Week 12 2016–17 Season Prokofiev Weinberg Tchaikovsky
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Boston Symphony Orchestra
Tangtewqpd 19 3 7-1987 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Saturday, 29 August at 8:30 The Boston Symphony Orchestra is pleased to present WYNTON MARSALIS An evening ofjazz. Week 9 Wynton Marsalis at this year's awards to win in the last four consecutive years. An exclusive CBS Masterworks and Columbia Records recording artist, Wynton made musical history at the 1984 Grammy ceremonies when he became the first instrumentalist to win awards in the categories ofjazz ("Best Soloist," for "Think of One") and classical music ("Best Soloist With Orches- tra," for "Trumpet Concertos"). He won Grammys again in both categories in 1985, for "Hot House Flowers" and his Baroque classical album. In the past four years he has received a combined total of fifteen nominations in the jazz and classical fields. His latest album, During the 1986-87 season Wynton "Marsalis Standard Time, Volume I," Marsalis set the all-time record in the represents the second complete album down beat magazine Readers' Poll with of the Wynton Marsalis Quartet—Wynton his fifth consecutive "Jazz Musician of on trumpet, pianist Marcus Roberts, the Year" award, also winning "Best Trum- bassist Bob Hurst, and drummer Jeff pet" for the same years, 1982 through "Tain" Watts. 1986. This was underscored when his The second of six sons of New Orleans album "J Mood" earned him his seventh jazz pianist Ellis Marsalis, Wynton grew career Grammy, at the February 1987 up in a musical environment. He played ceremonies, making him the only artist first trumpet in the New -
National Symphony Orchestra of Ukraine Theodore Kuchar, Conductor Alexei Grynyuk, Piano
Sunday, March 26, 2017, 3pm Zellerbach Hall National Symphony Orchestra of Ukraine Theodore Kuchar, conductor Alexei Grynyuk, piano PROGRAM Giuseppe VERDI (1813 –1901) Overture to La forza del destino Sergei PROKOFIEV (1891 –1953) Piano Concerto No. 3 in C Major, Op. 26 Andante – Allegro Tema con variazioni Allegro, ma non troppo INTERMISSION Dmitri SHOSTAKOVICH (1906 –1975) Symphony No. 5 in D minor, Op. 47 Moderato – Allegro non troppo Allegretto Largo Allegro non troppo THE ORcHESTRA National Symphony Orchestra of Ukraine Volodymyr Sirenko, artistic director & chief conductor Theodore Kuchar, conductor laureate First Violins cellos Bassoons Markiyan Hudziy, leader Olena Ikaieva, principal Taras Osadchyi, principal Gennadiy Pavlov, sub-leader Liliia Demberg Oleksiy Yemelyanov Olena Pushkarska Sergii Vakulenko Roman Chornogor Svyatoslava Semchuk Tetiana Miastkovska Mykhaylo Zanko Bogdan Krysa Tamara Semeshko Anastasiya Filippochkina Mykola Dorosh Horns Roman Poltavets Ihor Yarmus Valentyn Marukhno, principal Oksana Kot Ievgen Skrypka Andriy Shkil Olena Poltavets Tetyana Dondakova Kostiantyn Sokol Valery Kuzik Kostiantyn Povod Anton Tkachenko Tetyana Pavlova Boris Rudniev Viktoriia Trach Basses Iuliia Shevchenko Svetlana Markiv Volodymyr Grechukh, principal Iurii Stopin Oleksandr Neshchadym Trumpets Viktor Andriiichenko Oleksandra Chaikina Viktor Davydenko, principal Oleksii Sechen Yuri і Kornilov Harps Grygorii Кozdoba Second Violins Nataliia Izmailova, principal Dmytro Kovalchuk Galyna Gornostai, principal Diana Korchynska Valentyna -
206 The' Is Atioii. [Vol.' 52, No
206 The' Is atioii. [Vol.' 52, No. 1340 member that it is lavishly illustrated with ana ume will be complete in itself, and the sub struments and methods of research are de static lithographs of Petit's own pen sketches, jects will be treated by competent writers in a scribed with all necessary completeness. In broad and philosophic spirit—in the spirit of the second the two leading principles of spec and by cuts from drawings by Delamotte. the movement they are designed to assist. The processes used In reproducing here the old They will, it is hoped, be acceptable to those troscopy are developed, and here, perhaps, illustrations have not dealt very kindly with who have not time to study in detail the large lbs American and English student will find them. Those from Petit's pen drawings a'e subjects treated of, but who desire to get a most that Is new and useful. It is often said general knowledge of the conclusions arrived mostly reduced, with much advantage to the at by specialists." that an incandescent gas is characterized by compactness of the volume, and with little bright lines in its spectrum, but we learn the harm to the rather rude original?. Three, by This statement regarding the scope of the fact, which has been long known though half the way, which are classed with these in the series conveys some idea of the general cha forgotten, that this is true only under two con descriptive list, are surely from another hand racter of Mr. Gibbins's little book. -
