A Comparative Analysis of Selected Works of Rabia Balkhi and Nadia Anjuman
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Rubai (Quatrain) As a Classical Form of Poetry in Persian Literature
INTERNATIONAL JOURNAL OF RESEARCH CULTURE SOCIETY ISSN: 2456-6683 Volume - 2, Issue - 4, Apr – 2018 UGC Approved Monthly, Peer-Reviewed, Refereed, Indexed Journal Impact Factor: 3.449 Publication Date: 30/04/2018 Rubai (Quatrain) as a Classical Form of Poetry in Persian Literature Ms. Mina Qarizada Lecturer in Samangan Higher Education, Samangan, Afghanistan Master of Arts in English, Department of English Lovely Professional University, Punjab, India Email – [email protected] Abstract: Studying literature, including poetry and prose writing, in Afghanistan is very significant. Poetry provides some remarkable historical, cultural, and geographical facts and its literary legacy of a particular country. Understanding the poetic forms is important in order to understand the themes and the styles of the poetry of the poets. All the Persian poets in some points of the time composed in the Rubai form which is very common till now among the past and present generation across Afghanistan. This paper is an overview of Rubai as a classical form of Poetry in Persian Literature. Rubai has its significant role in the society with different stylistic and themes related to the cultural, social, political, and gender based issues. The key features of Rubai are to be eloquent, spontaneous and ingenious. In a Rubai the first part is the introduction which is the first three lines that is the sublime for the fourth line of the poem. It represents the idea if sublet, pithy and clever. It also represents the poets’ literary works, poetic themes, styles, and visions. Key Words: Rubai, Classic, Poetry, Persian, Literature, Quatrain, 1. INTRODUCTION: Widespread geography of Persian speakers during the past centuries in the history of Afghanistan like many other countries, it can be seen and felt that only great men were trained in the fields of art and literature. -
From Gastarbeiter to Muslim: Cosmopolitan
FROM GASTARBEITER TO MUSLIM: COSMOPOLITAN LITERARY RESPONSES TO POST-9/11 ISLAMOPHOBIA A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2015 JOSEPH TWIST SCHOOL OF ARTS, LANGUAGES AND CULTURES Contents List of Abbreviations ............................................................................................................... 4 List of Figures ........................................................................................................................... 4 Abstract ..................................................................................................................................... 5 Declaration................................................................................................................................ 6 Copyright Statement ................................................................................................................ 6 Acknowledgements .................................................................................................................. 7 Introduction: Thinking ‘We’ in Contemporary German Literature Islamophobia and the German Literary Landscape ................................................................... 8 ‘Being-with’: Contemporary Cosmopolitan Theory and the Philosophy of Jean-Luc Nancy. 26 Beyond Monotheism: A Cosmopolitan Understanding of the Divine ..................................... 46 Sufism and Singularity: The Deconstruction of Islam ............................................................ -
The Mughal Emperor As Solomon, Majnun, and Orpheus 277
