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Synthwave Muzikos Stilius: Keistumas Ir Hiperrealybė
LIETUVOS MUZIKOS IR TEATRO AKADEMIJA MUZIKOS FAKULTETAS KOMPOZICIJOS KATEDRA Martynas Kraujalis SYNTHWAVE MUZIKOS STILIUS: KEISTUMAS IR HIPERREALYBĖ Studijų programa: kompozicija (skaitmeninės technologijos) Magistro tiriamasis darbas Darbo autorius: Martynas Kraujalis (parašas) Darbo vadovas: Lekt. dr. Jonas Jurkūnas (parašas) Vilnius, 2020 LIETUVOS MUZIKOS IR TEATRO AKADEMIJA BAIGIAMOJO DARBO SĄŽININGUMO DEKLARACIJA 20____m. _____________ __ d. Patvirtinu, kad mano tiriamasis rašto darbas (tema) „SYNTHWAVE MUZIKOS STILIUS: KEISTUMAS IR HIPERREALYBĖ“, yra parengtas savarankiškai. 1. Šiame darbe pateikta medžiaga nėra plagijuota, tyrimų duomenys yra autentiški ir nesuklastoti. 2. Tiesiogiai ar netiesiogiai panaudotos kitų šaltinių ir/ar autorių citatos ir/ar kita medžiaga pažymėta literatūros nuorodose arba įvardinta kitais būdais. 3. Kitų asmenų indėlio į parengtą baigiamąjį darbą nėra. 4. Jokių įstatymų nenumatytų piniginių sumų už šį darbą niekam nesu mokėjęs (-usi). 3. Su pasekmėmis, nustačius plagijavimo ar duomenų klastojimo atvejus, esu susipažinęs(- usi) ir jas suprantu. ______________ ______________________ Parašas (Vardas, pavardė) 2 Martynas Kraujalis Synthwave muzikos stilius: keistumas ir hiperrealybė Santrauka Synthwave muzika: saviraiška ir postmodernistinis muzikinis judėjimas. Hiperrealybė – geresnis pasaulio sukūrimas teikiantis daugiau laimės nei tikras. Retro-futuristnė ateitis, kuri niekada taip ir neįvyko, tačiau šiandien apie ją galvojama kaip apie geresnį hiperrealų pasaulį, geresnį gyvenimą į kurį norisi grįžti nors jo niekada ir nebuvo. Sintezatoriai ir bitcrush: Synthwave muzikos pagrindiniai elementai kurie imituoja tų laikų stilistiką: bitcrush 1980 -ais metais buvo trūkumas, dabar tai didelė Synthwave stiliaus dalis. Elektroninis sintezatoriaus garsas tampa hiperrealybės terpės imitacija. Mėlyna Synthwave spalva: žmogaus troškimas kontaktuoti su dieviškąja būtybe – hiperrealybė. Synthwave muzika ir kaip keistai į tai reaguoja klausytojas: reakcija į keistumą sukuria dar vieną Synthwave klausymo pojūtį, estetinį Synthwave suvokimą. -
Garage House Music Whats up with That
Garage House Music whats up with that Future funk is a sample-based advancement of Nu-disco which formed out of the Vaporwave scene and genre in the early 2010s. It tends to be more energetic than vaporwave, including elements of French Home, Synth Funk, and making use of Vaporwave modifying techniques. A style coming from the mid- 2010s, often explained as a blend of UK garage and deep home with other elements and strategies from EDM, popularized in late 2014 into 2015, typically mixes deep/metallic/sax hooks with heavy drops somewhat like the ones discovered in future garage. One of the very first house categories with origins embeded in New York and New Jersey. It was named after the Paradise Garage bar in New york city that operated from 1977 to 1987 under the prominent resident DJ Larry Levan. Garage house established along with Chicago home and the outcome was home music sharing its resemblances, affecting each other. One contrast from Chicago house was that the vocals in garage house drew stronger impacts from gospel. Noteworthy examples consist of Adeva and Tony Humphries. Kristine W is an example of a musician involved with garage house outside the genre's origin of birth. Also understood as G-house, it includes very little 808 and 909 drum machine-driven tracks and often sexually explicit lyrics. See likewise: ghettotech, juke house, footwork. It integrates components of Chicago's ghetto house with electro, Detroit techno, Miami bass and UK garage. It includes four-on-the-floor rhythms and is normally faster than a lot of other dance music categories, at approximately 145 to 160 BPM. -
