Architect Victoria Summer 2003
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National Architecture Award Winners 1981 – 2019
NATIONAL ARCHITECTURE AWARDS WINNERS 1981 - 2019 AUSTRALIAN INSTITUTE OF ARCHITECTS NATIONAL ARCHITECTURE AWARD WINNERS 1 of 81 2019 NATIONAL ARCHITECTURE AWARDS COLORBOND® Award for Steel Architecture Yagan Square (WA) The COLORBOND® Award for Steel Architecture Lyons in collaboration with Iredale Pedersen Hook and landscape architects ASPECT Studios COMMERCIAL ARCHITECTURE Dangrove (NSW) The Harry Seidler Award for Commercial Architecture Tzannes Paramount House Hotel (NSW) National Award for Commercial Architecture Breathe Architecture Private Women’s Club (VIC) National Award for Commercial Architecture Kerstin Thompson Architects EDUCATIONAL ARCHITECTURE Our Lady of the Assumption Catholic Primary School (NSW) The Daryl Jackson Award for Educational Architecture BVN Braemar College Stage 1, Middle School National Award for Educational Architecture Hayball Adelaide Botanic High School (SA) National Commendation for Educational Architecture Cox Architecture and DesignInc QUT Creative Industries Precinct 2 (QLD) National Commendation for Educational Architecture KIRK and HASSELL (Architects in Association) ENDURING ARCHITECTURE Sails in the Desert (NT) National Award for Enduring Architecture Cox Architecture HERITAGE Premier Mill Hotel (WA) The Lachlan Macquarie Award for Heritage Spaceagency architects Paramount House Hotel (NSW) National Award for Heritage Breathe Architecture Flinders Street Station Façade Strengthening & Conservation National Commendation for Heritage (VIC) Lovell Chen Sacred Heart Building Abbotsford Convent Foundation -
Company Profile Education
COMPANY PROFILE EDUCATION Marshall Day Acoustics - Education 1 WHO IS MARSHALL DAY ACOUSTICS? Marshall Day Acoustics is one of the world’s leading firms of acoustic consultants, providing the highest standard of architectural and environmental acoustic consulting to our clients. For over 30 years, we have been providing innovative acoustic designs on major projects in over 15 countries and employ over 85 professional staff in offices in Australia, New Zealand, China, Hong Kong, and France. As one of the largest acoustic engineering firms worldwide, we are able to provide our clients with the greatest range and depth of experience and expertise available. Our strength in acoustic design comes from the diversity of our team members who have been drawn from engineering, architectural, musical and academic backgrounds, with one common focus; to provide innovative acoustic designs of the highest standard. From concert halls to wind farms and everything in between, we have experts in every field of acoustics who have the specialist knowledge required to deliver quality project outcomes. “I regard the acoustic designs of Marshall Day Acoustics to be amongst the finest and probably the most innovative in the world” Dr Anders Gade, Associate Professor Technical University of Denmark Marshall Day Acoustics - Education 3 A COLLABORATIVE APPROACH We have a collaborative approach to design and work as part of an integrated team with the client, architect and other consultants. We do not specify acoustic performance that “must” be achieved but instead we work with the project team to develop acoustic criteria and treatment that meets the desired project outcomes, whatever they may be. -
Porcelanosa Lifestyle Magazine 26
lifestylePORCELANOSA ISSUE NO. 26 / 5 EUROS RAMÓN ESTEVE COOL MEDITERRANEAN CLEAR LINES LWA, NORDIC THOUGHT IN THE WORLD EIGHT BIG BRANDS THE 22ND INTERNACIONAL EXHIBITION BY PORCELANOSA GROUP KELLY HOPPEN DESIGN AS ONE OF THE FINE ARTS CARLOS JIMÉNEZ SENSIBLE ELEGANCE 8TH ARCHITECTURE AND INTERIOR DESIGN PRIZES 2015 BY PORCELANOSA GROUP COVER PHOTO: Private swimming pool of one of the villas at the Maalifushi by COMO resort, Maldives. lifestylePORCELANOSA EDITORIAL BOARD Cristina Colonques Francisco Peris EDITORIAL Félix Balado PUBLISHER Ediciones Condé Nast S.A. MANAGING EDITOR Great expectations Sandra del Río ART & DESIGN DIRECTOR Vital R. García Tardn Porcelanosa Group closed its 8th Architecture and Interior