DATE RAPE BACKLASH MEDIA & the DENIAL of RAPE the DATE RAPE BACKLASH Media and the Denial of Rape
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Anne Sexton, Her Therapy Tapes, and the Meaning of Privacy
UCLA UCLA Women's Law Journal Title To Bedlam and Part Way Back: Anne Sexton, Her Therapy Tapes, and the Meaning of Privacy Permalink https://escholarship.org/uc/item/2sn2c9hk Journal UCLA Women's Law Journal, 2(0) Author Lehrich, Tamar R. Publication Date 1992 DOI 10.5070/L321017562 Peer reviewed eScholarship.org Powered by the California Digital Library University of California TO BEDLAM AND PART WAY BACK: ANNE SEXTON, HER THERAPY TAPES, AND THE MEANING OF PRIVACY Tamar R. Lehrich* INTRODUCTION I have ridden in your cart, driver, waved my nude arms at villages going by, learning the last bright routes, survivor where your flames still bite my thigh and my ribs crack where your wheels wind. A woman like that is not ashamed to die. I have been her kind.' The poet Anne Sexton committed suicide in October, 1974, at the age of forty-five. Three months earlier, she had celebrated the 21st birthday of her elder daughter, Linda Gray Sexton, and on that occasion appointed her as Sexton's literary executor. 2 Anne Sexton * J.D. candidate, Harvard Law School, 1992; B.A., Yale University, 1987. This Essay was written in Alan A. Stone's seminar, "Psychoanalysis and Legal Assump- tions," given at Harvard Law School in the fall of 1991. The seminar provided a rare opportunity to explore theories of law, medical ethics, and artistic expression from an interdisciplinary perspective. In addition to Professor Stone, I am grateful to Martha Minow and Mithra Merryman for their insightful comments and challenging questions and to Carmel Sella and Lisa Hone for their invaluable editorial talents. -
FP 24.2 Summer2004.Pdf (5.341Mb)
The Un vers ty of W scons n System Feminist Periodicals A current listing of contents WOMEN'S STUDIES Volume 24, Number 2 Summer 2004 Published by Phyllis Holman Weisbard LIBRARIAN Women's Studies Librarian Feminist Periodicals A current listing of contents Volume 24, Number 2 (Summer 2004) Periodical literature is the culling edge ofwomen'sscholarship, feminist theory, and much ofwomen's culture. Feminist Periodicals: A Current Listing ofContents is pUblished by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to ajournal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table ofcontents pages from current issues ofmajor feministjournals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal: 1. Year of first pUblication. 2. Frequency of publication. 3. U.S. subscription price(s). 4. SUbscription address. 5. Current editor. 6. -
PRESS and FESTIVAL INQUIRIES: [email protected]
FOR DISTRIBUTION, PRESS AND FESTIVAL INQUIRIES: [email protected] Promo photos available here NAUGHTY BOOKS A Documentary by Austen Eleanore Rachlis Sex sells…until it doesn’t Naughty Books is a feature-length documentary about the boom of self-published romance novels in the wake of Fifty Shades of Grey. It follows three authors who became millionaires in under a year using pen names to sell erotica online for $1.99. Along the way, they upended the book industry, challenged ideas of female sexuality, and re-imagined the American Dream for the 21st century. *** In 2011, British television producer E.L. James published the erotic novel Fifty Shades of Grey. It became a cultural phenomenon, selling 100 million copies worldwide and taking erotica mainstream. Once a genre consumed in secret, explicit romances were now being read on the subway, by the pool, and on the treadmill. As it turned out, women weren’t only reading erotica in large numbers; they were also writing it. Thanks to Amazon’s Kindle store, which allowed writers to upload directly to the marketplace, women were able to publish independently, bypassing traditional gatekeepers like agents and editors. Readers were hungry for books like Fifty Shades, but the major publishers responded slowly. Self-published authors filled the void, flooding the market with $1.99 books about innocent women and bad-boy billionaires falling in love and having steamy sex. Readers devoured them. The authors became a force, challenging conventional feminist ideas and disrupting publishing. Naughty Books follows three writers who experienced overnight success, gaining tens of thousands of fans and securing lucrative deals with major publishers. -
Schnoebelen Dissertation-FULL VERSION
