Adding and Subtracting Stitches: Increases and Decreases - Part One by TKGA Staff

Total Page:16

File Type:pdf, Size:1020Kb

Adding and Subtracting Stitches: Increases and Decreases - Part One by TKGA Staff FOR THE KNITTING NOVICE Adding and Subtracting Stitches: Increases and Decreases - Part One by TKGA Staff When knitting garments it will usually be necessary to increase needle (LHN), swing the right hand needle (RHN) around to in­ (inc) or decrease (dec) stitches, either to shape the item or because sert the point of the RHN in to the back loop of the same stitch (on the stitch patterns require it. More stitches are added to a row when the LHN) and knit that stitch. When you slide the stitch off the you increase, and stitches are removed from the row when you de­ LHN, you now have two stitches on the RHN made from the one crease. Avoid increases or decreases in the first and last stitches of stitch yo u started with. a row so it wi ll be easier to seam those edges later. Move in at least one stitch from the edges to increase or decrease when possible. Another way to say it is to knit the stitch as you n ormally do, but do not slip it off the LHN. Instead, insert the RHN into the stitch There are many ways to do increases and decreases. We will cover a again, this time into the back of the stitch. Wrap the yarn as for few basic methods here. Because different increases and decreases knitting and draw through another stitch. You now have made two create different effects, it is usually best to use the method that is stitches in one stitch. Slide the old stitch off the needle. recommended by your pattern (if there is one specified) in order to achieve the proper effect for that project. Purled Bar Increase: To make a Bar Increase when you arc purling, simply purl into BAR INCREASE (Knit into the front and back of a stitch) the back and front of the stitch, in a fashion similar to creating a The Bar Increase is probably the most commonly used increase knitted increase. Another way to say it is to insert the RHN into and is made by working two stitches into one stitch. It is a good the stitch again, this time into the back of the stitch. Wrap the yarn choice for ribbing. as for purling and draw through another stitch. You now have two stitches in one stitch. Slide the old stitch off the LHN. (Purled Bar The Bar Increase makes a tiny bump, which looks somewhat like Increase is not shown.) a purl stitch. In St st, the tiny bump appears on the knit side and is highly visible. Therefore, the Bar Increase in St st would only be used when the knitter wants a decorative effect. However, the Bar MAKE ONE (Ml) Increase in ribbing is invisible if placed correctly. Worked into a Make One (Ml) is one of several increase m ethods that are less knit stitch before a purl, the knit stitch stays in formation and the visible than the Bar Increase and are more appropriate forSt st or bump increase resembles a purl bump. In ribbing, the purl stitches pattern stitches. (The exception is ribbing, where the Bar Increase recede behind the knits, so the bump made by the increase will is usually the better choice.) hardly be visible. Ml is not worked from a stitch on either needle, but is instead Knitted Bar Increase: worked from the horizontal (or running) strand that appears be­ To create a Knitwise Bar In crease, knit into the front loop of a kn it tween two stitches. You can create a right-leaning increase slant or stitch, and without removing the new stitch from tl1e left -hand a left-leaning increase slant with MJ. Bar Increase I 0 Cast On · August- October 2009 Make One Lifted Increase Purl wise Lifted Increase (not shown): i nsert !U-IN from back to front and from the bottom up through the purl bump directl y below the stitch on the LHN. Purl that loqp or bump. Do not remove the stitch above the bump from the LHN. Follow the pattern instructions for the next stitch. PRACTICE YOUR INCREASES Try out these various increases in various practice swatches. Ob­ serve how they work before you tackle a pattern that ca lls fo r them. Once you are confident, have fun creating a simple ga rment using your new knitting knowledge! In the next issue of Cast On, watch for Part Two of this article, on To Create a Left-Leaning Ml, Knitwise: Decreases. Insert LHN tip in to the running strand from FRONT TO BACK and knit into the BACK loop of th e running strand, thereby twist­ Editor's Note: Visit www.TKGA.com and information posted un­ ing the thread to preven t a hole. This will provide a knitwise left­ der "Education" to read about the Learn to Knit Correspondence leaning decrease (shown above). Course and how you can order it. To Create a Right-Leaning Ml, Knitwise (not shown): Insert the ti p of the LHN from BACK TO FRONT and then knit into the FRONT loop to create a right-leaning decrease. To Create a Left-Leaning Ml, Purlwise (not shown): Insert LH N tip in to the running strand from FRONT TO BACK and purl into the BACK loop of the running strand, thereby twist­ ing the thread to prevent a hole. To Create a Right-Leaning Ml, Purlwise (not shown): fnsert the ti p of the LHN from BACK TO FRONT and then purl into the FRONT loop. LIFTED INCREASE The Lifted Increase is perhaps the most invisible increase tech­ niq ue. However, when making increases in the same area, at least three rows should intervene between increases. Knitwise Lifted Increase (shown): The Kni t wise Lifted Increase in made by lifting (from front to back and from the top down) the head of the stitch in the row below (i.e., the purl bump directly below the stitch being worked on the LHN) with the JU-IN, then knitting that loop, and then knitting the stitch on the LHN. (Do not remove the stitch above the bump from the LHN.) Follow the pattern instructions for the next stitch. www.TKGA.com 1.1 .
