Open Field, Open Street, Open Choice: John Andrews
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NON-STATUTORY BACKGROUND INFORMATION for UNIVERSITY of CANBERRA, STUDENT RESIDENCE GROUP 2
NON-STATUTORY BACKGROUND INFORMATION For UNIVERSITY OF CANBERRA, STUDENT RESIDENCE GROUP 2 As of 14 July 2008 IDENTIFICATION OF THE PLACE • University of Canberra Student Residence Group 2, Block 1, Section 3, Suburb of Bruce, ACT. Within this block, the area under provisional registration includes a 6m curtiledge to the west and south of the Residence Group 2 block building, extending along the southern border to within 6m of the buildings of the Residence Group 1 block and incorporating the parklands between Residence blocks 1 and 2. The northern boundary of the registered area is marked by the southern edge of the footpath extending through to the main campus. HISTORY OF THE PLACE The University of Canberra Student Residence Group 2 was designed by John Andrews International in 1973-74, for the Canberra College of Advanced Education (CCAE), construction being completed in 1975.1 The CCAE became the University of Canberra in 1990. Colleges of Advanced Education were a new type of tertiary level education that emerged in Australia in the 1960s to provide vocational training and be equivalent to universities in stature although different in kind. By 1970 the Canberra College of Advanced Education was established with Dr Sam Richardson as the first Principal and a site in the Belconnen suburb of Bruce, dedicated on 28 October 1968 by the Prime Minister John Gorton. The development of the CCAE also coincided with the introduction of free tertiary education by the Federal Labor Government under Prime Minister Gough Whitlam 1972-1975 that also provided extensive funds for the initiative. Hassell, McConnell and Partners were engaged as architect planners by the National Capital Development Commission (NCDC) with Professor Gordon Stephenson of the University of Western Australia as master-planning adviser to the College. -
National Architecture Award Winners 1981 – 2019
NATIONAL ARCHITECTURE AWARDS WINNERS 1981 - 2019 AUSTRALIAN INSTITUTE OF ARCHITECTS NATIONAL ARCHITECTURE AWARD WINNERS 1 of 81 2019 NATIONAL ARCHITECTURE AWARDS COLORBOND® Award for Steel Architecture Yagan Square (WA) The COLORBOND® Award for Steel Architecture Lyons in collaboration with Iredale Pedersen Hook and landscape architects ASPECT Studios COMMERCIAL ARCHITECTURE Dangrove (NSW) The Harry Seidler Award for Commercial Architecture Tzannes Paramount House Hotel (NSW) National Award for Commercial Architecture Breathe Architecture Private Women’s Club (VIC) National Award for Commercial Architecture Kerstin Thompson Architects EDUCATIONAL ARCHITECTURE Our Lady of the Assumption Catholic Primary School (NSW) The Daryl Jackson Award for Educational Architecture BVN Braemar College Stage 1, Middle School National Award for Educational Architecture Hayball Adelaide Botanic High School (SA) National Commendation for Educational Architecture Cox Architecture and DesignInc QUT Creative Industries Precinct 2 (QLD) National Commendation for Educational Architecture KIRK and HASSELL (Architects in Association) ENDURING ARCHITECTURE Sails in the Desert (NT) National Award for Enduring Architecture Cox Architecture HERITAGE Premier Mill Hotel (WA) The Lachlan Macquarie Award for Heritage Spaceagency architects Paramount House Hotel (NSW) National Award for Heritage Breathe Architecture Flinders Street Station Façade Strengthening & Conservation National Commendation for Heritage (VIC) Lovell Chen Sacred Heart Building Abbotsford Convent Foundation -
Company Profile Education
COMPANY PROFILE EDUCATION Marshall Day Acoustics - Education 1 WHO IS MARSHALL DAY ACOUSTICS? Marshall Day Acoustics is one of the world’s leading firms of acoustic consultants, providing the highest standard of architectural and environmental acoustic consulting to our clients. For over 30 years, we have been providing innovative acoustic designs on major projects in over 15 countries and employ over 85 professional staff in offices in Australia, New Zealand, China, Hong Kong, and France. As one of the largest acoustic engineering firms worldwide, we are able to provide our clients with the greatest range and depth of experience and expertise available. Our strength in acoustic design comes from the diversity of our team members who have been drawn from engineering, architectural, musical and academic backgrounds, with one common focus; to provide innovative acoustic designs of the highest standard. From concert halls to wind farms and everything in between, we have experts in every field of acoustics who have the specialist knowledge required to deliver quality project outcomes. “I regard the acoustic designs of Marshall Day Acoustics to be amongst the finest and probably the most innovative in the world” Dr Anders Gade, Associate Professor Technical University of Denmark Marshall Day Acoustics - Education 3 A COLLABORATIVE APPROACH We have a collaborative approach to design and work as part of an integrated team with the client, architect and other consultants. We do not specify acoustic performance that “must” be achieved but instead we work with the project team to develop acoustic criteria and treatment that meets the desired project outcomes, whatever they may be. -
