Thebes in the First Millennium BC
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Ricomporre Frammenti. Lavori in Corso Tra I Papiri Del Museo Egizio Di Torino
Acc. Sc. Torino Memorie Sc. Mor. 40 (2016), 25 fi gg., 3-44 FILOLOGIA ORIENTALE Ricomporre frammenti. Lavori in corso tra i papiri del Museo Egizio di Torino Memoria di SARA D EMICHELIS* presentata dal Socio corrispondente ALESSANDRO R OCCATI nell’adunanza del 9 febbraio 2016 e approvata nell’adunanza del 10 maggio 2016 Riassunto. In questo saggio sono illustrati i risultati preliminari delle atti- vità di restauro e ricostruzione di manoscritti geroglifi ci e ieratici conservati presso il Museo Egizio di Torino. Nuove identifi cazioni sono state operate tra migliaia di frammenti: tra gli altri sono stati riconosciuti testi amministrativi dell’Antico Regno pro- venienti da Gebelein, un vero e proprio corpus di Libri dei Morti di età ramesside da Deir el-Medina, oltre a nuovi frammenti di progetti di tombe regali, tra cui quello della tomba KV9. PAROLE CHIAVE : Amenhotep; Deir el-Medina; Gebelein; Libro dei Morti; Museo Egizio di Torino; Nefertari; papiri; Papiro delle Miniere; Schiaparelli; tomba KV9; Valle dei Re. Abstract. Preliminary results of restoration and reconstruction of hiero- glyphic and hieratic manuscripts held in the Egyptian Museum of Turin. New texts were identifi ed amongst thousands of fragments, such as Old Kingdom administrative texts from Gebelein, a Book of the Dead corpus of the Ramesside period from Deir el-Medina, and new fragments of the projects of royal tombs, amid others those of the tomb KV9. KEYWORDS: Amenhotep; Book of the Dead; Deir el Medineh; Egyptian Museum of Turin; Gebelein; Mine papyrus; Nefertari; papyri; Schiaparelli; Tomb KV9; Valley of the Kings. Le immagini riprodotte sono pubblicate su gentile concessione della Soprintendenza archeologia, belle arti e paesaggio per la città metropolitana di Torino. -
In Ancient Egypt
THE ROLE OF THE CHANTRESS ($MW IN ANCIENT EGYPT SUZANNE LYNN ONSTINE A thesis submined in confonnity with the requirements for the degm of Ph.D. Graduate Department of Near and Middle Eastern Civiliations University of Toronto %) Copyright by Suzanne Lynn Onstine (200 1) . ~bsPdhorbasgmadr~ exclusive liceacc aiiowhg the ' Nationai hiof hada to reproduce, loan, distnia sdl copies of this thesis in miaof#m, pspa or elccmnic f-. L'atm criucrve la propri&C du droit d'autear qui protcge cette thtse. Ni la thèse Y des extraits substrrntiets deceMne&iveatetreimprimCs ouraitnmcrtrepoduitssanssoai aut&ntiom The Role of the Chmaes (fm~in Ancient Emt A doctorai dissertacion by Suzanne Lynn On*, submitted to the Department of Near and Middle Eastern Civilizations, University of Toronto, 200 1. The specitic nanire of the tiUe Wytor "cimûes", which occurrPd fcom the Middle Kingdom onwatd is imsiigated thrwgh the use of a dalabase cataloging 861 woinen whheld the title. Sorting the &ta based on a variety of delails has yielded pattern regatding their cbnological and demographical distribution. The changes in rhe social status and numbers of wbmen wbo bore the Weindicale that the Egyptians perceivecl the role and ams of the titk âiffefcntiy thugh tirne. Infomiation an the tities of ihe chantressw' family memkrs bas ailowed the author to make iderences cawming llse social status of the mmen who heu the title "chanms". MiMid Kingdom tifle-holders wverc of modest backgrounds and were quite rare. Eighteenth DMasty women were of the highest ranking families. The number of wamen who held the titk was also comparatively smaii, Nimeenth Dynasty women came [rom more modesi backgrounds and were more nwnennis. -
Some Thoughts on Religious Change at Deir El-Medina