the mughal emperor as solomon, majnun, and orpheus 277 EBBA KOCH THE MUGHAL EMPEROR AS SOLOMON, MAJNUN, AND ORPHEUS, OR THE ALBUM AS A THINK TANK FOR ALLEGORY By the early seventeenth century, symbolic repre- While the concept of Mughal symbolic representa- sentation and allegory had emerged as a new genre in tion and, to a certain extent, its composition and style imperial Mughal painting. The themes were guided are indebted to European works, its iconography and by imperial interest and the main agenda was to give iconology were fed by sources of an astonishing hetero- abstract concepts or performed gestures of ideal king- geneity. The Mughal emperors and their theorists ship a pictorial expression. Mughal symbolic represen- (mardum-i ā ib-i vuqūf, men of superior knowledge, tation was inspired by Europe, as we learn from Abu ’l as Jahangir [r. 1605–27] calls them in one of the rare Fazl (d. 1602), the chief historian of Emperor Akbar instances where their input is acknowledged2) had not (r. 1556–1605) and, as Richard Eaton has famously the slightest problem with selectively taking from Cen- termed him, his chief ideologue. In his Āʾīn-i Akbarī tral Asian, Indian, Persian, ancient Near Eastern, and (Institutes of Akbar), written in the 1590s, Abu ’l Fazl European ideas whatever served their purpose. On the presents us with an intriguing argument, in which he contrary, the Mughals drew inspiration from the diver- weighs the value of writing against that of painting. sity of their sources in order to develop a symbolic and He begins in almost postmodern philosophical terms, allegorical “multilingualism” as a means to address the anticipating Saussure’s notions of “sign,” “signifier,” widest possible audience in a cosmopolitan discourse and “signified,” and continues on a neo-Platonic, post- in its own terms and, as a consequence, to legitimate Tri dentine note when he states that painting may themselves in the widest possible context as ideal and become a means to recognize a higher truth, especially universal kings. -
Comparative Saints' Cults of St Catherine of Alexandria and Rabi'a of Basr
Eylül Çetinbaş A BRIDE OF CHRIST AND AN INTERCESSOR OF MUHAMMAD: COMPARATIVE SAINTS’ CULTS OF ST CATHERINE OF ALEXANDRIA AND RABI’A OF BASRA IN THE MIDDLE AGES MA Thesis in Late Antique, Medieval and Early Modern Studies Central European University Budapest June 2020 CEU eTD Collection A BRIDE OF CHRIST AND AN INTERCESSOR OF MUHAMMAD: COMPARATIVE SAINTS’ CULTS OF ST CATHERINE OF ALEXANDRIA AND RABI’A OF BASRA IN THE MIDDLE AGES by Eylül Çetinbaş (Turkey) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Late Antique, Medieval and Early Modern Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner ____________________________________________ Examiner CEU eTD Collection Budapest June 2020 A BRIDE OF CHRIST AND AN INTERCESSOR OF MUHAMMAD: COMPARATIVE SAINTS’ CULTS OF ST CATHERINE OF ALEXANDRIA AND RABI’A OF BASRA IN THE MIDDLE AGES by Eylül Çetinbaş (Turkey) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Late Antique, Medieval and Early Modern Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Reader CEU eTD Collection Budapest June 2020 A BRIDE OF CHRIST AND AN INTERCESSOR OF MUHAMMAD: COMPARATIVE SAINTS’ CULTS OF ST CATHERINE OF ALEXANDRIA AND RABI’A OF BASRA IN THE MIDDLE AGES by Eylül Çetinbaş (Turkey) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Late Antique, Medieval and Early Modern Studies. -
The Tragic Life of Rabia Balkhi
The Tragic Life of Rabia Balkhi Abdul Hai Habibi The ancient city of Balkh, known as the mother of cities, is a myriad of destroyed historical sites in northern Afghanistan. Among the ruins is the shrine of Rabia Balkhi, the famous poetess who lived a thousand years ago. The life of this young poetess is shrouded in mystery. She was the daughter of Ka'b, the ruler of Sajistan and Turan. She led an isolated life and from childhood roamed in the vineyards of the countryside and wrote inspiring poetry. The people of Balkh were so overwhelmed with her literary prowess they called her a bird with golden wings. She had an intimate relationship with natural beauty and had a special admiration for the gardens of her native land. Sitting beside the swift flowing streams and brooks of the orchards and gardens she would lapse into a contemplative mood to write her poetry. One day while wandering in the gardens of Haris, her brother, who became the ruler after her father’s death, she met Baktash, a slave in the court of Haris. The slave presented her with a flower as a token of his friendship and love. She immediately left the garden fearing someone may see her. It was this incident which intensified her poetic career and led to her tragic demise. The pangs of love enveloped her life. From then on she lived in a dream world and spent day and night meditating about Baktash. Every word of her poetry was addressed to him. It was not long before the rumor of her romance reached her brother who stopped her from seeing Baktash. -