TRANSLATORS Design Prizes as a benchmark company in the sector. On a Paloma Gil (English) Geneviève Naud (French) night lit up by the talent of architects and interior designers, Lionbridge (Russian / Polish) Asia Idiomas (Chinese) this project, showcasing eight iconic brands, was consolidated Pichamonch Pintola (Thai) as they managed to surpass their own quality and standards of COPY EDITOR Monique Fuller (English) technology for yet another year. The moving words of Belén COORDINATION Moneo – who was among the prize winners – called for Marta Sahelices (Project Coordinator) Andrea Morán (Print Edition) passion, creativity and the growing involvement of women in Marisa Santamaría and Gema Monroy (Features) the world of architecture. PHOTOGRAPHERS Eight brands showed their best new products at Porcelanosa Esmeralda Álvarez nd PRODUCTION Group’s 22 International Exhibition: an unmissable event Francisco Morote (Director) Rosana Vicente that has made Villarreal the sector’s operational hub, with Juan Ignacio Bocos professionals, artists, designers and businesspeople from all Fernando Bohúa RESEARCH over the world. -
Modern Movement Architecture in Central Sydney Heritage Study Review Modern Movement Architecture in Central Sydney Heritage Study Review
Attachment B Modern Movement Architecture in Central Sydney Heritage Study Review Modern Movement Architecture in Central Sydney Heritage Study Review Prepared for City of Sydney Issue C x January 2018 Project number 13 0581 Modern Movement in Central Sydney x Heritage Study Review EXECUTIVE SUMMARY This study was undertaken to provide a contextual framework to improve understanding post World War II and Modern Movement architecture and places in Central Sydney, which is a significant and integral component of its architectural heritage. Findings x The study period (1945-1975) was an exciting and challenging era that determined much of the present physical form of Central Sydney and resulted in outstanding architectural and civic accomplishments. x There were an unprecedented number of development projects undertaken during the study period, which resulted in fundamental changes to the physical fabric and character of Central Sydney. x The buildings are an historical record of the changing role of Australia in an international context and Sydney’s new-found role as a major world financial centre. Surviving buildings provide crucial evidence of the economic and social circumstances of the study period. x Surviving buildings record the adaptation of the Modern Movement to local conditions, distinguishing them from Modern Movement buildings in other parts of the world. x The overwhelming preponderance of office buildings, which distinguishes Central Sydney from all other parts of NSW, is offset by the presence of other building typologies such as churches, community buildings and cultural institutions. These often demonstrate architectural accomplishment. x The triumph of humane and rational urban planning can be seen in the creation of pedestrian- friendly areas and civic spaces of great accomplishment such as Australia Square, Martin Place and Sydney Square. -
1956 Olympic Swimming and Diving Stadium Nomination for Engineering Heritage Nomination 2
1 Engineering Heritage Victoria Nomination for Recognition Engineering Heritage Australia Recognition Program 1956 Olympic Swimming & Diving Stadium July 2016 1956 Olympic Swimming and Diving Stadium Nomination for Engineering Heritage Nomination 2 CAPTION FOR COVER PHOTOGRAPH This shows the North West Elevation of the Stadium as completed in 1956 Photo: Wolfgang Sievers (State Library of Victoria picture collection) 1956 Olympic Swimming and Diving Stadium Nomination for Engineering Heritage Nomination 3 Table of Contents 1.0 Introduction………………………………………......................................................5-7 2.0 Heritage Assessment .....……… ………….....................................................................7 2.1 Basic Data............................................................................................................7 2.1.1Item Name.......……………………………………….............................................7 2.1.2 Other/Former Name………………………………………...................................7 2.1. 