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Star Channels, May 20-26
MAY 20 - 26, 2018 staradvertiser.com LEGAL EAGLES Sandra’s (Britt Robertson) confi dence is shaken when she defends a scientist accused of spying for the Chinese government in the season fi nale of For the People. Elsewhere, Adams (Jasmin Savoy Brown) receives a compelling offer. Chief Judge Nicholas Byrne (Vondie Curtis-Hall) presides over the Southern District of New York Federal Court in this legal drama, which wraps up a successful freshman season. Airing Tuesday, May 22, on ABC. WE’RE LOOKING FOR PEOPLE WHO HAVE SOMETHING TO SAY. Are you passionate about an issue? An event? A cause? ¶ũe^eh\Zga^eirhn[^a^Zk][r^fihp^kbg`rhnpbmama^mkZbgbg`%^jnbif^gm olelo.org Zg]Zbkmbf^rhng^^]mh`^mlmZkm^]'Begin now at olelo.org. ON THE COVER | FOR THE PEOPLE Case closed ABC’s ‘For the People’ wraps Deavere Smith (“The West Wing”) rounds example of how the show delves into both the out the cast as no-nonsense court clerk Tina professional and personal lives of the charac- rookie season Krissman. ters. It’s a formula familiar to fans of Shonda The cast of the ensemble drama is now part Rhimes, who’s an executive producer of “For By Kyla Brewer of the Shondaland dynasty, which includes hits the People,” along with Davies, Betsy Beers TV Media “Grey’s Anatomy,” “Scandal” and “How to Get (“Grey’s Anatomy”), Donald Todd (“This Is Us”) Away With Murder.” The distinction was not and Tom Verica (“How to Get Away With here’s something about courtroom lost on Rappaport, who spoke with Murder”). -
Art of the X-Files
On May 19th 2013, fans of The X-Files were given a rare treat; a chance to spend time with the minds behind the art of The X-Files. The event, held at the iconic Egyptian Theater in Los Angeles, and celebrated by the Art Directors Guild Film Society, the American Cinematheque, and The Hollywood Reporter, brought together production designer Corey Kaplan (The X-Files, Scandal, Cold Case, Robbery Homicide Division), writer-producer-director Vince Gilligan (The X-Files, Breaking Bad, The Lone Gunmen, Harsh Realm) and Creator-Writer-Producer-Director Chris Carter (The X-Files, Harsh Realm, Millennium, The Lone Gunmen). Moderated by production designer John Muto (Home Alone, River’s Edge, Terminator 2 3-D), the event presented the art and design of The X-Files by screening “Je Souhaite” and “Triangle” and included a panel discussion. What made this event unique is that as a television viewing audience, we often celebrate and obsess over actors, and at times writers and producers. We become deeply connected to the characters and to the story of the hardships they face. However, the world that is created by the Art Department under the guidance of the Production Designer often goes unmentioned. This is likely due to the ability of the visual medium to submerse the viewer into an environment so compelling that we momentarily suspend belief. We forget the complexities of set design and construction, of picking out the right costumes and maintaining outfit continuity, of choosing makeup that both enhances the character yet seems realistic, of creating convincing special effects, and the arduous search for the perfect location. -
Thesis Submitted for the Degree of Doctor of Philosophy University of Bath Department of Pharmacy and Pharmacology April 2013
University of Bath PHD Evaluating digital vascular perfusion and platelet dysfunction in Raynaud’s phenomenon and systemic sclerosis Pauling, John Award date: 2013 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 Evaluating digital vascular perfusion and platelet dysfunction in Raynaud’s phenomenon and systemic sclerosis submitted by John D Pauling A thesis submitted for the degree of Doctor of Philosophy University of Bath Department of Pharmacy and Pharmacology April 2013 COPYRIGHT Attention is drawn to the fact that copyright of this thesis rests with the author. A copy of this thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that they must not copy it or use material from it except as permitted by law or with the consent of the author. -
