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WNIB Program Schedule December 1970
.1 1 AUDITORIUM RE COUNCIL PRESENTS DIETRICH FISCHER- DIESKAU Friday, January 15, 1971 8:30 p.m. $9.00, $7.50, $6.50, $5.00, $-4.00, $3.00 CITY CENTER JOFFREY BALLET Tuesday, January 26, 1971 8= 30 p.m. 4th Annual Auditorium Theatre Benefit $50.00, $25.00, $15.00, $10.00, $8.00, $6.00, $-4.00, $3.00 also January 2 7 thru February 7, 1971 $10.00, $8.00, $7.00, $6.00, $4.50, $3.50, $2.50 Tickets at B X FFI E & TICKETR N OUTLETS AUDITORIUM THEATER 70 £.CONGRESS CHICAGO Tanglewood, 1946) PROGRAM SCHEDULE 9 PM BRAHMS Variations & Fugue on a Theme of Handel, Op. 24 - Gary Graffman, p (Col MS 7276) I STRAUSS Ein Heldcnlcben, Op. 40 - 97.1 fm December, 1970 London Sym/Sir John Barbirolli (Ang S 36764) 10: 15 HINDEMITH Viola Concerto ("Der Schwancndreher")-Raphael Hillyer, va; Japan Phil/Akeo Watanabe (None H 71239) BARBER Medea's Meditation& Dance of Vengeanee, Op. 23a - BostonSym/Charles WNIB Program Schedule is published by Radio station WNIB, 25 East Chestnut, Munch (RCA 2190) Chicago, Illinois 60611. Phone: 337-5252. SUbscription rates: one year $5. 00; two years $9. 00; three years $12. 00. WEDNESDAY 2 10 AM RAVEL "Daphnis & Chloe" Ballet - New Philh & Ambrosi.an Singers/Rafael Frueh COVER: "Kiosque l'Evide" by Jean Dubuffet. A monument (41-3/8" x 39-1/8" beck de Burgos (Ang S 36471) x 31-1/2") from the "Edifices and Monuments by Jean Dubuffet" exhibition at the Art Institute of Chicago through January 1971. -
Program Notes | Amahl and the Night Visitors
23 Season 2018-2019 Thursday, December 13, at 7:30 The Philadelphia Orchestra Saturday, December 15, at 8:00 Bramwell Tovey Conductor and Narrator Dante Michael DiMaio Boy Soprano (Amahl) Renée Tatum Mezzo-soprano (His Mother) Andrew Stenson Tenor (King Kaspar) Brandon Cedel Bass-baritone (King Melchior) David Leigh Bass (King Balthazar) Kirby Traylor Bass (The Page) Philadelphia Symphonic Choir (Shepherds and Villagers) Amanda Quist Director Omer Ben Seadia Stage Director Walton Crown Imperial (Coronation March) Britten The Young Person’s Guide to the Orchestra, Op. 34 Intermission Menotti Amahl and the Night Visitors First complete Philadelphia Orchestra performances Ryan Howell, designer Chris Frey, lighting desig This program runs approximately 1 hour, 45 minutes. These concerts are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. The December 15 concert is sponsored by Medcomp. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. PO Book 16_Home.indd 23 12/7/18 10:35 AM 24 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in the world, to discover new and The Orchestra’s award- renowned for its distinctive inventive ways to nurture winning Collaborative sound, desired for its its relationship with its Learning programs engage keen ability to capture the loyal patrons at its home over 50,000 students, hearts and imaginations of in the Kimmel Center, families, and community audiences, and admired for and also with those who members through programs a legacy of imagination and enjoy the Orchestra’s area such as PlayINs, side-by- innovation on and off the performances at the Mann sides, PopUP concerts, concert stage. -
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8.111364 bk Menotti3_EU:8.111364 bk Menotti3_EU 17-12-2010 18:25 Pagina 8 her release, and insisting she has done nothing wrong. exclaiming that he can run and jump. The Mother and The Page releases the Mother at a sign from Kaspar. the Three Kings follow him breathlessly. As he # Melchior tells the Mother that she may keep the stumbles his Mother tells him to be careful. The Kings Gian Carlo gold: He for whom it is intended will have no use for realise that Amahl has been blessed and ask if they it. He will build His kingdom on love. The Mother may touch him. They then ask if Amahl may travel throws herself at the feet of the Three Kings, telling with them. Amahl says that he would like to MENOTTI them to take back their gold – if she were not so poor accompany them. The Mother and Amahl say good- she too would send a gift to such a Child. Amahl bye to each other, the Mother all the time instructing Amahl and the Night Visitors offers his crutch as a gift. The Mother moves to stop him on what to do. As the shepherds sing, the Three him as he raises his crutch. As Amahl advances Kings, led by the Page, start their procession out of the Sebastian – Ballet Suite towards the Kings, he realizes that he has moved cottage. After a final farewell to his Mother, Amahl without the help of his crutch. Dazed he understands takes his place at the end of the procession, playing his ARLO ME that he can walk. -