3 Location………………………………………………………………………..........7 2.1.4 Address……………………………………….......................................................7 2.1.5 Suburb/ Nearest Town.......………………………………………………………...7 2.1.6 State……………………………………………………………………………….7 2.1.7 Local Government Area………………………………………………………..7 2.1.8 Owner……………………………………………………………………………..7 2.1.9 Current Use……………………………………………………………………...7 2.1.10 Former Use……………………………………………………………………..7 2.1.11 Designer………………………………………………………………………...7 2.1.12 Maker/Builder…………………………………………………………………..7 2.1.13 Year Started…………………………………………………………………….7 -
Alastair Hall Swayn 1944–2016 Alastair Swayn, Who Died on 4
Alastair Hall Swayn 1944–2016 Alastair Swayn, who died on 4 August 2016 of brain cancer, left his distinctive mark on Australia’s national capital, Canberra, through his many striking and innovative public and private buildings designed in his role as director of Daryl Jackson Alastair Swayn Architects. As the inaugural Australian Capital Territory Government Architect, Alastair ensured that design and contemporary thinking was at the fore of decision-making in creating Canberra as a small ‘new world city’. As Professorial fellow in Architecture of the University of Canberra he was widely recognised as a distinguished teacher and mentor. The boldness and imaginativeness of his vision are reflected in some of the city’s most distinctive buildings such as the Brindabella Business Park, the Centre for Arab and Islamic Studies at the Australian National University, the Singapore High Commission, and many others. Alastair Hall Swayn was born on 8 December 1944 in the small Scottish coal mining port of Methil in Fife. With its industrial maritime feel, the town marked the start of Alastair’s lifelong love of ships and industrial architecture. In 1948 Alastair and his parents moved to Liverpool, where his father, Frank, managed the British Cunard Line’s laundry service. As a young boy, Alastair would accompany him aboard some of the line’s famous ships such as the Mauretania and Caroni. The Art Deco interiors of these and other luxury liners inspired an abiding interest in the form. At Merchant Taylors, Alastair showed a flair for architectural drawing, and he went on to study architecture at Liverpool Polytech. -
Survey of Post-War Built Heritage in Victoria
SURVEY OF POST-WAR BUILT HERITAGE IN VICTORIA STAGE TWO: Assessment of Community & Administrative Facilities Funeral Parlours, Kindergartens, Exhibition Building, Masonic Centre, Municipal Libraries and Council Offices prepared for HERITAGE VICTORIA 31 May 2010 P O B o x 8 0 1 9 C r o y d o n 3 1 3 6 w w w . b u i l t h e r i t a g e . c o m . a u p h o n e 9 0 1 8 9 3 1 1 group CONTENTS EXECUTIVE SUMMARY 5 1.0 INTRODUCTION 1.1 Project Background 7 1.2 Project Methodology 8 1.3 Study Team 10 1.4 Acknowledgements 10 2.0 HISTORICAL & ARCHITECTURAL CONTEXTS 2.1 Funeral Parlours 11 2.2 Kindergartens 15 2.3 Municipal Libraries 19 2.4 Council Offices 22 3.0 INDIVIDUAL CITATIONS 001 Cemetery & Burial Sites 008 Morgue/Mortuary 27 002 Community Facilities 010 Childcare Facility 35 015 Exhibition Building 55 021 Masonic Hall 59 026 Library 63 769 Hall – Club/Social 83 008 Administration 164 Council Chambers 85 APPENDIX Biographical Data on Architects & Firms 131 S U R V E Y O F P O S T - W A R B U I L T H E R I T A G E I N V I C T O R I A : S T A G E T W O 3 4 S U R V E Y O F P O S T - W A R B U I L T H E R I T A G E I N V I C T O R I A : S T A G E T W O group EXECUTIVE SUMMARY The purpose of this survey was to consider 27 places previously identified in the Survey of Post-War Built Heritage in Victoria, completed by Heritage Alliance in 2008, and to undertake further research, fieldwork and assessment to establish which of these places were worthy of inclusion on the Victorian Heritage Register. -
Break out Your Black Turtle Neck Jumper: It’S Time to Talk About Design