"This Murder Done": Misogyny, Femicide, and Modernity in 19Th- Century Appalachian Murder Ballads
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2011 "This Murder Done": Misogyny, Femicide, and Modernity in 19th- Century Appalachian Murder Ballads Christina Ruth Hastie [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the American Popular Culture Commons, Cultural History Commons, History of Gender Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, United States History Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Hastie, Christina Ruth, ""This Murder Done": Misogyny, Femicide, and Modernity in 19th-Century Appalachian Murder Ballads. " Master's Thesis, University of Tennessee, 2011. https://trace.tennessee.edu/utk_gradthes/1045 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Christina Ruth Hastie entitled ""This Murder Done": Misogyny, Femicide, and Modernity in 19th-Century Appalachian Murder Ballads." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major -
Contemporary Irish Poetry and the Canon, New Directions in Irish and Irish American Literature, DOI 10.1007/978-3-319-51112-2 232 BIBLIOGRAPHY
BIBLIOGRAPHY A Poem for Ireland. “About: Ten Poems for Ireland. Which is Your Best-Loved?” Accessed 9 October 2016. http://apoemforireland.rte.ie/about/. ———. “Our Jury”. Accessed 9 October 2016. http://apoemforireland.rte.ie/ jury/. ———. “Terms and Conditions”. Accessed 9 October 2016. http://apoemforire land.rte.ie/terms-conditions/. Alcobia-Murphy, Shane. “‘My Cleverly Dead and Vertical Audience’: Medbh McGuckian’s ‘Difficult’ Poetry”. New Hibernia Review 16.3 (2012): 67–82. Allen, Michael. “Horse-People and Others”. Review of Mules, by Paul Muldoon. Honest Ulsterman 56 (1977): 136–41. ———. “The Poetry of Medbh McGuckian”.InContemporary Irish Poetry: A Collection of Critical Essays, edited by Elmer Andrews, 286–309. Basingstoke: Macmillan, 1992. Allen-Randolph, Jody, and Eavan Boland. “An Interview with Eavan Boland”. Irish University Review 23.1 (1993): 117–30. Allison, Jonathan. “Questioning Yeats: Paul Muldoon’s ‘7, Middagh Street’”.In Learning the Trade: Essays on W. B. Yeats and Contemporary Poetry, edited by Deborah Fleming, 3–20. West Cornwall, CT: Locust Hill, 1993. ———. “Acts of Memory: Poetry and the Republic of Ireland Since 1949”.In Writing in the Irish Republic: Literature, Culture, Politics 1949–1999, edited by Ray Ryan, 44–63. Basingstoke: Macmillan, 2000. “Ancrene Wisse”.InAnchoritic Spirituality: Ancrene Wisse and Associated Works, edited by Anne Savage and Nicholas Watson, 41–208. Mahwah, NJ: Paulist, 1991. © The Author(s) 2017 231 K. Keating, Contemporary Irish Poetry and the Canon, New Directions in Irish and Irish American Literature, DOI 10.1007/978-3-319-51112-2 232 BIBLIOGRAPHY Andrews, Elmer, ed. Seamus Heaney: A Collection of Critical Essays. Basingstoke: Macmillan, 1992. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
October 14 - 20, 2018
OCTOBER 14 - 20, 2018 staradvertiser.com TURN BACK THE CLOCK Take a trip through time and follow the ups and downs of Mike (Michael Cudlitz) and Peggy Cleary (Mary McCormack) and their eight wild boys in 1970s suburban Los Angeles. The Kids Are Alright is based on the childhood of creator Tim Doyle (Last Man Standing), who also narrates the new comedy. Premiering Tuesday Oct. 16, on ABC. NEW EPISODE! Join host, Lyla Berg as she sits down with guests Meet the who share their work on moving our community forward. people and places SPECIAL GUESTS INCLUDE: Steven Vendt, Hawaiian Railway, Operations Manager that make 1st & 3rd Kimi Takazawa, After School All Stars, President and CEO Hawai‘i Wednesday of the Month, Sgt. Chris Kim, Honolulu Crime Stoppers, Coordinator 6:30 pm | Channel 53 Rebecca Beralas, Ko‘olau Mountains Watershed Partnership, olelo.org special. Community Outreach Liaison ON THE COVER | THE KIDS ARE ALRIGHT Home sweet home Take a trip through time with the childhood of its creator. “Kids” follows ATX Television