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TRINITY COLLEGE Cambridge Trinity College Cambridge College Trinity Annual Record Annual
2016 TRINITY COLLEGE cambridge trinity college cambridge annual record annual record 2016 Trinity College Cambridge Annual Record 2015–2016 Trinity College Cambridge CB2 1TQ Telephone: 01223 338400 e-mail: [email protected] website: www.trin.cam.ac.uk Contents 5 Editorial 11 Commemoration 12 Chapel Address 15 The Health of the College 18 The Master’s Response on Behalf of the College 25 Alumni Relations & Development 26 Alumni Relations and Associations 37 Dining Privileges 38 Annual Gatherings 39 Alumni Achievements CONTENTS 44 Donations to the College Library 47 College Activities 48 First & Third Trinity Boat Club 53 Field Clubs 71 Students’ Union and Societies 80 College Choir 83 Features 84 Hermes 86 Inside a Pirate’s Cookbook 93 “… Through a Glass Darkly…” 102 Robert Smith, John Harrison, and a College Clock 109 ‘We need to talk about Erskine’ 117 My time as advisor to the BBC’s War and Peace TRINITY ANNUAL RECORD 2016 | 3 123 Fellows, Staff, and Students 124 The Master and Fellows 139 Appointments and Distinctions 141 In Memoriam 155 A Ninetieth Birthday Speech 158 An Eightieth Birthday Speech 167 College Notes 181 The Register 182 In Memoriam 186 Addresses wanted CONTENTS TRINITY ANNUAL RECORD 2016 | 4 Editorial It is with some trepidation that I step into Boyd Hilton’s shoes and take on the editorship of this journal. He managed the transition to ‘glossy’ with flair and panache. As historian of the College and sometime holder of many of its working offices, he also brought a knowledge of its past and an understanding of its mysteries that I am unable to match. -
Teaching Eighteenth-Century French Literature: the Good, the Bad and the Ugly
Eighteenth-Century Modernities: Present Contributions and Potential Future Projects from EC/ASECS (The 2014 EC/ASECS Presidential Address) by Christine Clark-Evans It never occurred to me in my research, writing, and musings that there would be two hit, cable television programs centered in space, time, and mythic cultural metanarrative about 18th-century America, focusing on the 1760s through the 1770s, before the U.S. became the U.S. One program, Sleepy Hollow on the FOX channel (not the 1999 Johnny Depp film) represents a pre- Revolutionary supernatural war drama in which the characters have 21st-century social, moral, and family crises. Added for good measure to several threads very similar to Washington Irving’s “Legend of Sleepy Hollow” story are a ferocious headless horseman, representing all that is evil in the form of a grotesque decapitated man-demon, who is determined to destroy the tall, handsome, newly reawakened Rip-Van-Winkle-like Ichabod Crane and the lethal, FBI-trained, diminutive beauty Lt. Abigail Mills. These last two are soldiers for the politically and spiritually righteous in both worlds, who themselves are fatefully inseparable as the only witnesses/defenders against apocalyptic doom. While the main characters in Sleepy Hollow on television act out their protracted, violent conflict against natural and supernatural forces, they also have their own high production-level, R & B-laced, online music video entitled “Ghost.” The throaty feminine voice rocks back and forth to accompany the deft montage of dramatic and frightening scenes of these talented, beautiful men and these talented, beautiful women, who use as their weapons American patriotism, religious faith, science, and wizardry. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 I
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced info the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on untii complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Introduction Chapter 1
