DOCSLIB.ORG

On Yer Heade Handout

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
On Yer Heade Handout On Yer Heade 1 On Yer Heade Period Head Coverings Or alternately, What Hat Goes with My Outfit? THL Esperanza de Navarra mka Josie Sewell e-mail [email protected] https://ManiacalMedievalist.Wordpress.com/ Taught at Seleone 30th Year 2009 For most of the SCA period, head coverings (headwear) was not considered optional by either sex. It’s called interchangeably headwear, headgear, head covering or hats. Unlike today where we wear hats for special occasions or to keep the sun off of our head, head coverings were a part of everyday life, especially for women. You would not step out of your front door without wearing proper headgear. There was a small time (mid-12th century) when it was acceptable for women not to cover their heads, but for the most part through the ages all older or married women covered their heads. What was the purpose? Modesty: There are even a few cultures today which require their people to cover their heads outside of their home. Lack of hygiene: Their hair was as hard to tame as ours can be. Imagine trying to fix your hair if it is really long and hasn’t been washed for weeks or months. Sticking it all in a hat seems sensible. Identification: Headwear gave clues to class and occupation. Different classes of people wore different kinds of head coverings. In later period, sumptuary laws were made forbidding lower classes to wear the same head covering that the aristocracy wore. When in doubt: For male, wear a coif. If early period, women can too. For female, wear a veil THL Esperanza de Navarra [email protected] On Yer Heade 2 Early Period Male and Female A rectangle of cloth, folded in half. Point in back can be curved or left pointy. Ties partly up front sided Not terribly sure, but it is guessed that the color was white or unbleached linen. Female Male THL Esperanza de Navarra [email protected] On Yer Heade 3 th 12 Century Female There was a short time period where women had the option of not wearing a head covering. Starting around 1125, some women began to appear in public with their head uncovered. Their hair, however was not loose, but parted down middle and plaited (braided) in various ways. By the late 12th century, women were back to covering their heads. The head-rail was simplified to become the simple veil Male Coif The coif is still around, but it is now more form fitting. It’s also higher in the back than it is at the ear area. Straps can still be thin or wider. The coif can be worn by itself. Closed Hoods THL Esperanza de Navarra [email protected] On Yer Heade 4 Simple hoods began showing up at this time. Closed fron at the chest (no buttons), so it needed to be loose enough to slip over the head. The hood, at this time, covered the shoulders and had no tail. The colors could be about anything, although red was common. You also see decorations the hoods – this one has a contrasting front and bottom edge. Combination The coif and the hood could be worn together. It’s not definite if a coif was always worn under the hood, but combining them is not uncommon. The Phrygian cap is still around. The point at the top can also be less floppy at this time. The basic cap is also still here. It’s a bit shorter and has a more defined band around the edge. th 13 Century Female Veil The simple veil can still be seen, but mostly on the peasants. Hats for women became more complex this century. THL Esperanza de Navarra [email protected] On Yer Heade 5 Many of the complex headgear was made using the barbette and fillet. Barbette: a band of cloth that goes around the head and under the chin. It could be thin (~1”) or a wide band. Fillet (aka coffee filter hat) was like a fabric crown. It could be tall or short. The barbette and fillet are often seen together, but they can be worn in some styles separately. T Cap Possibly the most comfortable 13th century headgear for women is the cap: It’s like a loose coif with one long continuous strap attached at the front bottom edge. The strap is then looped twice around the head to hold it in place. THL Esperanza de Navarra [email protected] On Yer Heade 6 Male: Coif The coif is still around. One difference is that it is no longer a rectangle folded, sewn up the back and then shaped. You can see a center seam indicating that it is now two separate pieces sewn together. It can still be worn by itself or under a hood or hat Hoods: The hood is starting to evolve in what will later be know as the liripipe. But for now, it only has a small tail or tippet. It can still be a loose hood that slips on over the head or it can made more form fitting by using buttons down the front, such as the one to the left. Straw Hats Hats not made with fabric are starting to be seen, although mostly by the lower classes of people. th 14 century Female Veil The simple veil is still around. Often held down by a circlet. The barbette and fillet are still here too. They can be seen together with nothing else. They can also be combined with other head coverings. Templars are braids worn in coils. They can be simple, like the figure to the left. They can worn with a veil. They can also become quite complex being wrapped in ribbon or metal or encases in tubes. THL Esperanza de Navarra [email protected] On Yer Heade 7 Hoods In the 14th century, we start to see women wearing hoods too. These are open hoods – not closed under the chin. Male Coif The coif is still around. It’s often worn under other hats. THL Esperanza de Navarra [email protected] On Yer Heade 8 Hood: Liripipe The hood has evolved. It now has a long tail and is often more decorative than it used to be. It’s uncommon for the liripipes to be lined with a contrasting color. Felt Hats Cap Now we’ve come full circle with the simple cap with a band around the bottom THL Esperanza de Navarra [email protected].
