Everyday Life and Resistance Practices in F-Type Prisons of Turkey
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A Short Course in International Folk Dance, Harry Khamis, 1994
Table of Contents Preface .......................................... i Recommended Reading/Music ........................iii Terminology and Abbreviations .................... iv Basic Ethnic Dance Steps ......................... v Dances Page At Va'ani ........................................ 1 Ba'pardess Leyad Hoshoket ........................ 1 Biserka .......................................... 2 Black Earth Circle ............................... 2 Christchurch Bells ............................... 3 Cocek ............................................ 3 For a Birthday ................................... 3 Hora (Romanian) .................................. 4 Hora ca la Caval ................................. 4 Hora de la Botosani .............................. 4 Hora de la Munte ................................. 5 Hora Dreapta ..................................... 6 Hora Fetalor ..................................... 6 Horehronsky Czardas .............................. 6 Horovod .......................................... 7 Ivanica .......................................... 8 Konyali .......................................... 8 Lesnoto Medley ................................... 8 Mari Mariiko ..................................... 9 Miserlou ......................................... 9 Pata Pata ........................................ 9 Pinosavka ........................................ 10 Setnja ........................................... 10 Sev Acherov Aghcheek ............................. 10 Sitno Zensko Horo ............................... -
Report to the Turkish Government on the Visit to Turkey Carried out by The
CPT/Inf (2015) 6 Report to the Turkish Government on the visit to Turkey carried out by the European Committee for the Prevention of Torture and Inhuman or Degrading Treatment or Punishment (CPT) from 9 to 21 June 2013 The Turkish Government has requested the publication of this report and of its response. The Government’s response is set out in document CPT/Inf (2015) 7. Strasbourg, 15 January 2015 - 2 - CONTENTS Copy of the letter transmitting the CPT’s report............................................................................4 I. INTRODUCTION.....................................................................................................................5 A. Dates of the visit and composition of the delegation ..............................................................5 B. Establishments visited...............................................................................................................6 C. Consultations held by the delegation and co-operation encountered...................................7 D. Immediate observations under Article 8, paragraph 5, of the Convention .........................7 E. Monitoring of places of deprivation of liberty and complaints bodies.................................8 II. FACTS FOUND DURING THE VISIT AND ACTION PROPOSED ................................9 A. Police custody ............................................................................................................................9 1. Preliminary remarks ..........................................................................................................9 -
Cover No Spine
2006 VOL 44, NO. 4 Special Issue: The Hans Christian Andersen Awards 2006 The Journal of IBBY,the International Board on Books for Young People Editors: Valerie Coghlan and Siobhán Parkinson Address for submissions and other editorial correspondence: [email protected] and [email protected] Bookbird’s editorial office is supported by the Church of Ireland College of Education, Dublin, Ireland. Editorial Review Board: Sandra Beckett (Canada), Nina Christensen (Denmark), Penni Cotton (UK), Hans-Heino Ewers (Germany), Jeffrey Garrett (USA), Elwyn Jenkins (South Africa),Ariko Kawabata (Japan), Kerry Mallan (Australia), Maria Nikolajeva (Sweden), Jean Perrot (France), Kimberley Reynolds (UK), Mary Shine Thompson (Ireland), Victor Watson (UK), Jochen Weber (Germany) Board of Bookbird, Inc.: Joan Glazer (USA), President; Ellis Vance (USA),Treasurer;Alida Cutts (USA), Secretary;Ann Lazim (UK); Elda Nogueira (Brazil) Cover image:The cover illustration is from Frau Meier, Die Amsel by Wolf Erlbruch, published by Peter Hammer Verlag,Wuppertal 1995 (see page 11) Production: Design and layout by Oldtown Design, Dublin ([email protected]) Proofread by Antoinette Walker Printed in Canada by Transcontinental Bookbird:A Journal of International Children’s Literature (ISSN 0006-7377) is a refereed journal published quarterly by IBBY,the International Board on Books for Young People, Nonnenweg 12 Postfach, CH-4003 Basel, Switzerland tel. +4161 272 29 17 fax: +4161 272 27 57 email: [email protected] <www.ibby.org>. Copyright © 2006 by Bookbird, Inc., an Indiana not-for-profit corporation. Reproduction of articles in Bookbird requires permission in writing from the editor. Items from Focus IBBY may be reprinted freely to disseminate the work of IBBY. -
