I<Oda 1<Eizolt4 on TELEVISION the TELEVISION INDEX
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Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
HBO and the HOLOCAUST: CONSPIRACY, the HISTORICAL FILM, and PUBLIC HISTORY at WANNSEE Nicholas K. Johnson Submitted to the Facul
HBO AND THE HOLOCAUST: CONSPIRACY, THE HISTORICAL FILM, AND PUBLIC HISTORY AT WANNSEE Nicholas K. Johnson Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of History, Indiana University December 2016 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master’s Thesis Committee __________________________________ Raymond J. Haberski, Ph.D., Chair __________________________________ Thorsten Carstensen, Ph.D. __________________________________ Kevin Cramer, Ph.D. ii Acknowledgements First, I would like to thank the members of my committee for supporting this project and offering indispensable feedback and criticism. I would especially like to thank my chair, Ray Haberski, for being one of the most encouraging advisers I have ever had the pleasure of working with and for sharing his passion for film and history with me. Thorsten Carstensen provided his fantastic editorial skills and for all the times we met for lunch during my last year at IUPUI. I would like to thank Kevin Cramer for awakening my interest in German history and for all of his support throughout my academic career. Furthermore, I would like to thank Jason M. Kelly, Claudia Grossmann, Anita Morgan, Rebecca K. Shrum, Stephanie Rowe, Modupe Labode, Nancy Robertson, and Philip V. Scarpino for all the ways in which they helped me during my graduate career at IUPUI. I also thank the IUPUI Public History Program for admitting a Germanist into the Program and seeing what would happen. I think the experiment paid off. -
View / Open Bratslavsky Oregon 0171A 10830
FROM EPHEMERAL TO LEGITIMATE: AN INQUIRY INTO TELEVISION’S MATERIAL TRACES IN ARCHIVAL SPACES, 1950s -1970s by LAUREN MICHELLE BRATSLAVSKY A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Lauren Michelle Bratslavsky Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Dr. Janet Wasko Chairperson Dr. Carol Stabile Core Member Dr. Julianne Newton Core Member Dr. Daniel Pope Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Lauren M. Bratslavsky This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Lauren Michelle Bratslavsky Doctor of Philosophy School of Journalism and Communication September 2013 Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s The dissertation offers a historical inquiry about how television’s material traces entered archival spaces. Material traces refer to both the moving image products and the assortment of documentation about the processes of television as industrial and creative endeavors. By identifying the development of television-specific archives and collecting areas in the 1950s to the 1970s, the dissertation contributes to television studies, specifically pointing out how television materials were conceived as cultural and historical materials “worthy” of preservation and academic study. -
Gold on Talking Pictures TV Stars: Roger Moore, Susannah York, Ray Milland, Bradford Dillman and John Gielgud
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 7th December 2020 FREESAT 306 | VIRGIN 445 Gold on Talking Pictures TV Stars: Roger Moore, Susannah York, Ray Milland, Bradford Dillman and John Gielgud. Directed by Peter R. Hunt in 1974. Roger Moore plays Rodney “Rod” Slater, general manager of a South African gold mine, who is instructed by his boss to break through an underground dike into what he is told is a rich seam of gold. The mine-owner’s son-in-law and director plan to destroy the mine so that foreign syndicate members can profit from share-dealing and raise the price of gold on world markets. This will be done by drilling through a deep underground greenstone wall or ‘dyke’ which prevents an adjacent reservoir of water from flooding the mine. When the final breach is made a wall of ocean water roars into interconnected mazes of tunnels and shafts and the mine floods, trapping a thousand workers. Based on the 1970 novel Gold Mine by Wilbur Smith. Airs Saturday 12th December 8:10pm. Monday 7th December 8:55am Wednesday 9th December 8:05am The Secret Tunnel (1948) I’ll Turn To You (1946) Family. Director: William C. Hammond. Drama. Director: Geoffrey Faithfull. Stars: Tony Wager, Ivor Bowyer, A soldier returning home finds Murray Matheson. Two boys set out readjusting to married life and civvy to bring justice to the thieves of a street very difficult. Stars Irene Handl, Rembrandt painting. Don Stannard, Terry Randall, Harry Welchman, Ann Codrington Monday 7th December 10:30am and George Merritt. -
