Week 11 2016–17 Season Barber Riley ELGAR
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206 The' Is Atioii. [Vol.' 52, No
206 The' Is atioii. [Vol.' 52, No. 1340 member that it is lavishly illustrated with ana ume will be complete in itself, and the sub struments and methods of research are de static lithographs of Petit's own pen sketches, jects will be treated by competent writers in a scribed with all necessary completeness. In broad and philosophic spirit—in the spirit of the second the two leading principles of spec and by cuts from drawings by Delamotte. the movement they are designed to assist. The processes used In reproducing here the old They will, it is hoped, be acceptable to those troscopy are developed, and here, perhaps, illustrations have not dealt very kindly with who have not time to study in detail the large lbs American and English student will find them. Those from Petit's pen drawings a'e subjects treated of, but who desire to get a most that Is new and useful. It is often said general knowledge of the conclusions arrived mostly reduced, with much advantage to the at by specialists." that an incandescent gas is characterized by compactness of the volume, and with little bright lines in its spectrum, but we learn the harm to the rather rude original?. Three, by This statement regarding the scope of the fact, which has been long known though half the way, which are classed with these in the series conveys some idea of the general cha forgotten, that this is true only under two con descriptive list, are surely from another hand racter of Mr. Gibbins's little book. -
A Day in the Life of a Church Musician Deadline for Next Issue: Jan
welcome I’m one of those Episcopalians who usually sits in the front pew. I know we’re not a common lot. It’s just that I like to sing as loud as I want to the hymns selected for me, especially when they’re delightfully familiar. But I don’t want to inflict my voice on anyone. The Episcopal Diocese I’ve noticed that it’s when I’m singing in church that I feel closest to my mother, who died 15 years ago. I stood beside her for years and years listen- of Atlanta is a community of 54,700 members ing to her lilting soprano rejoicing to “Crown Him with Many Crowns,” in 27,000 households “For All the Saints,” “Praise My Soul the King of Heaven,” and so many and 95 congregations more great traditional hymns. She probably was feeling close then to her in North and Middle Georgia. own mother, who earned a small amount of money as a church soloist and It is part of the Episcopal Church and died way too young. the Anglican Communion. But I like the new songs, too, and love the challenges they present. I’ll never be asked to sing in a choir, but I’ll be happy to start a pew chorus up Bishop there in the front row. The Rt. Rev. J. Neil Alexander I hope you enjoy this sampling of stories about the rich musical life of [email protected] our diocese. I only wish I could replicate for you here the beautiful sounds that go with them. -
View/Download Catalog 213
PETER L. MASI - books 413.367.2628 7am B 10pm my time PO BOX B [email protected] MONTAGUE MA 01351 11 CENTER ST (UPS - only) Catalog 213 B July 2011 – well – this file last modified 4/6/2011 – lilacs have bloomed & browned – daffodils too – day away from summer solstice – furnace off, dehumidifiers on - 2 cords of wood stacked for next winter, 2 more await – basic new England weather platter with a tendency towards more rain than usual – stretch of may days in nineties then sixties in day & forties at nite – tornado hit half hour south of here – springfield, Wilbraham, monson – tilled the garden in april & got few things planted – peas, spinach, beets, greens – still facing seriously depleted soil issues & town won’t provide combination for lock on the cable – been hauling in buck-a-bucket compost from umass – has not provided the desired nutritional boost – poor germination & lackluster growth – pushed ahead & put tomatoes & peppers in memorial day weekend – they just sat there then started to yellow – feller at Hadley garden center said fertilize – been putting on some fishy concoction & holding my nose & crossing my fingers – Amherst plot bout 80 percent planted now – potatoes looking happiest – onions ok, arugula ok – collards & corn coming along - meanwhile talked to neighbor bout planting in her back yard where former tenant had a vegetable garden – new project – just what i need – got the tiller – figgered would put in beans, squashes, brassicas which have not survived recent insect attacks in Amherst – choicest spots claimed -
John La Montaine Collection
