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THE CYPRUS GREEN LINE – BRIDGING the GAP by Zachariasantoniades the Cyprus Buffer Zone Divides the Old City of Nicosia Into North and South • Abstract
Ch llenges for a new future THE CYPRUS GREEN LINE – BRIDGING GAP By Zacharias Antoniades The Cyprus buffer zone divides the old city of Nicosia into North and South • Abstract ............................... 06 • Introduction: Brief story of Nicosia ............................... 08 • "Borders are the scars of history". ............................... 14 • Lessons from Berlin ............................... 20 • Is a border purely a point of division, or can it also become one of contact between two ............................... 26 different cultures? Contents • “Third-spaces create space for envisioning ............................... 32 changes in divided cities” • The appropriate program for the appropriate ............................... 36 building. • Conclusion ............................... 42 • Bibliography ............................... 45 • Websites ............................... 47 3 4 Abstract Since 1974, Cyprus, the country that I call home has been divided in two parts, separating the two major ethnicities of the island (Greeks and Turks). In between these north and south parts lies the well-known Cyprus Buffer zone that to this day expresses the realities of the armed conflict that took place there four decades ago. This buffer zone rep- resents the lack of communication and mistrust that exists between the two ‘rival’ sides. As a Cypriot designer I felt the need to come up with an appropri- ate project that will bring people closer together, giving them the chance to communicate, debate, exchange knowledge and views and generally understand the needs of each side leading to a better and smoother social and cultural blend thus making it easier for the people to digest any future plans of total reunification. In order to get inspiration and a better understanding of how to deal with such situations I examined borders and their evolvement at differ- ent scales and contexts, but also looking at various peace-promoting projects in conflict zones. -
Walls and Fences: a Journey Through History and Economics
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Vernon, Victoria; Zimmermann, Klaus F. Working Paper Walls and Fences: A Journey Through History and Economics GLO Discussion Paper, No. 330 Provided in Cooperation with: Global Labor Organization (GLO) Suggested Citation: Vernon, Victoria; Zimmermann, Klaus F. (2019) : Walls and Fences: A Journey Through History and Economics, GLO Discussion Paper, No. 330, Global Labor Organization (GLO), Essen This Version is available at: http://hdl.handle.net/10419/193640 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu Walls and Fences: A Journey Through History and Economics* Victoria Vernon State University of New York and GLO; [email protected] Klaus F. Zimmermann UNU-MERIT, CEPR and GLO; [email protected] March 2019 Abstract Throughout history, border walls and fences have been built for defense, to claim land, to signal power, and to control migration. -
Aftermath: Accounting for the Holocaust in the Czech Republic
Aftermath: Accounting for the Holocaust in the Czech Republic Krista Hegburg Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERISTY 2013 © 2013 Krista Hegburg All rights reserved Abstract Aftermath: Accounting for the Holocaust in the Czech Republic Krista Hegburg Reparations are often theorized in the vein of juridical accountability: victims of historical injustices call states to account for their suffering; states, in a gesture that marks a restoration of the rule of law, acknowledge and repair these wrongs via financial compensation. But as reparations projects intersect with a consolidation of liberalism that, in the postsocialist Czech Republic, increasingly hinges on a politics of recognition, reparations concomitantly interpellate minority subjects as such, instantiating their