R101 Cameron Offices RSTCA
Register of Significant Twentieth Century Architecture RSTCA No: R101 Name of Place: Cameron Offices Other/Former Names: Address/Location: Chandler Street BELCONNEN TOWN CENTRE Block Section of Listing Status: Other Heritage Listings: Date of Listing: Level of Significance: Citation Revision No: Category: Citation Revision Date: Style: Date of Design: Designer: Construction Period: Client/Owner/Lessee: Date of Additions: Builder: Statement of Significance The Cameron Offices, located along Chandler Street Belconnen Town Centre, is an example of significant architecture and an educational resource. The office complex is a very good example of the Late Twentieth-Century International Style (1960-) and the Late Twentieth-Century Brutalist Style (1960-). The design incorporates most of the features which are specific to the styles including: Late Twentieth-Century International Style (1960-) cubiform overall shape, structural frame expressed, large sheets of glass, and plain, smooth wall surface. Late Twentieth-Century Brutalist Style (1960-) strong shapes, boldly composed, expressed reinforced-concrete, large areas of blank wall and off-form concrete. The following design features are of additional significance; the precast post tensioned 'T' floor beams with the integration of the lighting and air conditioning, the landscaped courtyards with native Australian plants and water features, the structural system for the office wing's floors where the Gallows beams support the floors by hanging 'columns', the stepped floors at half levels, overhang of the upper floors for shading to the north, Corbusian (ribbon) window motif, assertive cantilever and lengthy expressed reinforced concrete balustrades along the 'Mall'. The office complex is Canberra's, and it appears Australia's, first and possibly only true architectural example of "Structuralism" where buildings are integral and contributing elements of an overall urban order rather than separate and individual elements. -
Structuralism (Architecture) - Wikipedia, the Free Encyclopedia Page 1 of 6
Structuralism (architecture) - Wikipedia, the free encyclopedia Page 1 of 6 Structuralism (architecture) From Wikipedia, the free encyclopedia Structuralism as a movement in architecture and urban planning evolved around the middle of the 20th century. It was a reaction to CIAM-Functionalism (Rationalism), which had led to a lifeless expression of urban planning that ignored the identity of the inhabitants and urban forms. Two different manifestations of Structuralist architecture exist. Sometimes these occur in combination with each other. On the one hand, there is the Aesthetics of Number, formulated by Aldo van Eyck in 1959. This concept can be compared to cellular tissue. The "Aesthetics of Number" can also be described as "Spatial Configurations in Architecture". European Space Centre ESTEC in Noordwijk, restaurant conference-hall On the other hand, there is the Architecture of Lively library, 1989 (Aldo van Eyck and Hannie Variety (Structure and Coincidence), formulated by van Eyck) John Habraken in 1961. This second concept is related to user participation in housing. The "Architecture of Lively Variety" can also be called "Architecture of Diversity" or "Pluralistic Architecture". Structuralism in a general sense is a mode of thought of the 20th century, which came about in different places, at different times and in different fields. It can also be found in linguistics, anthropology, philosophy and art. Contents ■ 1 Origins ■ 2 Manifesto ■ 3 Otterlo Congress, Participants ■ 4 Theoretical Origins ■ 5 Housing Estates, Buildings and Projects ■ 6 Bibliography ■ 7 Further Configurations in Architecture and Urbanism ■ 8 Amsterdam, Barcelona, Manhattan and Venice Origins Structuralism in architecture and urban planning had its origins in the Congrès International d'Architecture Moderne (CIAM) after World War II. -
John Andrews (1933- )