Recommended publications
  • 220 Superwash® Kangaroo Sweater
    W185 220 Superwash® Kangaroo Sweater Designed by Amy Bahrt © 2013 Cascade Yarns® - All Rights Reserved. 220 Superwash® Kangaroo Sweater Designed by Amy Bahrt Skill Level: Intermediate Size: 2 (4, 6) Materials: Cascade Yarns® 220 Superwash® 100% Superwash Wool 100 g (3.5 oz) / 220 yds (200 m) A - 2 skeins of color #813 (Blue Velvet) B - 2 skeins of color #821 (Daffodil) C - 1 skein of color #864 (Christmas Green) D - 1 skein of color #822 (Pumpkin) US 5 & 7 knitting needles Crochet Hook G/6 Stitch Holders Yarn Needle 1 – 3/8” 4-hole Button Finished Measurements: Chest: 26 (28, 31)" Body Length 14 (15½, 17)" Sleeve Length 11½ (12, 12½)" Armhole Depth 5¾ (6¼, 6¾)" Gauge: 20 sts x 26 rows = 4" Abbreviations: BO = Bind Off CO = Cast On K = Knit P = Purl RS = Right Side St(s) = Stitch(es) WS = Wrong Side Stripe pattern: *(2 rows B, 2 rows D); repeat from* (4 rows) Back: With smaller needles and A CO 64 (70, 78)sts. Work in (K1, P1) Rib Pattern for 8 rows. Change to larger needles continue in Stockinette stitch until piece measures 14 (15½, 17)" from beginning. On WS, BO 19 (21, 25) sts for shoulder, work across 26 (28, 28) sts and place on holder, BO remaining sts for shoulder. © 2013 Cascade Yarns® - All Rights Reserved. Front: Work as back until piece measures 2¾ (4¼, 5¾)" from beginning. On RS and A, work 21(24, 28) sts, join B and work 22 sts of Kangaroo chart pattern row #1, end 21 (24, 28) sts A.
    [Show full text]
  • KNIT-A-BIT, LLC 16925 S. Beckman Rd. Oregon City, OR 97045-9366 (503) 631-4596
    KNIT-A-BIT, LLC 16925 S. Beckman Rd. Oregon City, OR 97045-9366 (503) 631-4596 Adaptation of Gene Bailey's "WONDER DRESS" by Pat Groves Machine: standard gauge with ribber Yarn: 2 pounds of Krinklespun, 2 strands for skirt and collar (tuck pattern) 3 strands for ribbing and stocking stitch Stitch size (tension) on the Passap: 5 for stocking stitch 2 1/2 for the ribbing 3 1/4 for the tuck. Dress is knit straight from hem to neck (except for neck shaping and if desired armhole shaping) using three different stitch patterns. Skirt is a double bed tuck pattern which changes to 1:1 rib 3" below the waist, has a casing for elastic at the waist, changes to stocking stitch for the bodice. Neckline is your choice, the model was a slight scoop. The sleeves are stocking stitch with 1:1 rib at the wrist. The collar is the same pattern as the skirt or you could knit the sleeves in the same tuck pattern as the skirt. You can change the sleeve to the lace pattern and also change the collar to stockinette – it’s your choice, just make the necessary adjustments to the pattern. Knit three swatches and calculate the following gauges: (Passap knitters: You may want to do the stocking stitch swatch on the back bed - see the note under Bodice). Stocking stitch --- stitches/inch - A = . rows/inch - B = . 1:1 rib rows/inch - C = . Tuck stitch rows/inch - D = . The tuck pattern is a double bed pattern with needles tucking on the main bed and knitting on the other bed.