Load more

Recommended publications
  • Group Kit Contents
    GROUP KIT CONTENTS PAGE INFORMATION 2 GENERAL INFORMATION 3 ROOMS 5 RESTAURANTS 11 BARS & DISCOTHEQUE 12 ENTERTAINMENTS AND SPORTS 15 KIDS CLUB 16 GROUP INFORMATION 28 EXCURSIONS 29 DIVING 31 CONTACT US 1 GENERAL INFORMATION VIVA WYNDHAM DOMINICUS BEACH & VIVA WYNDHAM DOMINICUS PALACE QUICK REFERENCE GUIDE Viva Wyndham Dominicus Beach & Viva Wyndham Dominicus Palace Bayahibe , La Romana , Republica Dominicana. Tel.: (809) 6865658 • Fax: (809) 686-5750, (809) 687-8583, (809) 2216805 Email: [email protected] www.vivaresorts.com LOCATION On the southeast coast of the Dominican Republic, facing the gorgeous island of Saona and Catalina. 72 Miles / 115 km, from Las Americas International Airport (approx. 1 hr. 40 min. drive), 62 Miles /100 km, from Punta Cana Airport (approx. 1 hr. 15 min. drive), 11 Miles /18 km, from La Romana International Airport /own (approx. 15 min. drive, 25 min.from La Romana. Voltage 110. The island of La Hispaniola was discovered by Christopher Columbus on December 5, 1492. Which is located in the Center of the Caribbean Sea. It is the second largest of the Greater Antilles, Cuba being the largest. The Island is shared by two nations: The Republic of Haiti and the Dominican Republic.The country has seven airports: Las Américas International and Herrera in Santo Domingo; Punta Aguila and Punta Cana in the Eastern regions; María Montez in Barahona; Gregorio Luperon, Puerto Plata and Del Cibao, in Santiago de los Caballeros. The Main roads that begin in the city of Santo Domingo and conect the entire country are: the Duarte highway towards the South and Southwest regions and Las Américas highway, uniting Santo Domingo with the Southeast.
    [Show full text]
  • Smart Moves Smart
    Page 1 Thursday s FASHION: s REVIEWS: MEDIA: The s EYE: Partying collections/fall ’09 Michael Kors, Getting ready diversity with Giorgio Narciso for the $380 quotient Armani, Rodriguez million Yves rises on Leonardo and more, Saint Laurent the New DiCaprio, the pages art auction, York Rodarte sisters 6 to 14. page 16. runways, and more, NEW page 3. page 4. YORKWomen’s Wear Daily • The Retailers’ Daily Newspaper • February 19, 2009 • $3.00 WSportswear/Men’swDTHURSdAY Smart Moves It was ultrachic coming and going in Oscar de la Renta’s fall collection, a lineup that should delight his core customers. The look was decidedly dressed up, with plenty of citified polish. It was even set off by Judy Peabody hair, as shown by the duo here, wearing a tailored dress with a fur necklet and a fur vest over a striped skirt. For more on the season, see pages 6 to 14. Red-Carpet Economics: Oscars’ Party Goes On, Played in a Lower Key By Marcy Medina LOS ANGELES — From Sharon Stone to Ginnifer Goodwin, the 40-person table beneath the stone colonnade at the Chateau Marmont here was filled with Champagne-drinking stars. It appeared to be business as usual for Dior Beauty, back to host its sixth annual Oscar week dinner on Tuesday night. With the worldwide economy in turmoil, glamour lives in the run-up to Hollywood’s annual Academy Awards extravaganza on Sunday night, but brands are finding ways to save a buck: staging a cocktail party instead of a dinner, flying in fewer staffers or cutting back on or eliminating gift suites.