Span Book Data
Span Book Data 266 in series – plus 14 Extras Published: 6th of current month; volume number changes in September or October Extras – quarterly – 30 January, 30 April, 31 July, 30 October Format: 7”x4½” Name in italics indicates the model made her first appearance in this magazine SPAN EXTRA 1 Spring 1958 Front cover: Diane Webber Back cover: no photo Models: Pamela Bevan, Susan Denny, Barbara Sharp, Jacqueline White, Cheri Swift, Janine Sykes (Maxine Millar), Loraine Burnett, Pat Holland, Heidi Erich, Vicky Reynolds, June Baker, Betty McBride, Hazel Powell 2 Summer 1958 (80pp) Front cover: Jackie McCullah & Irish McCalla Back cover: no photo Models: Sheree Winton, Lamorna Lea (Patricia Smith), Jackie McCullah & Irish McCalla, Lavinia Grant, Sheree Winton, Rosa Domaille & Fiona Callum, Monique Vita, Lili St.Cyr, Gloria Severn, Elaine Allen, Dorothy Ridley, Gloria Winter, Shendah Pearce, Pixie Noles, Georgina Moore, Eddy Vesel, Lee Collins 3 Autumn 1958 (80pp) Front cover: Marisa Allasio Back cover: no photo Models: Maureen Jeggo, Rita Williamson, Georgina Moore, Lynn Tracey, Maureen Jeggo, Rita Williamson, Claire Martin, Marion Holmes, Danick Chevalier, Jean Belvin, Sandy Sims 4 Winter 1958 (68pp) Front cover: Lily Christine Back cover: Diane Clare Models: Jennifer Trueman, Sheila Pragnell, Carmen Philips, Diane Clare, Jackie Durran, Susan Marshall, Vicky Grey, Agnes Laurent, Marion 5 Spring 1959 (68pp) Front cover: Linda Stuart Back cover: no photo Models: Paula Page, Shirley Epps, Linda Stuart, Isobel Miller, Benice Swanson, Anne Furnaess, -
The Creative Society Environmental Policymaking in California,1967
The Creative Society Environmental Policymaking in California,1967-1974 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Robert Denning Graduate Program in History The Ohio State University 2011 Dissertation Committee: Dr. Paula M. Baker, Advisor Dr. William R. Childs Dr. Mansel Blackford Copyright By Robert Denning 2011 Abstract California took the lead on environmental protection and regulation during Ronald Reagan‟s years as governor (1967-1974). Drawing on over a century of experience with conserving natural resources, environmentally friendly legislators and Governor Reagan enacted the strongest air and water pollution control programs in the nation, imposed stringent regulations on land use around threatened areas like Lake Tahoe and the San Francisco Bay, expanded the size and number of state parks, and required developers to take environmental considerations into account when planning new projects. This project explains why and how California became the national leader on environmental issues. It did so because of popular anger toward the environmental degradation that accompanied the state‟s rapid and uncontrolled expansion after World War II, the election of a governor and legislators who were willing to set environmental standards that went beyond what industry and business believed was technically feasible, and an activist citizenry that pursued new regulations through lawsuits and ballot measures when they believed the state government failed. The environment had a broad constituency in California during the Reagan years. Republicans, Democrats, students, bureaucrats, scientists, and many businessmen tackled the environmental problems that ii threatened the California way of life. -
October 9, 2012 (XXV:6) David Miller, LONELY ARE the BRAVE (1962, 107 Min)
October 9, 2012 (XXV:6) David Miller, LONELY ARE THE BRAVE (1962, 107 min) Directed by David Miller Screenplay by Dalton Trumbo Based on the novel, The Brave Cowboy, by Edward Abbey Produced by Edward Lewis Original Music by Jerry Goldsmith Cinematography by Philip H. Lathrop Film Editing by Leon Barsha Art Direction by Alexander Golitzen and Robert Emmet Smith Set Decoration by George Milo Makeup by Larry Germain, Dave Grayson, and Bud Westmore Kirk Douglas…John W. "Jack" Burns Gena Rowlands…Jerry Bondi Walter Matthau…Sheriff Morey Johnson Michael Kane…Paul Bondi Carroll O'Connor…Hinton William Schallert…Harry George Kennedy…Deputy Sheriff Gutierrez Karl Swenson…Rev. Hoskins William Mims…First Deputy Arraigning Burns Martin Garralaga…Old Man Lalo Rios…Prisoner Bill Bixby…Airman in Helicopter Bill Raisch…One Arm Table Tennis, 1936 Let's Dance, 1935 A Sports Parade Subject: Crew DAVID MILLER (November 28, 1909, Paterson, New Jersey – April Racing, and 1935 Trained Hoofs. 