precarious inclusion into the body po litic in a way that vexes the both the historical justice and contemporary recognition reparatory projects seek. This dissertation analyzes claims made by Czech Romani Holocaust survivors in reparations programs, the social work apparatus through which they pursued their claims, and the often contradictory demands of the complex legal structures that have governed eligibility for reparations since the immediate aftermath of the war, and argues for an ethnographic examination of the forms of discrepant reciprocity and commensuration that underpin, and often foreclose, attempts to account for the Holocaust in contemporary Europe. Table of Contents Acknowledgments ii Introduction 1 Chapter 1 18 Recognitions Chapter 2 74 The Veracious Voice: Gypsiology, Historiography, and the Unknown Holocaust Chapter 3 121 Reparations Politics, Czech Style: Law, the Camp, Sovereignty Chapter 4 176 “The Law is Such as It Is” Conclusion 198 The Obligation to Receive Bibliography 202 Appendix I 221 i Acknowledgments I have acquired many debts over the course of researching and writing this dissertation. -
Cooperation Between Intelligence and Security Systems of German
COOPERATION BETWEEN INTELLIGENCE AND SECURITY SYSTEMS OF GERMAN DEMOCRATIC REPUBLIC AND YUGOSLAVIA Dr. sc. Gordan Akrap Summary: Intelligence and security system of GDR and Yugoslavia, despite the fact that it might look strange, did not have significant level of cooperation. The main reason for that was a huge political and ideological difference on political level. Each of them had their own, “unique”, way to create socialist society under the leadership of Communist party in power. But, despite the fact that they did not had any significant cooperation, both of those systems were established and organised according Russian intelligence and security systems. Repression against their citizens was one of the main similarities between those two systems. Due to the existence of the documents in German BStU it is possible to research their relations in those time of Cold war conflict, and huge antagonism between NATO and WB. Keywords: GDR, DDR, BRD, FRG, Yugoslavia, SFRJ, intelligence and security systems, Stasi, UDB-a, SDB, SED, SKJ, communist party, repression . 1 INTRODUCTION ) 201 ) 2 (1 Constant conflicts of various imperialistic policies with the 2 - 1 aim of gaining political, military and economic superiority over the opponent marked, especially in Europe, marked last century. These conflicts led to two world wars that have caused enormous human and material destruction with strong short- and long-term consequences for the involved states. In Europe had happened also several low-intensity conflicts that have not led to the involvements (or in direct conflict) significant number of states. Therefore, effects of those conflicts had limited (political and territorial) consequences. -
Amiina Puzzle Mp3, Flac, Wma
amiina Puzzle mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Puzzle Country: Iceland Released: 2010 Style: Post Rock, Experimental MP3 version RAR size: 1913 mb FLAC version RAR size: 1146 mb WMA version RAR size: 1116 mb Rating: 4.1 Votes: 195 Other Formats: RA WAV DMF AU MP2 AHX APE Tracklist Hide Credits Ásinn 1 5:31 Bass – Kjartan Sveinsson 2 Over And Again 3:39 What Are We Waiting For? 3 Bass – Kjartan SveinssonCello – Kristín LárusdóttirDouble Bass – Borgar MagnasonViola – 5:26 Guðrún Hrund HarðardóttirViolin – Bjarni Frímann Bjarnason, Ingrid Karlsdóttir 4 Púsl 6:13 In The Sun 5 4:16 Double Bass – Borgar Magnason 6 Mambó 4:56 Sicsak 7 Bass – Kjartan SveinssonCello – Kristín LárusdóttirDouble Bass – Borgar MagnasonViola – 6:51 Guðrún Hrund HarðardóttirViolin – Bjarni Frímann Bjarnason, Ingrid Karlsdóttir Thoka 8 Vocals [Additional] – Bryndís Nielsen, Inga Harðardóttir, Jóhann Ágúst Jóhannsson, Kjartan 3:55 Sveinsson, Sigtryggur Baldursson* Companies, etc. Recorded At – Sundlaugin Studio Recorded At – Grundarstíg Recorded At – Brekkustíg Recorded At – Granda Mixed At – Sundlaugin