National Standard Treatment Guidelines for the Primary Level
Islamic Republic of Afghanistan Ministry of Public Health General Directorate of Pharmaceutical Affairs National Standard Treatment Guidelines for the Primary Level MAy 2013 CONTENTS Foreword ..................................................ix Introduction. xi Acknowledgments .......................................xiii How to Use This Guideline ..............................xix Acronyms and Abbreviations ...........................xxii Glossary ................................................. xxv Chapter 1. Dental and Oral Conditions ................ 41 Chapter 2. Digestive System Conditions. 46 2.1. Diarrhea and Dehydration ........................... 46 2.1.1. Acute Diarrhea, without Blood, in Children Younger Than 5 Years ................................ 46 2.1.2. Acute Diarrhea, without Blood, in Children Older Than 5 Years and in Adults .....................53 2.1.3. Persistent Diarrhea, without Blood, in Children Younger Than 5 Years ................... 54 2.1.4. Persistent Diarrhea in Children Older Than 5 Years and in Adults ..................................56 2.1.5. Dysentery .........................................56 Copyright ©2013 Ministry of Public Health, 2.1.5.1. Dysentery, Bacillary. .56 General Directorate of Pharmaceutical Affairs 2.1.5.2. Dysentery, Amebic ..........................58 2.1.6. Giardiasis .........................................59 This publication is made possible by the generous support of the American people through the U.S. Agency for International Development (USAID), 2.1.7. Cholera .......................................... -
Dramatis Personae •
Dramatis Personae • Note: all dates are approximate. ALEXANDER THE GREAT (356– 323 bc). Macedonian ruler who, af- ter invading Central Asia in 329 bc, spent three years in the region, establishing or renaming nine cities and leaving behind the Bactrian Greek state, headquartered at Balkh, which eventually ruled territo- ries extending into India. Awhad al- Din ANVARI (1126– 1189). Poet and boon companion of Sultan Sanjar at Merv who, boasting of his vast knowledge, wrote that, “If you don’t believe me, come and test me. I am ready.” Nizami ARUDI. Twelfth- century Samarkand- born poet and courtier of the rulers of Khwarazm and of Ghor, and author of Four Discourses, in which he argued that a good ruler’s intellectual stable should include secretaries, poets, astrologers, and physicians. Abu Mansur Ali ASADI. Eleventh- century poet from Tus and follower of Ferdowsi. Working at a court in Azerbaijan, Asadi versified The Epic of Garshasp (Garshaspnameh), which ranks second only to Ferdowsi’s Shahnameh among Persian epic poems. Farid al- Din ATTAR (1145– 1221). Pharmacist and Sufi poet from Nishapur, who combined mysticism with the magic of the story- teller’s art. His Conference of the Birds is an allegory in which the birds of the world take wing in search of Truth, only to find it within themselves. Yusuf BALASAGUNI (Yusuf of Balasagun). Author in 1069 of the Wisdom of Royal Glory, a guide for rulers and an essay on ethics. Written in a Turkic dialect, Yusuf’s volume for the first time brought a Turkic language into the mainstream of Mediterranean civilization and thought. -
Extracts from Nizami Ganjavi's Poetry 1. One Night Desperate Majnun