Notes Introduction 1. Allan Ramsay, ‘Verses by the Celebrated Allan Ramsay to his Son. On his Drawing a Fine Gentleman’s Picture’, in The Scarborough Miscellany for the Year 1732, 2nd edn (London: Wilford, 1734), pp. 20–22 (p. 20, p. 21, p. 21). 2. See Iain Gordon Brown, Poet & Painter, Allan Ramsay, Father and Son, 1684–1784 (Edinburgh: National Library of Scotland, 1984). 3. When considering works produced prior to the formation of the United Kingdom in 1801, I have followed in this study the eighteenth-century prac- tice of using ‘united kingdom’ in lower case as a synonym for Great Britain. 4. See, respectively, Kurt Wittig, The Scottish Tradition in Literature (London: Oliver and Boyd, 1958); G. Gregory Smith, Scottish Literature: Character and Influence (London: Macmillan, 1919); Hugh MacDiarmid, A Drunk Man Looks at the Thistle, ed. by Kenneth Buthlay (Edinburgh: Scottish Academic Press, 1988); David Craig, Scottish Literature and the Scottish People, 1680–1830 (London: Chatto & Windus, 1961); David Daiches, The Paradox of Scottish Culture: The Eighteenth-Century Experience (London: Oxford University Press, 1964); Kenneth Simpson, The Protean Scot: The Crisis of Identity in Eighteenth-Century Scottish Literature (Aberdeen: Aberdeen University Press, 1988); Robert Crawford, Devolving English Literature (Oxford: Clarendon Press, 1992); Murray Pittock, Poetry and Jacobite Politics in Eighteenth- Century Britain and Ireland (Cambridge: Cambridge University Press, 1994) and idem, Scottish and Irish Romanticism (Oxford: Oxford University -
1 the Public Life of a Twentieth Century Princess Princess Mary Princess Royal and Countess of Harewood Wendy Marion Tebble
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SAS-SPACE 1 The Public Life of a Twentieth Century Princess Princess Mary Princess Royal and Countess of Harewood Wendy Marion Tebble, Institute of Historical Research Thesis submitted for Degree of Master of Philosophy, 2018 2 Table of Contents Abstract 3 Acknowledgements 5 Abbreviations 7 Acronyms 8 Chapters 9 Conclusion 136 Bibliography 155 3 Abstract The histiography on Princess Mary is conspicuous by its absence. No official account of her long public life, from 1914 to 1965, has been written and published since 1922, when the princess was aged twenty-five, and about to be married. The only daughter of King George V, she was one of the chief protagonists in his plans to include his children in his efforts to engage the monarchy, and the royal family, more deeply and closely with the people of the United Kingdom. This was a time when women were striving to enter public life more fully, a role hitherto denied to them. The king’s decision was largely prompted by the sacrifices of so many during the First World War; the fall of Czar Nicholas of Russia; the growth of socialism; and the dangers these events may present to the longevity of the monarchy in a disaffected kingdom. Princess Mary’s public life helps to answer the question of what role royal women, then and in the future, are able to play in support of the monarchy. It was a time when for the most part careers of any kind were not open to women, royal or otherwise, and the majority had yet to gain the right to vote. -
The Oxford Dictionary of National Biography
Impact case study (REF3b) Institution: University of Oxford Unit of Assessment: UOA30 Title of case study: The Oxford Dictionary of National Biography 1. Summary of the impact (indicative maximum 100 words) Public understanding of the national past has been expanded by the creation, updating, and widespread use of the Oxford Dictionary of National Biography (ODNB). It is the most comprehensive biographical reference work in the English language and includes (in May 2013) biographies of 58,661 people over two millennia. The ODNB is the ‘national record’ of those who have shaped the British past, and disseminates knowledge while also prompting and enhancing public debate. The Dictionary informs teaching and research in HEIs worldwide, and is used routinely by family and local historians, public librarians, archivists, museum and gallery curators, schools, broadcasters, and journalists. The wider cultural benefit of this fundamental research resource has been advanced by a programme of online public engagement. 2. Underpinning research (indicative maximum 500 words) The ODNB was commissioned in 1992 as a research project of the Oxford History Faculty and was published by Oxford University Press in print and online in 2004; subsequently it has been extended online with 3 annual updates and the publication of two further print volumes. Since 2005, an important part of the editors’ work has been to update the Dictionary’s 56,000 existing entries in the light of new research, keeping biographies in-step with recent publications and new digitized primary sources. In this way, editors create and maintain a resource that is comprehensive, authoritative, and balanced, as well as publishing new historical research. -