Pittsburgh Symphony Orchestra 2016-2017 Mellon Grand Classics Season
Pittsburgh Symphony Orchestra 2016-2017 Mellon Grand Classics Season April 23, 2017 MANFRED MARIA HONECK, CONDUCTOR TILL FELLNER, PIANO FRANZ SCHUBERT Selections from the Incidental Music to Rosamunde, D. 644 I. Overture II. Ballet Music No. 2 LUDWIG VAN BEETHOVEN Concerto No. 3 for Piano and Orchestra in C minor, Opus 37 I. Allegro con brio II. Largo III. Rondo: Allegro Mr. Fellner Intermission WOLFGANG AMADEUS Symphony No. 41 in C major, K. 551, “Jupiter” MOZART I. Allegro vivace II. Andante cantabile III. Allegretto IV. Molto allegro PROGRAM NOTES BY DR. RICHARD E. RODDA FRANZ SCHUBERT Overture and Ballet Music No. 2 from the Incidental Music to Rosamunde, D. 644 (1820 and 1823) Franz Schubert was born in Vienna on January 31, 1797, and died there on November 19, 1828. He composed the music for Rosamunde during the years 1820 and 1823. The ballet was premiered in Vienna on December 20, 1823 at the Theater-an-der-Wein, with the composer conducting. The Incidental Music to Rosamunde was first performed by the Pittsburgh Symphony on November 9, 1906, conducted by Emil Paur at Carnegie Music Hall. Most recently, Lorin Maazel conducted the Overture to Rosamunde on March 14, 1986. The score calls for pairs of woodwinds, four horns, two trumpets, three trombones, timpani and strings. Performance tine: approximately 17 minutes Schubert wrote more for the stage than is commonly realized. His output contains over a dozen works for the theater, including eight complete operas and operettas. Every one flopped. Still, he doggedly followed each new theatrical opportunity that came his way. -
Download Booklet
572153 bk Markevitch 5/10/09 10:30 Page 16 Igor Also available in this series: MARKEVITCH Complete Orchestral Works • 3 Cantique d’Amour • L’Envol d’Icare • Concerto Grosso Arnhem Philharmonic Orchestra • Lyndon-Gee 8.570773 8.572172 8.572153 16 572153 bk Markevitch 5/10/09 10:30 Page 2 Igor Markevitch (1912-1983) Christopher Lyndon-Gee Complete Orchestral Works • 3 Christopher Lyndon-Gee was recently honoured as one of only three hundred conductors included in Naxos’s 600- This third volume of the complete orchestral works of himself “dead between two lives”. But this alone cannot page book and CD compilation A to Z of Conductors, covering the entire history of the art-form from Hans von Igor Markevitch includes the first recordings of fully explain the reasons for his abandoning Bülow and Arthur Nikisch to the present day. Christopher Lyndon-Gee was nominated for Grammys in 1998 for Cantique d’Amour and Concerto Grosso; L’Envol composition; and his autobiography Être et avoir été, ‘Best Orchestral Performance’ for the first volume of his groundbreaking series of the complete works of Igor d’Icare was previously recorded by the composer in published in 1980, obfuscates and misleads even as it Markevitch (originally released on Marco Polo); in 2003 for the world première recording of George Rochberg’s 1938 on poorly-preserved 78 rpm shellac discs. Other makes a show of revealing the writer’s inner life. Symphony No. 5 on Naxos American Classics; and again in 2007 for Hans Werner Henze’s Violin Concertos Nos. 1 than that single recording and a handful of radio Markevitch is dissimilar to the “conductor- and 3, with Peter Sheppard Skærved and the Saarbrücken Radio Symphony Orchestra (now the Deutsche Radio- broadcasts, the present series is the first ever made of composer” model exemplified by Furtwängler, Philharmonie). -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee. -
Bpsr N Nte Cei B Nary