SOME THOUGHTS ON RELIGIOUS CHANGE AT DEIR EL-MEDINA Cathleen Keller University of California, Berkeley It gives me very great pleasure to contribute ticular, have met with some success: Baraize’s to a volume in honor of Richard Fazzini, a excavations in the Ptolemaic temple area;5 the fellow Egyptomania enthusiast and aficionado of clearance of the “oratorio” sacred to Ptah and ancient Thebes. I feel reasonably certain that Meretseger;6 Davies’ investigation of the “high the characters mentioned in this paper, though place,” situated above the path between Deir el- residents of the Western Side, were as familiar as Medina and the Valley of the Kings,7 and the he with the Temple of Mut at Karnak. Italian, German and French excavations of the The title of Keith Hopkins’s recent work on village itself, have yielded up some in situ ma- the religions of the Hellenistic Mediterranean, A terial.8 In addition to general surveys of reli- World Full of Gods,1 aptly describes the religious life gious cult and practice at Deir el-Medina,9 reli- of the workmen of Deir el-Medina as well. From gious studies of the Deir el-Medina “pantheon” the inception of the study of this organization, have frequently focused on individual deities, no- the votive monuments of the sdm.w-#sˇ m s.t-M3#.t tably the deified Amenhotep I10 and Ahmose- ¯ have attracted the attention of scholars.2 The Nefertari11 and Meretseger.12 Others, however, re- sheer quantity of the monuments, as well as the main understudied, including Hathor, the dedica- variety of the deities depicted3 (a list that includes tee of Deir el-Medina’s major sanctuary, and her divinities of both indigenous and foreign origin), interaction with her local sister-divinities, such as has led to their being used to illustrate general Meretseger and Henutimentet. -
Bulletin De L'institut Français D'archéologie Orientale
MINISTÈRE DE L'ÉDUCATION NATIONALE, DE L'ENSEIGNEMENT SUPÉRIEUR ET DE LA RECHERCHE BULLETIN DE L’INSTITUT FRANÇAIS D’ARCHÉOLOGIE ORIENTALE en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne BIFAO 117 (2017), p. 9-27 Omar Abou Zaid A New Discovery of Catacomb in Qurnet Murai at Thebes Conditions d’utilisation L’utilisation du contenu de ce site est limitée à un usage personnel et non commercial. Toute autre utilisation du site et de son contenu est soumise à une autorisation préalable de l’éditeur (contact AT ifao.egnet.net). Le copyright est conservé par l’éditeur (Ifao). Conditions of Use You may use content in this website only for your personal, noncommercial use. Any further use of this website and its content is forbidden, unless you have obtained prior permission from the publisher (contact AT ifao.egnet.net). The copyright is retained by the publisher (Ifao). Dernières publications 9782724708288 BIFAO 121 9782724708424 Bulletin archéologique des Écoles françaises à l'étranger (BAEFE) 9782724707878 Questionner le sphinx Philippe Collombert (éd.), Laurent Coulon (éd.), Ivan Guermeur (éd.), Christophe Thiers (éd.) 9782724708295 Bulletin de liaison de la céramique égyptienne 30 Sylvie Marchand (éd.) 9782724708356 Dendara. La Porte d'Horus Sylvie Cauville 9782724707953 Dendara. La Porte d’Horus Sylvie Cauville 9782724708394 Dendara. La Porte d'Hathor Sylvie Cauville 9782724708011 MIDEO 36 Emmanuel Pisani (éd.), Dennis Halft (éd.) © Institut français d’archéologie orientale - Le Caire Powered by TCPDF (www.tcpdf.org) 1 / 1 A New Discovery of Catacomb in Qurnet Murai at Thebes omar abou zaid* introduction The New Theban Tombs Mapping Project (NTTMP)1 intends to contribute to the ar- chaeological and topographical exploration of the Theban necropolis and to understand its layout as a World Heritage Site. -
255 Memnon, His Ancient Visitors and Some
255 MEMNON, HIS ANCIENT VISITORS AND SOME RELATED PROBLEMS Adam Łukaszewicz Memnon is known from ancient Greek sources as a king of Ethiopia.1 e notion of Ethiopia in Greek literature is very large and sometimes includes also the ebaid. In Egypt the name of Memnon is notori- ously associated with two famous colossal statues of Amenhotep III of the 18th Dynasty in Western ebes which once stood in front of an enormous temple, now almost completely vanished. At present, the temple is object of German excavations and many elements of it re- emerge on the site. e name of Memnon is a Greek misinterpretation of an Egyptian royal epithet. e Ramesside epithet Mery Amun pronounced approx- imately Meamun produced the Greek distortion into Memnon. Strabo states that the other name of Memnon is Ἰσµάνδης. at agrees with the names of a king called Usermaatre (Ἰσµάνδης) Meryamun (Μέµνων).2 e original Memnon was not Amenhotep III. Only the proximity of the colossi of Amenhotep III to the Memnonium of Ramesses II (Ramesseum), the Memnonium of Ramesses III (Medinet Habu) and to the western eban area called Memnoneia a£er these temples, encouraged the interpretation of the colossi of Amenhotep as statues of Memnon. e name of Memnoneia concerned particularly the area of Djeme,3 with the temple and palace complex of Medinet Habu built by Ramesses III. In the Later Roman period the temple precinct of 1 For the idea of two Memnons, the Trojan and the Ethiopian, Philostratus, Her. 3, 4. An extensive discussion of Memnon can be found in Letronne 1833; cf. -
