DOCSLIB.ORG

Top Names in Electronic Music at Flow's Resident Advisor Front Yard

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Top Names in Electronic Music at Flow's Resident Advisor Front Yard Press release. Free for publication February 19, 2019. 10 EET Top names in electronic music at Flow’s Resident Advisor Front Yard Flow, known for its high-quality electronic music, is publishing its Resident Advisor Front Yard program. Nina Kraviz, The Black Madonna, Donato Dozzy, Baba Stiltz and K-HAND are among the acts performing at the festival in August. The very popular Resident Advisor Front Yard, put on in cooperation with the world’s leading online media for electronic music Resident Advisor, is now in its third year at Flow. Friday will feature the hypnotic soundscapes of Donato Dozzy, the occult melodies put to ambient and synthwave sounds of Eva Geist, a deep reggaeton live set by New York -based DJ Python, techno and house DJ Ash Lauryn from Atlanta, GA, who hosts a monthly show on London-based radio channel NTS, Seattle-based CCL winding their way from bubbling electro to twisted techno as well as the longtime lights of Helsinki club culture Denzel & J.Lindroos. On Saturday, the stage at Resident Advisor Front Yard is set for booker at Chicago’s esteemed Smart Bar club and DJ as well as advocate for a more just and inclusive club culture The Black Madonna, a live set by painters of deep and sensual New York sound- scapes Dream 2 Science, DJ, poet, artist and denizen of nighttime New York Juliana Huxtable as well as Carista who rose to prominence through Amsterdam’s legendary Red Light Radio. The Helsinki scene will be represented by DJs Katerina and Linda Lazarov, as well as Yu Chuan whose trippy sets that, make their way from disco to funk and house to jazz have established him as a solid favourite in town. Sunday hosts some topical names, too: one of techno’s most influential DJs Nina Kraviz, techno legends whose footprint stretched way back into the 90s K-HAND, Stockholm- based creator of one-of-a-kind house tracks Baba Stiltz, coming straight out of Vancou- ver’s unique club scene D. Tiffany as well as Helsinki-based Yeboyah who spins sets con- centrating on hip hop, R&B & afrobeat. Flow Festival and Resident Advisor have worked together since 2015. Some of the shows at Resident Advisor Front Yard will be streamed live on Resident Advisor’s channels. https://www.residentadvisor.net/ Flow Festival takes place in Suvilahti 9–11 August 2019. All in all, almost 150 artists will perform at the festival. The booked acts are: Friday 9.8. Cardi B, Earl Sweatshirt, Neneh Cherry, slowthai, Nitzer Ebb, Leroy Burgess Full Band, Makaya McCraven, Donato Dozzy, Dj Python (live), Eva Geist (live), Ash Lauryn, CCL, Denzel & J.lindroos, Ville Valo & Agents, Pyhimys - Neljä vuodenaikaa: Kesä, Katakombi and Maustetytöt. Saturday 10.8. Tame Impala, Robyn, Blood Orange, Pond, Yves Tumor, Amnesia Scanner, The Black Madonna, Juliana Huxtable, Dream 2 Science (live), Carista, Katerina b2b Linda Lazarov, Yu Chuan, Gasellit, Ruusut, Jaakko Eino Kalevi, Sofa, Bizi, F & SITOI, Jesse Markin and Henrik! Sunday 11.8. The Cure, Father John Misty, Tove Lo, Modeselektor (live), Mitski, Cupcakke, Pharoah Sanders Quartet, Nina Kraviz, Baba Stiltz, K-Hand, Yeboyah, D.Tiffany, J. Karjalainen, Iisa and The Holy. Tickets: Ticketmaster www.ticketmaster.fi tel.0600-10-800 Tiketti www.tiketti.fi tel.0600-1-1616 3 days: 205 €. 2 days: 165€ 1 day: 105€ Gold Area tickets: 3-day Gold Area ticket: 295 € 1-day Gold Area ticket: 175€ Price applicable for the time being. Price includes service charge. www.flowfestival.com www.facebook.com/FlowFestival www.twitter.com/FlowFestival www.instagram.com/flowfestivalhelsinki www.vk.com/flowfestival Press photos: https://www.flowfestival.com/en/media For more information: Flow Festival, Press Officer Susanna Hulkkonen, susanna AT flowfestival.com / +358 50 911 6570 PR in the UK: The Zeitgeist Agency / Hannah Roberts-Owen, hannah.ro AT zeitgeist.co.uk and Elliot Mitchell, elliot.mitchell AT zeitgeist.co.uk PR in Russia: Sarafun PR / Olga Dub, olga AT sarafun.spb.ru PR in France: Phunkster / Fabrice Desprez, phunk AT phunkster.com PR in other European countries: Hustle PR / Fallon MacWilliams, fallon AT hustlepr.com and Jessica Goodchild, Jessica AT hustlepr.com .
