DOCSLIB.ORG

Download Booklet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Booklet 8.111360-61 bk Menotti2_EU:8.111360-61 bk Menotti2_EU 11-10-2010 8:58 Pagina 12 • XIX The March to the Castle (Chorus) the Manticore (Chorus) The Townsfolk complain of the slowness of the The Man sings of how the Townsfolk have killed the Gian Carlo working of God’s law. They will judge those who live poet’s dreams and of the comfort which the Unicorn, and condemn those who love. They will respect only the Gorgon and the Manticore have given him during what fashion blesses and what is clever. his life. He loved them all equally, and all remain in the MENOTTI ª XX Twelfth Madrigal: As they enter the Castle, poet’s heart. He does not fear death in their arms. the Townsfolk see the Man in the Castle lying on his The Saint of Bleecker Street deathbed, surrounded by the Unicorn, the Gorgon and David Patmore The Unicorn, the Gorgon and the Manticore • SC TTI HIP O PE N R E S Also Available M 19 gs 55 din - 1957 Recor Gabrielle Ruggiero • Gloria Lane • David Poleri 8.112023-24 Leon Lishner • Catherine Akos • Maria Di Gerlando Orchestra and Chorus Thomas Schippers 8.111360-61 12 8.111360-61 bk Menotti2_EU:8.111360-61 bk Menotti2_EU 11-10-2010 8:58 Pagina 2 MENOTTI CENTENARY EDITION The Unicorn, the Gorgon and the Manticore ( X Sixth Madrigal: (Chorus) The Townsfolk ask the Man what he did with the Synopsis Unicorn. He replies that he killed and cooked it. They condemn him: ‘Wicked is Man, Patient is God, / All Gian Carlo 0 I Introduction (Chorus) He gives Man to enjoy Man will destroy.’ The Chorus sings of a strange Man who lives in a ) XI Seventh Madrigal: The Countess has just MENOTTI Castle and who shuns society. secretly poisoned her Unicorn (Chorus) ! (1911-2007) II Interlude One: The Dance of the Man in the The Countess tells the Count that her Unicorn is very Castle (Instrumental Ensemble) ill. He says that they can acquire another one. She @ III First Madrigal (Chorus) replies that they are so commonplace now that she The Chorus describes the Sunday afternoon walk of wants a Gorgon instead. Initially shocked the Count The Saint of Bleecker Street local society and the conversational inanities that take eventually relents in the face of the Countess’s Opera in Three Acts • Libretto by the Composer place then. entreaties and agrees to find a Gorgon for her. # IV Interlude Two: Promenade (Instrumental ¡ XII Interlude Four (Instrumental Ensemble). Ensemble) Annina . Gabrielle Ruggiero (soprano) Third Sunday First Sunday ™ XIII Eighth Madrigal: Enter the Man in the Michele, her brother . David Poleri (tenor) $ Desideria, Michele’s mistress . Gloria Lane (mezzo-soprano) V Second Madrigal: Enter the Man in the Castle Castle with the Manticore (Chorus) and the Unicorn Carmela . Maria Di Gerlando (soprano) (Chorus) The Man warns against caressing the lonely One Sunday afternoon the Man who lives in the Castle Don Marco, a priest . Leon Lishner (bass) Manticore: he is shy and is lost in dreams. He may kill joins the crowds with a Unicorn on a silver chain. They what he loves best. Assunta . Catherine Akos (mezzo-soprano) pour scorn on him by suggesting what he might do £ XIV Ninth Madrigal (Chorus) Maria Corona, a newspaper vendor . Maria Marlo (soprano) other than raise a Unicorn. The Townsfolk, after seeing the Manticore, ask what Her dumb son (about 16 years old) . Ernesto Gonzales % VI Third Madrigal: (Chorus) happened to the Gorgon. The Man confesses that he Salvatore . David Aiken (baritone) The Man advises the Unicorn to stay close to him and caged and then killed him. Concettina, a child . Lucy Becque to beware the virgin sleeping under the lemon tree: her ¢ XV Interlude Five: The Countess secretly stabs A young man . Richard Cassilly (tenor) kiss is poison. Home is safer. her Gorgon (Instrumental Ensemble) A young woman . Elizabeth Carron (soprano) ^ VII Fourth Madrigal: (Chorus) – XVI Tenth Madrigal (Chorus) First guest . Keith Kaldenberg (tenor) The Count asks his wife the Countess why she is sad. The Count asks the Countess why she is so sad. She Second guest . John Reardon (baritone) She replies that she cannot go