Break out your black turtle neck jumper: it’s time to talk about design ADAM DAVIES, PRINCIPAL 19 September 2017 Some people think design means how it looks. But of course, if you dig “deeper, it’s really how it works. - Steve Jobs, former CEO, Apple For places to be well-used and well-loved, they must be safe, comfortable, varied and attractive. They also need to be distinctive and offer variety, choice and fun - Urban “Design Compendium Randwick Health and Education Super Precinct Positioning Strategy, HASSELL, 2016, Sydney UK Design Renaissance 1999 The majority of new developments remain poorly designed, with public realm and buildings of low“ quality… too many housing projects… lack the core social and commercial institutions that sustain urban life and a sense of place and beauty… The Urban Renaissance Task Force, 1999. CABE COMMISSION FOR ARCHITECTURE AND THE BUILT ENVIRONMENT CABE DESIGN VALUE EXCHANGE VALUE IMAGE VALUE > Book value > Brand awareness > Return on capital > Prestige > Rental Yield > Identity > Design excellence > Public relations SOCIAL VALUE ENVIRONMENTAL > Place making > Sense of community TYPES OF > Environmental impact > Civic pride VALUE > Whole-life-value > Neighbourly behaviour > Ecological footprint > Safety and security > Inclusiveness USER VALUE CULTURAL VALUE > User satisfaction > Contribution the city and society > Teamwork > Relationship to location and context > Productivity > Symbolism > Profitability > Inspiration > Retail footfall > Aesthetics > Educational attainment Design value RETURN ON INVESTMENT -
Australian National University Acton Campus — Site Inventory
Australian National University Acton Campus — Site Inventory Study Item/ Area School of Music Acton Campus Precinct BALDESSIN Precinct Building Nos. & Names 100 (Canberra School of Music), 121 (Peter Karmel Building), 105B (National Institute of the Arts (NITA) (Administration), 123 (Section 16/28, Canberra City) Figure 1: Location of study area within the ANU Acton Campus site. Heritage Ranking School of Music—High—Meets the criteria for Commonwealth Heritage List Peter Karmel Building—Neutral—Does not meet criteria for Commonwealth Heritage List Heritage Listing The School of Music is listed on the Commonwealth Heritage List (CHL). Condition—Date The condition noted here is at December 2011. The extant buildings and trees of the Canberra School of Music continue to be well maintained for academic study and research and are in good condition. Relevant Documentation A (draft) Heritage Management Plan was prepared for the School of Music in 2010 by the ANU Heritage Office. 1 ANU Acton Campus — Site Inventory — School of Music (100, 121, 105b & 123) Australian National University Acton Campus — Site Inventory Context of the Buildings Figure 2: Canberra School of Music in its setting of the Baldessin Figure 3: Canberra School of Music in its setting off Childers Street near Precinct. the School of Art (Building 105). Brief Historical Overview The idea for a school or Conservatorium of Music for Canberra can be traced back to the foundation years of the city. In March 1926 the Secretary of the Federal Capital Commission (FCC) CS Daley wrote to Dr WA Orchard, then Director of the NSW State Conservatorium of Music. -
Outstanding Steel Project Melbourne Sports & Aquatic Centre
14 steel Australia – June 2006 Outstanding steel project Melbourne Sports & Aquatic Centre he Melbourne Sports and Aquatic Centre (MSAC) located north Another major challenge was the number and complexity of west of Albert Park Lake has undergone a major upgrade, stakeholders involved in the project. Major Projects Victoria managed Tenabling it to host swimming, table tennis and squash events for the project for the client, the Department for Victorian Communities. the 2006 Commonwealth Games. The project team, which included Peddle Thorp Architects, consulting engineers Connell Wagner, builders John Holland Group (JHG) and The centrepiece of the upgrade, and the focus during the steel fabricator and detailer Samaras Structural Engineers, also needed Commonwealth Games, is a 52 metre by 25 metre roofed outdoor to liaise with numerous other groups including the Sports Centre, competition pool, a 3,000 seating capacity grandstand which Sport and Recreation Victoria, Albert Park users, public transport incorporates amenities for officials, athletes and spectators, all part