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Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much
cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good. -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Many Thanks to Many People by Paul R. Judy
HarmonyTM FORUM OF THE SYMPHONY ORCHESTRA INSTITUTE NUMBER 7 • OCTOBER 1998 Many Thanks to Many People To subscribe to Harmony or provide support to the Institute, contact: Symphony Orchestra Institute 1618 Orrington Avenue, Suite 318 Evanston, IL 60201 Tel: 847.475.5001 Fax: 847.475.2460 e-mail: [email protected] www.soi.org ©1998 by the Symphony Orchestra Institute. All rights reserved. vii Many Thanks to Many People The Symphony Orchestra Institute was activated in the fall of 1995 as a catalyst for organizational change within the community of North American symphony orchestra organizations. The Institute was a new resident moving into a long- established and tightly bounded community; we were greeted with caution. As we pursued our mission and initiated early programs, we needed to build the trust of many constituencies. After three years, we believe that trust has been established, and that a groundswell of interest and enthusiasm is building in the direction of change which the Institute has fostered. The momentum of this wave arises from the breadth of involvement of many people who have helped undergird the Institute during the past three years. This is a note of thanks to all those people. The Institute’s acceptance by the leadership of other industry institutions was vital. Special personal thanks go to Brad Buckley (Saint Louis Symphony Orchestra), former chair of the International Conference of Symphony and Opera Musicians (ICSOM), his successor Robert Levine (Milwaukee Symphony Orchestra), and their colleagues on the ICSOM governing board, for the early recognition of the Institute, its independence, and its unbiased interest in better- functioning symphony organizations. -
Pd Films List 0824
PD FILMS LIST 2012/8/23 現在 FILM Title 日本映画名 制作年度 キャラクター NO 1 Sabouteur 逃走迷路 1942 2 Shadow of a Doubt 疑惑の影 1943 3 The Lady Vanishe バルカン超特急 1938 4 From Here Etanity 地上より永遠に 1953 5 Flying Leather Necks 太平洋航空作戦 1951 6 Shane シェーン 1953 7 The Thief Of Bagdad 1・2 (1924) バクダッドの盗賊 1・2 (1924) 1924 8 I Confess 私は告白する 1953 9 The 39 Steps 39夜 1935 10 Strangers On A Train 見知らぬ乗客 1951 11 Foreign Correspon 海外特派員 1940 12 The Big Lift 大空輸 1950 13 The Grapes of Wirath 怒りの葡萄 上下有 1940 14 A Star Is Born スター誕生 1937 15 Tarzan, the Ape Man 類猿人ターザン 1932 16 Little Princess 小公女 1939 17 Mclintock! マクリントック 1963APD 18 Beneath the 12Mile Reef 12哩の暗礁の下に 1953 19 PePe Le Moko 望郷 1937 20 The Bicycle Thief 自転車泥棒 1948 21 Under The Roof of Paris 巴里の屋根の根 下 1930 22 Ossenssione (R1.2) 郵便配達は2度ベルを鳴らす 1943 23 To Kill A Mockingbird (R1.2) アラバマ物語 1962 APD 24 All About Eve イヴの総て 1950 25 The Wizard of Oz オズの魔法使い 1939 26 Outpost in Morocco モロッコの城塞 1949 27 Thief of Bagdad (1940) バクダッドの盗賊 1940 28 The Picture of Dorian Grey ドリアングレイの肖像 1949 29 Gone with the Wind 1.2 風と共に去りぬ 1.2 1939 30 Charade シャレード(2種有り) 1963 APD 31 One Eyed Jacks 片目のジャック 1961 APD 32 Hangmen ハングマン 1987 APD 33 Tulsa タルサ 1949 34 Deadly Companions 荒野のガンマン 1961 APD 35 Death Sentence 午後10時の殺意 1974 APD 36 Carrie 黄昏 1952 37 It Happened One Night 或る夜の出来事 1934 38 Cityzen Ken 市民ケーン 1945 39 Made for Each Other 貴方なしでは 1939 40 Stagecoach 駅馬車 1952 41 Jeux Interdits 禁じられた遊び 1941 42 The Maltese Falcon マルタの鷹 1952 43 High Noon 真昼の決闘 1943 44 For Whom the Bell tolls 誰が為に鐘は鳴る 1947 45 The Paradine Case パラダイン夫人の恋 1942 46 I Married a Witch 奥様は魔女 -
Music in GUNSMOKE Half-Hour Series PART II
Music in GUNSMOKE Half-Hour Series PART II [all Season Six half-hour episodes] Next is the Gunsmoke Sixth Season, Volume One dvd... 1 2 Note than just slightly more than half of the music in the episodes of this season were original scores, including three by Bernard Herrmann, three by Goldsmith, three by Fred Steiner, two by Lyn Murray, etc. "Friend's Payoff" (September 3, 1960) *** C Original score by Lyn Murray. Synopsis: An old friend of Matt Dillon's that he hasn't seen in many years, Ab Butler, is shot. Mysteriously, a man named Joe Leeds (played by Tom Reese) enters Dodge to look for Ab Butler. Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series. Score no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703. Box 77. -#3694 "Speechless Lies" Take 3 (1:15) -00:23 thru 00:53 CBS cue #3693 "After Summer Merrily" Take 3, (00:35) 3 Scene: Chester is busy in the Marshal's office trying to fix an old chair. A small boy comes in with a written message, looking for the Marshal. -2:19 thru 3:34 CBS cue #3694 "Speechless Lies" Take 3 (1:15) Scene: The message is from Matt's old friend, Ab Butler, who says he was shot in the shot & needs help quick. Dillon on a horse & Chester in an open wagon go out to find him. -3:56 thru 4:44 Scene: Dissolve to Doc's office, being treated by Adams. Dillon starts to question Ab again. Note that I have no further info on this and following cues for this score. -
Mickey's Trailer
Mickey’s Trailer and Environmental Thought Disney Cartoons and Countryside Goddard, Joseph Published in: American Studies in Scandinavia Publication date: 2016 Document version Publisher's PDF, also known as Version of record Citation for published version (APA): Goddard, J. (2016). Mickey’s Trailer and Environmental Thought: Disney Cartoons and Countryside. American Studies in Scandinavia, 48:2(2016:2), 43-60. https://rauli.cbs.dk/index.php/assc/article/view/5360 Download date: 23. Sep. 2021 American Studies in Scandinavia, 48:1 (2016), pp. 43-60. Published by the Nordic Association for American Studies (NAAS). Mickey’s Trailer and Environmental Thought: Disney Cartoons and Countryside Joe Goddard University of Copenhagen Abstract: The influence of popular cartoons on environmental cognition is explored in this essay through readings of Mickey’s Trailer, a 1938 cartoon directed by Ben Sharpsteen for Walt Disney. Other materials considered include Ford Motor Compa- ny’s 1937-38 film coproduced by Wilder Pictures, Glacier International Park, which promotes motor-tourism and automobile ownership, and Ben Sharpsteen’s other work for Walt Disney. The article also examines the ideas of physical and “illusional” zoning in the city, especially the way that they were applied in the mid-twentieth century. Physical zon- ing involved separating incompatible land uses, whereas illusional zoning entailed seeing what you wanted to see. What does Mickey’s Trailer say about how people can live, and can it inform where people choose to live? The essay muses that apprecia- tions of nature and the environment are influenced by popular culture. Keywords: Walt Disney, Mickey’s Trailer, Cartoons, Popular Culture, Environmental Ideas “Oh boy, Whatta day,” exclaims Mickey Mouse from the front step of his small house as Disney’s 1938 short cartoon Mickey’s Trailer opens.1 Mickey is wearing a nightshirt and a nightcap, and rubs his hands in ex- pectation. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
WNIB Program Schedule December 1970
.1 1 AUDITORIUM RE COUNCIL PRESENTS DIETRICH FISCHER- DIESKAU Friday, January 15, 1971 8:30 p.m. $9.00, $7.50, $6.50, $5.00, $-4.00, $3.00 CITY CENTER JOFFREY BALLET Tuesday, January 26, 1971 8= 30 p.m. 4th Annual Auditorium Theatre Benefit $50.00, $25.00, $15.00, $10.00, $8.00, $6.00, $-4.00, $3.00 also January 2 7 thru February 7, 1971 $10.00, $8.00, $7.00, $6.00, $4.50, $3.50, $2.50 Tickets at B X FFI E & TICKETR N OUTLETS AUDITORIUM THEATER 70 £.CONGRESS CHICAGO Tanglewood, 1946) PROGRAM SCHEDULE 9 PM BRAHMS Variations & Fugue on a Theme of Handel, Op. 24 - Gary Graffman, p (Col MS 7276) I STRAUSS Ein Heldcnlcben, Op. 40 - 97.1 fm December, 1970 London Sym/Sir John Barbirolli (Ang S 36764) 10: 15 HINDEMITH Viola Concerto ("Der Schwancndreher")-Raphael Hillyer, va; Japan Phil/Akeo Watanabe (None H 71239) BARBER Medea's Meditation& Dance of Vengeanee, Op. 23a - BostonSym/Charles WNIB Program Schedule is published by Radio station WNIB, 25 East Chestnut, Munch (RCA 2190) Chicago, Illinois 60611. Phone: 337-5252. SUbscription rates: one year $5. 00; two years $9. 00; three years $12. 00. WEDNESDAY 2 10 AM RAVEL "Daphnis & Chloe" Ballet - New Philh & Ambrosi.an Singers/Rafael Frueh COVER: "Kiosque l'Evide" by Jean Dubuffet. A monument (41-3/8" x 39-1/8" beck de Burgos (Ang S 36471) x 31-1/2") from the "Edifices and Monuments by Jean Dubuffet" exhibition at the Art Institute of Chicago through January 1971. -
+- Vimeo Link for ALL of Bruce Jackson's and Diane