Changing Fortunes > Opera News > the Met Opera Guild
Changing Fortunes > Opera News > The Met Opera Guild http://www.operanews.com/Opera_News_Magazine/2007/7/Fea... Features July 2007 — Vol. 71, No. 1 (http://www.operanews.org/Opera_News_Magazine/2007/7 /THE_CAREER_ISSUE.html) Changing Fortunes BARRY SINGER assesses the legacy of Gian Carlo Menotti, whose Saint of Bleecker Street arrives this month at Central City Opera. When Gian Carlo Menotti first Deep down, Menotti was surfaced, in 1937, as a twenty- no rebel. five-year-old Italian-born prodigy from the shores of Lake Lugano in Lombardy, by way of the Curtis Institute in Philadelphia, the world of American opera was waiting for him - or for someone, anyone like him. The Depression had taken down a number of America's major companies, including the Chicago Opera, and had pummeled the Metropolitan Opera to the brink of Muriel Dickson in the bankruptcy. Accessibility was suddenly a Met premiere of Menotti in rehearsal for paramount concern within these Menotti's Amelia Goes The Medium, 1947 infamously elitist institutions - to the Ball, 1938 (http://www.operanews.org accessibility in the populist sense of new /_uploaded/image/article (http://www.operanews.org /menottimedlg7107.jpg) social equality for potential ticket- /_uploaded/image/article Menotti in rehearsal for buyers, but also in the hardcore /dicksonamelialg7107.jpg) The Medium, 1947 marketing sense. American opera Muriel Dickson in the companies needed new operas they Met premiere of could sell. Menotti's Amelia Goes to the Ball, 1938 Of course, no one at the top knew precisely what such an opera should sound like. Menotti showed them. His first, Amelia al Ballo, was a frolicsome Puccini send-up with dark undercurrents - a mixture of diversion and dire foreboding for an American audience consumed by the oncoming conflagration in Europe. -
MENOTTI Amahl and the Night Visitors Sebastian
8.111364 rr Menotti3_EU:8.111364 rr Menotti3_EU 17-12-2010 18:29 Pagina 1 NAXOS Historical NAXOS NAXOS Historical NAXOS Gian Carlo 8.111364 Playing Time MENOTTI ADD MONO 63:06 (1911–2007) ൿ of this compact disc prohibited. and copying broadcasting Unauthorised public performance, texts and translations reserved. artwork, All rights in this sound recording, & Ꭿ Amahl and the Night Visitors Amahl and the Night Visitors 2011 Naxos Rights International Ltd. Made in Germany 2011 Naxos Rights International Ltd. Amahl . Chet Allen 1-$ 46:25 His Mother . Rosemary Kuhlmann Kaspar . Andrew McKinley MENOTTI: Melchior . David Aiken Allen • Kuhlmann Schippers Balthazar . Leon Lishner Sebastian – Ballet Suite 16:41 The Page . Frank Monachino % Introduction 1:59 Orchestra and Chorus • Thomas Schippers ^ Barcarolle 3:38 Recorded in New York City, December 1951 Amahl and the Night Visitors & Street Fight 1:17 Sebastian – Ballet Suite * Cortège 3:53 ( Robin Hood Dell Orchestra of Philadelphia Sebastian’s Dance 2:04 Dimitri Mitropoulos ) Pavane 3:50 Recorded in the Academy of Music, Philadelphia, 26th July, 1946 The reception for the first television broadcast of Menotti’s opera Amahl and the Night Visitors (also available in an acclaimed modern recording on Naxos 8.669019) was overwhelming: an estimated five million viewers, the NBC switchboard jammed with congratulatory calls and an unprecedented front-page review in The New York Times. Quickly recorded for RCA Victor, the album became a best-seller and the opera remains a Christmas evergreen, brimming with memorable tunes for both soloists and chorus. Set in 17th-century Venice, Menotti’s ballet Sebastian, the concert suite from which is heard here, was applauded by The New York Times as an ‘unblushing melodrama.. -