through life without a replies that her Gorgon is lost. She asks for a Barman . Russell Goodwin (baritone) Unicorn. The Count swears to acquire a Unicorn for her. Manticore. They bicker and, after the Countess has & VIII Interlude Three: As the Count and the slapped him, the Count eventually agrees. § Orchestra and Chorus Countess appear with a Unicorn, the Townsfolk stare XVII Interlude Six: As the Count and the at them in surprise. Soon everyone in town imitates (Chorus director: Walter Baker) Countess appear with a Manticore, the Townsfolk them until every respectable couple is seen stare at them in great surprise. Soon all the Gorgons in Thomas Schippers promenading with its own Unicorn (Instrumental town are killed and every respectable couple is now Ensemble) seen promenading a Manticore. Recorded February - March, 1955 in New York City ¶ XVIII Eleventh Madrigal (Chorus) First released on RCA Victor LM-6032 Second Sunday The Townsfolk have noticed that the Man in the Castle * IX Fifth Madrigal: Enter the Man in the Castle is no longer seen on Sundays with his Manticore. with the Gorgon (Chorus) Suspicious, they decide to explore his Castle and find Reissue Producer and Audio Restoration Engineer: Mark Obert-Thorn Behold the proud and stately Gorgon who sees neither out what he has done with the Manticore. crowds nor enemies as he mixes with the elite. Fearless, he fascinates and frightens. 8.111360-61 211 8.111360-61 8.111360-61 bk Menotti2_EU:8.111360-61 bk Menotti2_EU 11-10-2010 8:58 Pagina 10 summons up the courage to tell him that she is dying. carrying the white dress. CD 1 79:30 & 7 Eh già che I giovinotti 3:20 She will take the veil very soon. He says that she Don Marco clothes himself in preparation for the (Chorus, Desideria, Michele) cannot do this in his hour of need. ceremony. Assunta tells Maria Corona and Salvatore * 2 Act 1 Ah, Michele, don’t you know that love Maria Corona confirms Michele’s fate from the that Michele has been seen close by: all he is interested Scene 1 can turn to hate 3:02 horoscopes in the newspapers. Annina confirms that in is dragging Annina to hell with him. Don Marco 1 Rosa Mystica 3:34 (Desideria) she can no longer help him. She cannot resist the voice tells Salvatore to keep Michele out if he sees him. He ( of God. She tells him that this is goodbye for ever. He places candles by the altar and lights them. All sing of (Assunta, Chorus, A Young Man) You will regret it 1:31 2 Well … I’m tired of waiting! 3:11 (Michele, Don Marco, Chorus, Annina, Salvatore) runs up the stairs: Annina tries to restrain him but she what Annina has had to suffer because of Michele. ) pushes him away. She collapses at the foot of the stairs Dressed as a bride Annina appears, apprehensive, in (Maria Corona, Assunta, Carmela, Chorus, I know that you all hate me 3:53 where Maria Corona comforts her. the doorway of her room. The nun walks over to her. A Young Woman) (Michele) 3 Interlude, leading to: 8 The chorus sings the Gloria. Annina bows to the 3 The vision has begun 3:37 ¡ You are wrong, Michele 1:27 nun and is led across the stage to a screen in the corner (Don Marco, Chorus) (Don Marco, Annina, Michele) Scene 2 of the room. She stands behind the screen, but is 4 Oh, sweet Jesus, spare me this agony 8:04 ™ Yes, Michele, go home 6:00 The tenement flat, as in Act 1, scene 1. It is late visible to the audience. Annina knocks three times (Annina, Chorus) (Desideria, Michele, Annina, Chorus) afternoon. Annina, wrapped in a shawl, lies in her against the screen and Don Marco commences the 5 Look, the stigmata! 