Virtual February 9, 2021 (42:2) William A. Wellman: THE PUBLIC ENEMY (1931, 83 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries +- Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the Spring 2021 BFS Vimeo link for our introduction to The Public Enemy Zoom link for all Fall 2020 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Selected for National Film Registry 1998 Directed by William A. Wellman Written by Kubec Glasmon and John Bright Produced by Darryl F. Zanuck which are 1958 Lafayette Escadrille, 1955 Blood Cinematography by Devereaux Jennings Alley, 1954 Track of the Cat, 1954 The High and the Film Editing by Edward M. McDermott Mighty, 1953 Island in the Sky, 1951 Westward the Makeup Department Perc Westmore Women, 1951 It's a Big Country, 1951 Across the Wide Missouri, 1949 Battleground, 1948 Yellow Sky, James Cagney... Tom Powers 1948 The Iron Curtain, 1947 Magic Town, 1945 Story Jean Harlow... Gwen Allen of G.I. Joe, 1945 This Man's Navy, 1944 Buffalo Bill, Edward Woods... Matt Doyle 1943 The Ox-Bow Incident, 1939 The Light That Joan Blondell... Mamie Failed, 1939 Beau Geste, 1938 Men with Wings, 1937 Donald Cook... Mike Powers Nothing Sacred, 1937 A Star Is Born, 1936 Tarzan Leslie Fenton... Nails Nathan Escapes, 1936 Small Town Girl, 1936 Robin Hood of Beryl Mercer.. -
Program Notes | Amahl and the Night Visitors
23 Season 2018-2019 Thursday, December 13, at 7:30 The Philadelphia Orchestra Saturday, December 15, at 8:00 Bramwell Tovey Conductor and Narrator Dante Michael DiMaio Boy Soprano (Amahl) Renée Tatum Mezzo-soprano (His Mother) Andrew Stenson Tenor (King Kaspar) Brandon Cedel Bass-baritone (King Melchior) David Leigh Bass (King Balthazar) Kirby Traylor Bass (The Page) Philadelphia Symphonic Choir (Shepherds and Villagers) Amanda Quist Director Omer Ben Seadia Stage Director Walton Crown Imperial (Coronation March) Britten The Young Person’s Guide to the Orchestra, Op. 34 Intermission Menotti Amahl and the Night Visitors First complete Philadelphia Orchestra performances Ryan Howell, designer Chris Frey, lighting desig This program runs approximately 1 hour, 45 minutes. These concerts are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. The December 15 concert is sponsored by Medcomp. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. PO Book 16_Home.indd 23 12/7/18 10:35 AM 24 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in the world, to discover new and The Orchestra’s award- renowned for its distinctive inventive ways to nurture winning Collaborative sound, desired for its its relationship with its Learning programs engage keen ability to capture the loyal patrons at its home over 50,000 students, hearts and imaginations of in the Kimmel Center, families, and community audiences, and admired for and also with those who members through programs a legacy of imagination and enjoy the Orchestra’s area such as PlayINs, side-by- innovation on and off the performances at the Mann sides, PopUP concerts, concert stage. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
A New Chapter
FINAL-1 Sat, Nov 30, 2019 4:06:52 PM tvupdateYour Weekly Guide to TV Entertainment For the week of December 8 - 14, 2019 A new chapter Jacqueline Toboni stars in “The L Word: Generation Q” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 Showtime is rebooting one of its most beloved shows with “The L Word: Generation Q,” premiering Sunday, Dec. 8. The series features the return of original “The L Word” stars Jennifer Beals (“Flashdance,” 1983), Leisha Hailey (“Dead Ant,” 2017) and Katherine Moennig (“Ray Donovan”), as well as a few new faces, including Jacqueline Toboni (“Grimm”), Arienne Mandi (“The Vault”) and Leo Sheng (“Adam,” 2019). To advertise here WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS please call ✦ 40 years in business; A+ rating with the BBB. ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 (978) 946-2375 Group Page Shell PARTS & ACCESSORIES We Need: SALESMotorsports & SERVICE 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLEWANTED1 x 3” We are the ORIGINAL and only AUTHENTIC SELLBUYTRADEINSPECTIONS CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 1615 SHAWSHEEN ST., TEWKSBURY, MA Open 7 Days A Week ~ www.cashforgoldinc.com 978-851-3777 WWW.BAY4MS.COM FINAL-1 Sat, Nov 30, 2019 4:06:53 PM COMCAST ADELPHIA 2 Sports Highlights Kingston CHANNEL Atkinson ESPN NESN Sunday 8:00 p.m. TNT Basketball NBA Football NCAA Division I Hockey NCAA Dartmouth at Salem Londonderry 9:00 a.m.