Bulletin De L'institut Français D'archéologie Orientale
MINISTÈRE DE L'ÉDUCATION NATIONALE, DE L'ENSEIGNEMENT SUPÉRIEUR ET DE LA RECHERCHE BULLETIN DE L’INSTITUT FRANÇAIS D’ARCHÉOLOGIE ORIENTALE en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne BIFAO 114 (2014), p. 455-518 Nico Staring The Tomb of Ptahmose, Mayor of Memphis Analysis of an Early 19 th Dynasty Funerary Monument at Saqqara Conditions d’utilisation L’utilisation du contenu de ce site est limitée à un usage personnel et non commercial. Toute autre utilisation du site et de son contenu est soumise à une autorisation préalable de l’éditeur (contact AT ifao.egnet.net). Le copyright est conservé par l’éditeur (Ifao). Conditions of Use You may use content in this website only for your personal, noncommercial use. Any further use of this website and its content is forbidden, unless you have obtained prior permission from the publisher (contact AT ifao.egnet.net). The copyright is retained by the publisher (Ifao). Dernières publications 9782724708288 BIFAO 121 9782724708424 Bulletin archéologique des Écoles françaises à l'étranger (BAEFE) 9782724707878 Questionner le sphinx Philippe Collombert (éd.), Laurent Coulon (éd.), Ivan Guermeur (éd.), Christophe Thiers (éd.) 9782724708295 Bulletin de liaison de la céramique égyptienne 30 Sylvie Marchand (éd.) 9782724708356 Dendara. La Porte d'Horus Sylvie Cauville 9782724707953 Dendara. La Porte d’Horus Sylvie Cauville 9782724708394 Dendara. La Porte d'Hathor Sylvie Cauville 9782724708011 MIDEO 36 Emmanuel Pisani (éd.), Dennis Halft (éd.) © Institut français d’archéologie orientale - Le Caire Powered by TCPDF (www.tcpdf.org) 1 / 1 The Tomb of Ptahmose, Mayor of Memphis Analysis of an Early 19 th Dynasty Funerary Monument at Saqqara nico staring* Introduction In 2005 the Metropolitan Museum of Art, New York, acquired a photograph taken by French Egyptologist Théodule Devéria (fig. -
Integration of Foreigners in Egypt the Relief of Amenhotep II Shooting Arrows at a Copper Ingot and Related Scenes
Journal of Egyptian History �0 (�0�7) �09–��3 brill.com/jeh Integration of Foreigners in Egypt The Relief of Amenhotep II Shooting Arrows at a Copper Ingot and Related Scenes Javier Giménez Universitat Politecnica de Catalunya (Barcelona-Tech) [email protected] Abstract The relief of Amenhotep II shooting arrows at a copper ingot target has often been considered as propaganda of the king’s extraordinary strength and vigour. However, this work proposes that the scene took on additional layers of significance and had different ritual functions such as regenerating the health of the king, and ensuring the eternal victory of Egypt over foreign enemies and the victory of order over chaos. Amenhotep II was shooting arrows at an “Asiatic” ox-hide ingot because the ingot would symbolize the northern enemies of Egypt. The scene belonged to a group of representations carved during the New Kingdom on temples that showed the general image of the king defeating enemies. Moreover, it was linked to scenes painted in pri- vate tombs where goods were brought to the deceased, and to offering scenes carved on the walls of Theban temples. The full sequence of scenes would describe, and ritual- ly promote, the process of integration of the foreign element into the Egyptian sphere. Keywords Amenhotep II stela – ox-hide ingot – offering scenes – scenes of goods brought to the deceased * I would like to thank the anonymous reviewers for their valuable comments which led me to consider an additional meaning of the scene in Min’s tomb (TT109) and the possibility that the Egyptians regarded the ox-hide ingot as a marvel from a land beyond Egypt’s sphere of control. -