    [Show full text]
  • Ribbing Increases by Vanessa Montileone
    swatch a swatch b swatch c ON YOUR WAY TO THE MASTERS Ribbing Increases by vanessa montileone swatch d swatch e swatch f 66 Cast On • February – April 2007 Increasing is an integral part of knitting location to hide an increase. Masters whether used for shaping or decoration. Program level 1 requires swatches of single There is a plethora of written information and double rib with increases on the last concerning the various increase techniques row. The increases are to be unobtrusive and “Never accept but little is written concerning the use of evenly spaced. There are many formulas increases in ribbing. Level 1 of the TKGA for figuring how to space increases and a the WORD Master Hand Knitting Program asks general rule of thumb is not to increase in that increases be placed in the last row of an edge stitch. Increases placed at the edge of any expert ribbing and that they be unobtrusive. In form a jagged line that is visible and makes other words the increases should blend seaming difficult. What increase would without first into the ribbing pattern. Knitters must first work best? The make 1, although one of the checking it out have knowledge of the various increases least visible in stockinette, does not work and their characteristics before they can well in ribbing. It creates an open area for yourself.” chose which increase is best suited for the under the strand in which the increase is pattern stitch being knitted. made. That open area can be visible in the ribbing. The lifted increase is the second – Maggie Righetti A brief review of four commonly used best increase in ribbing.
    [Show full text]
  • Pilling Performance and Abrasion Characteristics of Selected Basic Weft Knitted Fabrics
    Muhammet Akaydin, Yahya Can Pilling Performance and Abrasion Characteristics of Selected Basic Weft Knitted Fabrics Pamukkale University, Abstract Denizli Vocational Scholl, The aim of this study was the determination of the effects of dyeing, knit construction and Denizli, Turkey the thread yarn production type on the abrasion resistance and pilling performance of E-mail: [email protected] selected basic weft knitted fabrics. For this aim jersey and interlock fabrics were produced from 100% cotton ring and compact yarns. Some of the fabrics produced were dyed. The abrasion resistance and pilling performance of raw and dyed fabrics were measured. The results obtained were classified according to the knit construction, whether the fabric was raw or dyed, and the properties of the yarn from which the fabric was produced. According to the results obtained, the abrasion resistance and pilling performance of interlock fabrics were found to be higher than those of jersey fabrics, those of dyed fabrics higher than those of raw fabrics, and those of fabrics produced from compact yarns were higher than those fabrics produced from ring yarns. Key words: abrasion resistance, compact yarn, pilling, weft knitted fabric. Abrasion resistance and pilling perform- ported that 100 % cotton samples knitted ance are two of the most important me- from ring spun yarns tend to have lower chanical characteristics of fabrics. The pilling rates than those constructed from resistance of a fabric against the force of 100 % cotton open-end spun yarns [9]. friction is known as the abrasion resist- ance. In general, pilling is a fabric defect Akaydin studied basic knitted fabrics observed as small fiber balls or a group from ring combed and compact yarns and consisting of intervened fibers that are determined that the abrasion resistance attached to the fabric surface by one or and pilling performance of supreme fab- more fibers [1].
    [Show full text]
  • Lesson 3 Shaping the Torso.Indd
    Nina’s Sweater Class Lesson 3: Shaping the Torso Shaping refers to the decreases and increases knit into the body of a sweater that cause it to deviate from the plain straight lines of an unshaped sweater. In this section of our class, you will refer to your sample sweater and your sketch to determine the kind of shaping you will knit. If there is no change in the width of the body in your sample or fantasy sweater (that is, the body is just a straight tube) then you do not need to worry about shaping, just knit on until you have enough rows (including the hem already knit) to make the measurement “E” on your schematic. The instructions in this lesson address simple waist and bust shaping. If your sample or fantasy sweater is curved in the body like the shape of a real human torso, then you will want waist/bust shaping. Other shapes can be acheived by adapting these instructions--the last page of this lesson contains a discussion of these techniques. In order to calculate the waist shaping that will work for YOUR sweater, you will need these key measurements from your schematic (provided in lesson 1.) A – The width of the cast-on edge, laid flat (as used in the last lesson) B – The width of the torso at the NARROWEST point (the waist) C – The width of the sweater from armpit to armpit. (the chest) D – the length from the cast on edge to the narrowest part of the torso (the waist) E – The length of the torso, from cast on edge to armpit.