14, 1992, Los Angeles, California) has 52 directing credits, among them 1981 “Goldie and the Boxer Go to Hollywood”, 1979 “Goldie DALTON TRUMBO (James Dalton Trumbo, December 9, 1905, and the Boxer”, 1979 “Love for Rent”, 1979 “The Best Place to Be”, Montrose, Colorado – September 10, 1976, Los Angeles, California) 1976 Bittersweet Love, 1973 Executive Action, 1969 Hail, Hero!, won best writing Oscars for The Brave One (1956) and Roman 1968 Hammerhead, 1963 Captain Newman, M.D., 1962 Lonely Are Holiday (1953). He was blacklisted for many years and, until Kirk the Brave, 1961 Back Street, 1960 Midnight Lace, 1959 Happy Douglas insisted he be given screen credit for Spartacus was often to Anniversary, 1957 The Story of Esther Costello, 1956 Diane, 1951 write under a pseudonym. -
The Fellows Gazette Volume 84 Published by the College of Fellows of the American Theatre Spring 2021
The Fellows Gazette Volume 84 Published by the College of Fellows of the American Theatre Spring 2021 Announcing The Fellows Webinar Weekend Mark Your Calendars Now! Dear Fellows, With the onset of 2021, the College of Fellows is continuing its joyous work of honoring artists and educators, like yourself, who have transformed our field through their expertise and distinguished service. This April we will not be able to gather together on site to honor new Fellows. However, we hope that you will join us by ZOOM WEBINAR, as we bring everyone together in a virtual community. Please join us to celebrate the Fellows for the Class of 2020 and the Class of 2021, to present the business of the College, to share in the Roger L. Stevens address and for the Orlin Corey toast. In two hours of virtual connection, we are combining the highlights of our normal meetings and gatherings at the annual meeting. The ZOOM WEBINAR will be recorded and available on our website. All Fellows are invited to participate. Please email administrative assistant [email protected] by April 1 to RSVP. You will be sent a link for the meeting prior to April 18, pre-sign in will begin at 11:45. Our virtual meeting with run from 12 Noon - 2 PM EST. We are in times of unprecedented change and challenges and I do hope that you can join us to celebrate the tradition and innovation of The College of Fellows. At this time, more than ever, we need to join together to rejoice in the power of the arts! Best, Gail Dr. -
WNIB Program Schedule December 1970
.1 1 AUDITORIUM RE COUNCIL PRESENTS DIETRICH FISCHER- DIESKAU Friday, January 15, 1971 8:30 p.m. $9.00, $7.50, $6.50, $5.00, $-4.00, $3.00 CITY CENTER JOFFREY BALLET Tuesday, January 26, 1971 8= 30 p.m. 4th Annual Auditorium Theatre Benefit $50.00, $25.00, $15.00, $10.00, $8.00, $6.00, $-4.00, $3.00 also January 2 7 thru February 7, 1971 $10.00, $8.00, $7.00, $6.00, $4.50, $3.50, $2.50 Tickets at B X FFI E & TICKETR N OUTLETS AUDITORIUM THEATER 70 £.CONGRESS CHICAGO Tanglewood, 1946) PROGRAM SCHEDULE 9 PM BRAHMS Variations & Fugue on a Theme of Handel, Op. 24 - Gary Graffman, p (Col MS 7276) I STRAUSS Ein Heldcnlcben, Op. 40 - 97.1 fm December, 1970 London Sym/Sir John Barbirolli (Ang S 36764) 10: 15 HINDEMITH Viola Concerto ("Der Schwancndreher")-Raphael Hillyer, va; Japan Phil/Akeo Watanabe (None H 71239) BARBER Medea's Meditation& Dance of Vengeanee, Op. 23a - BostonSym/Charles WNIB Program Schedule is published by Radio station WNIB, 25 East Chestnut, Munch (RCA 2190) Chicago, Illinois 60611. Phone: 337-5252. SUbscription rates: one year $5. 00; two years $9. 00; three years $12. 00. WEDNESDAY 2 10 AM RAVEL "Daphnis & Chloe" Ballet - New Philh & Ambrosi.an Singers/Rafael Frueh COVER: "Kiosque l'Evide" by Jean Dubuffet. A monument (41-3/8" x 39-1/8" beck de Burgos (Ang S 36471) x 31-1/2") from the "Edifices and Monuments by Jean Dubuffet" exhibition at the Art Institute of Chicago through January 1971. -
Broadway's My Beat Naming Standard