5689 FRMS cover:52183 FRMS cover 142 18/02/2013 15:00 Page 1 Spring 2013 No. 158 £2.00 Bulletin RPS bicentenary 5689 FRMS cover:52183 FRMS cover 142 18/02/2013 15:00 Page 2 5689 FRMS pages:Layout 1 20/02/2013 17:11 Page 3 FRMS BULLETIN Spring 2013 No. 158 CONTENTS News and Comment Features Editorial 3 Cover story: RPS Bicentenary 14 Situation becoming vacant 4 A tale of two RPS Gold Medal recipients 21 Vice-President appointment 4 FRMS Presenters Panel 22 AGM report 5 Changing habits 25 A view from Yorkshire – Jim Bostwick 13 International Sibelius Festival 27 Chairman’s column 25 Anniversaries for 2014 28 Neil Heayes remembered 26 Roger’s notes, jottings and ramblings 29 Regional Groups Officers and Committee 30 Central Region Music Day 9 YRG Autumn Day 10 Index of Advertisers Societies Hyperion Records 2 News from Sheffield, Bath, Torbay, Horsham, 16 Arts in Residence 12 Street and Glastonbury, and West Wickham Amelia Marriette 26 Nimbus Records 31 CD Reviews Presto Classical Back cover Hyperion Dohnányi Solo Piano Music 20 Harmonia Mundi Britten and Finzi 20 Dutton Epoch British Music for Viola and orch. 20 For more information about the FRMS please go to www.thefrms.co.uk The editor acknowledges the assistance of Sue Parker (Barnsley Forthcoming Events and Huddersfield RMSs) in the production of this magazine. Scarborough Music Weekend, March 22nd - 25th (page 13) Scottish Group Spring Music Day, April 27th (page 13) th th Daventry Music Weekend, April 26 - 28 (pages 4 & 8) Front cover: 1870 Philharmonic Society poster, courtesy of th West Region Music Day, Bournemouth, June 4 RPS Archive/British Library th FRMS AGM, Hinckley, November 9 EDITORIAL Paul Astell NOTHER AGM HAS PASSED, as has another discussion about falling membership and A the inability to attract new members. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
View/Download Catalog 213
PETER L. MASI - books 413.367.2628 7am B 10pm my time PO BOX B [email protected] MONTAGUE MA 01351 11 CENTER ST (UPS - only) Catalog 213 B July 2011 – well – this file last modified 4/6/2011 – lilacs have bloomed & browned – daffodils too – day away from summer solstice – furnace off, dehumidifiers on - 2 cords of wood stacked for next winter, 2 more await – basic new England weather platter with a tendency towards more rain than usual – stretch of may days in nineties then sixties in day & forties at nite – tornado hit half hour south of here – springfield, Wilbraham, monson – tilled the garden in april & got few things planted – peas, spinach, beets, greens – still facing seriously depleted soil issues & town won’t provide combination for lock on the cable – been hauling in buck-a-bucket compost from umass – has not provided the desired nutritional boost – poor germination & lackluster growth – pushed ahead & put tomatoes & peppers in memorial day weekend – they just sat there then started to yellow – feller at Hadley garden center said fertilize – been putting on some fishy concoction & holding my nose & crossing my fingers – Amherst plot bout 80 percent planted now – potatoes looking happiest – onions ok, arugula ok – collards & corn coming along - meanwhile talked to neighbor bout planting in her back yard where former tenant had a vegetable garden – new project – just what i need – got the tiller – figgered would put in beans, squashes, brassicas which have not survived recent insect attacks in Amherst – choicest spots claimed -
Boston Symphony Orchestra Concert Programs, Season 61,1941-1942, Trip
Antdrotg of Mixsxt • Inmkhjn \ BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1681 BY HENRY L. HIGGINSON SIXTY-FIRST SEASON 1941-1942 [2] Friday Evening, January 9 Under the auspices of the Brooklyn Institute of Arts and Sciences and the Philharmonic Society of Brooklyn VICTOR RED SEAL RECORDS by the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Also Sprach Zarathustra Strauss Bolero Ravel Oapriccio ( Jestis Maria Sanroma, Soloist) Stravinsky Classical Symphony Prokofieff Concerto for Orchestra in D major K. P. E. Bach Concerto in D major ( Jascha Heifetz, Soloist) Brahms Concerto No. 2 (Jascha Heifetz, Soloist) Prokofieff Concerto No. 12 — Larghetto Handel Damnation of Faust : Minuet — Waltz — Rakoczy March Berlioz Danse Debussy-Ravel Daphnis et Chloe — Suite No. 2 Ravel filegie ( Violoncello solo : Jean Bedetti ) FaurS "Enchanted Lake" Liadov Fair Harvard Arr. by Koussevitzky Fruhlingsstimmen — Waltzes (Voices of Spring) Strauss Gymnopedie No. 