First Class Mail PAID
FOLK DANCE SCENE First Class Mail 4362 COOLIDGE AVE. U.S. POSTAGE LOS ANGELES, CA 90066 PAID Culver City, CA Permit No. 69 First Class Mail Dated Material ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ ADDRESS _________________________________________ PHONE (_____)_____–________ CITY _________________________________________ STATE __________________ E-MAIL _________________________________________ ZIP __________–________ Please mail subscription orders to the Subscription Office: 2010 Parnell Avenue Los Angeles, CA 90025 (Allow 6-8 weeks for subscription to go into effect if order is mailed after the 10th of the month.) Published by the Folk Dance Federation of California, South Volume 40, No. 1 February 2004 Folk Dance Scene Committee Club Directory Coordinators Jay Michtom [email protected] (818) 368-1957 Jill Michtom [email protected] (818) 368-1957 Calendar Jay Michtom [email protected] (818) 368-1957 Beginner’s Classes (cont.) On the Scene Jill Michtom [email protected] (818) 368-1957 Club Directory Steve Himel [email protected] (949) 646-7082 Club Time Contact Location Contributing Editor Richard Duree [email protected] (714) 641-7450 CONEJO VALLEY FOLK Wed 7:30 (805) 497-1957 THOUSAND OAKS, Hillcrest Center, Contributing Editor Jatila van der Veen [email protected] (805) 964-5591 DANCERS Jill Lungren 403 W Hillcrest Dr Proofreading Editor Laurette Carlson [email protected] (310) 397-2450 ETHNIC EXPRESS INT'L Wed 6:30-7:15 (702) 732-4871 LAS VEGAS, Charleston Heights Art FOLK DANCERS except holidays Richard Killian Center, 800 S. -
Dynamics of Collective Action in Turkish Prisons
DYNAMICS OF COLLECTIVE ACTION IN TURKISH PRISONS: COMPARATIVE ANALYSIS OF MAMAK AND DIYARBAKIR PRISONS BETWEEN 1980 AND 1985 by Basak Gemici Ay Bachelor of Arts, Sabancı University, 2012 Master of Arts, Koc University, 2015 Submitted to the Graduate Faculty of The Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS & SCIENCES This thesis was presented by Basak Gemici Ay It was defended on April 14th, 2016 and approved by Suzanne Staggenborg, Professor and Department Chair, Sociology Thesis Director: Jackie Smith, Professor, Sociology John Markoff, Distinguished University Professor, Sociology ii Copyright © by Basak Gemici Ay 2016 iii DYNAMICS OF COLLECTIVE ACTION IN TURKISH PRISONS: COMPARATIVE ANALYSIS OF MAMAK AND DIYARBAKIR PRISONS BETWEEN 1980 AND 1985 Basak Gemici Ay, M.A. University of Pittsburgh, 2016 Historically, one of the most significant periods in which incarceration was used as a tool to manage political opponents of the regime in Turkey was the 1980s, specifically during and after the 1980 military coup. This study investigates the high-risk environments of the two notorious military prisons: Mamak and Diyarbakir Prisons between 1980 and 1985. These two military prisons: Mamak Prison, where Turkish revolutionaries were incarcerated and Diyarbakir Prison, where Kurdish revolutionaries were incarcerated, were infamous for the torture and level of repression implemented by the military junta. The aim of the military junta was to dissolve revolutionary organizations and military prisons were one of the state institutions that were used to realize this aim. -
Prison Conditions
Country Information and Guidance Turkey: Prison Conditions Version 1.0 February 2016 Preface This document provides country of origin information (COI) and guidance to Home Office decision makers on handling particular types of protection and human rights claims. This includes whether claims are likely to justify the granting of asylum, humanitarian protection or discretionary leave and whether – in the event of a claim being refused – it is likely to be certifiable as ‘clearly unfounded’ under s94 of the Nationality, Immigration and Asylum Act 2002. Decision makers must consider claims on an individual basis, taking into account the case specific facts and all relevant evidence, including: the guidance contained with this document; the available COI; any applicable caselaw; and the Home Office casework guidance in relation to relevant policies. Country Information The COI within this document has been compiled from a wide range of external information sources (usually) published in English. Consideration has been given to the relevance, reliability, accuracy, objectivity, currency, transparency and traceability of the information and wherever possible attempts have been made to corroborate the information used across independent sources, to ensure accuracy. All sources cited have been referenced in footnotes. It has been researched and presented with reference to the Common EU [European Union] Guidelines for Processing Country of Origin Information (COI), dated April 2008, and the European Asylum Support Office’s research guidelines, Country of Origin Information report methodology, dated July 2012. Feedback Our goal is to continuously improve the guidance and information we provide. Therefore, if you would like to comment on this document, please e-mail us. -
