Personal Histories of the Second Wave of Feminism
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Personal Histories in Health Research ~
Personal Histories in Health Research ~ Edited by Adam Oliver ISBN: 1 905030 11 8 Personal Histories in Health collection © The Nuffield Trust 2005 ‘Ploughing a furrow in ethics’ © Raanan Gillon and The Nuffield Trust 2005 Published by The Nuffield Trust 59 New Cavendish Street London WC1 7LP telephone 020 7631 8450 fax 020 7613 8451 email: [email protected] website: www.nuffieldtrust.org.uk charity number 209201 designed and printed by Q3 Digital Litho telephone 01509 213 456 website: www.Q3group.co.uk Contents 1 Healthy Lives: reflecting on the reflections Adam Oliver 3 2 Health inequalities: from science to policy David Blane 15 3 In sickness and in health: working in medical sociology Mike Bury 29 4 Random assignments: my route into health policy: a post-hoc rationalisation Anna Coote 47 5 Last Season’s fruit John Grimley Evans 65 6 Ploughing a furrow in ethics Raanan Gillon 85 7 The Jungle: an explorer’s experiences of health services research Walter W Holland 101 8 Confessions of a graduate nurse Alison Kitson 121 9 Confessions of an accidental policy analyst, or why I am not a health service researcher Rudolf Klein 139 10 Seeking somewhere to stop Jennie Popay 155 11 Political ideals and personal encounters Albert Weale 173 12 Discovering the QALY, or how Rachel Rosser changed my life Alan Williams 191 13 Health policy, management and gardening Robert Maxwell 207 About the authors About the authors vii David Blane is Professor of Medical Sociology at Imperial College London. He trained in medicine and sociology, and enjoys teaching medical sociology as an applied subject to large classes of trainee doctors, and as an academic discipline to smaller numbers of interested medical students. -
Shane Dedman, B. 1993
Shane Dedman, B. 1993 Filmmaker + Writer Education + PA Academy with Linda Burns, Atlanta, 2020 + Audit, Film 4750: Film Theory & Criticism, Daren Fowler, GSU, Atlanta, 2019 + Bachelors of Fine Arts in Photography, Georgia State University, Atlanta, 2016 Solo Exhibition + Fidgette: Watercolor Improvisations, Mammal Gallery, Atlanta, 2018 Select Group Exhibitions + Virtual Remains, Atlanta Biennial, Atlanta Contemporary, Atlanta, 2021 + I'm Looking Forward to Tomorrow, Good News Arts, High Springs, FL 2020 + Mass Hysteria, The Bakery, Atlanta, GA, 2018 + The Gathering curated by Iman Person, WonderRoot, Atlanta, 2018 + Radiopolis, Theater Kefalos, Argostoli, with Craig Dongoski, Kefalonia, Greece, 2017 + Got It For Cheap, Zero Zero LA, Atlanta Contemporary, Atlanta, 2017 + WonderRoots’ Imaginary Million, The Forum at Defoor, Atlanta, 2017 + Dear Atlanta... Artists for Liliana Bakhtiari, Big Tree Arts Atlanta, 2017 + Verde // Clutch, Midtown Player’s Club, Atlanta, 2017 + The Hambidge Center Auction, Colony Square, Atlanta, 2017 + You are Welcome, You're Welcome, Mint Gallery for Hambidge Hive, Atlanta, 2017 + The MANologues, BECOMING hu-MAN, Switchyards Downtown Club, Atlanta, 2017 + Burnaway’s Art Crush, Gallery 874, Atlanta, 2017 + Love and Death, Kibbee Gallery, Atlanta, 2017 + BFA Exiting Show, Fall 2016, Ernest G. Welch Gallery, Georgia State University, 2016 + Percolate, Facing Race Conference, WonderRoot, Atlanta, 2016 + Identity Crisis, Eyedrum Gallery, Atlanta, 2016 + SOUTH Annual Exhibition, Kibbee Gallery, Atlanta, 2016 + Becoming -
Dissertation
DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….…………. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Zehn Jahre Ladyfest P Art Icipate 01.2012
KULTUR AKTIV GESTALTEN ISSUE 10 | Seite 1 Zehn Jahre Ladyfest p art icipate 01.2012 //Elke Zobl Zehn Jahre Ladyfest Kulturelle Produktion und rhizomatische Netzwerke junger Frauen Eine der interessantesten Transformationen in der Jugendkultur seit den 1990er Jahren ist die steigende Zahl an Jugendlichen, die als aktive kulturelle ProduzentInnen eine große Vielfalt an Filmen, Musik und Medien hervorbringen *( 2 ). Ein neues Phänomen in der weiblichen Jugendkultur ist das Wachstum von queer- feministischen Festivals, den so genannten Ladyfesten. Ladyfeste sind nicht- kommerzielle, kulturelle Festivals, die von und für junge Frauen organisiert werden, um ihren künstlerischen und politischen Arbeiten ein Forum zu bieten. In diesem Artikel argumentiere ich, dass die lokalen, transnationalen und virtuellen Ladyfest- Szenen einen fruchtbaren Ausgangspunkt bieten, um Einblick in die rhizomatischen Netzwerke kultureller Produktion von jungen Frauen zu gewinnen. Nach einer Netzwerk-Begriffsklärung und einer kurzen Beschreibung