JOHN ANDREWS (1933- ) Australia’s most internationally significant architect, John Hamilton Andrews was born in Sydney and educated at North Sydney Boys’ High School, Sydney University (B Arch. 1951-6) and Harvard University (M Arch. 1957) under José Luis Sert. His 1958 competition design for Toronto City Hall earned him a position with John B. Parkin in Toronto. In 1961 he travelled extensively through Europe, Russia and the Middle East to India, then established his highly regarded practice John Andrews Architects, in Toronto. The following year he was appointed assistant professor at the University of Toronto, then became a full professor and chairman of the School of Architecture from 1967 to 1969. Much university work followed, including student residences for the new University of Guelph (1965) and Brock University, Ontario (1967); Scarborough College, University of Toronto (1966); Weldon Library for the University of Western Ontario (1967); Smith College Art Complex, Northampton, Massachusetts (1968) and the School of Art, Kent State University, Ohio (1970). The most prestigious project was Gund Hall for Harvard University (1968). He also designed the Miami Seaport Passenger Terminal (1967) and the Canadian National Tower (1970) in Toronto, the world’s tallest freestanding structure. Andrews was invited in 1969 by Sir John Overall, head of the NCDC, to return to Australia to design the Cameron Offices, which he agreed to do. He had married in 1958 and his desire to have his four sons grow up in Australia was a major factor in his decision to return. Andrews renamed his firm, based in Palm Beach, Sydney, John Andrews International. -
Alastair Hall Swayn 1944–2016 Alastair Swayn, Who Died on 4
Alastair Hall Swayn 1944–2016 Alastair Swayn, who died on 4 August 2016 of brain cancer, left his distinctive mark on Australia’s national capital, Canberra, through his many striking and innovative public and private buildings designed in his role as director of Daryl Jackson Alastair Swayn Architects. As the inaugural Australian Capital Territory Government Architect, Alastair ensured that design and contemporary thinking was at the fore of decision-making in creating Canberra as a small ‘new world city’. As Professorial fellow in Architecture of the University of Canberra he was widely recognised as a distinguished teacher and mentor. The boldness and imaginativeness of his vision are reflected in some of the city’s most distinctive buildings such as the Brindabella Business Park, the Centre for Arab and Islamic Studies at the Australian National University, the Singapore High Commission, and many others. Alastair Hall Swayn was born on 8 December 1944 in the small Scottish coal mining port of Methil in Fife. With its industrial maritime feel, the town marked the start of Alastair’s lifelong love of ships and industrial architecture. In 1948 Alastair and his parents moved to Liverpool, where his father, Frank, managed the British Cunard Line’s laundry service. As a young boy, Alastair would accompany him aboard some of the line’s famous ships such as the Mauretania and Caroni. The Art Deco interiors of these and other luxury liners inspired an abiding interest in the form. At Merchant Taylors, Alastair showed a flair for architectural drawing, and he went on to study architecture at Liverpool Polytech. -
Downloads/2003 Essay.Pdf, Accessed November 2012
UCLA UCLA Electronic Theses and Dissertations Title Nation Building in Kuwait 1961–1991 Permalink https://escholarship.org/uc/item/91b0909n Author Alomaim, Anas Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Nation Building in Kuwait 1961–1991 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Anas Alomaim 2016 © Copyright by Anas Alomaim 2016 ABSTRACT OF THE DISSERTATION Nation Building in Kuwait 1961–1991 by Anas Alomaim Doctor of Philosophy in Architecture University of California, Los Angeles, 2016 Professor Sylvia Lavin, Chair Kuwait started the process of its nation building just few years prior to signing the independence agreement from the British mandate in 1961. Establishing Kuwait’s as modern, democratic, and independent nation, paradoxically, depended on a network of international organizations, foreign consultants, and world-renowned architects to build a series of architectural projects with a hybrid of local and foreign forms and functions to produce a convincing image of Kuwait national autonomy. Kuwait nationalism relied on architecture’s ability, as an art medium, to produce a seamless image of Kuwait as a modern country and led to citing it as one of the most democratic states in the Middle East. The construction of all major projects of Kuwait’s nation building followed a similar path; for example, all mashare’e kubra [major projects] of the state that started early 1960s included particular geometries, monumental forms, and symbolic elements inspired by the vernacular life of Kuwait to establish its legitimacy. -
Break out Your Black Turtle Neck Jumper: It’S Time to Talk About Design