Load more

Recommended publications
  • Synthwave Muzikos Stilius: Keistumas Ir Hiperrealybė
    LIETUVOS MUZIKOS IR TEATRO AKADEMIJA MUZIKOS FAKULTETAS KOMPOZICIJOS KATEDRA Martynas Kraujalis SYNTHWAVE MUZIKOS STILIUS: KEISTUMAS IR HIPERREALYBĖ Studijų programa: kompozicija (skaitmeninės technologijos) Magistro tiriamasis darbas Darbo autorius: Martynas Kraujalis (parašas) Darbo vadovas: Lekt. dr. Jonas Jurkūnas (parašas) Vilnius, 2020 LIETUVOS MUZIKOS IR TEATRO AKADEMIJA BAIGIAMOJO DARBO SĄŽININGUMO DEKLARACIJA 20____m. _____________ __ d. Patvirtinu, kad mano tiriamasis rašto darbas (tema) „SYNTHWAVE MUZIKOS STILIUS: KEISTUMAS IR HIPERREALYBĖ“, yra parengtas savarankiškai. 1. Šiame darbe pateikta medžiaga nėra plagijuota, tyrimų duomenys yra autentiški ir nesuklastoti. 2. Tiesiogiai ar netiesiogiai panaudotos kitų šaltinių ir/ar autorių citatos ir/ar kita medžiaga pažymėta literatūros nuorodose arba įvardinta kitais būdais. 3. Kitų asmenų indėlio į parengtą baigiamąjį darbą nėra. 4. Jokių įstatymų nenumatytų piniginių sumų už šį darbą niekam nesu mokėjęs (-usi). 3. Su pasekmėmis, nustačius plagijavimo ar duomenų klastojimo atvejus, esu susipažinęs(- usi) ir jas suprantu. ______________ ______________________ Parašas (Vardas, pavardė) 2 Martynas Kraujalis Synthwave muzikos stilius: keistumas ir hiperrealybė Santrauka Synthwave muzika: saviraiška ir postmodernistinis muzikinis judėjimas. Hiperrealybė – geresnis pasaulio sukūrimas teikiantis daugiau laimės nei tikras. Retro-futuristnė ateitis, kuri niekada taip ir neįvyko, tačiau šiandien apie ją galvojama kaip apie geresnį hiperrealų pasaulį, geresnį gyvenimą į kurį norisi grįžti nors jo niekada ir nebuvo. Sintezatoriai ir bitcrush: Synthwave muzikos pagrindiniai elementai kurie imituoja tų laikų stilistiką: bitcrush 1980 -ais metais buvo trūkumas, dabar tai didelė Synthwave stiliaus dalis. Elektroninis sintezatoriaus garsas tampa hiperrealybės terpės imitacija. Mėlyna Synthwave spalva: žmogaus troškimas kontaktuoti su dieviškąja būtybe – hiperrealybė. Synthwave muzika ir kaip keistai į tai reaguoja klausytojas: reakcija į keistumą sukuria dar vieną Synthwave klausymo pojūtį, estetinį Synthwave suvokimą.
    [Show full text]
  • A Comparative Analysis of Punk in Spain and Mexico
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2018-07-01 El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico Rex Richard Wilkins Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Spanish and Portuguese Language and Literature Commons BYU ScholarsArchive Citation Wilkins, Rex Richard, "El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico" (2018). Theses and Dissertations. 6997. https://scholarsarchive.byu.edu/etd/6997 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Brian Price, Chair Erik Larson Alvin Sherman Department of Spanish and Portuguese Brigham Young University Copyright © 2018 Rex Richard Wilkins All Rights Reserved ABSTRACT El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins Department of Spanish and Portuguese, BYU Master of Arts This thesis examines the punk genre’s evolution into commercial mainstream music in Spain and Mexico. It looks at how this evolution altered both the aesthetic and gesture of the genre. This evolution can be seen by examining four bands that followed similar musical and commercial trajectories.