der Entwicklung der Ladyfeste analysiere ich diese Netzwerke und weise zum Schluss auf offene Fragen hin. In dem Artikel werden Ergebnisse des Forschungsprojektes “Young women as creators of new cultural spaces” (gefördert vom Fonds für wissenschaftliche Forschung Österreich, 2007–2011) präsentiert und diskutiert. Das Projekt – angesiedelt am Fachbereich Kommunikationswissenschaft sowie am Schwerpunkt Wissenschaft und Kunst der Universität Salzburg – nahm transnationale Ladyfeste als Beispiel und Ausgangspunkt, um die kulturellen Praktiken junger Frauen zu untersuchen (s. www.grassrootsfeminism.net). Bildet Rhizome und keine Wurzeln, pflanzt nichts an! Sät nichts aus, sondern nehmt Ableger! Seid weder eins noch multipel, seid Mannigfaltigkeiten! Zieht Linien, setzt nie einen Punkt! Geschwindigkeit macht den Punkt zur Linie! Seid schnell, auch im Stillstand! Glückslinie, Hüftlinie, Fluchtlinie. Lasst den General in euch aufkommen! Ihr braucht keine richtigen Ideen zu haben, nur habt eine Idee (Godard). -
What's Wrong with the Duluth Model? Bert H
What's Wrong with the Duluth Model? Bert H. Hoff Batterer treatment programs around the world are adopting the "Duluth model," perhaps the most widespread of the male-patriarchy batterers' programs, with trainings in hundreds of cities across the country and a recent series of Marine Corps contracts. It promotes a gender- polarizing view that battering is a conscious strategy by men to assert male dominance over women. What is the Duluth Model? It was created by the Duluth, Minnesota Domestic Abuse Intervention Project. It's described in detail in Pence, E., and Paymer, M. Education Groups For Men Who Batter: The Duluth Model. The "Power and Control Wheel," central to the model, "depicts the primary abusive behaviors experienced by women living with men who batter." [emphasis added] There's no doubt that it reflects a feminist ideology of male oppression of women. What's wrong with it? Here's what experts have to say: • It's about blaming and shaming men, more than giving them the insights and support to help them stop their abusive behavior. The Duluth Model preaches that men who batter don't have a personal problem, but are simply reflecting "a culture that teaches men to dominate." John Everingham, co-author of Men Healing Shame and a professor at the University of Illinois at Chicago, calls this "shame of male for being male." But shaming is a cause of rage, not a cure for it. Is wife-beating an accepted cultural norm? Think about it: do you know any man who thinks that beating your wife is "normal" or "OK"? Psychologist Donald G. -
Download PDF > Riot Grrrl \\ 3Y8OTSVISUJF
LWSRQOQGSW3L / Book ~ Riot grrrl Riot grrrl Filesize: 8.18 MB Reviews Unquestionably, this is actually the very best work by any article writer. It usually does not price a lot of. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Augustine Pfannerstill) DISCLAIMER | DMCA GOKP10TMWQNH / Kindle ~ Riot grrrl RIOT GRRRL To download Riot grrrl PDF, make sure you refer to the button under and download the document or gain access to other information which might be related to RIOT GRRRL book. Reference Series Books LLC Jan 2012, 2012. Taschenbuch. Book Condition: Neu. 249x189x10 mm. Neuware - Source: Wikipedia. Pages: 54. Chapters: Kill Rock Stars, Sleater-Kinney, Tobi Vail, Kathleen Hanna, Lucid Nation, Jessicka, Carrie Brownstein, Kids Love Lies, G. B. Jones, Sharon Cheslow, The Shondes, Jack O Jill, Not Bad for a Girl, Phranc, Bratmobile, Fih Column, Caroline Azar, Bikini Kill, Times Square, Jen Smith, Nomy Lamm, Huggy Bear, Karen Finley, Bidisha, Kaia Wilson, Emily's Sassy Lime, Mambo Taxi, The Yo-Yo Gang, Ladyfest, Bangs, Shopliing, Mecca Normal, Voodoo Queens, Sister George, Heavens to Betsy, Donna Dresch, Allison Wolfe, Billy Karren, Kathi Wilcox, Tattle Tale, Sta-Prest, All Women Are Bitches, Excuse 17, Pink Champagne, Rise Above: The Tribe 8 Documentary, Juliana Luecking, Lungleg, Rizzo, Tammy Rae Carland, The Frumpies, Lisa Rose Apramian, List of Riot Grrl bands, 36-C, Girl Germs, Cold Cold Hearts, Frightwig, Yer So Sweet, Direction, Viva Knievel. Excerpt: Riot grrrl was an underground feminist punk movement based in Washington, DC, Olympia, Washington, Portland, Oregon, and the greater Pacific Northwest which existed in the early to mid-1990s, and it is oen associated with third-wave feminism (it is sometimes seen as its starting point). -
Gender, Ethnicity, and Identity in Virtual