OUDCE Islamic Mystical Poetry 2 Extracts from Nizami Ganjavi’s poetry 1. One night desperate Majnun prayed tearfully, “Oh Lord of mine who has abandoned me. Why has Thou ‘Majnun’ called me? Why hast thou made a lover of Leila of me? Thou hast made me a pillow of wild thorns, Made me roam day and night without a home. What dost Thou want from my imprisonment? Oh Lord of mine, listen to my plea!” The Lord replied, “Oh lost man, With Leila’s love I have your heart filled; The beauty of Leila that you see Is just another reflection of Me”. (from ‘Layla and Majnun’ in Islamic Mystical Poetry, p. 65) 2. “This text requires a single name, not two,” He answered them. “Majnun alone will do. If someone delves within a lover’s heart, He’ll find the loved one in its deepest part.” “But why,” they asked him, “from among the two It’s Layla who’s been cut away, not you?” “It’s wrong,” he said, “for her to be the cover That hides within itself this ardent lover. I am the veil for what should be internal. I am the outer shell; she is the kernel.” (from ‘Layla and Majnun’ in Nizami Ganjavi and His Poetry, p. 23 ) 3. As the pen began its first movement It produced first word and speech. When they raised the curtain of non-existence, The first manifestation was word and speech. Until the word gave voice to the heart, The soul did not submit its free body to clay. -
A Close Looking Into Seventeenth-Century Mughal Painting, Zulaykha’S Guests Distracted by Yusuf’S Beauty
Hum هم and After the Cut / A Close Looking Into Seventeenth-century Mughal painting, Zulaykha’s Guests Distracted by Yusuf’s Beauty A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2020 Fatema S. Abdoolcarim School of Arts, Languages and Cultures CONTENTS LIST OF ILLUSTRATIONS 3 ABSTRACT 4 DECLARATION & COPYRIGHT STATEMENT 5 ACKNOWLEDGEMENTS 6 هم Hum 9 (هم) NOTES ON Hum CHAPTER ONE Rabia 10 CHAPTER TWO Hayam 55 CHAPTER THREE Yusuf 105 After the Cut: A Close Looking Into Seventeenth-century Mughal painting, Zulaykha’s Guests Distracted by Yusuf’s Beauty INTRODUCTION An Open(ing) Wound: Looking’s Pleasure 136 CHAPTER I White Spread: Kayd, Silence and Beauty, Nicked 162 CHAPTER II Blood-lined Oranges: Words, Images and Female Bodies, Touching 217 CONCLUSION Looking (Again): A Fresh Incision, Bleeding Gold 255 FIGURES 275 BIBLIOGRAPHY 286 Word Count: 75,482 2 LIST OF ILLUSTRATIONS All figures appear from page 275 to page 285. Figure 1 Zulaykha’s Guests Distracted by Yusuf’s Beauty, attributed to Muhammad Nadir al-Samarqandi, Kashmir, Mughal India, c. 1650, 24.6 x 14.5 cm, pigment and gold on paper, illuminated folio from a copy of Jami’s Yusuf and Zulaikha, Chester Beatty Library, Dublin. Figure 2 Picnic In a Tree House, Qazvin, Iran, 1550-1570, 28.5 x 19 cm (each leaf), pigment and gold on paper, illuminated double frontispiece from a copy of Jami’s Yusuf and Zulaikha, The David Collection, Copenhagen. Figure 3 Sufi’s in Ecstasy, attributed to Muhammad Nadir al-Samarqandi, Kashmir, Mughal India, c. -
SUFISM Emerald Hills of the Heart
Bölümler i Key Concepts in the Practice of SUFISM Emerald Hills of the Heart 3 ii Beware Satan! A Defense Strategy Bölümler iii Key Concepts in the Practice of SUFISM Emerald Hills of the Heart 3 M. Fethullah Gülen Translated by Ali Ünal New Jersey iv Beware Satan! A Defense Strategy Copyright © 2009 by Tughra Books 12 11 10 09 1 2 3 4 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system without permission in writing from the Publisher. Published by Tughra Books 26 Worlds Fair Dr. Unit C Somerset, New Jersey, 08873, USA www.tughrabooks.com Library of Congress Cataloging-in-Publication Data for the first volume Gulen, M. Fethullah [Kalbin zümrüt tepelerinde. English] Key concepts in the practice of Sufism / M. Fethullah Gulen. [Virginia] : Fountain, 2000. Includes index. ISBN 1-932099-23-9 1. Sufism - - Doctrines. I. Title. BP189.3 .G8413 2000 297.4 - - dc21 00-008011 ISBN-13 (paperback): 978-1-59784-204-4 ISBN-13 (hardcover): 978-1-59784-136-8 Printed by Çağlayan A.Ş., Izmir - Turkey Bölümler v TABLE OF CONTENTS The Emerald Hills of the Heart or Key Concepts in the Practice of Sufism ......vii Irshad and Murshid (Guidance and the Guide) ............................................. 1 Safar (Journeying) ........................................................................................9 Wasil (One who has Reached) ................................................................... 16 Samt ( Silence) ............................................................................................ 23 Halwat and Jalwat ( Privacy and Company) ................................................ 27 ‘Ilm Ladun (The Special Knowledge from God’s Presence) ........................ 32 Waliyy and Awliyaullah (God’s Friend [Saint] and God’s Friends [Saints]) .......37 Abrar (The Godly, Virtuous Ones) ...................................................... -
