at all levels of education sound better each year. But I do feel that it is time to be more critical about the ways we teach jazz- to question our priorities. Hopefully, we all agree that we are not merely trying to develop award-winning ensembles, but rather, we want to give our students something of lasting importance. I have put together seven goals in jazz teaching that I try to reach with my students and in clinics. Undoubtedly many are the same as yours, but you may rate them in a different order. If thinking about the seven points, in whatever order, helps us teach young musicians in an organized way, perhaps we will indeed produce a rare and wonderful lifetime guarantee! Guarantee of what? Good habits. Confidence to innovate. Personal, enduring musical satisfaction. In working with young jazz ensembles (and my own jazz ensembles), I try to give my students certain principals and systems which will help them solve their performance problems so that the more they play, the better they will play. I try to give them information to help them continue to grow musically on their own. This fundamental approach works in any size group and will encourage a lifelong involvement in music. Here are my "goals": 1. Help the student master his instrument. -
Missouri Music Educators Association 74Th Annual In-Service Workshop/Conference ~ ~ ~ ~ ~ ~ Tan-Tar-A Resort ~ January 25-28, 2012 Osage Beach, Missouri
Missouri Music Educators Association 74th Annual In-Service Workshop/Conference ~ ~ ~ ~ ~ ~ Tan-Tar-A Resort ~ January 25-28, 2012 Osage Beach, Missouri Table of Contents Welcome .....................................................................................4 Acknowledgements .....................................................................5 MMEA Past Presidents ...............................................................6 MMEA Hall of Fame .................................................................7 MMEA Board of Directors ........................................................8 MMEA Advisory Council ..........................................................9 District and Organization Officers ...........................................10 Index of Music Quotes .............................................................15 Schedule of Organization Business Meetings ..........................18 Schedule of Sessions by Area ...................................................19 Conference Schedule All-State Rehearsal Schedule .....................................................22 Wednesday .................................................................................23 Thursday ...................................................................................24 Friday .........................................................................................32 Saturday .....................................................................................40 Concert Programs Thursday Concerts ....................................................................43