    [Show full text]
  • Narcocorridos As a Symptomatic Lens for Modern Mexico
    UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Vol. 1, No. 2 “Grave-Digging Crate Diggers: Retro “The Narcocorrido as an Ethnographic Fetishism and Fan Engagement with and Anthropological Lens to the War Horror Scores” on Drugs in Mexico” Spencer Slayton Samantha Cabral “Callowness of Youth: Finding Film’s “This Is Our Story: The Fight for Queer Extremity in Thomas Adès’s The Acceptance in Shrek the Musical” Exterminating Angel” Clarina Dimayuga Lori McMahan “Cats: Culturally Significant Cinema” Liv Slaby Spring 2020 Editor-in-Chief J.W. Clark Managing Editor Liv Slaby Review Editor Gabriel Deibel Technical Editors Torrey Bubien Alana Chester Matthew Gilbert Karen Thantrakul Graphic Designer Alexa Baruch Faculty Advisor Dr. Elisabeth Le Guin 1 UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Volume 1, Number 2 Spring 2020 Contents Grave-Digging Crate Diggers: Retro Fetishism and Fan Engagement 2 with Horror Scores Spencer Slayton Callowness of Youth: Finding Film’s Extremity in Thomas Adès’s 10 The Exterminating Angel Lori McMahan The Narcocorrido as an Ethnographic and Anthropological Lens to 18 the War on Drugs in Mexico Samantha Cabral This Is Our Story: The Fight for Queer Acceptance in Shrek the 28 Musical Clarina Dimayuga Cats: Culturally Significant Cinema 38 Liv Slaby Contributors 50 Closing notes 51 2 Grave-Digging Crate Diggers: Retro Fetishism and Fan Engagement with Horror Scores Spencer Slayton he horror genre is in the midst of a renaissance. The slasher craze of the late 70s and early 80s, revitalized in the mid-90s, is once again a popular genre for Treinterpretation by today’s filmmakers and film composers.
    [Show full text]
  • Music That Laughs 2017
    Repositorium für die Medienwissenschaft Adam Harper Music that laughs 2017 https://doi.org/10.25969/mediarep/1817 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Harper, Adam: Music that laughs. In: POP. Kultur und Kritik, Jg. 6 (2017), Nr. 1, S. 60– 65. DOI: https://doi.org/10.25969/mediarep/1817. Erstmalig hier erschienen / Initial publication here: https://nbn-resolving.org/urn:nbn:de:101:1-2020052211120328716628 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an.
    [Show full text]
  • The Music (And More) 2019 Quarter 3 Report
    The Music (and More) 2019 Quarter 3 Report Report covers the time period of July 1st to Kieran Robbins & Chief - "Sway" [glam rock] September 30th, 2019. I inadvertently missed Troy a few before that time period, which were brought to my attention by fans, bands & Moriah Formica - "I Don't Care What You others. The missing are listed at the end, along with an Think" (single) [hard rock] Albany End Note… Nine Votes Short - "NVS: 09/03/2019" [punk rock] RECORDINGS: Albany Hard Rock / Metal / Punk Psychomanteum - "Mortal Extremis" (single track) Attica - "Resurected" (EP) [hardcore metal] Albany [thrash prog metal industrial] Albany Between Now and Forever - "Happy" (single - Silversyde - "In The Dark" [christian gospel hard rock] Mudvayne cover) [melodic metal rock] Albany Troy/Toledo OH Black Electric - "Black Electric" [heavy stoner blues rock] Scotchka - "Back on the Liquor" | "Save" (single tracks) Voorheesville [emo pop punk] Albany Blood Blood Blood - "Stranglers” (single) [darkwave Somewhere To Call Home - "Somewhere To Call Home" horror synthpunk] Troy [nu-metalcore] Albany Broken Field Runner – "Lay My Head Down" [emo pop Untaymed - "Lady" (single track) [british hard rock] punk] Albany / LA Colonie Brookline - "Live From the Bunker - Acoustic" (EP) We’re History - "We’re History" | "Pop Tarts" - [acoustic pop-punk alt rock] Greenwich "Avalanche" (singles) [punk rock pop] Saratoga Springs Candy Ambulance - "Traumantic" [alternative grunge Wet Specimens - "Haunted Flesh" (EP) [hardcore punk] rock] Saratoga Springs Albany Craig Relyea - "Between the Rain" (single track) Rock / Pop [modern post-rock] Schenectady Achille - "Superman (A Song for Mora)" (single) [alternative pop rock] Albany Dead-Lift - "Take It or Leave It" (single) [metal hard rock fusion] Schenectady Caramel Snow - "Wheels Are Meant To Roll Away" (single track) [shoegaze dreampop] Delmar Deep Slut - "u up?" (3-song) [punk slutcore rap] Albany Cassandra Kubinski - "DREAMS (feat.