21.92 More Lps, Laser Discs. Pp 164-177
LP SETS and SINGLES ALL IN EXCELLENT CONDITION (records and jackets) AND CONTAINING ORIGINAL PAPER MATERIALS, UNLESS OTHERWISE INDICATED, FOR SETS THAT ORIGINALLY INCLUDED THEM . MINIMUM BID AS INDICATED PER ITEM. A few have a small cut in the box usually on the right side. These were made by the dealer to indi- cate that the set was on sale. In some cases a small hole was punched in the upper right hand area instead. They are both indicated as “ small box cut ”. A few others have a neat plastic tape index label attached to the upper right cover and/or spine. “ Index lbl ” indicates such items. IN SUBMITTING YOUR BIDS FOR ITEMS IN THIS SECTION, PLEASE BE SURE TO INCLUDE THE CORRECT CATALOGUE NUMBER. OPERAS, OPERETTAS and EXTENDED VOCAL WORKS 5000. [FRANCO ALFANO ]. SAKUNTALA. Casapietra, Michele Molese, Tomleich, Mazzoli, dir. Ottavio Ziino. 2 LP boxed MRF 196. Factory sealed . $5.00. 5001. [ ALFANO] . CYRANO DE BERGERAC . Olivia Stapp, Johns, Blancas, dir. Maurizio Arenas. 2 2 LP boxed MRF 131. Factory sealed . $5.00. 5032. [ WILLIAM ALWYN ]. MISS JULIE . Jill Gomez, Benjamin Luxon, Della Jones, John Mitchinson, etc., dir. Vilem Tausky. 2 LP boxed Lyrita Stereo 121-2. Cover signed by Gomez, Jones and Luxon. $5.00. 5003. [DOMINICK ARGENTO ]. POSTCARDS FROM MOROCCO . 2 LP boxed set. Barbara Brandt, Barry Busse, Foreman, Hardy, Marshall, etc., dir. Philip Brunelle. 2 LP boxed Desto 7137/8. Factory sealed. $5.00. 5002. [ RAFFAELLO DE BANFIELD ] [libretto TENNESSEE WILLIAMS ]. LORD BYRON’S LOVE LETTER. Astrid Varnay, Gertrude Ribla, Carlin, Carrruba, dir. Nicola Rescigno. 1 LP. -
The Alice Lon's
WHAT TV BRINGS YOU FOR CHRISTMAS HOLIDAY HOUSE AT THE ALICE LON'S LOGS - DECEMEIER 21 eINSPIRE THE PEN Mr. and Mrs. W. La Crescenta We trust that you have received many expressions of regret over the change in time for the Huntley -Brinkley program. Mrs. W. and I would like to add our feeble protest, for whatever it may be worth. We have always lis- tened to this fine program, but we also like to watch Douglas Edwards. We hope that you will try to find a better "slot" for Huntley -Brinkley. DAVID JANSSEN ... good looking gum shoe KATHY CROSBY & FRIEND ... recalls the cheerfulsmile J. A., Hollywood I am in complete agreement with Miss A. T. of Monterey Park. I think Mrs. N. M., Alhambra David Janssen on Richard Diamond is CBS couldn't carry Bob Crosby even. tops. Man! what a doll. Best looking though he was one of the most popular JACKSON WHEELER day time shows. But they invent one of detective I have ever seen on TV or ... Does he take inbrainwashing? in real life. the most ridiculous thingsI've ever seen, namely "The Verdict Is Yours" J. C., Los Angeles J. M. H., Monrovia and expect folks to enjoy it. Life is full I was sure glad to see Lucy and Desi The other day on TV while listeningof trouble so why watch more trouble _ to blabber mouth Jackson Wheler, heon TV? Bob Crosby and hissmile back. Hope they will stay. I like to seebecame quite insulted that someonecheered everyone but CBS isn't trying good class fun. -
Year Date Name of Production Description 1917 September 27, 28, 28 Have a Heart a Musical Comedy by Guy Bolton and P. G
Year Date Name of Production Description 1917 September 27, 28, 28 Have A Heart A musical comedy by Guy Bolton and P. G. Wodehouse, music by Jerome Kern 1917 1-Oct Furs and Frills A musical with lyrics by Edward Clark, music by Silvo Hein 1919 6-Oct The Gallo Opera Co. A revival of William S. Gilbert and Sir Arthur Sullivan's The Mikado , music directed by Max Bendix 1922 May 19 and 20 Dulcy A comedy in three acts by George S. Kaufman and Marc Connelly 1924 9-Apr Anna Pavlowa A ballet featuring Hilda Butsova and Corps De Ballet; Ivan Clustine, Balletmaster and conductor Theodore Stier 1924 April 10, 11, 12 Jane Cowl Portraying Juliet in Shakespeare's Romeo and Juliet ; staged by Frank Reicher 1927 1-Sep