Festival in Austin, Texas, saying, the ups and downs of Mike (Michael Cudlitz, “They’re trying to hold on to the values in this ‘The Kids Are Alright’ “The Walking Dead”) and Peggy Cleary (Mary house, and the outside world keeps coming in.” McCormack, “In Plain Sight”) and their eight Raising boys is no picnic. Raising eight boys By Francis Babin wild boys in 1970s suburban Los Angeles. in a working-class neighborhood is a monu- TV Media Creator/writer/executive producer Tim Doyle mental challenge. With Mike and Peggy often (“Last Man Standing”) grew up in a large, tradi- working long hours and doing everything in he new prime-time television season is fi- tional Irish Catholic family. -
New Sappho” and “Newest Sappho”
The Study of Historical and Philological Papyrology: Case Studies “New Sappho” and “Newest Sappho” A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba In partial fulfillment of the requirements of the degree of MASTER OF ARTS Department of Classics University of Manitoba Winnipeg, Manitoba Copyright © 2018 by Bianca Lysette Claudio Abstract This thesis investigates how a recently discovered papyrus fragment is analyzed by examining closely two new Sappho papyri found within the last decade, known as the “Newest Sappho” and “New Sappho” respectively. The former consists of a set of fragments discovered in 2014 by Dirk Obbink which contains both the Brothers Song and Kypris Song; the latter denotes another set of fragments including the Tithonus Song, published by Martin Gronewald and Robert Daniel in 2004. The investigation of the new discoveries will be divided into two case studies: the first will be focused on the P. Sapph. Obbink fragment and its Brothers Song, exploring the possibility that the Brothers Song is not necessarily Sappho’s work, but rather an example of an ancient imitation. The second case study will be focused on Sappho’s Tithonus Song, as preserved in P.Köln. inv. 21351+21376. My investigation for this section will proceed first by identifying the actual length of the Tithonus Song – examining where the poem begins and where it ends, and continue by addressing how Sappho interprets old age in her poem. Each of the two case studies will be divided further into two methodologies – a papyrological and philological approach – which will govern my analysis, addressing certain problems and issues that are unique to each find. -
1 Making Love, Making Reality: Propertius, Prosopopoeia
MAKING LOVE, MAKING REALITY: PROPERTIUS, PROSOPOPOEIA, AND POETRY’S POWER OF CREATION By RANDALL LAWRENCE CHILDREE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2007 1 © 2007 Randall Lawrence Childree 2 For Lawrence Childree e pluribus unum 3 ACKNOWLEDGEMENTS My greatest thanks are owed to my chairman, Timothy Johnson. He was patient with a student whose writing patterns and work habits were, no doubt infuriatingly, very different from his own. All the same he provided encouragement when it was needed, motivation when it was, and new perspectives when they were. His advice on life matters counted no less. I am an improved scholar and person because of his efforts. Robert Wagman, Jennifer Rea, Karelisa Hartigan, and Gareth Schmeling have all contributed to my improvement, sometimes in ways that they probably do not realize. I also have to mention Druscilla Gurahoo, who always had a chair for me, a good story and a smile, and who also provided more than a few relaxing moments when I was exhausted. My friends and fellow students in the department have all meant a great deal to me, but particularly three. I will always owe Dustin Heinen a debt of gratitude: when I was trapped in San Giacomo, he was my only outlet to civilization and the only thing that kept me sane. Jon Zarecki has paradoxically both shown me how much fun it can be to act utterly ridiculous, and modeled what it means to succeed in our profession. -
NVS 3-2-1 S-Tomaiuolo.Pdf