Report to the Turkish Government on the Visit to Turkey Carried Out
CPT/Inf (2011) 13 Report to the Turkish Government on the visit to Turkey carried out by the European Committee for the Prevention of Torture and Inhuman or Degrading Treatment or Punishment (CPT) from 4 to 17 June 2009 The Turkish Government has requested the publication of this report and of its response. The Government’s response is set out in document CPT/Inf (2011) 14. Strasbourg, 31 March 2011 - 2 - CONTENTS Copy of the letter transmitting the CPT’s report............................................................................4 I. INTRODUCTION.....................................................................................................................5 A. Dates of the visit and composition of the delegation ..............................................................5 B. Establishments visited...............................................................................................................6 C. Co-operation and consultations held by the delegation.........................................................7 D. Immediate observations under Article 8, paragraph 5, of the Convention .........................9 II. FACTS FOUND DURING THE VISIT AND ACTION PROPOSED ..............................10 A. Monitoring of places of deprivation of liberty......................................................................10 B. Law enforcement agencies......................................................................................................11 1. Preliminary remarks ........................................................................................................11 -
COVID-19 in Turkish Prisons and Discrimination Against Political Prisoners
LEFT BEHIND TO DIE: COVID-19 in Turkish Prisons and Discrimination Against Political Prisoners stockholm center for APRIL, 2021 SCF freedom www.stockholmcf.org This page intentionally left blank 2 Table of contents ABOUT STOCKHOLM CENTER FOR FREEDOM �������������������������������������������������3 1. INTRODUCTION ����������������������������������������������������������������������������������������������������������4 2. THE GENERAL STATE OF PRISONS IN TURKEY FOLLOWING THE COUP ATTEMPT AND COVID-19 ������������������������������������������������������������������������������ 5 3. ‘TERRORISM’ AND ‘POLITICAL OFFENSES’ IN TURKEY . 9 4. LAW NO. 7242 ON AMENDMENTS TO THE LAW ON THE EXECUTION OF SENTENCES AND SECURITY MEASURES ������������������������� 12 4.1. Changes Made to Mandatory Time Served Prior to Eligibility for Release on Parole ����������������������������������������������������������������������������������������� 12 4.2. Amendments to Special Procedures for the Execution of Sentences �������������������������������������������������������������������������������������������������������16 4.3. Changes in Mandatory Time Served Periods . 16 4.4. Convicted women with children aged 0-6 ���������������������������������������18 4.5. Elderly, ill and frail, and disabled prisoners . .18 4.6. Lifting Disciplinary Punishments ���������������������������������������������������������19 5. THE JUDICIAL COUNCIL (HSK) AFTER THE 2017 CONSTITUTIONAL AMENDMENTS ������������������������������������������������������������������20 5.1. The 2017 -
In Prison 2017
A COMPREHENSIVE REPORT ON THE PRISON CONDITIONS IN TURKEY IN PRISON 2017 IN PRISON 2017 IN PRISON 2017 INTRODUCTION ..................................................................................................................... 2 TORTURE AND MISTREATMENT .......................................................................................... 5 METHODOLOGY ...................................................................................................................... 7 OVERVIEW ............................................................................................................................... 8 THE MARMARA REGION ........................................................................................................ 9 THE AEGEAN REGION ........................................................................................................... 26 THE MEDITERRANEAN REGION ............................................................................................. 36 CENTRAL ANATOLIA REGION .............................................................................................. 45 BLACK SEA REGION ............................................................................................................... 54 SOUTHEAST ANATOLIA REGION ......................................................................................... 60 EAST ANATOLIA REGION ...................................................................................................... 63 CONCLUSION ........................................................................................................................ -
9. Dancing and Politics in Croatia: the Salonsko Kolo As a Patriotic Response to the Waltz1 Ivana Katarinčić and Iva Niemčić