My Princess A modern Operetta based on a play by Edward A. Sheldon and Dorothy Donnelly; music by Sigmund Romberg 1927 September 5, 6, 7 Creoles A romantic comedy drama by Samuel Shipman and Kenneth Perkins 1927 September 8, 9, 10 The Cradle Song A Comedy in two acts by Gregario and Maria Martinez Sierra translated in English by John Garrett Underhill 1928 January 26, 27, 28 Quicksand A play presented by Anna Held Jr. and written by Warren F. Lawrence 1928 January 30 Scandals A play based on the book by Williams K. Wells and George White 1928 September 17, 18, 19 Paris Bound/Little Accident A comedy by Philip Barry presented by Arthur Hopkins; featuring (1 play per side of one Madge Kennedy sheet) 1928 September 20, 21, 22 Little Accident/Paris Bound A comedy in three acts by Floyd Dell and Thomas Mitchell; staged (1 play per side of one by Arthur Hurley sheet) 1928 October 1, 2, 3, The Shanghai Gesture/The presented by A. -
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8.111360-61 bk Menotti2_EU:8.111360-61 bk Menotti2_EU 11-10-2010 8:58 Pagina 12 • XIX The March to the Castle (Chorus) the Manticore (Chorus) The Townsfolk complain of the slowness of the The Man sings of how the Townsfolk have killed the Gian Carlo working of God’s law. They will judge those who live poet’s dreams and of the comfort which the Unicorn, and condemn those who love. They will respect only the Gorgon and the Manticore have given him during what fashion blesses and what is clever. his life. He loved them all equally, and all remain in the MENOTTI ª XX Twelfth Madrigal: As they enter the Castle, poet’s heart. He does not fear death in their arms. the Townsfolk see the Man in the Castle lying on his The Saint of Bleecker Street deathbed, surrounded by the Unicorn, the Gorgon and David Patmore The Unicorn, the Gorgon and the Manticore • SC TTI HIP O PE N R E S Also Available M 19 gs 55 din - 1957 Recor Gabrielle Ruggiero • Gloria Lane • David Poleri 8.112023-24 Leon Lishner • Catherine Akos • Maria Di Gerlando Orchestra and Chorus Thomas Schippers 8.111360-61 12 8.111360-61 bk Menotti2_EU:8.111360-61 bk Menotti2_EU 11-10-2010 8:58 Pagina 2 MENOTTI CENTENARY EDITION The Unicorn, the Gorgon and the Manticore ( X Sixth Madrigal: (Chorus) The Townsfolk ask the Man what he did with the Synopsis Unicorn. He replies that he killed and cooked it. They condemn him: ‘Wicked is Man, Patient is God, / All Gian Carlo 0 I Introduction (Chorus) He gives Man to enjoy Man will destroy.’ The Chorus sings of a strange Man who lives in a ) XI Seventh Madrigal: The Countess has just MENOTTI Castle and who shuns society. -
I<Oda 1<Eizolt4 on TELEVISION the TELEVISION INDEX
i<oda1<eizolt4ON TELEVISION INCLUDING DEC 26 -JAN 1, 1955 THE TELEVISION INDEX VOLUME 7 NUMBER 52 EDITOR: Jerry Leichter PRODUCTION PROGRAMMING TALENT 551Fifth Avenue New York 17 MUrray Hill 2-5910 PUBLISHED BY TELEVISION INDEX, INC. WEEKLY REPORT A FACTUAL RECORD OF THIS WEEK'S EVENTS IN TELEVISION PROGRAMMING THIS WEEK -- NETWORK DEBUTS & HIGHLIGUTS Monday(26) NBC- 5:45pm-concl EST; SPECIAL; Nations] Professional Football Championship; LIVE from KRCA-TV(LA), no. of stations indefinite. § First Half Sponsors - 1) Atlantic Refining Co thru N. W. Ayer & Son, Inc(Phila), northeastern regional net only; 2) Miller Brewing Co thru Mathisson & Associates, Inc(Milwaukoe), remainder of stations. Second Half Sponsor- Buick Motor Div, GMC, thru Kudner Agency, Inc(NY). § Pkgr- NBC Sports Dept(LA); Prod- Bill Hayden; Dir- Bill Bennington. § Telecast of the game between the Cleveland Browns and the Los Angeles Rams at Los Angeles Memorial Coliseum for the National Football League professional football championship. The game pre-empts regular Monday afternnon programming. Tuesday(27) NBC- 9:50-10:30pm EST; SPECIAL; Armstrong Circle Theatre- "Nightmare In Red"; FILM from WRCA-TV(I\IY), no. of stations indefinite. § Sponsor- Armstrong Cork Co thru Batten, Barton, Durstine & Osborn, Inc(NY). § NBC Public Affairs (NY); Prod- Henry Salomon; Prod Superv- Donald Hyatt; FilmEd- Isaac Kleinerman; Writers- Henry Salomon, Richard Hanser; Research- Daniel Jones, Mel Stuart, S. W. Little; Music By- Robert Russell Bennett; Narrator- Alexander Scourby. § The story of how Communism came to Russia, based on rare news film from Eur- opean and American vaults and archives. Eyents from the Impcial Russia of 1905 to the USSR of today are reconstructed in the film story. -