1 Erik Satie-Debussy "Khovanstchina" Prelude Moussorgsky La Valse Ravel "La Mer" ("The Sea") Debussy "Lieutenant Kije" Suite Prokofieff Love for Three Oranges — Scherzo and March Prokofieff Ma Mere L'Oye (Mother Goose) Ravel Missa Solemms Beethoven Passion According to Saint Matthew (Three Albums).. Bach "Peter and the Wolf" Prokofieff Pictures at an Exhibition Moussorgsky-Ravel Pohjola's Daughter Sibelius "Romeo and Juliet," Overture-Fantasia Tchaikovsky Rosamunde — Ballet Music Schubert Sal6n Mexico, El .Aaron Copland San Juan Capistrano — 2 Nocturnes Harl McDonald Sarabande Debussy-Ravel Song of Volga Boatmen Arr. by Stravinsky "Swanwhite" ("The Maiden with Roses") Sibelius Symphony No. 1 in B-flat major ("Spring" ) Schumann Symphony No. 2 in D major Beethoven Symphony No. 2 in D major Sibelius Symphony No. -
Teacher Notes on Russian Music and Composers Prokofiev Gave up His Popularity and Wrote Music to Please Stalin. He Wrote Music
Teacher Notes on Russian Music and Composers x Prokofiev gave up his popularity and wrote music to please Stalin. He wrote music to please the government. x Stravinsky is known as the great inventor of Russian music. x The 19th century was a time of great musical achievement in Russia. This was the time period in which “The Five” became known. They were: Rimsky-Korsakov (most influential, 1844-1908) Borodin Mussorgsky Cui Balakirev x Tchaikovsky (1840-’93) was not know as one of “The Five”. x Near the end of the Stalinist Period Prokofiev and Shostakovich produced music so peasants could listen to it as they worked. x During the 17th century, Russian music consisted of sacred vocal music or folk type songs. x Peter the Great liked military music (such as the drums). He liked trumpet music, church bells and simple Polish music. He did not like French or Italian music. Nor did Peter the Great like opera. Notes Compiled by Carol Mohrlock 90 Igor Fyodorovich Stravinsky (1882-1971) I gor Stravinsky was born on June 17, 1882, in Oranienbaum, near St. Petersburg, Russia, he died on April 6, 1971, in New York City H e was Russian-born composer particularly renowned for such ballet scores as The Firebird (performed 1910), Petrushka (1911), The Rite of Spring (1913), and Orpheus (1947). The Russian period S travinsky's father, Fyodor Ignatyevich Stravinsky, was a bass singer of great distinction, who had made a successful operatic career for himself, first at Kiev and later in St. Petersburg. Igor was the third of a family of four boys. -
MAHLER JUGENDORCHESTER CORO DE LA COMUNIDAD DE MADRID PEQUEÑOS CANTORES DE LA COMUNIDAD DE MADRID Director: JONATHAN NOTT Solista: ELENA ZHIDKOVA
18.Ibermúsica.19 SERIE ARRIAGA A.8 GUSTAV MAHLER JUGENDORCHESTER CORO DE LA COMUNIDAD DE MADRID PEQUEÑOS CANTORES DE LA COMUNIDAD DE MADRID Director: JONATHAN NOTT Solista: ELENA ZHIDKOVA Medio oficial Auditorio Nacional de Música A.8 GUSTAV MAHLER JUGENDORCHESTER Fundada en Viena en la temporada 1986-1987 por iniciativa de Claudio Abbado, está considerada la principal orquesta de jóvenes del mundo y en 2007 fue premiada por la Fundación Cultural Europea. Además de apoyar a jóvenes músicos, Abbado dedicó un especial interés en promover que los jóvenes austriacos pudieran tocar con sus colegas de las repúblicas socialistas de Checoslovaquia y Hungría. De este modo, la GMJO fue la primera orquesta internacional de jóvenes que ofreció audiciones abiertas en los países del antiguo bloque del Este. En 1992, la Orquesta se abrió a músicos de hasta veintiséis años provenientes de toda Europa. Cuenta con el patronazgo del Consejo Europeo. Su repertorio en gira abarca desde la música clásica hasta la contemporánea, con especial énfasis en las grandes obras sinfónicas de los períodos romántico y romántico tardío. Su alto nivel artístico y reconocimiento internacional han atraído a muchos de los más importantes directores y solistas a colaborar con la orquesta. Desde su fundación la han dirigido Abbado, Afkham, Blomstedt, Boulez, Chung, Sir C. Davis, Eötvös, Eschenbach, Fischer, Gatti, Haitink, Järvi, Jansons, Jordan, Jurowski, Metzmacher, Nagano, Neumann, Nott, Ozawa, Pappano, Viotti y Welser-Möst. Entre los solistas que han tocado con la agrupación, cabe destacar a M. Argerich, Y. Bashmet, L. Batiashvili, R. y G. Capuçon, C. Gerhaher, M. Goerne, S. Graham, T.