Virtual Pop: Gender, Ethnicity, and Identity in Virtual Bands and Vocaloid Alicia Stark Cardiff University School of Music 2018 Presented in partial fulfilment of the requirements for the degree Doctor of Philosophy in Musicology TABLE OF CONTENTS ABSTRACT i DEDICATION iii ACKNOWLEDGEMENTS iv INTRODUCTION 7 EXISTING STUDIES OF VIRTUAL BANDS 9 RESEARCH QUESTIONS 13 METHODOLOGY 19 THESIS STRUCTURE 30 CHAPTER 1: ‘YOU’VE COME A LONG WAY, BABY:’ THE HISTORY AND TECHNOLOGIES OF VIRTUAL BANDS 36 CATEGORIES OF VIRTUAL BANDS 37 AN ANIMATED ANTHOLOGY – THE RISE IN POPULARITY OF ANIMATION 42 ALVIN AND THE CHIPMUNKS… 44 …AND THEIR SUCCESSORS 49 VIRTUAL BANDS FOR ALL AGES, AVAILABLE ON YOUR TV 54 VIRTUAL BANDS IN OTHER TYPES OF MEDIA 61 CREATING THE VOICE 69 REPRODUCING THE BODY 79 CONCLUSION 86 CHAPTER 2: ‘ALMOST UNREAL:’ TOWARDS A THEORETICAL FRAMEWORK FOR VIRTUAL BANDS 88 DEFINING REALITY AND VIRTUAL REALITY 89 APPLYING THEORIES OF ‘REALNESS’ TO VIRTUAL BANDS 98 UNDERSTANDING MULTIMEDIA 102 APPLYING THEORIES OF MULTIMEDIA TO VIRTUAL BANDS 110 THE VOICE IN VIRTUAL BANDS 114 AGENCY: TRANSFORMATION THROUGH TECHNOLOGY 120 CONCLUSION 133 CHAPTER 3: ‘INSIDE, OUTSIDE, UPSIDE DOWN:’ GENDER AND ETHNICITY IN VIRTUAL BANDS 135 GENDER 136 ETHNICITY 152 CASE STUDIES: DETHKLOK, JOSIE AND THE PUSSYCATS, STUDIO KILLERS 159 CONCLUSION 179 CHAPTER 4: ‘SPITTING OUT THE DEMONS:’ GORILLAZ’ CREATION STORY AND THE CONSTRUCTION OF AUTHENTICITY 181 ACADEMIC DISCOURSE ON GORILLAZ 187 MASCULINITY IN GORILLAZ 191 ETHNICITY IN GORILLAZ 200 GORILLAZ FANDOM 215 CONCLUSION 225 -
Whipping Girl
Table of Contents Title Page Dedication Introduction Trans Woman Manifesto PART 1 - Trans/Gender Theory Chapter 1 - Coming to Terms with Transgen- derism and Transsexuality Chapter 2 - Skirt Chasers: Why the Media Depicts the Trans Revolution in ... Trans Woman Archetypes in the Media The Fascination with “Feminization” The Media’s Transgender Gap Feminist Depictions of Trans Women Chapter 3 - Before and After: Class and Body Transformations 3/803 Chapter 4 - Boygasms and Girlgasms: A Frank Discussion About Hormones and ... Chapter 5 - Blind Spots: On Subconscious Sex and Gender Entitlement Chapter 6 - Intrinsic Inclinations: Explaining Gender and Sexual Diversity Reconciling Intrinsic Inclinations with Social Constructs Chapter 7 - Pathological Science: Debunking Sexological and Sociological Models ... Oppositional Sexism and Sex Reassignment Traditional Sexism and Effemimania Critiquing the Critics Moving Beyond Cissexist Models of Transsexuality Chapter 8 - Dismantling Cissexual Privilege Gendering Cissexual Assumption Cissexual Gender Entitlement The Myth of Cissexual Birth Privilege Trans-Facsimilation and Ungendering 4/803 Moving Beyond “Bio Boys” and “Gen- etic Girls” Third-Gendering and Third-Sexing Passing-Centrism Taking One’s Gender for Granted Distinguishing Between Transphobia and Cissexual Privilege Trans-Exclusion Trans-Objectification Trans-Mystification Trans-Interrogation Trans-Erasure Changing Gender Perception, Not Performance Chapter 9 - Ungendering in Art and Academia Capitalizing on Transsexuality and Intersexuality -
The Essential Guide ~ an Introduction to Advocating for Survivors of Family
Table of Contents Introduction: History of the Battered Women’s Movement .......................................................................... 3 Chapter 1: Dynamics of Family Violence ........................................................................................................ 9 Chapter 2: Basics to Providing Advocacy ...................................................................................................... 14 Chapter 3: Navigating the Legal System and Legal Options for Survivors .................................................... 24 Chapter 4: Economic Options for Survivors .................................................................................................. 35 Chapter 5: Housing Advocacy ....................................................................................................................... 43 Chapter 6: Crime Victims’ Compensation Benefits ....................................................................................... 51 Chapter 7: Connecting Survivors to Community Resources ......................................................................... 55 Chapter 8: Coordination of Community Response (CCR) to Family Violence ............................................... 58 Chapter 9: Battering Intervention & Prevention Programs (BIPP) ............................................................... 61 Chapter 10: Doing the Work ......................................................................................................................... 63 Additional Resources -
Intimate Partner Violence—Is There a Solution?