Todd Thompson
Todd Thompson Address: Dr. Todd Thompson, Assistant Professor of History, Torrey Honors Institute, Biola University, 13800 Biola Ave, La Mirada, CA 90639 E-mail: [email protected] Tel.: 562-903-5442 Citizenship: U. S. A. CURRENT AND PAST EMPLOYMENT Assistant Professor, Biola University, Spring 2014-Present Assistant Professor, Qatar University, Fall 2010-Fall 2013 Adjunct Professor, Wheaton College, Summer 2008 EDUCATION Oct. 2005- Mar. 2010 PhD, Faculty of History, University of Cambridge -Doctoral Dissertation: “J. N. D. Anderson, Nationalism, and the ‘Modernisation’ of Islamic Law, 1932 – 1984,” Eugenio Biagini, supervisor (Date Approved: May 4th, 2010) Aug. 2003-May 2005 M.A., General History of Christianity, Wheaton College -Thesis: “Evangelicals Abroad: The British Evangelical Alliance and Social Concerns Overseas, 1850-1900,” Timothy Larsen, director Aug. 1998-May 2003 B.A., History and Philosophy, Kansas State University TEACHING AND RESEARCH INTERESTS Teaching Expertise: Great Books, British Empire, Middle Eastern history, history of empires, history of Christianity, history of Islam Research Interests: Intellectual history of British-Arab Relations, Orientalism, Minorities in the Arab World, Christian political thought, Islamic political thought PUBLICATIONS Books Sir Norman Anderson, Islam and the End of the British Empire (New York and London: Oxford University Press/Hurst, Forthcoming 2014-2015) T. E. Lawrence’s Seven Pillars of Wisdom: A Biography (New York and London: Oxford University Press/Hurst, In Progress) Articles and Book Chapters "Charles Malik and the Christian Critique of Orientalism in Lebanon and Britain, 1945-1956," Christians and Religious Plurality, ed. John Doran, Charlotte Methuen and Alexandra Walsham (Boydell and Brewer, 2014/2015) "Albert Hourani, Christian Minorities and the Spiritual Dimension of Britain's Problem in Palestine, 1938- 1947," in Christians and the Middle East Conflict, ed. -
Funded by a Grant from the Arts and Humanities Research Board)
This document was supplied by the depositor and has been modified by AHDS History McGregor, Goldman and White's Catalogue of the Published Papers of the N.A.P.S.S. (funded by a grant from the Arts and Humanities Research Board) 1. The National Association for the Promotion of Social Science: An Introduction The National Association for the Promotion of Social Science, otherwise known as the Social Science Association, was the pre-eminent forum for the discussion of social questions and the dissemination of knowledge about society in mid-Victorian Britain. Founded in 1857 and active until 1884, it provided expert guidance to policy-makers and politicians in the era of Gladstone and Disraeli (Lawrence Goldman, Science, Reform and Politics in Victorian Britain. The Social Science Association 1857-1886 (Cambridge, 2002)). Foundation The Association was constructed out of several different organisations and campaigns in the mid- 1850s. Rather than undertaking research and lobbying government on single issues, social reformers then believed that a pooling of resources and ideas in a single, large and multi-faceted forum would assist their various interests and the cause of reform in general. The National Association brought together law reformers from the Society for Promoting the Amendment of the Law (which had been founded in 1844); penal reformers from the National Reformatory Union who were focused on the reformation of young offenders; and the pioneering feminists of the Langham Place Circle in London who, from 1855, led a campaign to reform the laws of property as they affected women in marriage, and who subsequently extended their critique to many other aspects of the social, economic and political status of women in Victorian Britain. -
Tearing up the Rules