    [Show full text]
  • Artefaktor Media
    MEDIA KIT 2018 fb.com/ArtefaktorRadio ARTEFAKTOR @artefaktorradio RADIO @artefaktor_radio Artefaktor Radio: Live from Mexico City H T T P : / / A R T E F A K T O R R A D I O . C O M MEDIA KIT 2018 I N T R O D U C T I O N Artefaktor Radio is committed to programming and promoting current and catalogue synth, electro, synthwave, techno, darkwave, ambient, synthpop and experimental music worldwide. The station’s core listener profile is 30 to 65-year olds. Launched in Mexico in March 2016, the main listener concentrations are also in England, France, Germany, USA, Canada, Latin America and elsewhere in Europe. Artefaktor Radio plays electronic music from its beginning until now. H T T P : / / A R T E F A K T O R R A D I O . C O M MEDIA KIT 2018 D E M O G R A P H I C P R O F I L E WOMEN 46% MEN A G E C O M P O S I T I O N 54% 40 30 M A L E / F E M A L E C O M P O S I T I O N 20 10 0 18 - 24 25 - 34 35 - 44 45 -54 55 - 65 **Data taken from our website** H T T P : / / A R T E F A K T O R R A D I O . C O M MEDIA KIT 2018 D E M O G R A P H I C P R O F I L E T O P 5 C O U N T R I E S B Y L I S T E N E R S 35,000 26,250 17,500 8,750 0 .
    [Show full text]
  • The Local 518 Music (And More) Report 2018 – Quarter 1
    The Local 518 Music (and More) Report 2018 – Quarter 1 This report covers the time period of January 1st to Rock / Pop March 31st, 2017. We inadvertently missed a few before Ampevene - "Valencia (Radio Edit)" (single track) | that time period, which were brought to our attention "Ephemagoria" [progressive rock] Albany by fans, bands & others. The missing is listed at the end. Balcony - "Canvas" | "Blind" (single tracks) [pop rock] RECORDINGS: Saratoga Springs Hard Rock / Metal / Punk Boo Fookin' Radley (BFR) - "Freedom of Thought" (EP) Arch Fiends - "Love Is Like a Homicide" | "Prisoners" [alt pop rock] Saratoga Springs/Stony Brook (single tracks) [horror punk] Glens Falls Brad Whiting and The Cadillac Souls - "Six-Wire" | "No Blind Threat - "Everyone's a Killer" [hardcore metal] 2nd Chances" (single tracks) [blues rock] Glenmont Albany Caramel Snow - "Are You Unreal?" (EP) | "Happy Candy Ambulance - "Spray" [alt grunge rock] Saratoga Birthday (Happy New Year" to "Are You Unreal?" (single tracks) [shoegaze dreampop] Delmar Cats Don’t Have Souls - "Twenty four days of scaring the neighbors with devil music" | "Cats Don't Have Souls" David Tyo - "Oh, Life" (single) [acoustic pop] Saratoga [alt post punk prog rock] Albany Springs Che Guevara T-Shirt - "Seven Out, Pay the Don'ts" [post- Girl Blue - "Lolita" (single) [alt soul pop] Albany punk rock] Albany Great Mutations - "Live at the Tang" | "Already Dead" Kardia - "Metamorphosis" (single track) [melodic hard (single track) [psych pop baroque rock] Troy rock] Pittsfield, MA Julia Gargano
    [Show full text]
  • A Retrospective Analysis and the Future for Game Music. Bbw Hochschule
    Interactive Music writing in the Age of AI: A retrospective analysis and the future for game music. bbw Hochschule – Management of Creative Industries MA Ugur, Huseyin Can Matriculation Number: 037201 Course Code: HM029 Primary supervisor – Peter Mathias Konhäusner Secondary supervisor – Prof. Dr. Ingo Schünemann Submitted on: 26/09/2020 Abstract In this thesis, the practices, workers and monetary aspects of interactive music industry has been investigated. As the terminology regarding this industry is observed to be ambiguous, each of the elements that make up the industry and where they came from were explored. Once the definitions and their relevance to industry have been established, the effects of progressive technology on this industry have been hypothesized. As technologies such as Virtual Reality and Augmented reality are still limited to niche area of console gaming and just recently making their appearance on mainstream, they have been only mentioned. However, with the all-encompassing nature of Artificial Intelligence technologies and what they offer to software industry int this thesis it is hypothesized to impact the industry on its population of workers and their financial and professional practices. As the industry has been observed to be in a stable state financially and dependent on the gaming industry itself, it is proposed that the biggest impact will be in their use of technology and how they can bring new dimensions to future games have been discussed. Furthermore, as these effects have been described anecdotally, to observe the psychosomatic experience a more developed game music can offer, an experiment game based on earlier studies in the field have been conducted.