WALTZING THROUGH EUROPE B ALTZING HROUGH UROPE Attitudes towards Couple Dances in the AKKA W T E Long Nineteenth-Century Attitudes towards Couple Dances in the Long Nineteenth-Century EDITED BY EGIL BAKKA, THERESA JILL BUCKLAND, al. et HELENA SAARIKOSKI AND ANNE VON BIBRA WHARTON From ‘folk devils’ to ballroom dancers, this volume explores the changing recep� on of fashionable couple dances in Europe from the eighteenth century onwards. A refreshing interven� on in dance studies, this book brings together elements of historiography, cultural memory, folklore, and dance across compara� vely narrow but W markedly heterogeneous locali� es. Rooted in inves� ga� ons of o� en newly discovered primary sources, the essays aff ord many opportuni� es to compare sociocultural and ALTZING poli� cal reac� ons to the arrival and prac� ce of popular rota� ng couple dances, such as the Waltz and the Polka. Leading contributors provide a transna� onal and aff ec� ve lens onto strikingly diverse topics, ranging from the evolu� on of roman� c couple dances in Croa� a, and Strauss’s visits to Hamburg and Altona in the 1830s, to dance as a tool of T cultural preserva� on and expression in twen� eth-century Finland. HROUGH Waltzing Through Europe creates openings for fresh collabora� ons in dance historiography and cultural history across fi elds and genres. It is essen� al reading for researchers of dance in central and northern Europe, while also appealing to the general reader who wants to learn more about the vibrant histories of these familiar dance forms. E As with all Open Book publica� ons, this en� re book is available to read for free on the UROPE publisher’s website. -
Published by the Folkdance Federation of California, South Volume 52, No
Published by the Folkdance Federation of California, South Volume 52, No. 4 May 2016 Folk Dance Scene Committee Coordinator Jay Michtom [email protected] (818) 368-1957 Calendar Gerri Alexander [email protected] (818) 363-3761 On the Scene Jill Michtom [email protected] (818) 368-1957 Club Directory Steve Himel [email protected] (949) 646-7082 Dancers Speak Sandy Helperin [email protected] (310) 391-7382 Federation Corner Beverly Barr [email protected] (310) 202-6166 Proofreading Editor Jan Rayman [email protected] (818) 790-8523 Carl Pilsecker [email protected] (562) 865-0873 Design and Layout Editors Pat Cross, Don Krotser [email protected] (323) 255-3809 Business Managers Gerda Ben-Zeev [email protected] (310) 399-2321 Nancy Bott Circulation Sandy Helperin [email protected] (310) 391-7382 Subscriptions Gerda Ben-Zeev [email protected] (310) 399 2321 Advertising Steve Himel [email protected] Printing Coordinator Irwin Barr (310) 202-6166 Marketing Bob, Gerri Alexander [email protected] (818) 363-3761 Gerda Ben-Zeev Jill and Jay Michtom 19 Village Park Way Sandy Helperin 10824 Crebs Ave. Santa Monica, CA 90405 4362 Coolidge Ave. Northridge, CA 91326 Los Angeles, CA 90066 Folk Dance Scene Copyright 2016 by the Folk Dance Federation of California, South, Inc., of which this is the official publication. All rights reserved. Folk Dance Scene is published ten times per year on a monthly basis except for combined issues in June/July and December/January. First class postage is paid in Los Angeles, CA, ISSN 0430-8751. Folk Dance Scene is published to educate its readers concerning the folk dance, music, costumes, lore and culture of the peoples of the world. -
Nama Drmeš Medley
NAMA DRMEŠ MEDLEY Croatian PRONUNCIATION: NAH-mah DRR-mesh MED-lee TRANSLATION: Medley of three Croatian dances SOURCE: Dick Oakes learned these dances from Dick Crum. BACKGROUND: Drmeš iz Zdenčine, Kriči Kriči Tiček, and Kiša Pada (Posavski Drmeš) are the three "drmeši" (shaking dances) in this medley for which the transitions have been arranged by David Owens, the director of the NAMA Orchestra. Dick Crum, noted folk dance researcher, says that the drmeš, or shaking dance, is the most typical dance form in the northwestern part of Croatia. Drmeši are rarely danced today, except at weddings or other celebrations, and usually only by older dancers, dancing as couples or in small circles of three or four. Otherwise, the drmeš is usually only seen when performed by amateur dance groups who may select a tune and some movements culled from the older dancers for presentation to audiences as living museum pieces. Sometimes, groups from adjacent villages will select different movements and sequences for a particular melody common to both, giving rise to what puzzled American folk dancers sometimes think of as conflicting versions of the same dance. Drmeš iz Zdenčine (DRR-mesh ees SDEHN-chee-neh) comes from the village of Zdenčina, about half-way between Zagreb and Karlovac (near Jastrebarsko). It was collected in 1954 by Dick Crum. Kriči Kriči Tiček (KREE-chee KREE-chee TEE-chek) means "chirp chirp little bird" and originates in the Prigorije district, just north of Zagreb. This dance was also collected by Dick Crum in 1954. Kriči Kriči Tiček is one such dance that has undergone the natural preservative process.