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Newsletter 09/13 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 09/13 DIGITAL EDITION Nr. 332 - August 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/13 (Nr. 332) August 2013 editorial Neues Video auf unserem Youtube-Kanal! http://www.youtube.com/user/laserhotline WOCHENENDKRIEGER DIE FILMMUSIK Wir haben Uwe Schenk, den Komponisten der Musik zu dem Film „Wochenendkrieger“, in seinem Studio besucht. Anhand von Beispielen demonstriert er seine Arbeitsweise und erzählt über den sinfonischen Score zu Andreas Geigers Dokumentarfilm. Viel Spaß bei Anschauen wünscht Ihr LASER HOTLINE Team! LASER HOTLINE Seite 2 Newsletter 09/13 (Nr. 332) August 2013 Batfleck and Wonder-Where-She-Is-Woman Vereinzelte Sonnenstrahlen scheinen durch die Wol- Joker gecastet wurde. Dass er sich in Batman verlie- kendecke durch und kitzeln mir das Gesicht. Schlaf- ben würde, wurde gehöhnt, und dass er die Persön- trunken greife ich nach meinem iPhone, reibe mir die lichkeit und schauspielerischen Fähigkeiten eines Augen und rufe mein Twitter auf. Das Internet ist in Blattes Salat habe. Und nun ist Ledgers Joker eine Rage, nur ein Thema beherrscht meine Timeline: Ben Legende und wird verehrt. Nicht nur, weil es seine Affleck ist offiziell der neue Batman! Missmut, Auf- letzte Performance war und er alles dafür gegeben ruhr, Revolution! Alle sind sich einig, dass Affleck der hat. Ben Affleck ist heutzutage ein weit besserer totale Fehlgriff für den Dunklen Ritter ist. Ich lege das Schauspieler als er es zu Zeiten von Jack Ryan und iPhone beiseite und stöhne. -
The Many Deaths of Peggie Castle Jake Hinkson
The Many Deaths of Peggie Castle Jake Hinkson n Hollywood’s Golden Age, beauty was turned into a commodity, one found in abundance and renewed with each out-of-town bus. Thousands of lovely young women cycled through the system, had their physical attributes capital- ized upon, and wound up back on the street with little more than the handful of cash it would take to get back home. Of these unlucky multitudes, few lived long enough to see themselves become a new kind of star: the rediscovered filmI noir icon, the object of scholarly study and geek adoration. 42 NOIR CITY I SUMMER 2013 I filmnoirfoundation.org Though a lot of actresses played the doomed bad girl, Peggie Castle seemed to embody the ethos somehow. Something about her seemed dangerous—which is another way of saying, perhaps, that something about her threatened men. With her low, smoky voice and skeptical green eyes, she wasn’t hot, she was cool. She never seemed to lose con- trol. Her sensuality always seemed to be hers to do with as she pleased, a tool to get what she wanted. If this was her innate quality as an actor, then she was made to suffer for it in film after film. That cool quality seemed to reflect the real woman as well. Well- educated and ambitious, she had a caustic wit about most things, and she evinced few romantic illusions about the business she’d cho- sen for herself. “The difference between an old fashioned kiss and a movie kiss,” she said once, “is about 1500 feet of film.” She lived a disconnected life from the beginning. -
Arkansas Baptist Newsmagazine, 1965-1969 Arkansas Baptist Newsmagazine
Ouachita Baptist University Scholarly Commons @ Ouachita Arkansas Baptist Newsmagazine, 1965-1969 Arkansas Baptist Newsmagazine 12-5-1968 December 5, 1968 Arkansas Baptist State Convention Follow this and additional works at: https://scholarlycommons.obu.edu/arbn_65-69 Part of the Christian Denominations and Sects Commons, Mass Communication Commons, and the Organizational Communication Commons Recommended Citation Arkansas Baptist State Convention, "December 5, 1968" (1968). Arkansas Baptist Newsmagazine, 1965-1969. 56. https://scholarlycommons.obu.edu/arbn_65-69/56 This Book is brought to you for free and open access by the Arkansas Baptist Newsmagazine at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Arkansas Baptist Newsmagazine, 1965-1969 by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. ! ·�!' ' . ' ). ·,; \_ , ' . c: � k ,:.. } pur .- ple monn-tain maj .. ·,� :� ., . :;'}.!: - bove�'�the \ ut\lt���._-{,t,, ,:.,�r;:� thor - ough-fare fo·r free - doni be'at� A - cross the ,,.wit .. «er.. ::.;- ·nessf. Qt,e"'' than self. their COijll - ,-·-· ''�Joved', < ,,�-.-�>''°' Andif·-¥:� ·1-,·c.·m What one dollar cannot do, 40,000 can. Please do 1 your part this year to push our budget over the Personally top. Will you· light your. flame Y" ��... �-tA �- ,•� speaking . IN THIS ISSUE: - TWO leading Arkansas citizens, Governor 1 40,000 Rockefeller and W. R. (Witt) Stephens, have X joined forces for 'the benefit of Arkansas Baptist "It was a warm summer night. The glare of Medical Center, page 6. The $2,000,000 fund drive huge stadium lights spotlighted a million bugs in will greatly expand the Medical Center System, flight. Every seat was filled and every eye riv with the assistance of a Hill-Burton federal grant. -