Studio Mastered At – Sterling Sound Credits Layout, Design – Sólrún Sumarliðadóttir Mastered By – Greg Calbi Mixed By – Birgir Jón Birgisson, amiina Music By, Performer – amiina Photography By [Photographs] – Lilja Birgisdóttir Notes Recorded in Sundlaugin, Grundarstíg, Brekkustíg, Granda and JL. Mixed in Sundlaugin Studio. Mastered at Sterling Sound, NYC. Digipak packaging The catalog# only appears on the CD matrix and sticker Track 4 was called "Þristurinn", track 7 "Tvisturinn" on their self-released record "Re Minore" Barcode and Other Identifiers Matrix / Runout: AMIINA5 *040415 Barcode (on sticker): 5 690351 110722 Other versions Category Artist Title (Format) Label Category Country Year Sound Of A shake 011, Puzzle (LP, shake 011, Amiina Handshake, Sound Of Germany 2011 SHAKE 011 Album) SHAKE 011 A Handshake Puzzle (CD, amiina5 amiina Amínamúsík Ehf. -
Berlin Wall Mural 1986 ———— Paint on Wall, 91.44 Metres ————
LOST Theme Keith Haring 1958–1990 ART Transient Berlin Wall Mural 1986 ———— Paint on wall, 91.44 metres ———— Berlin Wall Between 1949 and 1961 approximately 3.5 million people, or twenty per cent of the population, escaped from East Germany to the West. Most slipped through the border controls in Berlin, then a divided city controlled by four occupying powers (America, Britain, France and Russia). Concerned at the rising numbers of defectors and the effects on the economy and the image of the communist regime, the East German government erected in 1961 first a barbed wire fence and then a concrete wall with watch towers and anti-vehicle trenches. Called by the East German authorities the ‘Anti-Fascist Protection Rampart’ (with the implication that West Germany had not been fully de-Nazified), and described occasionally by the West Berlin city government as the ‘Wall of Shame’ (because of its prevention of movement, and consequent separation, of friends and families), the Berlin Wall became a potent symbol of the Iron Curtain separating East and West Europe. Some East Germans continued to try to escape over the wall but generally failed: between one and two hundred people were killed in the attempt, or used the wall as a place to commit suicide, from 1961 to 1989. Checkpoint Charlie – or, officially, Checkpoint C – was one of the more visible controlled border crossings between East and West Berlin. Featured in a number of classic spy films and books, it became something of a tourist attraction for visitors to West Berlin. As the years passed, artists and graffitists painted on the western side of the wall, notwithstanding the dangers of antagonising the East German soldiers guarding it (the wall stood a couple of metres inside the East German border). -
Pdf Liste Totale Des Chansons
40ú Comórtas Amhrán Eoraifíse 1995 Finale - Le samedi 13 mai 1995 à Dublin - Présenté par : Mary Kennedy Sama (Seule) 1 - Pologne par Justyna Steczkowska 15 points / 18e Auteur : Wojciech Waglewski / Compositeurs : Mateusz Pospiezalski, Wojciech Waglewski Dreamin' (Révant) 2 - Irlande par Eddie Friel 44 points / 14e Auteurs/Compositeurs : Richard Abott, Barry Woods Verliebt in dich (Amoureux de toi) 3 - Allemagne par Stone Und Stone 1 point / 23e Auteur/Compositeur : Cheyenne Stone Dvadeset i prvi vijek (Vingt-et-unième siècle) 4 - Bosnie-Herzégovine par Tavorin Popovic 14 points / 19e Auteurs/Compositeurs : Zlatan Fazlić, Sinan Alimanović Nocturne 5 - Norvège par Secret Garden 148 points / 1er Auteur : Petter Skavlan / Compositeur : Rolf Løvland Колыбельная для вулкана - Kolybelnaya dlya vulkana - (Berceuse pour un volcan) 6 - Russie par Philipp Kirkorov 17 points / 17e Auteur : Igor Bershadsky / Compositeur : Ilya Reznyk Núna (Maintenant) 7 - Islande par Bo Halldarsson 31 points / 15e Auteur : Jón Örn Marinósson / Compositeurs : Ed Welch, Björgvin Halldarsson Die welt dreht sich verkehrt (Le monde tourne sens dessus dessous) 8 - Autriche par Stella Jones 67 points / 13e Auteur/Compositeur : Micha Krausz Vuelve conmigo (Reviens vers moi) 9 - Espagne par Anabel Conde 119 points / 2e Auteur/Compositeur : José Maria Purón Sev ! (Aime !) 10 - Turquie par Arzu Ece 21 points / 16e Auteur : Zenep Talu Kursuncu / Compositeur : Melih Kibar Nostalgija (Nostalgie) 11 - Croatie par Magazin & Lidija Horvat 91 points / 6e Auteur : Vjekoslava Huljić -