    [Show full text]
  • Genre in Practice: Categories, Metadata and Music-Making in Psytrance Culture
    Genre in Practice: Categories, Metadata and Music-Making in Psytrance Culture Feature Article Christopher Charles University of Bristol (UK) Abstract Digital technology has changed the way in which genre terms are used in today’s musical cultures. Web 2.0 services have given musicians greater control over how their music is categorised than in previous eras, and the tagging systems they contain have created a non-hierarchical environment in which musical genres, descriptive terms, and a wide range of other metadata can be deployed in combination, allowing musicians to describe their musical output with greater subtlety than before. This article looks at these changes in the context of psyculture, an international EDM culture characterised by a wide vocabulary of stylistic terms, highlighting the significance of these changes for modern-day music careers. Profiles are given of two artists, and their use of genre on social media platforms is outlined. The article focuses on two genres which have thus far been peripheral to the literature on psyculture, forest psytrance and psydub. It also touches on related genres and some novel concepts employed by participants (”morning forest” and ”tundra”). Keywords: psyculture; genre; internet; forest psytrance; psydub Christopher Charles is a musician and researcher from Bristol, UK. His recent PhD thesis (2019) looked at the careers of psychedelic musicians in Bristol with chapters on event promotion, digital music distribution, and online learning. He produces and performs psydub music under the name Geoglyph, and forest psytrance under the name Espertine. Email: <[email protected]>. Dancecult: Journal of Electronic Dance Music Culture 12(1): 22–47 ISSN 1947-5403 ©2020 Dancecult http://dj.dancecult.net http://dx.doi.org/10.12801/1947-5403.2020.12.01.09 Charles | Genre in Practice: Categories, Metadata and Music-Making in Psytrance Culture 23 Introduction The internet has brought about important changes to the nature and function of genre in today’s musical cultures.
    [Show full text]
  • Listen to the New Album: 'Fantasizer'
    WEBSITE . FACEBOOK . INSTAGRAM . TWITTER . BANDCAMP . YOUTUBE ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Listen to the new album: ‘Fantasizer’ WATCH THE VIDEO FOR ‘ANCHOR TO THE WORLD BELOW Boston electronic-pop group Freezepop release new album Fantasizer on October 6 ​ ​ Funded by the band’s dedicated fanbase through Kickstarter, the new Freezepop album Fantasizer finds the band back with their first LP since 2010’s Imaginary Friends ​ ​ Hi. Hello. How are you? Where are you? Are you looking for an escape? Are you looking for a new place to be? Are you simply looking? Allow us to introduce you to Fantasizer, the long-awaited new album from Freezepop. ​ ​ ​ ​ The Boston synth-pop band, fresh off their 20th anniversary, return with their fifth studio album, first new music in five years, and first new LP in 10 years (2010’s Imaginary Friends). An outlet ​ ​ for escapism at a time when we need it most, the 13-track Fantasizer is Freezepop’s most ​ ​ mature and emotionally textured album yet, exploring themes that weave into the duality of our lives: the ones we live in reality, and the ones that carry us through the oft-interrupted daydreams of life. Backed by a successful Kickstarter campaign and funded by fans, Fantasizer finds Freezepop ​ ​ reflecting the modern day — and being out of step, slightly, with our current reality. Fantasizer is about needing to be somewhere else, whether that's a hedonistic purgatory, or just ​ a new corner of comfort deep inside your own head. It is what happens when you know the 1 world is not meeting you where you had expected, instead preferring to create an altered pseudo reality.