Broadway’s My Beat Anthology Broadway Is My Beat ..................................................................................................................... 1 From Wikipedia, the free encyclopedia .......................................................................................... 1 Broadway Is My Beat Special Edition ............................................................................................ 2 eBay Offering: The other "Beat" .................................................................................................... 2 Pre-emptive Events: ........................................................................................................................ 3 Radios Census ................................................................................................................................. 3 "Broadway is My Beat" Streeter Click .......................................................................................... 3 OLD RADIO TIMES ...................................................................................................................... 4 Broadway's My Beat Cast and Crew .............................................................................................. 5 From Times Square to Columbus Circle ........................................................................................ 6 Broadway Is My Beat From Wikipedia, the free encyclopedia Anthony Ross as Detective Danny Clover in Broadway Is My Beat Broadway Is My Beat, a radio crime drama, ran on CBS from February -
Program Notes | Amahl and the Night Visitors
23 Season 2018-2019 Thursday, December 13, at 7:30 The Philadelphia Orchestra Saturday, December 15, at 8:00 Bramwell Tovey Conductor and Narrator Dante Michael DiMaio Boy Soprano (Amahl) Renée Tatum Mezzo-soprano (His Mother) Andrew Stenson Tenor (King Kaspar) Brandon Cedel Bass-baritone (King Melchior) David Leigh Bass (King Balthazar) Kirby Traylor Bass (The Page) Philadelphia Symphonic Choir (Shepherds and Villagers) Amanda Quist Director Omer Ben Seadia Stage Director Walton Crown Imperial (Coronation March) Britten The Young Person’s Guide to the Orchestra, Op. 34 Intermission Menotti Amahl and the Night Visitors First complete Philadelphia Orchestra performances Ryan Howell, designer Chris Frey, lighting desig This program runs approximately 1 hour, 45 minutes. These concerts are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. The December 15 concert is sponsored by Medcomp. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. PO Book 16_Home.indd 23 12/7/18 10:35 AM 24 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in the world, to discover new and The Orchestra’s award- renowned for its distinctive inventive ways to nurture winning Collaborative sound, desired for its its relationship with its Learning programs engage keen ability to capture the loyal patrons at its home over 50,000 students, hearts and imaginations of in the Kimmel Center, families, and community audiences, and admired for and also with those who members through programs a legacy of imagination and enjoy the Orchestra’s area such as PlayINs, side-by- innovation on and off the performances at the Mann sides, PopUP concerts, concert stage. -
Dragnet Anthology Document.Pdf
Dragnet Anthology Table of Contents Dragnet in a sentence .......................................................................................................................................... 1 The search for Premier missing episodes, 3/16/07: ............................................................................................ 2 Great Link to Music Origins ............................................................................................................................... 2 Newspaper Posting, Thursday, July 7, 1949 ....................................................................................................... 2 Dragnet TV Series 1951 through 2003 ............................................................................................................... 3 Dragnet (1951) .................................................................................................................................................... 3 Dragnet (1967) .................................................................................................................................................... 4 MCA Logo for Dragnet Movie ........................................................................................................................... 4 Dragnet (1989) .................................................................................................................................................... 5 L.A. Dragnet ......................................................................................................................................................