Crime Wave for Clara CRIME WAVE
Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International, -
Progress Report 2004-05 Table of Contents
UCLA LIBRARIAN Progress Report 2004-05 Table of Contents 2 Letter from the University Librarian 3 Collections: “The resources...boggle the mind” 11 Services: “This class...has taught me more about research...” 13 Senior Staff: “...the most valuable researching tool...” 14 Statistics: “...such vast amounts of the newest information...” 15 Exhibits and Events 17 Donor Honor Roll ucla librarian progress report 2004 - 05 letter from the university librarian Matthew Barragan is quite an amazing young man. He and his twin brother, Andrew, both recipients of Gates Millennium Scholarships, grew up in Delano, California, in the heart of the state’s agricultural region. Matthew has just begun his second year at UCLA and is majoring in political science, while his brother is attending Stanford University. We in the Library got to know Matthew last spring, when he took a Fiat Lux Honors Collegium on library research. Taught by College Librarian Esther Grassian, this semi- nar helps undergraduates develop their research skills, beginning with identifying and refining a topic for a research paper through using the appropriate citation style in the paper’s bibliography. Matthew took the library seminar in conjunction with a general education cluster course, “Interracial Dynamics: Race and Politics.” The GE course required a research paper, and in the course of writing his paper, “The Bracero Program and Bush’s Guest Worker Program: Will History Repeat Itself?,” Matthew discovered a personal connection to the topic: he found out that his grandfather had been a bracero. The bracero program, as it was informally known, was created to ease manpower short- ages during World War II; it allowed Mexican migrant workers to enter the country to work legally, though at wages significantly lower than other laborers earned. -
An Eye for Hitchcock
00-R2923-FM 1/9/04 11:37 AM Page i An Eye for Hitchcock G&S Typesetters PDF proof 00-R2923-FM 1/9/04 11:37 AM Page ii An Eye for G&S Typesetters PDF proof 00-R2923-FM 1/9/04 11:37 AM Page iii Murray Pomerance Hitchcock Rutgers University Press New Brunswick, New Jersey, and London G&S Typesetters PDF proof 00-R2923-FM 1/9/04 11:37 AM Page iv Library of Congress Cataloging-in-Publication Data Pomerance, Murray, 1946– An eye for Hitchcock / Murray Pomerance. p. cm. Includes bibliographical references and index. ISBN 0-8135-3394-5 (alk. paper)—ISBN 0-8135-3395-3 (pbk. : alk. paper) 1. Hitchcock, Alfred, 1899— Criticism and interpretation. I. Title. PN1998.3.H58P66 2004 791.43Ј0233Ј092—dc21 2003014221 British Cataloging-in-Publication information for this book is available from the British Library. Copyright © 2004 by Murray Pomerance All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage and retrieval system, without written permission from the publisher. Please contact Rutgers University Press, 100 Joyce Kilmer Avenue, Piscataway, NJ 08854 –8099. The only exception to this prohibition is “fair use” as defined by U.S. copyright law. Design by Karolina Harris Photograph of Alfred Hitchcock on p. 260 courtesy Photofest Film Archive. Manufactured in the United States of America G&S Typesetters PDF proof 00-R2923-FM 1/9/04 11:37 AM Page v To Nellie, night and day G&S Typesetters PDF proof 00-R2923-FM 1/9/04 11:37 AM Page vi G&S Typesetters PDF -
The Audience of Perry Mason, Or, the Case of What People Write to Famous Authors
. Volume 16, Issue 2 November 2019 The Audience of Perry Mason, or, the Case of What People Write to Famous Authors Janet Staiger, University of Texas at Austin, USA Abstract: This essay surveys what audience members of the US television series, Perry Mason (1957- 1966), wrote to Erle Stanley Gardner, creator of the character of Perry Mason, during the lifetime of the program. The study reaffirms and extends our knowledge of audiences (only some of whom might be considered ‘fans’) of primetime television. It focuses on approximately 130 letters and serves as a comparison with other studies of correspondence from TV viewers such as audiences of general news, the fans of Cagney & Lacy (1981-1988), and Internet exchanges between the creator of Babylon 5 (1994-1998) and its enthusiasts. The Perry Mason correspondence is less fraught with specific goals (altering perspectives on news programs, saving a cherished program, enjoying interactions with a famous writer) and, thus, likely displays more routine letter writing. Indeed, typically these audience members write that they like the program, they want Raymond Burr to continue on the program, and they question legal procedures, plot points, and choices of actors. However, among other points, they also tell Gardner their views on favorite (or not) recurring characters and trends in plot construction, and three spontaneously complain about ‘incidental’ (non-diegetic) music. Audiences seem to write creators of fiction television programs in order to maintain or alter the narrative formulas that give them pleasure. This practice appears to be a constant across historical periods of commercial US television. Keywords: audience letter-writing, television series, audience preferences, Perry Mason What do audiences do when something goes ‘wrong’ with their favorite characters or much loved serial narratives? One reaction is to discuss this with other audience members or friends who know the stories. -
On Television
ON TELEVISION INCLUDING JANUARY 16-22, 1956 THE TELEVISION INDEX VOLUME 8 NUMBER 3 PRODUCTION PROGRAMMING TALENT EDITOR: Jerry Leichter 551 Fifth Avenue New York 17 MUrray Hill 2-5910 PUBLISHED BY TELEVISION INDEX, INC. WEEKLY REPORT A FACTUAL RECORD OF THIS WEEK'S EVENTS IN TELEVISIONPROGRAMMING THIS WEEK -- NETWORK D;]11UTS & HIGHLIGHTS Monday (16 ) ABC- 3-5pm EST, Mon thru Fri; DEBUT; Afternoon Film Festival; FILM from WABC- TV(NY), to the net. § Participations. § Pkgr-.ABC-TV(NY); presenta- tions of feature films .produced by J. Arthur Rank organizations between 1930 and 1950. Allyn Edwards is host for the program, which shows a new series of films every fifth week, with repeats and new films shown each day during the weeks between the five -week cycle. A different film is shown each day. The program goes into open net time, pre-empting local programming. Sunday(22) CBS- 11:30nm-12 noon EST; NET DEBUT; Camera Three; LIVE from WCP:7,-TV(NY), to the net. § Sustaining. § Pkgr- WCBS-TV Dept of Public Affairs; Prod & Writ- er & Casting- Robert Herridge; Dir- Francis Moriarty; Prog Asst- Clifford Reeves; Advisory Consultant- Ward C. Bowen, Dir of Visual Education, N. Y. State Educa- tion Dept. § The program uses the television camera and occasional dramatiz- ations to explore the realities of man and his world, his arts and sciences, his ideas, his problems and his relationships. The program debuted locally over WCBS-TV(NY) on May 16, 1953, and now makes its network debut with thesame pro- duction staff and format. James Macandrew, director of broadcasting for the Board of Education of New York City, is moderator. -
Newsletter 16/11 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 16/11 DIGITAL EDITION Nr. 299 - Oktober 2011 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 16/11 (Nr. 299) Oktober 2011 editorial Hallo Laserdisc- und DVD-Fans, Interest” auf einen anderen Newsletter Festivalprogramm der Schauburg in liebe Filmfreunde! zu verschieben. Auch “Wolfram Hanne- Karlsruhe, das wir ab Seite 4 für Sie manns Film-Blog” musste der giganti- aufbereitet haben. Auch wenn wir in Wie bereits in Newsletter Nr. 298 ange- schen Anzahl angekündigter amerikani- dieser Newsletter-Ausgabe aus Platz- droht, finden Sie in der vorliegenden scher Neuerscheinungen weichen und gründen fast komplett auf Grafiken ver- Ausgabe ausschließlich amerikanische wird erst wieder in Ausgabe 300 er- zichtet haben, lohnt sich ein Blick in DVDs und Blu-rays. Auch wenn der scheinen. Dafür aber haben wir den die Release-Liste aus Amerika. Wie Newsletter damit auf über 70 Seiten versprochenen Bericht vom 25. Fantasy immer wünschen wir viel Spaß beim gewachsen ist, konnten wir dennoch Filmfest ab Seite 9 abgedruckt. Und für Stöbern! nicht alle US-Releases integrieren. Wir Freunde breitformatiger Kinounter- haben uns daher entschieden, die bei- haltung empfiehlt sich ein Blick in das Ihr Laser Hotline Team den Kategorien “Music” und “Special LASER HOTLINE Seite 2 Newsletter 16/11 (Nr. 299) Oktober 2011 IbuproLOL Der Altweibersommer herrscht noch in Zürich, aber Playmobil und Modellflugzeuge interessieren, bis zu die Viren haben sich nicht lumpen lassen: Es ist den billigen Special Effects – hier wurde nicht ge- Herbst und der Frontalangriff hat stattgefunden. -
Music Feature on Marcus Mixx We’Ll Have to Order More Pizza