A Comparative Analysis of Punk in Spain and Mexico
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2018-07-01 El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico Rex Richard Wilkins Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Spanish and Portuguese Language and Literature Commons BYU ScholarsArchive Citation Wilkins, Rex Richard, "El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico" (2018). Theses and Dissertations. 6997. https://scholarsarchive.byu.edu/etd/6997 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Brian Price, Chair Erik Larson Alvin Sherman Department of Spanish and Portuguese Brigham Young University Copyright © 2018 Rex Richard Wilkins All Rights Reserved ABSTRACT El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins Department of Spanish and Portuguese, BYU Master of Arts This thesis examines the punk genre’s evolution into commercial mainstream music in Spain and Mexico. It looks at how this evolution altered both the aesthetic and gesture of the genre. This evolution can be seen by examining four bands that followed similar musical and commercial trajectories. -
Narcocorridos As a Symptomatic Lens for Modern Mexico
UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Vol. 1, No. 2 “Grave-Digging Crate Diggers: Retro “The Narcocorrido as an Ethnographic Fetishism and Fan Engagement with and Anthropological Lens to the War Horror Scores” on Drugs in Mexico” Spencer Slayton Samantha Cabral “Callowness of Youth: Finding Film’s “This Is Our Story: The Fight for Queer Extremity in Thomas Adès’s The Acceptance in Shrek the Musical” Exterminating Angel” Clarina Dimayuga Lori McMahan “Cats: Culturally Significant Cinema” Liv Slaby Spring 2020 Editor-in-Chief J.W. Clark Managing Editor Liv Slaby Review Editor Gabriel Deibel Technical Editors Torrey Bubien Alana Chester Matthew Gilbert Karen Thantrakul Graphic Designer Alexa Baruch Faculty Advisor Dr. Elisabeth Le Guin 1 UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Volume 1, Number 2 Spring 2020 Contents Grave-Digging Crate Diggers: Retro Fetishism and Fan Engagement 2 with Horror Scores Spencer Slayton Callowness of Youth: Finding Film’s Extremity in Thomas Adès’s 10 The Exterminating Angel Lori McMahan The Narcocorrido as an Ethnographic and Anthropological Lens to 18 the War on Drugs in Mexico Samantha Cabral This Is Our Story: The Fight for Queer Acceptance in Shrek the 28 Musical Clarina Dimayuga Cats: Culturally Significant Cinema 38 Liv Slaby Contributors 50 Closing notes 51 2 Grave-Digging Crate Diggers: Retro Fetishism and Fan Engagement with Horror Scores Spencer Slayton he horror genre is in the midst of a renaissance. The slasher craze of the late 70s and early 80s, revitalized in the mid-90s, is once again a popular genre for Treinterpretation by today’s filmmakers and film composers. -
Music That Laughs 2017
Repositorium für die Medienwissenschaft Adam Harper Music that laughs 2017 https://doi.org/10.25969/mediarep/1817 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Harper, Adam: Music that laughs. In: POP. Kultur und Kritik, Jg. 6 (2017), Nr. 1, S. 60– 65. DOI: https://doi.org/10.25969/mediarep/1817. Erstmalig hier erschienen / Initial publication here: https://nbn-resolving.org/urn:nbn:de:101:1-2020052211120328716628 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an. -
The Music (And More) 2019 Quarter 3 Report