REFLECTIONS 148X210 UNTOPABLE.Indd 1 20.03.15 10:21 54 Refl Ections 54 Refl Ections 55 Refl Ections 55 Refl Ections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS MERCI CHÉRIE – MERCI, JURY! AUSGABE 2015 | ➝ Es war der 5. März 1966 beim Grand und belgischen Hitparade und Platz 14 in Prix d’Eurovision in Luxemburg als schier den Niederlanden. Im Juni 1966 erreichte Unglaubliches geschah: Die vielbeachte- das Lied – diesmal in Englisch von Vince te dritte Teilnahme von Udo Jürgens – Hill interpretiert – Platz 36 der britischen nachdem er 1964 mit „Warum nur war- Single-Charts. um?“ den sechsten Platz und 1965 mit Im Laufe der Jahre folgten unzähli- SONG CONTEST CLUBS SONG CONTEST 2015 „Sag‘ ihr, ich lass sie grüßen“ den vierten ge Coverversionen in verschiedensten Platz belegte – bescherte Österreich end- Sprachen und als Instrumentalfassungen. Wien gibt sich die Ehre lich den langersehnten Sieg. In einem Hier bestechen – allen voran die aktuelle Teilnehmerfeld von 18 Ländern startete Interpretation der grandiosen Helene Fi- der Kärntner mit Nummer 9 und konnte scher – die Versionen von Adoro, Gunnar ÖSTERREICHISCHEN schließlich 31 Jurypunkte auf sich verei- Wiklund, Ricky King und vom Orchester AUSSERDEM nen. Ein klarer Sieg vor Schweden und Paul Mauriat. Teilnehmer des Song Contest 2015 – Rückblick Grand Prix 1967 in Wien Norwegen, die sich am Podest wiederfan- Hier sieht man das aus Brasilien stam- – Vorentscheidung in Österreich – Das Jahr der Wurst – Österreich und den. mende Plattencover von „Merci Cherie“, DAS MAGAZIN DES der ESC – u.v.m. Die Single erreichte Platz 2 der heimi- das zu den absoluten Raritäten jeder Plat- schen Single-Charts, Platz 2 der deutschen tensammlung zählt. DIE LETZTE SEITE ections | Refl AUSGABE 2015 2 Refl ections 2 Refl ections 3 Refl ections 3 Refl ections INHALT VORWORT PRÄSIDENT 4 DAS JAHR DER WURST 18 GRAND PRIX D'EUROVISION 60 HERZLICH WILLKOMMEN 80 „Building bridges“ – Ein Lied Pop, Politik, Paris. -
Sigur Rós Kveikur Mp3, Flac, Wma
Sigur Rós Kveikur mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Kveikur Country: US Released: 2013 Style: Post Rock MP3 version RAR size: 1340 mb FLAC version RAR size: 1538 mb WMA version RAR size: 1624 mb Rating: 4.2 Votes: 415 Other Formats: WAV XM AIFF AUD MPC TTA ADX Tracklist 1 Brennisteinn 7:45 2 Hrafntinna 6:23 3 Ísjaki 5:03 4 Yfirborð 4:19 5 Stormur 4:55 6 Kveikur 5:55 7 Rafstraumur 4:58 8 Bláþráður 5:12 9 Var 3:44 Companies, etc. Recorded At – Sundlaugin Studio Recorded At – Eldorado Recording Studios Recorded At – Pacifique Studios Mastered At – Sterling Sound Published By – Universal Music Publishing Phonographic Copyright (p) – Sigur Rós Copyright (c) – Sigur Rós Licensed To – XL Recordings Ltd. Manufactured By – Inertia Pty. Ltd. Distributed By – Inertia Pty. Ltd. Distributed By – Rhythmethod Marketed By – Remote Control Credits Arranged By [Brass] – Eiríkur Orri Ólafsson Arranged By [Strings] – Daníel Bjarnason Art Direction – Sarah Hopper Brass – Bergrún Snæbjörnsdóttir, Eiríkur Orri Ólafsson, Sigrun Jónsdóttir* Cover [Front Cover Image Adapted From A Photograph By] – Lygia Clark Design – Sarah Hopper Illustration – Sigga Björg Sigurðardóttir Mastered By – Ted Jensen Mixed By – Alex Somers, Rich Costey Mixed By [Assistant] – Chris Kasych, Elisabeth Carlsson*, Eric Isip, Laura Sisk Producer – Sigur Rós Recorded By – Alex Somers, Birgir Jón Birgisson, Sigur Rós Recorded By [Strings] – Valgeir Sigurdsson* Strings – Borgar Magnason, Margrét Árnadóttir, Pálína Árnadóttir, Una Sveinbjarnardóttir, Þórunn Ósk Marinósdóttir Written-By – Sigur Rós Notes Notes taken from the release: Front cover [used] by kind permission of the Lygia Clark Foundation. ℗ & © 2013 Sigur Rós under exclusive license to XL Recordings Ltd. -