0:55 armchair, her face very pale. A nun sits close by. Don investiture ceremony. The nun leads Annina to the (Chorus) CD 2 76:18 Marco stands by the front door, as if waiting for centre of the room where she kneels. She then 6 Stop it! Out of here, all of you! 4:27 someone. Carmela, who has been crying, sits in a prostrates herself on the floor; her extended arms form (Michele, Carmela, Chorus, Don Marco) Act 3 corner of the room, comforted by Salvatore. In another a cross. The nun covers her with a black cloth. Don 7 Ah, poor Michele, it is not I your rival 2:43 Scene 1 corner, a group of women, among them Maria Corona Marco renames her as Sister Angela. The nun removes (Don Marco) 1 There she is. Be careful, Michele, and Assunta, are kneeling. the black cloth and helps her to her knees. At this 8 4 The group of women chants the Agnus Dei. Annina moment Michele bursts in. He is restrained by Interlude – 2:00 try not to upset her 6:33 (Orchestra) (Don Marco, Maria Corona, Annina, Michele) opens her eyes and asks Carmela if there is any news – Salvatore; everyone turns to him, except Annina who, 2 she hopes to take the veil as soon as possible as she transfixed, stares at the altar. Scene 2 Weeping, these, for him, are days of weeping 4:56 does not think she will live for long; but if permission 9 Michele pleads with Annina to return to this world 9 Canta ninna, canta nanna al mio bambino 2:42 (Maria Corona, Annina, Michele) comes she will have nothing to wear.
Load more

Recommended publications
  • 8.112023-24 Bk Menotti Amelia EU 26-03-2010 9:41 Pagina 16
    8.112023-24 bk Menotti Amelia_EU 26-03-2010 9:41 Pagina 16 Gian Carlo MENOTTI Also available The Consul • Amelia al ballo LO M CAR EN N OT IA T G I 8.669019 19 gs 50 din - 1954 Recor Patricia Neway • Marie Powers • Cornell MacNeil 8.669140-41 Orchestra • Lehman Engel Margherita Carosio • Rolando Panerai • Giacinto Prandelli Chorus and Orchestra of La Scala, Milan • Nino Sanzogno 8.112023-24 16 8.112023-24 bk Menotti Amelia_EU 26-03-2010 9:41 Pagina 2 MENOTTI CENTENARY EDITION Producer’s Note This CD set is the first in a series devoted to the compositions, operatic and otherwise, of Gian Carlo Menotti on Gian Carlo the occasion of his centenary in 2011. The recordings in this series date from the mid-1940s through the late 1950s, and will feature several which have never before appeared on CD, as well as some that have not been available in MENOTTI any form in nearly half a century. The present recording of The Consul, which makes its CD début here, was made a month after the work’s (1911– 2007) Philadelphia première. American Decca was at the time primarily a “pop” label, the home of Bing Crosby and Judy Garland, and did not yet have much experience in the area of Classical music. Indeed, this recording seems to have been done more because of the work’s critical acclaim on the Broadway stage than as an opera, since Decca had The Consul also recorded Arthur Miller’s Death of a Salesman with members of the original cast around the same time.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 125, 2005-2006
    Tap, tap, tap. The final movement is about to begin. In the heart of This unique and this eight-acre gated final phase is priced community, at the from $1,625 million pinnacle of Fisher Hill, to $6.6 million. the original Manor will be trans- For an appointment to view formed into five estate-sized luxury this grand finale, please call condominiums ranging from 2,052 Hammond GMAC Real Estate to a lavish 6,650 square feet of at 617-731-4644, ext. 410. old world charm with today's ultra-modern comforts. BSRicJMBi EM ;\{? - S'S The path to recovery... a -McLean Hospital ', j Vt- ^Ttie nation's top psychiatric hospital. 1 V US NeWS & °r/d Re >0rt N£ * SE^ " W f see «*££% llffltlltl #•&'"$**, «B. N^P*^* The Pavijiorfat McLean Hospital Unparalleled psychiatric evaluation and treatment Unsurpassed discretion and service BeJmont, Massachusetts 6 1 7/855-3535 www.mclean.harvard.edu/pav/ McLean is the largest psychiatric clinical care, teaching and research affiliate R\RTNERSm of Harvard Medical School, an affiliate of Massachusetts General Hospital HEALTHCARE and a member of Partners HealthCare. REASON #78 bump-bump bump-bump bump-bump There are lots of reasons to choose Beth Israel Deaconess Medical Center for your major medical care. Like less invasive and more permanent cardiac arrhythmia treatments. And other innovative ways we're tending to matters of the heart in our renowned catheterization lab, cardiac MRI and peripheral vascular diseases units, and unique diabetes partnership with Joslin Clinic. From cardiology and oncology to sports medicine and gastroenterology, you'll always find care you can count on at BIDMC.