    [Show full text]
  • Free Pattern: Beginner Socks for Magic Loop, TOE-UP Or TOP-DOWN by Liat Gat of Knitfreedom
    Free Pattern: Beginner Socks for Magic Loop, TOE-UP or TOP-DOWN by Liat Gat of KNITFreedom Materials Yarn: 150-400 yds fingering-weight yarn (amount of yarn needed depends on length of cuff). If working two socks at one time, separate yarn into two balls of equal yardage. Gauge: 7 sts/in in St st. Needles: 1 or 2 40-inch circular needle(s) OR set of DPNs, in whatever size required for YOU to obtain gauge. I used US #2. What kind of needles you require depends on how you prefer to knit in the round. I prefer magic loop, which requires one circular needle. Notions: Stitch markers, tapestry needle, scissors. Sizes: S, M, L Finished Measurements: Foot circumference: 7[8,9] inches, unstretched Length: customizable to exact foot size Abbreviations/Terms: (all links go to KNITFreedom videos) CO: cast on PM: place marker BOR: beginning of round M1L: make one left M1R: make one right K2tog: knit 2 together P2tog: purl 2 together SSK: slip, slip, knit instep: the part of the sock opposite the heel (front of ankle). Beginner Socks for Magic Loop, TOE-UP VERSION Want to watch a complete KNITFreedom Video Course showing every step of this project, including how to knit these socks two-at-a-time? Click Here To Learn More! Pattern Notes: Sock is worked in the round from toe to cuff. The heel shaping is taken directly from Fleegle's blog and is famously known as the Fleegle Heel. Pattern Instructions: Toe Using Judy's Magic Cast-On, CO 12(16,20) sts, 6(8,10) on each needle.
    [Show full text]
  • 4JE-02PO: Let's Learn to Knit with Increase and Decrease
    4JE-02PO COOPERATIVE EXTENSION SERVICE UNIVERSITY OF KENTUCKY—COLLEGE OF AGRICULTURE Unit 2 Let’s Learn to Knit with Increase and Decrease Linda Heaton, Textiles and Clothing Specialist 18 U. S. C. 707 Agriculture & Natural Resources • Family & Consumer Sciences • 4-H/Youth Development • Community & Economic Development This publication was originally prepared by Jo Ann S. Hilliker, former state Extension specialist in clothing and textiles. Special appreciation is extended to the committee who inspired this project and who worked long hours to make it a reality. Many thanks to: Thelma Smith, Shelby County Leader Mrs. Glenn Riggs, Fayette County Leader Katherine Hixson, Harrison County Leader Jane Bailey, former Shelby County Extension Agent for Home Economics Karen Hill, former Extension Program Specialist for 4-H Mention or display of a trademark, proprietary product, or firm in text or figures does not constitute an endorsement and does not imply approval to the exclusion of other suitable products or firms. Contents Your Guide for the Project .......................4 Gauge ....................................................12 You Will Learn ..................................................4 Check the Gauge .......................................... 12 Articles You Will Make ....................................4 Care of Synthetic Yarns .........................13 Exhibit Your Work ............................................4 Machine Washing and Drying .................. 13 Add to Your Record Book ...............................5
    [Show full text]
  • Top-Down Raglan Pullover Lesson.Pdf
    About Top-Down Raglan Pullovers the underarm is complete and the raglan piece joined to be worked in the round. The top-down raglan design is of "sea ms" are decreased to the neckline. From Continue increasing every other row until comparatively recent origin in terms of the top-down, the sleeve/body stitches are the piece is long/large enough to meet at swea ter design. Raglan construction was increased to the underarms and then th e the underarms. The sleeves/front/back arc created as a supplement to or replacement sleeves, front and back stitches separated separated at this point. Some designers have of the saddle shoulder sweater. See Suzanne and wo rked to the edgings as three separate the knitter work the sleeves first so they are Bryan's article "Raglan Sleeved Sweaters tubes. worked down to the wrist and finished off. from the Bottom Up" on page 46 for more Others instruct the knitter to work the body discussion o n the history of this design. Construct ion first and then the sleeves. In that instance, The hallmark of the raglan is the diagonal A top-down raglan is essentially a seamless the body is worked as a tube to the desired shaping lines moving from the top of the rectangular yoke. Once the math for gauge length and finished. Regardless of which neckline, to the underarm. Thus, the sleeve is complete, cast o n placing markers at is done first, some additional stitches may top is integrated into the neckline. This the four points dividing the back/sleeve/ be cast on for the underarms to reach the design eliminates the problem of excess front/sleeve (see Swatch 1) .