The Music (and More) 2019 Quarter 3 Report Report covers the time period of July 1st to Kieran Robbins & Chief - "Sway" [glam rock] September 30th, 2019. I inadvertently missed Troy a few before that time period, which were brought to my attention by fans, bands & Moriah Formica - "I Don't Care What You others. The missing are listed at the end, along with an Think" (single) [hard rock] Albany End Note… Nine Votes Short - "NVS: 09/03/2019" [punk rock] RECORDINGS: Albany Hard Rock / Metal / Punk Psychomanteum - "Mortal Extremis" (single track) Attica - "Resurected" (EP) [hardcore metal] Albany [thrash prog metal industrial] Albany Between Now and Forever - "Happy" (single - Silversyde - "In The Dark" [christian gospel hard rock] Mudvayne cover) [melodic metal rock] Albany Troy/Toledo OH Black Electric - "Black Electric" [heavy stoner blues rock] Scotchka - "Back on the Liquor" | "Save" (single tracks) Voorheesville [emo pop punk] Albany Blood Blood Blood - "Stranglers” (single) [darkwave Somewhere To Call Home - "Somewhere To Call Home" horror synthpunk] Troy [nu-metalcore] Albany Broken Field Runner – "Lay My Head Down" [emo pop Untaymed - "Lady" (single track) [british hard rock] punk] Albany / LA Colonie Brookline - "Live From the Bunker - Acoustic" (EP) We’re History - "We’re History" | "Pop Tarts" - [acoustic pop-punk alt rock] Greenwich "Avalanche" (singles) [punk rock pop] Saratoga Springs Candy Ambulance - "Traumantic" [alternative grunge Wet Specimens - "Haunted Flesh" (EP) [hardcore punk] rock] Saratoga Springs Albany Craig Relyea - "Between the Rain" (single track) Rock / Pop [modern post-rock] Schenectady Achille - "Superman (A Song for Mora)" (single) [alternative pop rock] Albany Dead-Lift - "Take It or Leave It" (single) [metal hard rock fusion] Schenectady Caramel Snow - "Wheels Are Meant To Roll Away" (single track) [shoegaze dreampop] Delmar Deep Slut - "u up?" (3-song) [punk slutcore rap] Albany Cassandra Kubinski - "DREAMS (feat. -
Artefaktor Media
MEDIA KIT 2018 fb.com/ArtefaktorRadio ARTEFAKTOR @artefaktorradio RADIO @artefaktor_radio Artefaktor Radio: Live from Mexico City H T T P : / / A R T E F A K T O R R A D I O . C O M MEDIA KIT 2018 I N T R O D U C T I O N Artefaktor Radio is committed to programming and promoting current and catalogue synth, electro, synthwave, techno, darkwave, ambient, synthpop and experimental music worldwide. The station’s core listener profile is 30 to 65-year olds. Launched in Mexico in March 2016, the main listener concentrations are also in England, France, Germany, USA, Canada, Latin America and elsewhere in Europe. Artefaktor Radio plays electronic music from its beginning until now. H T T P : / / A R T E F A K T O R R A D I O . C O M MEDIA KIT 2018 D E M O G R A P H I C P R O F I L E WOMEN 46% MEN A G E C O M P O S I T I O N 54% 40 30 M A L E / F E M A L E C O M P O S I T I O N 20 10 0 18 - 24 25 - 34 35 - 44 45 -54 55 - 65 **Data taken from our website** H T T P : / / A R T E F A K T O R R A D I O . C O M MEDIA KIT 2018 D E M O G R A P H I C P R O F I L E T O P 5 C O U N T R I E S B Y L I S T E N E R S 35,000 26,250 17,500 8,750 0 . -
We Want Neither Clean Hands Nor Beautiful Souls: New Single Reviews
We Want Neither Clean Hands Nor Beautiful Souls: New Single Reviews Music | Bittles’ Magazine: The music column from the end of the world The life blood of DJs everywhere, my love of the humble 12-Inch began in the 80s, with extended versions of the hits of the day. From Madonna to Duran Duran via Frankie Goes To Hollywood and Luther Vandross (seriously, the extended version of Criticize is dance floor gold), my teenage years were spent tracking down overly long mixes of well known songs. In 2018 it can seem easier to purchase a mail order bride with a bad attitude than a slice of wax, but creatively at least, the 12-Inch is in rude heath. By JOHN BITTLES This is a point proved by this week’s selection of singles and EPs. We have the sublime house of Serena Butler