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8 Music Boo-Hooray is proud to present our eighth antiquarian catalog, dedicated to music artifacts and ephemera. Included in the catalog is unique artwork by Tomata Du Plenty of The Screamers, several incredible items documenting music fan culture including handmade sleeves for jazz 45s, and rare paste-ups from reggae’s entrance into North America. Readers will also find the handmade press kit for the early Björk band, KUKL, several incredible hip-hop posters, and much more. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Ben Papaleo, Evan, and Daylon. Layout by Evan. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Table of Contents 31. [Patti Smith] Hey Joe (Version) b/w Piss Factory .................. -
Hearst Corporation Los Angeles Examiner Photographs, Negatives and Clippings--Portrait Files (N-Z) 7000.1C
http://oac.cdlib.org/findaid/ark:/13030/c8w37tqm No online items Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (N-Z) 7000.1c Finding aid prepared by Rebecca Hirsch. Data entry done by Nikita Lamba, Siria Meza, Stephen Siegel, Brian Whitaker, Vivian Yan and Lindsey Zea The processing of this collection and the creation of this finding aid was funded by the generous support of the Council on Library and Information Resources. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2012 April 7000.1c 1 Title: Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (N-Z) Collection number: 7000.1c Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 833.75 linear ft.1997 boxes Date (bulk): Bulk, 1930-1959 Date (inclusive): 1903-1961 Abstract: This finding aid is for letters N-Z of portrait files of the Los Angeles Examiner photograph morgue. The finding aid for letters A-F is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1a . The finding aid for letters G-M is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1b . creator: Hearst Corporation. Arrangement The photographic morgue of the Hearst newspaper the Los Angeles Examiner consists of the photographic print and negative files maintained by the newspaper from its inception in 1903 until its closing in 1962. It contains approximately 1.4 million prints and negatives. The collection is divided into multiple parts: 7000.1--Portrait files; 7000.2--Subject files; 7000.3--Oversize prints; 7000.4--Negatives. -
Verbotsliste Zum Members Favourite 2011
Verbotsliste zum Members´ Favourite 2011 (MF 2011) MF = Members´ Favourite (ab 01) OGAEVC = OGAE Video Contest OGAESC = OGAE Song Contest SCC = Second Chance Contest MSC = Member Song Contest (bis 00) auch nicht erlaubt: alle ESC-Final-Lieder von 1956 - 2010 auch nicht erlaubt: alle ESC-Semifinal-Lieder von 2004 - 2010 auch nicht erlaubt: alle ESC-Vorentscheidungs-Titel 2010 Interpret Titel Wettbewerb 2 Eivissa Viva la fiesta MF 02 2Raumwohnung 2 von Millionen von Sternen MF 05 2raumwohnung Besser geht's nicht OGAEVC 07 4 Elements Kludu labojums MF 04 4´33" Ave Maria Laudata SCC 02 7 Up Daj, spusti se SCC 99 A1 Don´t wanna lose you again SCC 10 Aardvarks Disguised by the night MSC 97 ABBA oder Abba As good as new MF 05 ABBA oder Abba Dream world MSC 95 ABBA oder Abba No hay a quien culpar MSC 99 ABBA oder Abba One of us MSC 99 ABBA oder Abba Put on your white sombrero MSC 00 ABBA oder Abba S.O.S. MSC 00 Abel Ademloos MF 05 Abel Onderweg MF 02 Abel, Morten The Birmingham Ho OGAEVC 04 Abi 93 Lauf, Siggi, lauf MSC 95 Abrahamsen, Jannicke Rocket ride MF 08 Abreu, Anna Perdone-me MF 09 Academia Operación Triunfo Mi música es tu voz MF 02 Acapella Army of the Lord MSC 00 Adam Yachad na'amod SCC 91 Adams, Oleta Get here MSC 98 Adini, Dana & Salomon, Daniel Rabot hadrachim MF 08 Adrian, Benedicte & Ingrid oder Björnov Kanskje i morgen OGAESC 00 After Dark (Åh) När ni tar saken i egna händer MF 07 Agnes Release me MF 10 Aguilar, Feddy Anak MSC 98 Aika Stay SCC 02 Aikakone Alla vaahterapuun OGAESC 96 Ainbrusk Singers Lassie OGAESC 91 Ainhoa Mi razón de vivir SCC 03 Air & Hardy, Françoise oder Francoise Jeanne MSC 99 Åkerström, C.-S.