    [Show full text]
  • Composition Catalog
    1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound.
    [Show full text]
  • A Day in the Life of a Church Musician Deadline for Next Issue: Jan
    welcome I’m one of those Episcopalians who usually sits in the front pew. I know we’re not a common lot. It’s just that I like to sing as loud as I want to the hymns selected for me, especially when they’re delightfully familiar. But I don’t want to inflict my voice on anyone. The Episcopal Diocese I’ve noticed that it’s when I’m singing in church that I feel closest to my mother, who died 15 years ago. I stood beside her for years and years listen- of Atlanta is a community of 54,700 members ing to her lilting soprano rejoicing to “Crown Him with Many Crowns,” in 27,000 households “For All the Saints,” “Praise My Soul the King of Heaven,” and so many and 95 congregations more great traditional hymns. She probably was feeling close then to her in North and Middle Georgia. own mother, who earned a small amount of money as a church soloist and It is part of the Episcopal Church and died way too young. the Anglican Communion. But I like the new songs, too, and love the challenges they present. I’ll never be asked to sing in a choir, but I’ll be happy to start a pew chorus up Bishop there in the front row. The Rt. Rev. J. Neil Alexander I hope you enjoy this sampling of stories about the rich musical life of [email protected] our diocese. I only wish I could replicate for you here the beautiful sounds that go with them.
    [Show full text]
  • John La Montaine Collection
    JOHN LA MONTAINE COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Gail E. Lowther Summer 2016 John La Montaine (at far right) presents John F. Kennedy with score to From Sea to Shining Sea, op. 30, which had been commissioned for Kennedy’s inauguration ceremony, with Jackie Kennedy and Howard Mitchell (National Symphony Orchestra conductor) (1961). Photograph from John La Montaine Collection, Box 16, Folder 9, Sleeve 1. John La Montaine and Howard Hanson during rehearsal with the Eastman Philharmonia in preparation for the performance of La Montaine’s Concerto for Piano and Orchestra, op. 9, at Carnegie Hall (November 1962). Photograph from ESPA 27-32 (8 x 10). 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 6 INVENTORY Series 1: Manuscripts and sketches Sub-series A: Student works and sketches . 12 Sub-series B: Mature works . 13 Sub-series C: Works with no opus number . 43 Sub-series D: Sketches . 54 Series 2: Personal papers Sub-series A: Original writings . 58 Sub-series B: Notes on composition projects . 59 Sub-series C: Pedagogical material . 65 Sub-series D: Ephemera . 65 Series 3: Correspondence Sub-series A: Correspondence to/from John La Montaine . 69 Sub-series B: Correspondence to/from Paul Sifler . 88 Sub-series C: Other correspondents . 89 Series 4: Publicity and press materials Sub-series A: Biographical information . 91 Sub-series B: Resume and works lists . 91 Sub-series C: Programs, articles, and reviews . 92 Sub-series D: Additional publicity materials . 104 3 Series 5: Library Sub-series A: Published literature .