Mujal Macro Edit_Paginated (Do Not Delete) 7/8/2012 2:24 PM Intimate Partner Violence—Is There A Solution? BY DIKSHA MUNJAL* I. INTRODUCTION The problem of violence against women is universal. It cuts through all boundaries of nationality, race, class, color, and creed. Manifestations of the problem can be found in the historical traditions of many countries such as China, where the practice of foot-binding took place,1 and India, where the ritual of sati was followed.2 The menace is with us still today.3 According to the latest British Crime Survey on intimate violence, “overall, three in ten (30%) women and two in ten (20%) men had experienced any domestic abuse since the age of 16.”4 * Research Associate, National Law University Delhi, New Delhi. L.L.M., University College London. Special thanks to Professor M.D.A. Freeman for his comments on an earlier draft. I would also like to thank my parents, Mr. Rakesh Munjal and Mrs. Shabnam Munjal, and my sister, Ms.Yashita Munjal, for their unwavering support. 1. Rhea V. Almeida & Ken Dolan-Delvecchio, Addressing Culture in Batterers Intervention: The Asian Indian Community as an Illustrative Example, 5 VIOLENCE AGAINST WOMEN 654, 667 (1999) (demonstrating that violence against women can take the form of foot binding and is more than just beating). 2. Sati was a practice wherein a widowed woman sacrificed herself in the funeral pyre of her husband either willingly or forcibly. Instances of the prevalence of the practice have been reported relatively recently. Woman Commits Sati in Bihar, TIMES INDIA, Mar. -
Physically Abused Women and Their Families: the Need for Comi\~Unity Services
.(. f • PHYSICALLY ABUSED WOMEN AND THEIR FAMILIES: THE NEED FOR COMI\~UNITY SERVICES PROGRAM DEVELOPMENT GUIDE ,- HELP PREVENT FAMILY VIOLENCE STATE OF NEW JERSEY DEPARTMENT OF HUMAN SERVICES DIVISION OF YOUTH AND FAMILY SERVICES TRENTON, NEW JERSEY JUNE 1, 1978 ",.___ .. __ ec _______~ ____... 1... ••________ ----'-- __ NCJRS PREFACE • OCT 51978 ACo, .. The Purchase of Service Unit and Bureau of R~~()~~ Division of Youth and Family Services have jointly prepared this preliminary guide for community program development for ,.. abused women and their children. There has been little research in this area and as a consequence the available literature is sparse. Most of the information provided in this protocol, as well as in the available literature, is based upon anecdotal accounts. As more documented information becomes available, this guide will be revised and redistributed to the community. This guide is the second in a series of program development • manuals addressing family violence. The first report, Child Abuse and Neglect in New Jersey: A Guide for Communi- ties and Provider Agencies, is available through the Division of Youth and Family Services. This guide was prepared by Charles J. Crowley, Judith Jordan, Lucy Van Iperen, and Penny Vennard. • TABLE OF CONTENTS Introduction . · 1 I. Scope of the Problem. • • 4 A. Available Statistics · 4 B. Occurrence of Incidents Across Socio-Economic Groups . .. .. .10 C. Estimated Incidence of Spousal Violence in New Jersey . • . .]:0 D. Prevailing Causal Theories and the Potential Effects of Spousal Violence. • • .. ...11 1. Causes of Spousal Violence. .11 2. Effects of Spousal Violence . .17 E. The Condition and Problems Battered Women Face •.