A Map of Tennysonian Misreading: Postmodern (Re)visions Saverio Tomaiuolo (Cassino University, Italy) Abstract: From the time of his submission of a poem for a literary prize as an adolescent, Tennyson conceived poetry in ‘prophetic’ terms, and ‘Timbuctoo’ (1829) engaged him in constructing his role as poetic voice in (and for) the present and in (and for) the future. In this sense, Ulysses’s sentence “I am become a name” in the eponymous poem is paradigmatic of Tennyson’s approach to his envisaged poetic afterlife. As a writer of poetry, a representative of Victorian thought and a ‘brand name’ in nineteenth-century literary and cultural market, Tennyson has been constantly subject to adaptations, revisions and intersemiotic translations. Using Harold Bloom’s ideas on the inevitability of “misreading” as a driving force in the reception and successive re-creation of poetry, this analysis will try and retrace a ‘map’ of Tennysonian rewritings with particular reference to ‘Tithonus’ (1860), ‘The Lady of Shalott’ (1842), ‘The Charge of the Light Brigade’ (1854) and In Memoriam (1850) in a wide range of heterogeneous texts, including nostalgic fictional biographies, war movies, science-fiction and fantasy TV serials, teen-ager novels, pop and heavy metal music, crime novels, and experimental postmodern fictions. Keywords: adaptation, brand name, intersemiotic translation, misreading, neo-Victorian, postmodernity, rewriting, Alfred Tennyson, Victorian. ***** Everything began with a postcard. Its effect was a mixture of surprise and pleasure, like unexpected “letters unto trembling hands”. It was a postcard from a friend who knew my interest in Tennyson and decided to make fun of me (and of it). -
An Application of the Five Canons of Classical Rhetoric to Television Program Development
UNLV Retrospective Theses & Dissertations 1-1-1999 The canons of television: An application of the five canons of classical rhetoric to television program development Jamey Todd Combs University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Combs, Jamey Todd, "The canons of television: An application of the five canons of classical rhetoric to television program development" (1999). UNLV Retrospective Theses & Dissertations. 1111. http://dx.doi.org/10.25669/yu91-f0tc This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiace, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. -
Chris Carter Omen Nomen
FILES BLUEBOOK & FILES ITALIAN FAN CLUB present... X Created by X-FiLes Blue Book & X-Files Italian Fan Club Editor Massimiliano Design and layout Simone Ferraro Translater Cristian Di Paolo Editorial staff Massimiliano Anasilv BLUE BOOK Elena Romanello Gfelix MAGAZINE SUPERVISOR The first magazine created by fans and dedicated to X-Files Adam Boraso Contributors Magazine nonprofit, browsable online, X-Files Universe created by x-filesbluebook.com - Photos and X-Files Lexicon trademarks belong to 20TH Century Fox Musings of an X-Phile and Ten Thirteen Productions Expediente X The X-Files 3 in 2012 Special thanks to: Sarah Blinco Matt Allair Maurisap Sandra Giorgia Bazzocchi (wonderful vidder) Sabrina D'Ercole (passionate fan) Michelle Rose --------------------------------- Contacts: [email protected] [email protected] A M A R C O R D 19th June, 1998 “Why did they assign me to you in the first place, Mulder? To debunk your work, to rein you in, to shut you down.” “But you saved me! As difficult and as frustrating as it's been sometimes, your goddamned strict rationalism and science have saved me a thousand times over! You've kept me honest ... you've made me a whole person. I owe you everything ... Scully, and you owe me nothing..” BlueBook Focus on II WANTWANT TOTO BELIEVEBELIEVE 20 Insights X-Philosophy 16 40 CHRIS CARTER OMEN NOMEN Fandomania THE TRUTH IS OUT THERE 32 AND ENVOLVING... Features Insights XF3 Campaign 3-AMARCORD 16-CHRIS CARTER 24-WE WANT XF3! Fight the Future The man who rides wave philes worldwide asking for another movie 6-NEWS Fox’s 25th anniversary Focus on Fandomania London Comic Con 12-CONVENTIONS 20-I WANT TO BELIEVE 32-THE X-FILES LEXICON X-Con Germany Analysis by GFelix The truth is out there and envolving..