JOHN LA MONTAINE COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Gail E. Lowther Summer 2016 John La Montaine (at far right) presents John F. Kennedy with score to From Sea to Shining Sea, op. 30, which had been commissioned for Kennedy’s inauguration ceremony, with Jackie Kennedy and Howard Mitchell (National Symphony Orchestra conductor) (1961). Photograph from John La Montaine Collection, Box 16, Folder 9, Sleeve 1. John La Montaine and Howard Hanson during rehearsal with the Eastman Philharmonia in preparation for the performance of La Montaine’s Concerto for Piano and Orchestra, op. 9, at Carnegie Hall (November 1962). Photograph from ESPA 27-32 (8 x 10). 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 6 INVENTORY Series 1: Manuscripts and sketches Sub-series A: Student works and sketches . 12 Sub-series B: Mature works . 13 Sub-series C: Works with no opus number . 43 Sub-series D: Sketches . 54 Series 2: Personal papers Sub-series A: Original writings . 58 Sub-series B: Notes on composition projects . 59 Sub-series C: Pedagogical material . 65 Sub-series D: Ephemera . 65 Series 3: Correspondence Sub-series A: Correspondence to/from John La Montaine . 69 Sub-series B: Correspondence to/from Paul Sifler . 88 Sub-series C: Other correspondents . 89 Series 4: Publicity and press materials Sub-series A: Biographical information . 91 Sub-series B: Resume and works lists . 91 Sub-series C: Programs, articles, and reviews . 92 Sub-series D: Additional publicity materials . 104 3 Series 5: Library Sub-series A: Published literature . -
By " the PRIG." SKAT- the German Game SALON De 1886 {Goupu's)
Nov. i8i 1886] The ISTation 423 nock, he determined to strike the latter before out at all from the mass of kindred writing, it is Haggard, H. R. King Solomon's Mines: A Novel. Har- per's Franklin Square Library. 20 cents. the two. principal Federal armies could unite. solely in consequence of unusual inaccuracy, Hamerton, P. G. Imagination in Landscape Painting. Illustrated, Boston: Roberts Brothers, $0,50, Foiled at first by Pope's retreat from the Rapi- padding to the point of bursting, and a style Hanotaux, G, Etudes lilstoriques sur le xvie et xvlle dan and then by a storm, when about to cross whose dulness would be insupportable were it not sl^cleen France, Boston: Schoenhof, Barper's Yovng People. 1886. the Rappahannock at the White Sulphur Springs, for the relief it affords, after the author's occa Harte, B. The Story of a Mine. • Boston: Houghton, Mifflin & Co. 50 cents. he conceived the bold plan which Jackson car sional disheartening attempts at wit. There Hood, T, Fair Ines. Illustrated. Boston; Estes & Lau rlat, $1,60, ried out, of seizing Manassas m Pope's rear. Lee shoufd be some means of persuading ordinary Hugo. Victor, Les MlsSrables, George Routledge & thus effected his object, which was not, as is too tourists in Mexico, over the ordinary routes, that Sons, $3,00, Irving, H, English Actors, their Gharacierlstlcs and often supposed, a mere raid on Pope's supplies the world will willingly allow them to preserve their Methods, Oxford; Clarendon Press; New York: Macmlllan & Co, 25 cents. and lines of communication. -
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Eugene Ormandy Papers Ms
Eugene Ormandy papers Ms. Coll. 91 Finding aid prepared by Leslie J. Delauter and Isabel Boston. Last updated on June 08, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 1999 Eugene Ormandy papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 7 Administrative Information......................................................................................................................... 15 Controlled Access Headings........................................................................................................................16 Collection Inventory.................................................................................................................................... 17 Correspondence......................................................................................................................................17 Programming........................................................................................................................................199 Notes.....................................................................................................................................................205 -
Season 2016-2017
27 Season 2016-2017 Thursday, November 17, at 8:00 The Philadelphia Orchestra Friday, November 18, at 2:00 Saturday, November 19, Yannick Nézet-Séguin Conductor at 8:00 Paul Jacobs Organ Barber Toccata festiva, Op. 36, for organ and orchestra Rouse Organ Concerto I. Allegro non troppo II. Lento III. Presto World premiere—Commissioned by The Philadelphia Orchestra, the Los Angeles Philharmonic, and the National Symphony Intermission Saint-Saëns Symphony No. 3 in C minor, Op. 78 (“Organ”) I. Adagio—Allegro moderato—Poco adagio II. Allegro moderato—Presto—Maestoso This program runs approximately 1 hour, 55 minutes. These concerts are made possible in part by the Wyncote Foundation. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit WRTI.org to listen live or for more details. 29 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and impact through Research. is one of the preeminent the Orchestra continues The Orchestra’s award- orchestras in the world, to discover new and winning Collaborative renowned for its distinctive inventive ways to nurture Learning programs engage sound, desired for its its relationship with its over 50,000 students, keen ability to capture the loyal patrons at its home families, and community hearts and imaginations of in the Kimmel Center, members through programs audiences, and admired for and also with those who such as PlayINs, side-by- a legacy of imagination and enjoy the Orchestra’s area sides, PopUP concerts, innovation on and off the performances at the Mann free Neighborhood concert stage. -