The Gendered Shackles of the Would-Be “Madame President”: A Rhetorical Analysis of Hillary Clinton’s Campaign Communication during the 2008 Democratic Presidential Primary BY ©2010 James M. Schnoebelen Submitted to the graduate degree program in Communication Studies and the Graduate Faculty of the University of Kansas In partial fulfillment of the requirements for the degree of Doctor of Philosophy. __________________________________ Chairperson __________________________________ __________________________________ __________________________________ __________________________________ Date Defended __________________________________ The Dissertation Committee for James M. Schnoebelen certifies That this is the approved version of the following dissertation: The Gendered Shackles of the Would-Be “Madame President”: A Rhetorical Analysis of Hillary Clinton’s Campaign Communication during the 2008 Democratic Presidential Primary Committee: __________________________________ Chairperson __________________________________ __________________________________ __________________________________ __________________________________ Date Defended __________________________________ 2 This work is dedicated to all of the daring women who have ever tried to break the highest and hardest glass ceiling in the United States (in chronological order): Victoria Woodhull (1872, 1892) Belva Lockwood (1884, 1888) Grace Allen (1940) Margaret Chase Smith (1964) Charlene Mitchell (1968) Shirley Chisholm (1972) Patsy Takemoto Mink (1972) Bella Abzug (1972) Linda Osteen -
Feminism and Victim Politics in Neoliberal Times Dr Rebecca Stringer
Feminism and Victim Politics in Neoliberal Times Dr Rebecca Stringer Space, Race Bodies keynote lecture, 8 December 2014 Thank you so much for the introduction Holly and inviting me to be the understudy today for this keynote. It’s a real pleasure to be here. It’s a really exciting conference and you’ve done so well at putting this together. Can you hear me alright? So well, while I cant fill the shoes of the keynote who was to speak this mourning, I can tell you about my book. So this is just a slide of the cover and I always like to note that the image here, which was a photograph by Valonia DeSuza is of the Dunedin “slut walk”. So you just see Dunedin on the right there. It’s nice to have that sense of local protest built into this project that I did in my years here. What else do I want to say about the photograph? A couple of people in this room contributed to placards for this march and this is what I’m kind of going to talk about today. You can’t talk about a book in 40min or all of the themes. So I’m going to kind of pick up some particular themes and speak to those and kind of give you the kernel of the argument as it were. So, this is where I’d begin, with this statement “we are not victims stop trying to rescue us”. So read the first slide in a conference presentation I attended recently, the presentation was given by a sex-worker activist. -
Women Against Feminism: Exploring Discursive Measures and Implications of Anti-Feminist Discourse
Globe: A Journal of Language, Culture and Communication, 2: 70-90 (2015) Women against feminism: Exploring discursive measures and implications of anti-feminist discourse Alex Phillip Lyng Christiansen, Aalborg University Ole Izard Høyer, Aalborg University Abstract: The present paper studies anti-feminist discourse within the tumblr-based group Women Against Feminism, and explores how the sentiments of these anti-feminists, as expressed in a multi-modal format, may help to understand the difficulty feminism has with gathering support from its female audience. The textual corpus, gathered through the site, is analysed with methods inspired by Fairclough's 2012 version of CDA, focused on discovering social issues within feminism as it relates to a female audience. By considering implicature and counter-discourse, the analysis demonstrates that anti-feminists perceive feminists as victimising the female population and depriving them of agency, and call for feminism to consider their viewpoint. Conclusively, the created perception of victimisation then serves to illustrate how language works to construe modern feminist discourse in a negative light, and how this may further hinder feminism in reaching the audience it desires. Keywords: Antifeminism, counter-discourse, Critical Discourse Analysis, victimisation. 1. Introduction Women have real reasons to fear feminism, and we do young women no service if we suggest to them that feminism itself is safe. It is not. To stand opposed to your culture, to be critical of institutions, behaviors, discourses--when it is so clearly not in your immediate interest to do so--asks a lot of a young person, of any person. At its best, the feminist challenging of individualism, of narrow notions of freedom, is transformative, exhilarating, empowering. -
1+1 National Library