    [Show full text]
  • Week 11 2016–17 Season Barber Riley ELGAR
    2016–17 season andris nelsons music director week 11 barber riley elgar season sponsors seiji ozawa music director laureate bernard haitink conductor emeritus lead sponsor supporting sponsor thomas adès artistic partner The most famous 19th-century American painter you’ve never heard of Through January 16, 2017 mfa.org/chase “William Merritt Chase” was organized by the Museum of Fine Arts, Boston; The Phillips Collection, Presented with generous support from The Mr. and Mrs. Raymond J. Horowitz Foundation Washington, DC; the Fondazione Musei Civici di Venezia; and the Terra Foundation for American Art. for the Arts, Inc., and the Deedee and Barrie A. Wigmore Fund in honor of Malcolm Rogers. Additional support from the Betty L. Heath Paintings Fund for the Art of the Americas, and the The exhibition and its publication were made possible with the Eugenie Prendergast Memorial Fund, made possible by a grant from Jan and Warren Adelson. generous support of the Terra Foundation for American Art. William Merritt Chase, The Young Orphan (An Idle Moment) (detail), 1884. Oil on canvas. NA diploma presentation, November 24, 1890. National Academy Museum, New York (221-P). Table of Contents | Week 11 7 bso news 1 5 on display in symphony hall 16 bso music director andris nelsons 18 the boston symphony orchestra 21 a case for quality by gerald elias 2 8 this week’s program Notes on the Program 30 The Program in Brief… 31 Samuel Barber 39 Terry Riley 40 Symphony Hall's Aeolian-Skinner Organ 49 Edward Elgar 63 To Read and Hear More… Guest Artists 67 Bramwell Tovey 69 Cameron Carpenter 72 sponsors and donors 88 future programs 90 symphony hall exit plan 9 1 symphony hall information the friday preview on january 13 is given by bso associate director of program publications robert kirzinger.
    [Show full text]
  • Lps-Vocal Recitals All Just About 1-2 Unless Otherwise Described
    LPs-Vocal Recitals All just about 1-2 unless otherwise described. Single LPs unless otherwise indicated. Original printed matter with sets should be included. 4208. LUCINE AMARA [s]. RECITAL. With David Benedict [pno]. Music of Donaudy, De- bussy, de Falla, Szulc, Turina, Schu- mann, Brahms, etc. Cambridge Stereo CRS 1704. $8.00. 4229. AGNES BALTSA [ms]. OPERA RECITAL. From Cenerentola, Il Barbiere di Siviglia, La Favorita, La Clemenza di Tito , etc. Digital stereo 067-64-563 . Cover signed by Baltza . $10.00. 4209. ROLF BJÖRLING [t]. SONGS [In Swedish]. Music of Widéem, Peterson-Berger, Nord- qvist, Sjögren, etc. The vocal timbre is quite similar to that of Papa. Odeon PMES 552. $7.00. 3727. GRACE BUMBRY [ms]. OPERA ARIAS. From Camen, Sappho, Samson et Dalila, Dr. Frieder Weissmann and Don Carlos, Cavalleria Rustican a, etc. Sylvia Willink-Quiel, 1981 Deut. Gram. Stereo SLPM 138 826. Sealed . $7.00. 4213. MONTSERAAT CABALLÉ [s]. ROSSINI RARITIES. Orch. dir. Carlo Felice Cillario. From Armida, Tancredi, Otello, Stabat Mater, etc. Rear cover signed by Caballé . RCA Victor LSC-3015. $12.00. 4211. FRANCO CORELLI [t] SINGS “GRANADA” AND OTHER ROMANTIC SONGS. Orch. dir Raffaele Mingardo. Capitol Stereo SP 8661. Cover signed by Corelli . $15.00. 4212. PHYLLLIS CURTIN [s]. CANTIGAS Y CANCIONES OF LATIN AMERICA. With Ryan Edwards [pno]. Music of Villa-Lobos, Tavares, Ginastera, etc. Rear cover signed by Curtin. Vanguard Stereolab VSD-71125. $10.00. 4222. EILEEN FARRELL [s]. SINGS FRENCH AND ITALIAN SONGS. Music of Respighi, Castelnuovo-Tedesco, Debussy. Piano acc. George Trovillo. Columbia Stereo MS- 6524. Factory sealed. $6.00.