1 I. Introduction the Worldwide Anglican Communion Is a Collection
I. Introduction The worldwide Anglican Communion is a collection of National Churches with historical roots in the Church of England and in union with the Archbishop of Canterbury. Anglicanism is often defined by a number of characteristics that compose a type of “Anglican ethos” or fundamental character.1 One of the most notable characteristics is the rich musical tradition. In his history of the development of this ethos, the Anglican cleric Frederick Quinn stated that "music remained one of the major contributors to creating a distinctly Anglican ethos" into the twentieth century.2 This is not a tradition of music that evolved in a linear way, but as Quinn says, “more like tracing the strands of a tapestry.”3 The Church of England experienced a great revival of sacred music from the mid nineteenth century forward. Choral establishments were bolstered, musical standards raised, and new compositions enriched Anglican liturgies with beauty, especially in the great Cathedrals and Collegiate Chapels and Churches. Composers such as Stanford, Vaughan-Williams, Britten, and Howells wrote music that has endured in Anglicanism and beyond. During this same period in the United Sates, the Protestant Episcopal Church which is the American branch of the Anglican Communion, also experienced a building and development of programs at many churches including St. Thomas and St. John the Divine in New York City, Grace Cathedral in San Francisco, and the National Cathedral in Washington DC. These Anglican musical establishments were firmly rooted in the musical patrimony they inherited from the Church of England. However, they were no mere slavish copies of British choral 1 Frederick Quinn, To be a Pilgrim: The Anglican Ethos in History (New York: Crossroad, 2001), 3. -
Toccata Festiva, Op. 36, for Organ and Orchestra Composed in 1960
TOCCATA FESTIVA, OP. 36, FOR ORGAN AND ORCHESTRA COMPOSED IN 1960 SAMUEL BARBER BORN IN WEST CHESTER, PENNSYLVANIA, MARCH 9, 1910 DIED IN NEW YORK, JANUARY 23, 1981 The Barber of the 1950s and ’60s was a thoughtful fellow, wise and pensive in a way that belied the tendencies of the brash youth who had burst onto the American scene in the early 1930s with such works as the School for Scandal Overture, the Music for a Scene from Shelly, and the Adagio for Strings. He was also an artist experiencing the full flowering of his craft. Rarely wanting for commissions, during the two decades after World War II he composed a string of powerfully crafted pieces that we now see as staunchly durable masterworks—including the Cello Concerto, the ballet Medea, the Prayers of Kierkegaard, the Piano Sonata, Knoxville: Summer of 1915, the Piano Concerto, and the opera Vanessa. With these works he not only asserted his central position in American music, but he also affirmed the essential Romanticism of America’s overall artistic outlook—at a time when this homespun simplicity was being challenged by complexities of serialism, atonality, and aleatory. A PHILADELPHIA COMMISSION “Eugene, are you standing?,” Mary Curtis Bok Zimbalist reportedly asked Eugene Ormandy on a long-distance phone call during The Philadelphia Orchestra’s 1960 tour of the U.S. “Please sit down. I’m giving you that pipe organ you’ve been longing for.” Assuring the conductor that cost was no obstacle, Mrs. Zimbalist proceeded to donate a huge Aeolian-Skinner organ to the Academy of Music. -
Retired, Lord Fisher Has a Life Seat in Britain’S As Nazism, As Suicidal As the Movements of the Gadarene House 6F Lords
The Most Reverend Archbishop Lord Fisher of Lambeth Geoffrey Francis Fisher 99th Archbishop of Canterbury (R etired) Mrs. Ramsey and Lady Fisher Lord Fisher of Lambeth The Most Rev. and Rt. Hon.. Arthur Michael Ramsey, D.D., Archbishop of Canterbury 100 YEARS OF THE CHURCH IN HAWAII It is with a deep sense of gratitude and excitement Since 1945, his dedicated desire to see religious brotherhood that we welcome The Most Reverend Archbishop Lord move forward has given this cause an impetus which no Fisher of Lambeth, and Lady Fisher. They have come to other leader has provided. Hawaii to help us commemorate the arrival of the first Long before his notable visit to the Ecumenical Patriarch Anglican Bishop, The Right Reverend Thomas Nettleship and the Pope, the beauty of his opening statement to the Staley, on October 11, 1862, to start the Church’s work 1954 assembly of the World Council of Churches at in the Islands. Evanston was inspiring: "Movements may be as formless Lord Fisher of Lambeth was the ninety-ninth Arch as a shifting fog, as destructive as a stream of lava, as sense bishop of Canterbury and resigned on May 1, 1961. less as a panic-stricken mob, as regimentated to evil ends Although retired, Lord Fisher has a life seat in Britain’s as Nazism, as suicidal as the movements of the Gadarene House 6f Lords. His influence had been and will be felt, swine. The ecumenical movement is a movement of free even though his sixteen and a half years as Archbishop men all in one direction. -
The Ech. the Massachusetts Institute of Technolog
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