Images of Amenhotep Iv and Nefertiti in the Style of the Previous Reign*
images of amenhotep iv and nefertiti 89 IMAGES OF AMENHOTEP IV AND NEFERTITI IN THE STYLE OF THE PREVIOUS REIGN* Earl L. Ertman University of Akron There is no doubt about the great scholarship of Representations of Amenhotep IV are known Bill Murnane as his publications speak for them- from early in his reign. These images are in the selves. Few Egyptologists outside of the members style used by the carvers who decorated for his of the Karnak Mission that he led were around father, Amenhotep III. None of the distortions Bill on a daily basis. For several years Bill and his so familiar from what Cyril Aldred has termed staff also stayed at the Windsor Hotel in Luxor, the ‘Early Period’ of the Amarna Style1 are shown during their field seasons. We of the Amenmesse in a few renderings of him like an example from Project also stayed there for some years during Theban Tomb 55 of Ramose, Amenhotep IV/ our early work in the Valley of the Kings. This Akhenaten’s southern vizier.2 A description of put us into contact on several levels with him this tomb indicates that: from breakfast to some evening meals and at times some after working hours discussions of many of “The north-west wall of the great hall of pillars the same issues and topics published in this com- has reliefs dating from the years immediately memorative volume. Bill was a quiet, thoughtful following the death of Amenhophis III on both sides of the doorway… Of these reliefs, those on man immersed in many periods in ancient his- the left of the door clearly belong to the earliest tory, especially those in Egypt. -
ANTHRO 138TS: ARCHAEOLOGY of EGYPT FINAL STUDY GUIDE Œ Ñ Ú, Etc
ANTHRO 138TS: ARCHAEOLOGY OF EGYPT F I N A L S T U D Y G U I D E Short Answer Identifications: Some of these ID’s overlap with the mid- term – emphasize the 2nd half of class. 4 bulleted points for each. Anubis Edfu Sympathetic Magic Ba-Ka-Akh Elephantine Deben Merwer John Wilson Canopic Jars “White Chapel” Bes Wilbour Papyrus (peripteral shrine) Defuffa Sed Festival Ennead Napata Mummification Odgoad Medamud Hellenism/Hellenistic Syncretism Kahun Hor-Apollo Ushabti Mastaba Karl Polanyi Elephantine Serdab Ostraca Harim Conspiracy T-Shaped Tomb Paneb Min/Min-Amun/Min- Letter to the Dead George Reisner Horus Book of the Dead Neo-Platonic Philosophy Sympathetic Magic Am Duat Per-aa Formalist-Substantivist Meketre Palermo Stone Shuty Apademak Semna Despatches Deir el-Medina Amanatore Ramesseum Temple of Satet Hekanakht Taweret Picture Identifications: The following list refers to images from the Silverman text. One bulleted point for each. Rahotep & Nofret Taharqa Opening of Mouth Sennedjem Bastet Ba Ka-aper Antinous Execration Figure Khamuas Sat-Hathor-Iunet Mutemonet Canon of Proportion Selqet Sobek Bes Hathor Scarab Taweret Thoth Horus Buhen Ramose Rameses II – Ra-mes-su Mastaba Meresankh Wedjat (Eye of Horus) Thuya Hunefer Œ Ñ ú, etc. ANTHRO 138TS: ARCHAEOLOGY OF EGYPT Essays: There will be two essays, one from the Final Study Guide and a comprehensive essay question on a large theme from both halves of class. For all of the essays you will have a choice between two questions to answer. S T U D Y Q U E S T I O N S 1. -
Foreign Deities in Egypt
UCLA UCLA Encyclopedia of Egyptology Title Foreign Deities in Egypt Permalink https://escholarship.org/uc/item/7tr1814c Journal UCLA Encyclopedia of Egyptology, 1(1) Author Zivie-Coche, Christiane Publication Date 2011-04-05 Peer reviewed eScholarship.org Powered by the California Digital Library University of California FOREIGN DEITIES IN EGYPT المعبودات اﻻجنبية في مصر Christiane Zivie-Coche EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor Area Editor Religion University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Zivie-Coche, 2011, Foreign Deities in Egypt. UEE. Full Citation: Zivie-Coche, Christiane, 2011, Foreign Deities in Egypt. In Jacco Dieleman, Willeke Wendrich (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0027fcpg 1011 Version 1, April 2011 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0027fcpg