of travellers and suppliers, residents and property owners, the Grand Prix the infrastructure legacy for hosting the Commonwealth Games. Thanks Corporation and Parks Victoria. The project team worked in harmony to innovative design, the seating was expanded for the Games and as a close knit group to deliver a project of style and excellence for all retains that expandable capacity for future special events. Other new these stakeholders. facilities include: • new hydrotherapy facilities Design challenges included a restriction on the roof height, spectator • new amenities, function, office and retail space sightline considerations and the need to design a permanent roof • enhanced public transport access structure which was light but had adequate strength capacity to support • a multi-level 300-space car park the significant loads from the temporary roofs. -
Register of Architects & Non Practising Architects
REGISTER OF ARCHITECTS & NON PRACTISING ARCHITECTS Copyright The Board of Architects of Queensland supports and encourages the dissemination and exchange of information. However, copyright protects this document. The Board of Architects of Queensland has no objection to this material being reproduced, made available online or electronically , provided it is for your personal, non-commercial use or use within your organisation; this material remains unaltered and the Board of Architects of Queensland is recognised as the owner. Enquiries should be addressed to: [email protected] Register As At 29 June 2021 In pursuance of the provision of section 102 of Architects Act 2002 the following copy of the Register of Architects and Non Practicing Architects is published for general information. Reg. No. Name Address Bus. Tel. No. Architects 5513 ABAS, Lawrence James Ahmad Gresley Abas 03 9017 4602 292 Victoria Street BRUNSWICK VIC 3056 Australia 4302 ABBETT, Kate Emmaline Wallacebrice Architecture Studio (07) 3129 5719 Suite 1, Level 5 80 Petrie Terrace Brisbane QLD 4000 Australia 5531 ABBOUD, Rana Rita BVN Architecture Pty Ltd 07 3852 2525 L4/ 12 Creek Street BRISBANE QLD 4000 Australia 4524 ABEL, Patricia Grace Elevation Architecture 07 3251 6900 5/3 Montpelier Road NEWSTEAD QLD 4006 Australia 0923 ABERNETHY, Raymond Eric Abernethy & Associates Architects 0409411940 7 Valentine Street TOOWONG QLD 4066 Australia 5224 ABOU MOGHDEB EL DEBES, GHDWoodhead 0403 400 954 Nibraz Jadaan Level 9, 145 Ann Street BRISBANE QLD 4000 Australia 4945 ABRAHAM, -
UQ Centenary Map: Improvement Around and Between Buildings
1910-1949 committee’s desires for the campus these words were well chosen. Effectively the architects had Smith building (administration, arts and law), the first two stories of the Duhlg library, and the Steele 1970 1980 architecture could contribute positive outdoor spaces to the campus, enhancing the relationship founding Hennessy Hennessy & Co plan. New thinking was required in facing up to a looming problem. NOTES dispensed with the strict quadrangle form favoured by the committee and replaced It with a grander building (chemistry) were the only buildings whose construction was completed at the opening. Two between buildings, their users and the campus landscape, The first project was the Therapies and The university sought further sites to develop on a campus that was already seen as filling up with 1 Pay! Venable Turner, Campus: An American Planning Tradition (Cambridge. Mass.: MIT Press, 1984). 167 \ 2 Malcolm CREATING THE GREAT COURT: The architectural and urban centerpiece of the St Lucia Campus - By the end of the 1960s, the perceived lack of space and the Increasing amount of vehicle traffic Through the 1980s the numbers of students attending university steadily grew and UQ continued its I Thornis, A Place of Light & Learning; The University of Queensland's First Seventy-Five Years (St. Lucia: University of Anatomy Building Stage 3. What might seem a relatively modest proposal today was actually a buildings. How could the university effectively plan for the development of its land without adversely UQ’s famous Great Court - clearly defines the University as a place. Its enclosing space makes a more open space.