    [Show full text]
  • Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries
    Roman Armour Chain Mail Armour Transitional Armour Plate Mail Armour Milanese Armour Gothic Armour Maximilian Armour Greenwich Armour Armour Diagrams Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries. Replaced old chain mail armour. Made up of dozens of small metal plates, and held together by leather laces. Lorica Segmentata Page 1 100AD - 400AD Worn by Roman Officers as protection for the lower legs and knees. Attached to legs by leather straps. Roman Greaves Page 1 ?BC - 400AD Used by Roman Legionaries. Handle is located behind the metal boss, which is in the centre of the shield. The boss protected the legionaries hand. Made from several wooden planks stuck together. Could be red or blue. Roman Shield Page 1 100AD - 400AD Worn by Roman Legionaries. Includes cheek pieces and neck protection. Iron helmet replaced old bronze helmet. Plume made of Hoarse hair. Roman Helmet Page 1 100AD - 400AD Soldier on left is wearing old chain mail and bronze helmet. Soldiers on right wear newer iron helmets and Lorica Segmentata. All soldiers carry shields and gladias’. Roman Legionaries Page 1 400BC - 400AD Used as primary weapon by most Roman soldiers. Was used as a thrusting weapon rather than a slashing weapon Roman Gladias Page 1 400BC - 400AD Worn by Roman Officers. Decorations depict muscles of the body. Made out of a single sheet of metal, and beaten while still hot into shape Roman Cuiruss Page 1 ?- 400AD Chain Mail Armour Page 2 400BC - 1600AD Worn by Vikings, Normans, Saxons and most other West European civilizations of the time.
    [Show full text]
  • "Flemish" Hats Or, Why Are You Wearing a Lampshade? by BRIDGET WALKER
    Intro to Late Period "Flemish" Hats Or, Why Are You Wearing a Lampshade? BY BRIDGET WALKER An Allegory of Autumn by Lucas Van Valkenborch Grietje Pietersdr Codde by Adriaen (1535-1597) Thomasz. Key, 1586 Where Are We Again? This is the coast of modern day Belgium and The Netherlands, with the east coast of England included for scale. According to Fynes Moryson, an Englishman traveling through the area in the 1590s, the cities of Bruges and Ghent are in Flanders, the city of Antwerp belongs to the Dutchy of the Brabant, and the city of Amsterdam is in South Holland. However, he explains, Ghent and Bruges were the major trading centers in the early 1500s. Consequently, foreigners often refer to the entire area as "Flemish". Antwerp is approximately fifty miles from Bruges and a hundred miles from Amsterdam. Hairstyles The Cook by PieterAertsen, 1559 Market Scene by Pieter Aertsen Upper class women rarely have their portraits painted without their headdresses. Luckily, Antwerp's many genre paintings can give us a clue. The hair is put up in what is most likely a form of hair taping. In the example on the left, the braids might be simply wrapped around the head. However, the woman on the right has her braids too far back for that. They must be sewn or pinned on. The hair at the front is occasionally padded in rolls out over the temples, but is much more likely to remain close to the head. At the end of the 1600s, when the French and English often dressed the hair over the forehead, the ladies of the Netherlands continued to pull their hair back smoothly.
    [Show full text]
  • Costume Crafts an Exploration Through Production Experience Michelle L
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love.
    [Show full text]
  • Counsels of Religion
    COUNSELS OF RELIGION Author: Imam Al-Haddad Number of Pages: 280 pages Published Date: 24 Jan 2011 Publisher: Fons Vitae, US Publication Country: Kentucky, United States Language: English ISBN: 9781891785405 DOWNLOAD: COUNSELS OF RELIGION These three matters, in themselves often innocent and not forbidden to the devout Christian , may yet, even when no kind of sin is involved, hold back the soul from its true aim and vocation, and delay it from becoming entirely conformed to the will of God. It is, therefore, the object of the three counsels of perfection to free the soul from these hindrances. The soul may indeed be saved and heaven attained without following the counsels; but that end will be reached more easily and with greater certainty , if the counsels be accepted and the soul does not wholly confine herself to doing that which is definitely commanded. On the other hand, there are, no doubt, individual cases in which it may be actually necessary for a person , owing to particular circumstances, to follow one or more of the counsels, and one may easily conceive a case in which the adoption of the religious life might seem, humanly speaking, the only way in which a particular soul could be saved. Such cases, however, are always of an exceptional character. As there are three great hindrances to the higher life, so also the counsels are three, one to oppose each. The love of riches is opposed by the counsel of poverty; the pleasures of the flesh, even the lawful pleasures of holy matrimony, are excluded by the counsel of chastity; while the desire for worldly power and honour is met by the counsel of holy obedience.