    [Show full text]
  • Download Booklet
    8.111364 bk Menotti3_EU:8.111364 bk Menotti3_EU 17-12-2010 18:25 Pagina 8 her release, and insisting she has done nothing wrong. exclaiming that he can run and jump. The Mother and The Page releases the Mother at a sign from Kaspar. the Three Kings follow him breathlessly. As he # Melchior tells the Mother that she may keep the stumbles his Mother tells him to be careful. The Kings Gian Carlo gold: He for whom it is intended will have no use for realise that Amahl has been blessed and ask if they it. He will build His kingdom on love. The Mother may touch him. They then ask if Amahl may travel throws herself at the feet of the Three Kings, telling with them. Amahl says that he would like to MENOTTI them to take back their gold – if she were not so poor accompany them. The Mother and Amahl say good- she too would send a gift to such a Child. Amahl bye to each other, the Mother all the time instructing Amahl and the Night Visitors offers his crutch as a gift. The Mother moves to stop him on what to do. As the shepherds sing, the Three him as he raises his crutch. As Amahl advances Kings, led by the Page, start their procession out of the Sebastian – Ballet Suite towards the Kings, he realizes that he has moved cottage. After a final farewell to his Mother, Amahl without the help of his crutch. Dazed he understands takes his place at the end of the procession, playing his ARLO ME that he can walk.
    [Show full text]
  • Autographen-Auktion 1. Oktober 2011
    26. AutogrAphen-Auktion A u 1. oktober 2011 T o g r A p H Los |168 E n - A s u p A K ni T E n – Jo i o n ha nn i. 1.10. 2011 A x E L Los 542 | Hermann Löns s c Axel Schmolt | Autographen-Auktionen H M 47807 Krefeld | steinrath 10 o Telefon (02151) 93 10 90 | Telefax (02151) 93 10 9 99 L E-Mail: [email protected] T AutogrAphen-Auktion hier die genaue Anschrift für ihr Autographen-Auktionen Autographen inhaltsverzeichnis navigationssystem: Bücher Dokumente 47807 Krefeld | steinrath 10 Fotos Los-nr. g eschichte – Europäische Königshäuser 1 - 187 (sammlung peter Michielsen, utrecht, niederlande) Krefeld A 57 Auktionshaus Schmolt Richtung – napoleonische Zeitdokumente 188 - 198 Richtung am besten über die A 44 Abfahrt Essen – Deutsche Länder (ohne preußen) 199 - 219 Venlo Krefeld-Fischeln Meerbusch-Osterath✘ – preußen und Kaiserreich bis 1914 220 - 247 – i. Weltkrieg und Deutsche Marine 248 - 253 A 44 – Weimarer republik 254 - 265 A 44 – nationalsozialismus und ii. Weltkrieg 266 - 344 – Deutsche geschichte seit 1945 345 - 377 A 61 – geschichte des Auslands bis 1945 378 - 407 A 52 A 52 – geschichte des Auslands seit 1945 408 - 458 Düsseldorf – Kirche-religion 459 - 467 Mönchengladbach Neuss Literatur 468 - 603 Richtung A 57 Roermond Musik 604 - 869 – oper-operette (sänger/-innen) 870 - 945 Richtung Richtung Bühne - Film - tanz 946 - 1035 Koblenz Köln Bildende kunst 1036 - 1182 A 57 Wissenschaft 1183 - 1235 Autographen-Auktionen – Forschungsreisende und geographen 1236 - 1241 Axel Schmolt Steinrath 10 Luftfahrt 1242 - 1252 ✘ Kölner Straße Weltraumfahrt 1253 - 1258 A 44 Ausfahrt Sport 1259 - 1284 Osterath A 44 Kreuz Widmungsexemplare - Signierte Bücher 1285 - 1310 Meerbusch Richtung Krefelder Straße Mönchengladbach Sammlungen - konvolute 1311 - 1339 A 57 Autographen-Auktion am Samstag, den 1.