Amahl and the Night Visitors, Composed for NBC-TV in 1951
The Pescadero Opera Society presents and the Night Visitors Music and Libretto by Gian Carlo Menotti An Opera in One Act Sung in English Setting: Peasant home Time: Biblical times Characters Amahl (boy soprano) ...............................................................................Bill McIver His Mother (soprano)............................................................... Rosemary Kuhlmann King Melchior (baritone) .......................................................................David Aiken King Balthazar (bass)............................................................................ Leon Lishner King Kaspar (slightly deaf), (tenor)............................................. Andrew McKinley The Page (baritone)..................................................................... Francis Monachino Three Peasants (dancers)......................John Butler, Glen Tetley, Carmen Gutierrez Conducted by Thomas Schipper The Symphony of the Air Orchestra Première performance on NBC Television Opera Theatre on December 24, 1951 This live telecast was given December 25, 1955. 2 Synopsis Amahl, a crippled shepherd boy, about 12 years old, is heard playing a tune on his flute outside of his house. His mother tells him that it’s time to go to bed. He delays as long as possible but, after being scolded by his mother, he finally takes his crutch and hobbles inside. Amahl tells his mother of a large bright star in the sky. She refuses to believe him, complaining that he is always making up tales. After Amahl and his mother go to sleep, voices are heard in the distance. There is a knock at the door and Amahl is sent to see who it is. He hastily returns and informs his mother that there are three kings at the door. Not believing him, she goes to the door herself and is stunned to discover that Amahl is, in fact, telling the truth — there are three kings at the door! The kings request lodging for the evening. -
Notes on Musicarnival's Production Years, 1954-65
NotesUnder on Musicarnival’s the Production TentYears, 1954-65 UnderNotes on Musicarnival’s the Production Years,Tent 1954-65 * * Written by Bill Rudman and Rebecca Paller To accompany audio restorations produced by The Musical Theater Project The Lt. Col. Robert “Jim” Price Musicarnival Audio Archive is part of the John L. Price, Jr. Musicarnival Archives Copyright © 2017 by The Musical Theater Project except entries written by Rebecca Paller, Barbara Perris, Stanley Green and Ken Bloom Cover design by Steven Schultz Photos courtesy of the John L. Price, Jr. Musicarnival Archives, Cleveland Public Library -ii- The Partnership CLEVELAND PUBLIC LIBRARY serves four million patrons annually at 28 branches across the city, lending more than 6.5 million items from a collection of more than 10 million. CPL’s library services are also available at the Public Administration Library in City Hall; “The People’s University on Wheels” bookmobile; Ohio Library for the Blind and Physically Disabled; and the “On the Road to Reading” literacy van. CPL is the home for the Ohio Center for the Book, CLEVNET library cooperation, and KnowItNow24x7 virtual reference service. For more information, visit www.cpl.org. Dedicated to preserving the rich legacy of the art form, Goodspeed Musicals’ SCHERER LIBRARY OF MUSICAL THEATRE carefully maintains a comprehensive collection of scores, sheet music, scripts, original cast recordings, programs, photographs and theater memorabilia on the Goodspeed campus in East Haddam, Connecticut. These reference tools are utilized by the musical theater community across the nation in the re-creation and revitalization of period musicals and in the creation and development of new works.