Hinari Participating Academic Institutions
Hinari Participating Academic Institutions Filter Summary Country City Institution Name Afghanistan Bamyan Bamyan University Chakcharan Ghor province regional hospital Charikar Parwan University Cheghcharan Ghor Institute of Higher Education Faizabad, Afghanistan Faizabad Provincial Hospital Ferozkoh Ghor university Gardez Paktia University Ghazni Ghazni University Ghor province Hazarajat community health project Herat Rizeuldin Research Institute And Medical Hospital HERAT UNIVERSITY 19-Dec-2017 3:13 PM Prepared by Payment, HINARI Page 1 of 367 Country City Institution Name Afghanistan Herat Herat Institute of Health Sciences Herat Regional Military Hospital Herat Regional Hospital Health Clinic of Herat University Ghalib University Jalalabad Nangarhar University Alfalah University Kabul Kabul asia hospital Ministry of Higher Education Afghanistan Research and Evaluation Unit (AREU) Afghanistan Public Health Institute, Ministry of Public Health Ministry of Public Health, Presidency of medical Jurisprudence Afghanistan National AIDS Control Program (A-NACP) Afghan Medical College Kabul JUNIPER MEDICAL AND DENTAL COLLEGE Government Medical College Kabul University. Faculty of Veterinary Science National Medical Library of Afghanistan Institute of Health Sciences Aga Khan University Programs in Afghanistan (AKU-PA) Health Services Support Project HMIS Health Management Information system 19-Dec-2017 3:13 PM Prepared by Payment, HINARI Page 2 of 367 Country City Institution Name Afghanistan Kabul National Tuberculosis Program, Darulaman Salamati Health Messenger al-yusuf research institute Health Protection and Research Organisation (HPRO) Social and Health Development Program (SHDP) Afghan Society Against Cancer (ASAC) Kabul Dental College, Kabul Rabia Balkhi Hospital Cure International Hospital Mental Health Institute Emergency NGO - Afghanistan Al haj Prof. Mussa Wardak's hospital Afghan-COMET (Centre Of Multi-professional Education And Training) Wazir Akbar Khan Hospital French Medical Institute for children, FMIC Afghanistan Mercy Hospital. -
Peace Education in Afghanistan: a Comparative Study Of
Peace Education in Afghanistan: A Comparative Study of Conflict and Post-Conflict School Textbooks By Hafiza Yazdani A thesis submitted to the University of Otago in fulfilment of the requirements for the degree of Doctor of Philosophy National Centre for Peace and Conflict Studies Te Ao o Rongomaraeroa The University of Otago Dunedin, New Zealand 1 Table of Contents List of Appendixes ................................................................................................ iv List of Figures ........................................................................................................ v List of Abbreviations ...........................................................................................vii Preface .................................................................................................................... 1 Abstract .................................................................................................................. 3 Chapter 1 .......................................................................................................... 5 1.1 Introduction ............................................................................................. 5 1.2 Background to the Study ......................................................................... 5 1.3 Research Rationale and Objective ........................................................ 10 1.4 Literature Review .................................................................................. 13 1.5 Theoretical Framework ........................................................................