and Frank & Aakmael, the messed up dubscapes of Primitive Art, the big room pomp of Solomun and Sascha Funke, the techno thump of ASC and T.Raumschmiere & Reinhard Voigt and lots more. So, take a deep breath, and let us begin… As I’ve been playing it almost non-stop lately it seems only fitting to start with the philosophical techno of Serena Butler’s fantastic We Want Neither Clean Hands Nor Beautiful Souls EP. In the press notes the artist claims that the record embodies “the explicit, organized effort to repurpose technologies for progressive gender political ends”. The results are stunning to behold! Containing four tracks which combine mid-paced grooves, politically charged samples, hushed beats and the ghosts of Detroit, the EP is a truly mesmerising listening experience. -
Memorabilia. Collecting Sounds With…
Research > MEMORABILIA. COLLECTING MEMORABILIA. COLLECTING SOUNDS WITH… Memorabilia. Collecting Sounds with... is a new series from SOUNDS WITH… Ràdio Web MACBA that seeks to break through to unearth and reveal private collections of music and sound memorabilia . The William Bennett documentary series is being presented this spring at the Museum of Contemporary Art of Barcelona (MACBA) in a prospective conference/listening format, where four collectors have been 01. Conversation with William Bennett on his sound invited to share the concerns and particular characteristics that collection have driven them to build their personal collections. This is a historiography of sound collecting that reveals the unseen and When and why did you start collecting sound and music? What led you to become a passionate work of the amateur collector while reconstructing record/music collector and how well-defined or limited to a specific area of multiple parallel histories such as the evolution of recording exploration is your collection? formats, archival issues, the sound collecting market and the evolution of musical styles beyond the marketplace. Since there was no means of playing music at home as a young teenager, there This is a conversation by email between William Bennett and was little point in collecting music at that age – but I used to love reading about Anna Ramos to prepare his forthcoming radio show at Ràdio Web music in books and magazines, and imagining what it sounded like from the MACBA, which took place on March 2011. descriptions or reviews. This most likely had a bearing on the odd direction that my tastes would subsequently take, since when I was finally able to hear stuff at the age of about 16 or so, I was deeply disappointed at music's failure to live up to my grandiose expectations. -
The Local 518 Music (And More) Report 2018 – Quarter 1
The Local 518 Music (and More) Report 2018 – Quarter 1 This report covers the time period of January 1st to Rock / Pop March 31st, 2017. We inadvertently missed a few before Ampevene - "Valencia (Radio Edit)" (single track) | that time period, which were brought to our attention "Ephemagoria" [progressive rock] Albany by fans, bands & others. The missing is listed at the end. Balcony - "Canvas" | "Blind" (single tracks) [pop rock] RECORDINGS: Saratoga Springs Hard Rock / Metal / Punk Boo Fookin' Radley (BFR) - "Freedom of Thought" (EP) Arch Fiends - "Love Is Like a Homicide" | "Prisoners" [alt pop rock] Saratoga Springs/Stony Brook (single tracks) [horror punk] Glens Falls Brad Whiting and The Cadillac Souls - "Six-Wire" | "No Blind Threat - "Everyone's a Killer" [hardcore metal] 2nd Chances" (single tracks) [blues rock] Glenmont Albany Caramel Snow - "Are You Unreal?" (EP) | "Happy Candy Ambulance - "Spray" [alt grunge rock] Saratoga Birthday (Happy New Year" to "Are You Unreal?" (single tracks) [shoegaze dreampop] Delmar Cats Don’t Have Souls - "Twenty four days of scaring the neighbors with devil music" | "Cats Don't Have Souls" David Tyo - "Oh, Life" (single) [acoustic pop] Saratoga [alt post punk prog rock] Albany Springs Che Guevara T-Shirt - "Seven Out, Pay the Don'ts" [post- Girl Blue - "Lolita" (single) [alt soul pop] Albany punk rock] Albany Great Mutations - "Live at the Tang" | "Already Dead" Kardia - "Metamorphosis" (single track) [melodic hard (single track) [psych pop baroque rock] Troy rock] Pittsfield, MA Julia Gargano -