National Library Bibliothèque nationale 1+1 of Canada du Canada Acquis:tions and Direction des acquisitions et Bibliographic services Branch des services bibliographiques 395 Welhnglon Sueet 395. rue Welllnglon OUawa. Onlario On:lwa (Onlario) K'AON4 K1AON4 NOTICE AVIS The quality of this microform is La qualité de cette microforme heavily dependent upon the dépend grandement de la qualité quality of the original thesis de la thèse soumise au submitted for microfilming. microfilmage. Nous avons tout Every effort has been made to fait pour assurer une qualité ensure the highest quality of supérieure de reproduction. reproduction possible. If pages are missing, contact the S'il manque des pages, veuillez university which granted the communiquer avec· l'université degree. qui a conféré le grade. Sorne pages may have indistinct La qualité d'impression de print especial1y if the original certaines pages peut laisser à pages were typed with a poor désirer, surtout si les pages typewriter ribbon or if the originales ont été university sent us an inferior dactylographiées à l'aide d'un photocopy. ruban usé ou si l'université nous a fait parvenir une photocopie de qualité inférieure. Reproduction in ful1 or in part of La reproduction, même partiel1e, this microform is governed by de cette microforme est soumise the Canadian Copyright Act, à la Loi canadienne sur le droit R.S.C. 1970, c. C-30, and d'auteur, SRC 1970, c. C-30, et subsequent amendments. ses amendements subséquents. " Canada • Qf Shadowboxinq and Straw-Women: Postfeminist Texts and Contexts Aurora wallace Graduate Program in Communications McGill university Montréal, Québec August, 1994 A Thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements of the degree of Master of Arts. -
Betrayed Women
experiences and systemic inequality. Af3rr: Sex, Fear, and Feminism On contention that academics are so The book documents the histori- Campw which depicted feminists as credulous of gender feminism be- cal changes in Canadian families as frigid hysterics who created the date cause it promotes the shedding of well as the pluralityofand contradic- rape crisis, Sommers' controversial their passive ivory-tower skins. "By tions in fimily experiences. The col- jAccusr provides an extremely un- supporting and promoting trans- lection indudes diverse experiences complimentary portrait of feminists formationism, not only do school such as divorce, same-sex couples, as a group of frenzied "gender warri- administratorsbuild up their r&um&, minority fimilies, poverty and vio- ors" in quest of recruits, vindication, they get to feel they are participating lence. It is surprising, however, that and ammunition. Predictably, most in the educational equivalent of the issues such as age as a source offamily North American feminists have rel- storming of the Bastille." The in- oppression, intergenerational con- egated this book to their overcrowded triguing issue raised here of the acad- flicts, children's interpretation ofh- backlash shelf, a justified reaction to emy's concern with social activism ily experiences and aging in (and Sommers' smug, often shortsighted over the past few decades unfortu- outside) fimilies were not included. liberal idealism, and occasional nately remains, like Sommers'. few Despite these omissions, this text- McCarthyite rhetoric. Apart from her speculative ideas, unexplored. book is both useful and effective in stale critique of the chimera known While the existence of hard-core challenging students to raise politi- in backlash vocabulary as "victim misandrist feminists in the academy cally contentious issues about inti- feminism," however, Sommers does is as undeniable as the existence of mate and personal matters. -
2. Informed: “I Don't Know. I Gotta Get the Best One”
Reading the Comments • Reading the Comments 2. Informed: “I Don’t Know. I Gotta Get the Best One” Joseph Reagle Published on: Apr 08, 2019 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) Reading the Comments • Reading the Comments 2. Informed: “I Don’t Know. I Gotta Get the Best One” Being a consumer is like a job. You have to make sure you get the best one. If you get a Blu-ray player, you gotta do research.… You gotta go on Amazon and read a really long review written by an insane person who’s been dead for months … because he shot his wife and then himself after explaining to you that the remote is counter-intuitive. “It’s got really small buttons on the remote,” he said … before he murder-suicided his whole family. And now you’re reading it and going, “I don’t know. I don’t know which one to get, I don’t know. I gotta get the best one.” Who are you, the King of Siam, that you should get the best one ever? Who cares? They’re all the same, these machines. They’re all made from the same Asian suffering. There’s no difference. —Louis C.K., “Late Show: Part 1,” Louie, season 3, episode 10, August 30, 2012 Despite the name, Boston’s Micro Center isn’t small—nor is it in Boston. It is, instead, an electronics supermarket on the Cambridge shore of the Charles River. It attracts customers from all over eastern Massachusetts, but I live a few minutes away. -
Required Reading