    [Show full text]
  • Sweater-101-Sampler-Copy.Pdf
    Sweater 101 How to Plan Sweaters that Fit ... and Organize Your Knitting Life at the Same Time In print again, Sweater 101 is called “a Timeless Classic” Cheryl Brunette For Lena and Magdalena, my mother and grandmother, through whose hands a million miles of threads flowed. Table of Contents 1 Introduction .......................................... 13 Knitting in the mid- 20th Century . 13 Knitting Today . 13 Goals of Sweater 101 . 14 Tools that Enhance Sweater 101........................................ 15 Your Knitting Notebook .............................................. 16 2 Basic Sweater Styles . 17 Making Fabric • Tubes vs Flat Pieces.................................... 17 Drop Shoulder . 19 Set-In Sleeve . 20 The Raglan . 21 3 A Couple of Math Skills ............................... 22 Your Calculator Memory.............................................. 22 More-or-Less-Right Formula Explained................................. 24 More-or-Less-Right Formula in a Nutshell . 28 4 Finding Your Gauge . 29 What is Gauge? • The Gauge Swatch ................................... 29 Row Gauge . 32 The Gauge Record Sheet.............................................. 33 5 How to Size a Sweater to Get the Fit You Really Want . 35 Three Sources of Information . 35 Longer or Shorter . 37 The Non-Hourglass Figure . 38 6 How to Take Body Measurements...................... 40 7 How to Assign Pattern Measurements................ 42 8 Filling in a Picture Pattern . .44 Charting a Drop Shoulder Pattern ..................................... 46 A Drop Shoulder Charting Example & Tips ............................ 50 Knitting Shoulders Together.......................................... 51 Charting a Set-In Pattern............................................. 53 Charting a Set-In Sleeve Cap . 56 A Set-In Charting Example & Tips . 59 Charting a Raglan Pattern . 62 A Raglan Charting Example & Tips.................................... 65 9 Beyond the Basics . 68 Playing with the Neckline • Collars • Plackets . 68 The V-Neck . 70 The Square Shawl .
    [Show full text]
  • Tiny Baby Ear Snuggling Hat by Diana Troldahl
    Tiny Baby Ear Snuggling Hat By Diana Troldahl Written expressly for charities supported by Wool-Aid, this tiny 12-14” hat is also suitable for preemies. A ribbed forehead and shaped garter-stitch ear and neck snuggler make sure this hat will fit. Materials: 50 – 75 yards Aran or bulky weight yarn on #8 needles. Pattern is written for DPNs but easily adjusted for using magic loop or two circular needles. Green hat was made using 4 strands of Knit Picks Shadow Tonal in Spring Time. Purple hat was made using Knit Picks City Tweed in Morning Glory. -Aran gauge is 4.6 stitches per inch, bulky is 4 stitches per inch. Using Aran yarn will result in a 12” hat, bulky will give you a 14” hat. Both measurements are taken unstretched and allow for 2- 3 inches of negative ease. -You will also need two stitch markers and a yarn needle for weaving in ends. Abbreviations: Beg: beginning PSSO: pass slipped stitch over BOR: beginning of Round Rem: Remain(ing) CO: Cast on RM: remove marker K: knit RS : Right Side K2tog: knit the next two stitches together Sl: Slip the next stitch(es) as if to purl Kfb: knit in the front and back of the next stitch SM(s): slip marker(s) PM: Place marker St(s): Stitch, stitches Cast on 32 stitches using your preferred cast on. Do Not Join. This part of the hat is knit flat. Knit 2 rows (garter stitch) Row 3: (RS) k 6, pm, k 20, pm, k 6 Row 4: knit Row 5: k1, kfb, k until 3 sts rem, kfb, k2 (34 sts) Row 6: knit Work rows 5 and 6 twice more (these will be rows 7, 8, 9 and 10) (38 sts) Row 11: k until 2 sts past first marker, kfb, k1, kfb, k9, kfb, k1, kfb, k to end, (42 sts) Row 12, 13, 14, knit (removing markers) Row 15 (Set up row for working in the round): Instructions below are written for using DPNS.