Break out your black turtle neck jumper: it’s time to talk about design ADAM DAVIES, PRINCIPAL 19 September 2017 Some people think design means how it looks. But of course, if you dig “deeper, it’s really how it works. - Steve Jobs, former CEO, Apple For places to be well-used and well-loved, they must be safe, comfortable, varied and attractive. They also need to be distinctive and offer variety, choice and fun - Urban “Design Compendium Randwick Health and Education Super Precinct Positioning Strategy, HASSELL, 2016, Sydney UK Design Renaissance 1999 The majority of new developments remain poorly designed, with public realm and buildings of low“ quality… too many housing projects… lack the core social and commercial institutions that sustain urban life and a sense of place and beauty… The Urban Renaissance Task Force, 1999. CABE COMMISSION FOR ARCHITECTURE AND THE BUILT ENVIRONMENT CABE DESIGN VALUE EXCHANGE VALUE IMAGE VALUE > Book value > Brand awareness > Return on capital > Prestige > Rental Yield > Identity > Design excellence > Public relations SOCIAL VALUE ENVIRONMENTAL > Place making > Sense of community TYPES OF > Environmental impact > Civic pride VALUE > Whole-life-value > Neighbourly behaviour > Ecological footprint > Safety and security > Inclusiveness USER VALUE CULTURAL VALUE > User satisfaction > Contribution the city and society > Teamwork > Relationship to location and context > Productivity > Symbolism > Profitability > Inspiration > Retail footfall > Aesthetics > Educational attainment Design value RETURN ON INVESTMENT -
Lecture Handouts, 2013
Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc. -
BREAKING BARRIERS Giancarlo De Carlo from CIAM to ILAUD Lorenzo
BREAKING BARRIERS Giancarlo De Carlo from CIAM to ILAUD Lorenzo Grieco Università degli Studi di Roma Tor Vergata / University of Rome Tor Vergata, Rome, Italy Abstract After World War II, the inflexibility characterizing the first CIAM congresses soon become unsustainable, provoking the criticism of Team 10, active from 1953 for a reform of the congress. The participated discourse of the group, “considering the characteristics of society and individuals”, would be inherited, years later, by the International Laboratory of Architecture and Urban Design (ILAUD), founded by Giancarlo De Carlo in 1976. The laboratory, together with the magazine Spazio e Società (1978-2001), called back to De Carlo’s operative militancy in Team 10, expressing a brand-new approach to urban studies. As De Carlo himself affirmed: “Some messages of Team 10 have been gathered in ILAUD […] but ILAUD and Team 10 are different things”. Indeed, the laboratory strongly pushed on the dimension of the project and on the students’ collective contribution. The project was no more an end point but became the tool through which every possible solution to the problem could be tested. Courses at ILAUD were given by international professionals like Aldo Van Eyck, Peter Smithson, Renzo Piano, Sverre Fehn and Balkrishna Vithaldas Doshi, some already in Team 10. The laboratory formed many young students, and several would have become internationally-recognized professionals -e.g. Eric Miralles, Carme Pinos, Santiago Calatrava, Mario Cucinella-. The paper wants to consider the contribution of ILAUD to urban studies and didactics through the examination of the rich material (annual publications, posters, projects, photos, etc.) collected in the archive of the Biblioteca Poletti in Modena. -
Australian National University Acton Campus — Site Inventory
Australian National University Acton Campus — Site Inventory Study Item/ Area School of Music Acton Campus Precinct BALDESSIN Precinct Building Nos. & Names 100 (Canberra School of Music), 121 (Peter Karmel Building), 105B (National Institute of the Arts (NITA) (Administration), 123 (Section 16/28, Canberra City) Figure 1: Location of study area within the ANU Acton Campus site. Heritage Ranking School of Music—High—Meets the criteria for Commonwealth Heritage List Peter Karmel Building—Neutral—Does not meet criteria for Commonwealth Heritage List Heritage Listing The School of Music is listed on the Commonwealth Heritage List (CHL). Condition—Date The condition noted here is at December 2011. The extant buildings and trees of the Canberra School of Music continue to be well maintained for academic study and research and are in good condition. Relevant Documentation A (draft) Heritage Management Plan was prepared for the School of Music in 2010 by the ANU Heritage Office. 1 ANU Acton Campus — Site Inventory — School of Music (100, 121, 105b & 123) Australian National University Acton Campus — Site Inventory Context of the Buildings Figure 2: Canberra School of Music in its setting of the Baldessin Figure 3: Canberra School of Music in its setting off Childers Street near Precinct. the School of Art (Building 105). Brief Historical Overview The idea for a school or Conservatorium of Music for Canberra can be traced back to the foundation years of the city. In March 1926 the Secretary of the Federal Capital Commission (FCC) CS Daley wrote to Dr WA Orchard, then Director of the NSW State Conservatorium of Music.