    [Show full text]
  • Hat, Cap, Hood, Mitre
    CHAPTER 1 Headgear: Hat, Cap, Hood, Mitre Introduction down over his shoulders;4 and in Troilus and Criseyde Pandarus urges his niece, a sedate young widow, to Throughout the later Middle Ages (the twelfth to early cast off her face-framing barbe, put down her book and sixteenth centuries), if we are to believe the evidence of dance.5 art, some kind of headgear was worn by both sexes in- In art of the middle medieval period (from about doors and out: at dinner, in church, even in bed. This is the eighth to the eleventh centuries), headgear is less understandable if we consider the lack of efficient heat- well attested. Men are usually depicted bareheaded. ing in medieval buildings, but headgear was much more Women’s heads and necks are wrapped in voluminous than a practical item of dress. It was an immediate mark- coverings, usually depicted as white, so possibly linen is er of role and status. In art, it is possible to distinguish being represented in most cases. There is no clue to the immediately the head of a man from that of woman, as shape of the piece of cloth that makes up this headdress, for example in a fourteenth-century glass panel with a sa- how it is fastened, or whether there is some kind of cap tirical depiction of a winged serpent which has the head beneath it to which it is secured. Occasionally a fillet is of a bishop, in a mitre, and a female head, in barbe* and worn over, and more rarely under, this veil or wimple.
    [Show full text]
  • Clothing Terms from Around the World
    Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat.
    [Show full text]
  • Dress Like a Pilgrim a Procurement Guide by Mayflower Guard
    DRESS LIKE A PILGRIM A Procurement Guide SEPTEMBER 29, 2018 THE MAYFLOWER GUARD General Society of Mayflower Descendants Dress Like a Pilgrim A Procurement Guide By Mayflower Guard As James Baker, noted Pilgrim historian, points out in his recent article in the Mayflower Journal 1 there is a major image problem associated with what clothing and apparel Pilgrims wore. The image of black clothing, buckles and blunderbusses persist in the public mind. To overcome this misperception and to assist in this effort to change public perceptions, the donning of appropriate garments representing what the Pilgrims actually wore should be a major objective for the commemoration of the 1 Baker, James W., Pilgrim Images III, Mayflower Journal Vol. 2, No. 1 [2017], pp 7-19 1 400th anniversary of the arrival of the Mayflower. We the Mayflower descendants need to Dress Like a Pilgrim and wear Pilgrim Appropriate Apparel (PAA). So, what did Pilgrim men and women wear? Fabrics In 17th Century England and in the Netherlands, there were two basic fabrics that were used for clothing, wool and linen. There was combination of wool and linen know has fustian corduroy that was also used, however finding this fabric today is almost impossible. Cotton while available was very rare and very expensive in the early 17th century. Colors We know that the Pilgrims wore a variety of colors in their clothing from probate records where the color of various clothing items were mentioned including the colors violet, blue, green.1,2 The color red was also listed. However, the reds that were used in the early 17th century were more of a brick red and a matter red which is a little more orange in nature than modern reds.