    [Show full text]
  • The Aesthetic Lives of Particular Nobodies Ellen Crowe
    The Aesthetic Lives of Particular Nobodies Exploring phantasmic fictional character narratives on Instagram ​ Ellen Crowe 2019 A thesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Design Auckland University of Technology, 2019 2 CONTENTS Attestation of Authorship 3 List of Figures 4 Acknowledgements 5 Introduction 6 Abstract 7 Prologue: The Project 8 Characters 8 Background 8 Young Ghosts – The Phantasmic Five 8 Narrative Sequence 10 Creative Practice 11 Act 1: Surveying the Mediascape 14 From Vaporspace 14 To Infrastructure 16 Act 2: Sampling Influence 22 Manga 22 K-pop and Idol Culture 26 Vaporwave and Synthwave 30 Act 3: Haunting The Metropolis 33 Particular Nobodies 33 Layers of storytelling 33 Linearity and Coherence 40 Embedded themes 44 Encore: Future Ventures 45 Conclusion 46 References 51 Appendix 54 3 ATTESTATION OF AUTHORSHIP I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person (except where explicitly defined in the Acknowledgements), nor material which to a substantial extent has been submitted for the award of any other degree or diploma of a university or other institution of higher learning. Signed, 01.07.2019 4 LIST OF FIGURES Image 1 10 Image 2 11 Image 3 13 Image 4 15 Image 5 17 Image 6 18 Image 7 20 Image 8 23 Image 9 24 Image 10 27 Image 11 28 Image 12 29 Image 13 31 Image 14 31 Image 15 34 Image 16 35 Image 17 36 Image 18 37 Image 19 39 Image 20 40 Image 21 41 Image 22 42 Image 23 43 Image 24 47 5 ACKNOWLEDGEMENTS I would like to express my most sincere thanks to Natalie Robertson and Maree Sheehan, my supervisors.
    [Show full text]
  • The Music (And More) 2019 Quarter 1 Report
    The Music (and More) 2019 Quarter 1 Report Report covers the time period of January 1st No More Death Stars - "Been Dead" [pop to March 31st, 2019. We inadvertently missed punk rock] Glens Falls a few before that time period, which were brought to our attention by fans, bands & Noncompliants - "Fed Up" [punk rock] Albany others. The missing is listed at the end, along with a special Thank You… Promiser - "Midnight" | "Something Better" (singles) [pop punk rock] Albany RECORDINGS: Somewhere To Call Home - "Unwanted (ft. Sean Loucks" Hard Rock / Metal / Punk (single) [nü metalcore] Albany Animal - "Influence" (single) | "The Witch" [horrorcore metal hard rock] Albany The Way Back When - "Newport Mansions" (single) [emo pop punk] Lake George/Narragansett RI Backseat Bullets - "Nothing New" (Remastered) (single) [alt emo punk] Albany Turbine Sunrise - "Roll It Out!" [alt rock punk-a-billy] Saratoga Springs Bo Hyde - "Paralyzed" (single) [hard rock] Sprakers Violent By Design - "Dark Days Deserved" [hardcore Brick By Brick - "Hive Mentality" [hardcore metal] metal] Albany Albany Wet Specimens - "Foreshadowing MMXIX" (2-song) Broken Field Runner - "Put An Ocean Between My Self- [hardcore punk] Albany Pity & Me" | "Palm Trees Wave" (singles) [emo pop punk] Albany / LA White Devil And The 666 - "White Devil and the 666" [garage punk blues] Albany Brookline - "Fade" (EP) [alt rock] Greenwich Young Culture - "(This Is) Heaven" (EP) [pop punk] Comrade Nixon - "The Hades Trip" [punk noise rock Albany post-punk] Lyon Mountain Rock / Pop Crafter - "Lasting
    [Show full text]