NEW YORK UNIVERSITY ARTHUR L. CARTER JOURNALISM INSTITUTE JOURNALISM and SOCIETY: WOMEN & THE MEDIA (JOUR-UA 503) Fall 2020 Professor Carol Sternhell Zoom Office Hours: By Appointment This class will take place entirely online, but synchronously in real time. Students must be virtually present in order to participate meaningfully in discussions. Women & the Media is a collaborative seminar designed to examine the complex relationship (or different, contradictory relationships) between those humans we call “women” and those forms of discourse we call “media.” We will consider women both as subjects and objects, as artists and models, as creators of “media” in its many forms and as media’s creations. What does our culture’s “media” tell us about its ideas of gender? What, if anything, does our gender tell us about our readings of “media”? Student participation in this seminar is key: students are expected to attend all sessions, to complete all the reading (there's lots of reading!), to participate actively in discussion, and to lead one of the class sessions themselves. Leading a class means opening the day’s conversation with a presentation, critiquing and elaborating on the assigned reading, bringing in additional relevant material, and suggesting questions or issues that seem particularly interesting or troublesome. The purpose of the course is to develop our critical and self-critical faculties as journalists, media critics, consumers of media, and women or men—to think clearly, challenge our pet assumptions, and have fun. Along with attendance and informed class participation, students are required to conduct a mini-research project and present their findings to the class. -
Victim-Feminism"
Priggish, Pitiless, and Punitive or Proud, Passionate, and Purposeful? Dichotomies, Sexual Harassment, and "Victim-Feminism" Jenny Morgan Canadian Journal of Women and the Law, Volume 17, Number 1, 2005, pp. 219-232 (Article) Published by University of Toronto Press DOI: https://doi.org/10.1353/jwl.2006.0014 For additional information about this article https://muse.jhu.edu/article/201612 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Priggish, Pitiless, and Punitive or Proud, Passionate, and Purposeful? Dichotomies, Sexual Harassment, and ‘‘Victim-Feminism’’ Jenny Morgan Australia’s version of the popular genre of the ‘‘victim-feminism’’ debate played out via a case of sexual harassment in a university college, in which two young women alleged that they had been sexually harassed by the master [chief executive officer] of their college. This event became much more than a matter of parochial interest when one of Australia’s best-known novelists decided to write a book about it. The book generated enormous media attention, though this was often very polarized and not very useful in furthering our understanding of sexual harassment. However, there was some interesting debate in the wake of the book that did manage to transcend the dichotomy of ‘‘power’’ versus ‘‘powerlessness.’’ La version australienne du de´bat populaire du « fe´minisme de victimisation » s’est de´roule´e par le biais d’un cas de harce`lement sexuel dans un colle`ge universitaire, dans lequel deux jeunes femmes ont alle´gue´ avoir e´te´ harcele´es sexuellement par le maıˆtre [p. -
Sisters at Odds
REVIEW Sisters at odds DIANA SCHAUB hadUST itsas Jacobinsthe movement, so too forthe"Libertyfeminist, Equality,movement, Fraternity"with its parallel call for women's liberation, the equality of the sexes, and politically conceived sisterhood. According to Christina Hoff Sommers, it is the final term of the triad that has in- spired dangerous radicalism in the feminist camp and led to something on the order of feminism's own Reign of Terror. Liberty and equality, yes--those are the hallmarks of what Sommers terms "equity" or "First Wave" feminism: "the tradi- tional, classically liberal, humanistic feminism that was initi- ated more than 150 years ago." Original feminism demanded and won fundamental political rights for women and opened up educational and economic opportunity. Sommers considers herself and most Americans to be feminists of this sort--heirs to the Enlightenment and its principles of individual justice. Her quarrel is with the "Second Wave" or "gender" feminists who have abandoned universalism for gynocentrism and traded enfranchisement for seemingly permanent victim status. Soli- darity with women has come to mean hostility to men, and particularly to that alleged system of male dominance: the "heteropatriarchy." Who Stole Feminism? How Women Have Betrayed Women _ is an attempt to reclaim feminism from these female Jacobins (prominent among them, Catherine MacKinnon, Naomi Wolf, Andrea Dworkin, Alison Jaggar, Susan Faludi, and Catherine Stimpson). In her Girondist dissent, Sommers joins a growing number of women, from Katie Roiphe to Camille Paglia, trying to wrest power from the radical Montagnards. Sommers claims that "misandrism [man-hating] ... was not a notable feature of the women's movement until our own times"; indeed, she finds that "the idea that women are in a gender _Simon and Schuster.