    [Show full text]
  • Pennswood Bulletin
    December 13, 2019 PENNSWOOD BULLETIN Page 2 Quakerism Fireside Chat Flea Market Dante Study Group Page 3 Clay Space Concert Holiday Double Next Week! German Table Check out Sarah's Corner on page four for more information Sing-A-Long regarding next week's Holiday Double issue of the Bulletin. Fiddle Concert Holiday Tea Page 4 Square Dancing Congratulations, Dr. Saidi! Passmore Gallery Birthday Night On Monday Sarah's Corner evening, December Page 5 Resident Biography 9, 2019, Pennswood Page 6 Holiday Celebration Village's Medical Chanukah Celebration Director, Dr. Firas Holiday Shipping Deadlines Saidi, was honored Save the Date by the Eastern Friday Friends Pennsylvania Page 7 Directory Update Geriatric Society with Village Salon the Barbara Bell, MD Notary Services award as outstanding Book Club geriatrician. Page 8 Shiraz is Coming The ceremony was held at the Union League in Page 9 Sunday at the Opera Philadelphia. Several of Pennswood's leadership staff Page 10-11 Library Additions Page 11 Gift Shop attended the event in support of Dr. Saidi. Congratulations Birthdays to Dr. Saidi and thank you for your service to our Page 12 Name Tag community. Passmore News Tom Atkins, COO Worship Page 13 Think You're Drowsy Now? Page 14 Care Partners Bereavement Group PENNSWOOD BULLETIN 1 ARTICLES AND NOTICES THIS WEEKS' EVENTS The Quakerism Committee Presents Claire Hannapel Dan Murray’s Fireside Sunday, December 15 at Chats In Penn Hall Lounge 7:00 p.m. in Game Room Tuesday, December 17 at 3:30 p.m. “Quaker Voluntary Service: Sally Marrington Community & Transformation” Sr. Administration Coordinator Claire Hannapel currently serves Flea Market Sale as Outreach & Wednesday, December 18 Development from 10:00 a.m.
    [Show full text]
  • David Dichiera
    DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story.
    [Show full text]
  • Changing Fortunes > Opera News > the Met Opera Guild
    Changing Fortunes > Opera News > The Met Opera Guild http://www.operanews.com/Opera_News_Magazine/2007/7/Fea... Features July 2007 — Vol. 71, No. 1 (http://www.operanews.org/Opera_News_Magazine/2007/7 /THE_CAREER_ISSUE.html) Changing Fortunes BARRY SINGER assesses the legacy of Gian Carlo Menotti, whose Saint of Bleecker Street arrives this month at Central City Opera. When Gian Carlo Menotti first Deep down, Menotti was surfaced, in 1937, as a twenty- no rebel. five-year-old Italian-born prodigy from the shores of Lake Lugano in Lombardy, by way of the Curtis Institute in Philadelphia, the world of American opera was waiting for him - or for someone, anyone like him. The Depression had taken down a number of America's major companies, including the Chicago Opera, and had pummeled the Metropolitan Opera to the brink of Muriel Dickson in the bankruptcy. Accessibility was suddenly a Met premiere of Menotti in rehearsal for paramount concern within these Menotti's Amelia Goes The Medium, 1947 infamously elitist institutions - to the Ball, 1938 (http://www.operanews.org accessibility in the populist sense of new /_uploaded/image/article (http://www.operanews.org /menottimedlg7107.jpg) social equality for potential ticket- /_uploaded/image/article Menotti in rehearsal for buyers, but also in the hardcore /dicksonamelialg7107.jpg) The Medium, 1947 marketing sense. American opera Muriel Dickson in the companies needed new operas they Met premiere of could sell. Menotti's Amelia Goes to the Ball, 1938 Of course, no one at the top knew precisely what such an opera should sound like. Menotti showed them. His first, Amelia al Ballo, was a frolicsome Puccini send-up with dark undercurrents - a mixture of diversion and dire foreboding for an American audience consumed by the oncoming conflagration in Europe.
    [Show full text]