Jewish RENAISSANCE A FRESH PERSPECTIVE ON JEWISH CULTURE SPONSORED BY DANGOOR EDUCATION JULY 2018 £7.25 TEARING UP THE RULES VIENNA’S CULTURE REVOLUTION IS THERE LIFE AFTER ROTH? AMOS OZ MOROCCO MEETS VENEZUELA The future of Jewish fiction Peace is still possible The restaurant that’s defying the crisis JR Pass on your love of Jewish culture for future generations Make a legacy to Jewish Renaissance ADD A LEGACY TO JR TO YOUR WILL WITH THIS SIMPLE FORM WWW.JEWISHRENAISSANCE.ORG.UK/CODICIL GO TO: WWW.JEWISHRENAISSANCE.ORG.UK/DONATIONS FOR INFORMATION ON ALL WAYS TO SUPPORT JR CHARITY NUMBER 1152871 JULY 2018 CONTENTS WWW.JEWISHRENAISSANCE.ORG.UK JR YOUR SAY… Reader’s rants, raves 4 and views on the April issue of JR. WHAT’S NEW We announce the 6 winner of JR’s new arts award; Mike Witcombe asks: is there life after Roth? FEATURE Amos Oz on Israel at 10 70, the future of peace, and Trump’s controversial embassy move. FEATURE An art installation in 12 French Alsace is breathing new life into an old synagogue. NATALIA BRAND NATALIA © PASSPORT Vienna: The writers, 14 artists, musicians and thinkers who shaped modernism. Plus: we speak to the contemporary arts activists working in Vienna today. MUSIC Composer Na’ama Zisser tells Danielle Goldstein about her 30 CONTENTS opera, Mamzer Bastard. ART A new show explores the 1938 32 exhibition that brought the art the Nazis had banned to London. FILM Masha Shpolberg meets 14 34 the director of a 1968 film, which followed a group of Polish exiles as they found haven on a boat in Copenhagen. -
British Communism and the Politics of Literature, 1928-1939
_________________________________________________________________________Swansea University E-Theses British Communism and the politics of literature, 1928-1939. Bounds, Philip How to cite: _________________________________________________________________________ Bounds, Philip (2003) British Communism and the politics of literature, 1928-1939.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42543 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ BRITISH COMMUNISM AND THE POLITICS OF LITERATURE, 1928-1939 PHILIP BOUNDS SUBMITTED TO THE UNIVERSITY OF WALES IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF WALES SWANSEA 2003 ProQuest Number: 10805292 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. -
Aristocratic Women at the Late Elizabethan Court: Politics, Patronage and Power
Aristocratic Women at the Late Elizabethan Court: Politics, Patronage and Power Joanne Lee Hocking School of Humanities, Department of History University of Adelaide November 2015 Table of Contents Abstract i Thesis declaration iii Acknowledgments iv List of Abbreviations v Chapter 1 Introduction 1 Chapter 2 The Political Context, 1580-1603 28 Chapter 3 The Politics of Female Agency: 54 Anne Dudley, Countess of Warwick Chapter 4 The Politics of Family and Faction: 132 Anne, Lady Bacon and Elizabeth, Lady Russell Chapter 5 The Politics of Favour: the Essex Women 195 Chapter 6 Conclusion 265 Appendices Appendix A – the Russell family 273 Appendix B – the Dudley family 274 Appendix C – the Cooke family 275 Appendix D – the Devereux family 276 Appendix E – Countess of Warwick’s 277 Patronage Network Appendix F –Countess of Warwick’s will 292 Bibliography 305 Abstract This thesis examines the power of aristocratic women in politics and patronage in the final years of the Elizabethan court (1580 to 1603). Substantial archival sources are analysed to evaluate the concepts of female political agency discussed in scholarly literature, including women’s roles in politics, within families, in networks and as part of the court patronage system. A case study methodology is used to examine the lives and careers of specific aristocratic women in three spheres of court politics – the politics of female agency, the politics of family and faction, and the politics of favour. The first case study looks at Elizabeth’s long-serving lady-in-waiting, Anne Dudley, Countess of Warwick, and demonstrates that female political agents harnessed multiple sources of agency to exercise power at court on behalf of dense patronage networks. -
Kaleidoscopic Natural Theology
Kaleidoscopic Natural Theology The Dynamics of Natural Theological Discourse in Seventeenth and Early Eighteenth-Century England Larissa Kate Johnson A thesis submitted for the degree of Doctor of Philosophy The University of New South Wales, Australia 2009 ORIGINALITY STATEMENT I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged. Signed ................................................................. Date .................................................................. i COPYRIGHT STATEMENT I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the 350 word abstract of my thesis in Dissertation Abstract International (this is applicable to doctoral theses only).