FOREIGN DEITIES IN EGYPT المعبودات اﻻجنبية في مصر Christiane Zivie-Coche Ausländische Götter in Ägypten Dieux étrangers en Égypte The presence of foreign deities in the Egyptian pantheon must be studied in the light of the openness of Egyptian polytheism and as a reflection on cultural identity. Even if Egyptian self- identity was defined as intrinsically opposed to the Other, i.e. the foreigner, Egypt always maintained contact with its neighbors, particularly Nubia and the Near East. These intercultural contacts had an effect on the religion. Since the earliest times, deities like Dedoun, Ha, or Sopdu formed an integral part of the Egyptian pantheon, so much so that their likely foreign origin is not immediately perceptible. -
Opet Festival عيد األوبت
OPET FESTIVAL عيد اﻷوبت John Coleman Darnell EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor Area Editor Religion University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Darnell, 2010, Opet Festival. UEE. Full Citation: Darnell, John Coleman, 2010, Opet Festival. In Jacco Dieleman, Willeke Wendrich (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0025n765 1131 Version 1, December 2010 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0025n765 OPET FESTIVAL عيد اﻷوبت John Coleman Darnell Opetfest Fête d’Opet The annual Opet Festival, during which the bark of Amun—and ultimately those of Mut, Khons, and the king as well—journeyed from Karnak to Luxor, became a central religious celebration of ancient Thebes during the 18th Dynasty. The rituals of the Opet Festival celebrated the sacred marriage of Amun—with whom the king merged—and Mut, resulting in the proper transmission of the royal ka and thus ensuring the maintenance of kingship. أصبح اﻻحتفال بعيد اﻷوبت السنوي احتفال ديني مركزي في طيبة القديمة أثناء اﻷسرة الثامنة عشرة حيث كان يبحر خﻻله آمون بمركبه وتلحقه موت وخونسو وكذلك الملك، من معبد الكرنك إلى معبد اﻷقصر. وكانت الطقوس الخاصة بعيد اﻷوبت تحتفل بالزواج المقدس ﻵمون، والذي قد إندمج معه الملك، وموت مما ينتج عنه انتقال صحيح لـل <<كا>> الملكيه، مما يضمن بقاء الملكية واستمراريتھا. he Opet Festival, eponymous Festival is also known (Epigraphic Survey celebration of the month Paophi 1934: pls. 157 - 158, list 39, III Akhet 17). -
Animals in Human Situations in Ancient Egyptian Ostraca and Papyri
arts Article Animals in Human Situations in Ancient Egyptian Ostraca and Papyri Azza Ezzat Writing and Scripts Center, Bibliotheca Alexandrina, Alexandria Governorate 21526, Egypt; [email protected] Abstract: It has been said that the ancient Egyptians were raised to tolerate all kinds of toil and hardship; they nevertheless also liked to amuse themselves with comic relief in their everyday life. For example, ancient Egyptian drawing can be quite accurate and at times even spirited. What scholars have described as caricatures are as informative and artistic as supposed serious works of art. Ancient Egyptians have left countless images representing religious, political, economic, and/or social aspects of their life. Scenes in Egyptian tombs could be imitated on ostraca (potsherds) that portray animals as characters performing what would normally be human roles, behaviors, or occupations. These scenes reveal the artists’ sense of comedy and humor and demonstrate their freedom of thought and expression to reproduce such lighthearted imitations of religious or funeral scenes. This paper will focus on a selection of drawings on ostraca as well as three papyri that show animals—often dressed in human garb and posing with human gestures—performing parodies of Citation: Ezzat, Azza. 2021. Animals human pursuits (such as scribes, servants, musicians, dancers, leaders, and herdsmen). in Human Situations in Ancient Egyptian Ostraca and Papyri. Arts 10: Keywords: animals; anthropomorphism; humor; parody; satire; ostraca; papyri; ancient Egypt 40. https://doi.org/10.3390/ arts10030040 Academic Editors: Branko F. van 1. Introduction Oppen de Ruiter, Chiara Cavallo and Depictions of animals in scenes of daily life are commonly found in ancient Egyptian Annetta Alexandridis tombs, mainly the Old Kingdom mastabas and the rock cut tombs of the New Kingdom Received: 14 April 2020 (Evans 2000, p.