A Crash Course in Disco Polo #2: History | Norient.Com 23 Sep 2021 13:35:47
A Crash Course in Disco Polo #2: History | norient.com 23 Sep 2021 13:35:47 A Crash Course in Disco Polo #2: History by Jacek Szczepanek It is importation to which disco polo, Poland’s domestic electronic dance music genre, owes most of its sound. It was the political system flip of 1989 that shaped its troubled fate within Polish society. When it all dissolved in centuries-old wedding traditions, disco polo’s form and aesthetics were set. Look for Sabrina, Boys, Akcent and German number plates in Part 2 of Norient’s guide to disco polo: History. https://norient.com/blog/a-crash-course-in-disco-polo-2-history Page 1 of 7 A Crash Course in Disco Polo #2: History | norient.com 23 Sep 2021 13:35:47 Part 2 of 2 – Part 1 / Part 2 Importation Paths The idea of partying to sequenced synthesised sounds flowed into Poland by both public and private paths, which in a communist country were necessarily two quite distinct channels. Disco was officially embraced in the Eastern Bloc as a cure for the epidemic of rock, as it proposed light-hearted dancing instead of politically malcontent, depressive individualism (Wright 2007). The Soviet Union’s mid-70s policy of encouraging the emergence of local diskoteki (dance clubs) was followed by the invitation of West Germany’s Boney M. to perform in Moscow in 1978 (Wright 2007). A show in Poland followed a year later – Boney M. performed at the International Intervision Festival in Sopot. The concert was transmitted on national television and became a thing to remember. -
Various That's Eurobeat Vol. 6 Mp3, Flac, Wma
Various That's Eurobeat Vol. 6 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: That's Eurobeat Vol. 6 Country: Japan Released: 1988 Style: Euro-Disco, Italo-Disco MP3 version RAR size: 1113 mb FLAC version RAR size: 1248 mb WMA version RAR size: 1629 mb Rating: 4.8 Votes: 545 Other Formats: AAC XM MMF WMA DTS TTA MP2 Tracklist 1 –Michael Fortunati Giochi Di Fortuna (Remix Version) 5:52 2 –Tasha You Only You (The Peter Keeps Missing You Mix) 7:13 3 –Lorraine McKane Let The Night Take The Blame (Remix Version) 6:31 4 –Aleph Big Brother (Extended Version) 6:37 5 –Eddy Huntington Meet My Friend (Extended Version) 6:10 6 –King Kong & The Djungle Girls* Lies (Full Power D.J. Mix) 7:05 7 –Green Ice Gigolo (Extended Version) 6:50 8 –Chip Chip So Close To Heaven (Extended Version) 7:33 Companies, etc. Manufactured By – Alfa Records, Inc Credits Art Direction – Hidetake Awano Other [Object By] – Shigenari Onishi Photography By [Cover Photo By] – Katsuhiro Ichikawa Barcode and Other Identifiers Barcode: T4988 024 106181 Matrix / Runout: 32XB-271 1 ++ ++++ Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year ALI-28106 Various That's Eurobeat Vol. 6 (LP, Comp) Alfa International ALI-28106 Japan 1988 That's Eurobeat Vol. 6 (LP, Comp, ALI-28106 Various Alfa International ALI-28106 Japan 1988 Promo) Related Music albums to That's Eurobeat Vol. 6 by Various Various - Eurobeat Fresh Collection 4 Eddy Huntington - Meet My Friend Various - Eurobeat Kudos 18 Various - That's Eurobeat Non-Stop Mix Mega NRG Man - Super Eurobeat Presents Mega NRG Man Special Collection Vol.