    [Show full text]
  • Tudor Men's Handout
    What the Tudor Men Really Wore Copyright 2006, 2010 Kimiko Small, known in the Society as Joan Silvertoppe. All Rights Reserved. www.kimiko1.com Research and hand drawn sketches created by Kimiko Small, March-April 2006, except where noted. This was originally developed for Margo Anderson's Historical Costume Patterns, and has been modified and updated for use in the Collegium Caidis class on April 10, 2010. Shirts The Low-Necked Shirt The low-necked shirt sketch is based on early Tudor men’s shirts seen in various images. Its style is fading by the early 1530s, although it can be seen here and there. The body is finely pleated into the neckline that would be held by embroidery. For more info on creating this type of shirt, please go to the following yahoogroup: Pleatwork Embroidery ( Smocking) http://groups.yahoo.com/group/pleatwork/ The High-Necked Shirt This shirt is based on an image of Henry VIII in 1536. As can be seen in the detail image of Henry, the shoulder line at the left shows a short shoulder area (about half the shoulder length) with a V where the sleeves are attached. The collar area is most likely finely pleated with decorative stitching to hold the pleats in place ( Posavad, 18), but a collar would be easier for most people to create. The small frill or ruffle, from which the later ruff is derived, tops the shirt collar. This ruffle is optional, as some images do not show a ruffle. The collar is open at center front and is usually closed with 2 shirt strings.
    [Show full text]
  • The Well Dress'd Peasant
    TheThe WWellell DrDress’dess’d Peasant:Peasant: 1616thth CenturCenturyy FlemishFlemish WWorkingwomen’orkingwomen’ss ClothingClothing by Drea Leed The Well-Dress’d Peasant: 16th Century Flemish Workingwoman’s Dress By Drea Leed Costume & Dressmaker Press Trinidad, Colorado ACKNOWLEDGEMENTS The author and publisher wish to thank the following institutions for their help with the color images for the cover and interior color plates. Copyright for these images is retained by them, in accordance with international copyright laws. The images are used with permission. Cover A Marketwoman and Vegetable Stand, by Pieter Aertsen © Bildarchiv Preüssuscher Kulturbesitz Märkishes Ufer 16-18 D-10179 Berlin Germany Inside front cover Harvest Time by Pieter Aertsen and Plates 1, 3 The Pancake Bakery by Pieter Aertsen Harvest Time (A Vegetable and Fruit Stall) by Pieter Aertsen © Museum Boijmans van Beuningen Museumpark 18-20 CX Rotterdam The Netherlands Plate 2 (Centerfold) The Meal Scene (Allegorie van de onvoorzichtigheid) by Joachim Beuckelaer © Koninklijk Museum voor Schone Kunsten Plaatsnijderstraat2, B-2000 Antwerp Belgium © November 2000 by Drea Leed © November 2000 by Costume & Dressmaker Press Published by Costume & Dressmaker Press 606 West Baca Street Trinidad Colorado 81082 USA http://www.costumemag.com All rights reserved. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means - graphic, electronic or mechanical, including scanning, photocopying, recording, taping or information storage
    [Show full text]
  • The Sisters of Charity of St. Joseph1) in New Orleans'charity Hospital
    241 의사학제24권제1호(통권제49호)2015년4월 KoreanJMedHist24ː241-283Apr2015 ⓒ대한의사학회 http://dx.doi.org/10.13081/kjmh.2015.24.241 pISSN1225-505X,eISSN2093-5609 “If I Only Touch Her Cloak”: The Sisters of Charity of St. Joseph1) in New Orleans’ Charity Hospital, 1834-1860 KONG Hyejung Grace *^KIM Ock-Joo ** 1. Introduction 2. ‌A World of Sickness: New Orleans’Charity Hospital 3. Nursing as a Broad Set of Tasks 4. Mothers in Charge of the House 5. Hospital as a Sacred Space 6. Conclusion * Department of the History of Medicine and Medical Humanities, College of Medicine, Seoul National University ** Corresponding Author: KIM Ock-Joo Department of the History of Medicine and Medical Humanities, College of Medicine, Seoul National University Address: 103 Daehak-ro, Jongno-gu, Seoul, 110-799, KOREA Tel: 02-740-8061 / E-mail: [email protected] 1) In 1809, the Sisters of Charity of St. Joseph was founded as the first community for religious women in the United States. It was later incorporated with the French Daughters of Charity of St. Vincent de Paul in 1850, which was founded by Saint Vincent de Paul and Saint Louise de Marillac in 1633. Even though the Sisters of Charity was originally founded by adopting the rules and constitutions of the French Daughters of Charity, it had no connection with the government of the Sisters of Charity in France until 1850 (Hannefin, 1989: 14-5). In order to emphasize the American origin of the Sisters of Charity of St. Joseph, and to prevent confusion, we will refer them as the Sisters of Charity throughout this study.
    [Show full text]