CHICAGO’SFREEWEEKLYSINCE | FEBRUARY | FEBRUARY CHICAGO’SFREEWEEKLYSINCE Chicago’s black An Indo-Chinese artists return eatery in Davon Clark 8 North Park Mike Sula 11 Marcus Mixx has lost his home, but he still has house His early records fetch hundreds of dollars apiece, but he just wants a space of his own to make new tracks. By LG 26 Painter Nikko the Goodman’s Washington all-woman Yolanda Perdomo 12 production Kaylen Ralph 14 THIS WEEK CHICAGOREADER | FEBRUARY | VOLUME NUMBER TR A NOTE FROM THE EDITOR - @ THE PIZZA’S ALMOST gone here in the After all, it is not so much the drama of the about Chicago: amazing people doing Reader newsroom, and you know what that campaign that matters as the fact that we amazing things with very few resources. PTB ECAEM means—election results are starting to come went through it all together. The house legend is still going strong, Leor MEPSK in. Finally! Just kidding! The drama of the campaign— Galil writes, from his makeshift offices MEDKH D EKS It’s been a long road, hasn’t it? So many who’s tied to Alderman Ed Burke, who’s in down at the Chicago Cultural Center, and C LSK memories. Someday we’ll look back on this support of the new police academy, who’s on the airwaves at CAN TV. Photographer D P JR CEAL time and pine for a text message from Paul caught on Solis’s wiretap, and whether anyone Davon Clark introduces us to a thrilling M EPM Vallas that we definitely never gave out our can outmoney Daley—this all matters a great spate of black artists upending the nar- A EJL SWDI numbers for. -
An Overview of Media Interventions in Tobacco Control: Strategies and Themes
11 An Overview of Media Interventions in Tobacco Control: Strategies and Themes Media interventions for tobacco control have a history dating back to the 1960s. This chapter examines current and future trends in these types of interventions, including n The evolution of media efforts in tobacco control, from their roots under the Federal Communications Commission’s Fairness Doctrine to initiatives involving tobacco prevention and cessation advertising campaigns funded by state authorities and the 1998 Master Settlement Agreement n Examples of advertising themes used in public-health-sponsored tobacco control programs, as well as other efforts, such as commercial advertising for smoking cessation products and the tobacco industry’s own youth smoking prevention campaigns n A summary of research on factors that determine performance of antitobacco advertisements n The potential impact of and future directions for new-media channels such as interactive health communications using the Internet Today, a solid evidence base exists for developing antitobacco advertising that can garner positive outcomes in terms of target audience appraisal, recall, and indicators of message processing. Numerous areas for future study exist, ranging from better understanding of effects on specific population groups to designing effective online interventions. 431 1 1 . O v e r v i e w o f M e d i a I n t e r v e n t i o n s i n To b a c c o C o n t r o l Introduction This chapter examines how media interventions have been used in tobacco control, their trends over time, and factors that make them effective. -
Fatal, Cativa E Independente: a Mulher No Film Noir
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Estudo Geral Débora Sofia Lemos Pinto de Carvalho FATAL, CATIVA E INDEPENDENTE: A MULHER NO FILM NOIR FACULDADE DE LETRAS DA UNIVERSIDADE DE COIMBRA COIMBRA 2011 Débora Sofia Lemos Pinto de Carvalho FATAL, CATIVA E INDEPENDENTE: A MULHER NO FILM NOIR Dissertação de Mestrado em Estudos Artísticos , apresentada à Faculdade de Letras da Universidade de Coimbra, sob a orientação científica do Professor Doutor Abílio Hernandez Cardoso FACULDADE DE LETRAS DA UNIVERSIDADE DE COIMBRA COIMBRA 2011 AGRADECIMENTOS Terminado este trabalho gostaria de manifestar a minha gratidão, em primeiro lugar à minha mãe e ao meu pai, pelo amor, incentivo, e por toda a ajuda. Agradeço ao Pedro, à restante família e a todos os meus amigos, pela compreensão, força e motivação. Agradeço também ao Professor Abílio Hernandez, que sempre me contagiou com a sua paixão pelo film noir . E ainda a todos os meus colegas de licenciatura e mestrado, bem como aos docentes, que ao longo dos anos me proporcionaram discussões construtivas e interessantes. A todos, muito obrigado. i RESUMO A presente dissertação inicia-se por uma breve tentativa de definição do período clássico do film noir . Após uma contextualização sociocultural, histórica e política, é abordada a dificuldade em categorizar os filmes deste tipo. Propondo dar um contributo para a discussão, o film noir é assumido como sendo uma categoria transgenérica. Partindo da análise dos contextos do film noir , é proposta uma abordagem da figura feminina presente no mesmo. Mulher fatal, mulher cativa e mulher independente são os três tipos considerados.