    [Show full text]
  • Fitted & Fabulous Issue Tkga
    CAST ONTHE EDUCATIONAL FITTED & JOURNAL FOR KNITTERS WWW.TKGA.COM FABULOUS FEB–APRIL 2015 HAPPY ISSUE ANNIVERSARY STITCHES TKGA MADE SIMPLE 18 KNITS FOR SPRING 2015 MICHELLE TKGA HUNTER Conference SHARES SAN DIEGO HER CALLING! KNITTING HERO ANNIVERSARY CAPE CELEBRATE 30 YEARS IN STYLE! NO. 8 Deutschland 4,90 € · BeNeLux 5,90 € · Italien 5,50 € www.lanagrossa.de Österreich 5,40 € · Schweiz CHF 7.50 AUSGABE 49 Deutschland € 7,- · Österreich € 7,50 · Schweiz CHF 10,- www.lanagrossa.de LOOKBOOK SPRING/SUMMER 2O15 Modern Luxury! Trend-Looks, für jede Gelegenheit! Die Fashionmission 50008 Summer Green-Glamour Die schönsten Looks und Trends. Von puristisch bis glamourös. Von lässig bis elegant. Modern im Design und nachhaltig im Material! Darks 4 191635 304901 Zeitlos. Modern. Edel. Linea Pura, a luxury and pure ber division of Lana Grossa continues to bring us new yarns and beautiful pat- NATURAL SELECTION! terns to complement each ber. Cot- tons, Linens, Wools and more....all pure The Lana Grossa “Filati” book is the luxury bers and “pure-glamour.” knitting fashion journal from one of the oldest and most well established knit- Designs from sweater sets to shells, ting companies in the world. This is the T-shirts, Tops, Cardigans and Accesso- The newest publication from Lana rst book available in U.S.A. in over ries. Fashions for Men and Woman. Grossa is “The Lookbook.” Direct from 3 years. The patterns are all in English the fashion runway showing all of the featuring the most current Lana Grossa Linea Pura Book #8 $15.00 newest garments in the newest collec- yarns for Spring/Summer.
    [Show full text]
  • How to Knit Entrelac Plus 6 Free Entrelac Knitting Patterns Entrelac Knitting: How to Knit Entrelac Plus 6 Free Entrelac Knitting Patterns
    Entrelac Knitting: How to Knit Entrelac Plus 6 Free Entrelac Knitting Patterns Entrelac Knitting: How to Knit Entrelac Plus 6 Free Entrelac Knitting Patterns ENTRELAC IS A KNITTING TECHNIQUE and then goes beyond the basics to show you how THAT’S USED TO CREATE FABRIC THAT to knit entrelac in the round. LOOKS LIKE IT’S WOVEN. The patterns include an easy scarf pattern, darling The fabric is knitted in interlocking rectangles and entrelac felted bags, some really interesting and triangles; stitches are picked up and knit from the fun mitts, a lovely shrug, a flattering tee, and some edges of previously knit sections. truly amazing socks. Entrelac can be knit flat or in the round, in Have fun learning entrelac and knitting these stockinette or garter stitch, in one color or in fabulous free patterns! multiple colors. It’s a very versatile stitch pattern! Cheers, In this free eBook, we’re going to teach you how to work entrelac, and then supply you with a few patterns that’ll really get you going! We begin with an in-depth tutorial by Eunny Jang, Kathleen Cubley which shows you the basics of entrelac knitting Editor, KnittingDaily.com Contents ENTRELAC KNITTING: HOW TO KNIT ENTRELAC PLUS 6 FREE ENTRELAC KNITTING PATTERNS Entrelac: Knitting Block by Block by Eunny Jang ........... PAGE 3 A Knitting Daily eBook edited by Kathleen Cubley The Basic Entrelac Scarf by Lisa Shroyer ................................. PAGE 8 EDITORIAL STAFF EDITOR, KNITTING DAILY Kathleen Cubley CREATIVE SERVICES Felted Entrelac Key Fobs by Susan Pierce Lawrence .........PAGE 13 PRODUCTION DESIGNER Nichole Mulder and Janice Tapia Reservoir Mitts by Allyson Dykhuizen.............................................PAGE 16 PHOTOGRAPHY As noted ILLUSTRATION Gayle Ford Projects and information are for inspiration Cochin Shrug by Eunny Jang .............................................................PAGE 19 and personal use only.
    [Show full text]