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Rembrandt Van Rijn
Rembrandt van Rijn 1606-1669 REMBRANDT HARMENSZ. VAN RIJN, born 15 July er (1608-1651), Govaert Flinck (1615-1660), and 1606 in Leiden, was the son of a miller, Harmen Ferdinand Bol (1616-1680), worked during these Gerritsz. van Rijn (1568-1630), and his wife years at Van Uylenburgh's studio under Rem Neeltgen van Zuytbrouck (1568-1640). The brandt's guidance. youngest son of at least ten children, Rembrandt In 1633 Rembrandt became engaged to Van was not expected to carry on his father's business. Uylenburgh's niece Saskia (1612-1642), daughter Since the family was prosperous enough, they sent of a wealthy and prominent Frisian family. They him to the Leiden Latin School, where he remained married the following year. In 1639, at the height of for seven years. In 1620 he enrolled briefly at the his success, Rembrandt purchased a large house on University of Leiden, perhaps to study theology. the Sint-Anthonisbreestraat in Amsterdam for a Orlers, Rembrandt's first biographer, related that considerable amount of money. To acquire the because "by nature he was moved toward the art of house, however, he had to borrow heavily, creating a painting and drawing," he left the university to study debt that would eventually figure in his financial the fundamentals of painting with the Leiden artist problems of the mid-1650s. Rembrandt and Saskia Jacob Isaacsz. van Swanenburgh (1571 -1638). After had four children, but only Titus, born in 1641, three years with this master, Rembrandt left in 1624 survived infancy. After a long illness Saskia died in for Amsterdam, where he studied for six months 1642, the very year Rembrandt painted The Night under Pieter Lastman (1583-1633), the most impor Watch (Rijksmuseum, Amsterdam). -
Neerlandica Extra Muros. Jaargang 44
Neerlandica extra Muros. Jaargang 44 bron Neerlandica extra Muros. Jaargang 44. Rozenberg Publishers, Amsterdam 2006 Zie voor verantwoording: http://www.dbnl.org/tekst/_nee005200601_01/colofon.php © 2015 dbnl i.s.m. 1 [Neerlandica extra Muros - februari 2006] Sera de Vriendt ........... Enkele kenmerken van het Brussels Vlaams 1. Inleiding Brussel is niet alleen de hoofdstad van België. Het is ook, naast Vlaanderen en Wallonië, een van 's lands drie gewesten. Dit gewest (Brussel in de ruime betekenis van het woord) bestaat uit negentien gemeenten, Brussel (stricto sensu) plus achttien voorsteden, en telt ongeveer een miljoen inwoners. Wat meer dan een vierde van dit totaal aantal inwoners is buitenlander: volgens R. Janssens (2001) 28.5%, waarvan 14.65% uit EU-landen en 13.86% uit niet-EU-landen. Het talrijkst zijn de Marokkanen, gevolgd door de Fransen, Italianen, Spanjaarden, Turken, Portugezen, etc. De studie van Janssens bevat tal van interessante gegevens over de talen die in Brussel gesproken worden. We beperken ons hier tot de twee voornaamste landstalen, het Frans en het Nederlands (het ligt voor de hand dat de buitenlanders ook hun eigen taal spreken, Arabisch, Berbers, Spaans, etc.; heel wat Brusselaars spreken ook Engels). Van de ondervraagde inwoners (al dan niet Belgen) verklaarde 95.6% goed tot uitstekend Frans te spreken. Slechts een derde, 33.3%, verklaarde goed tot uitstekend Nederlands te spreken. Hierbij kunnen de volgende opmerkingen gemaakt worden: - Om allerlei redenen moeten deze cijfers enigszins gerelativeerd worden. Het gaat om ‘gerapporteerde kennis’ en het is dus niet uitgesloten dat de ene milder en de ander strenger geweest is in zijn evaluatie van wat een taal ‘goed spreken’ is. -
Rembrandt Self Portraits
Rembrandt Self Portraits Born to a family of millers in Leiden, Rembrandt left university at 14 to pursue a career as an artist. The decision turned out to be a good one since after serving his apprenticeship in Amsterdam he was singled out by Constantijn Huygens, the most influential patron in Holland. In 1634 he married Saskia van Uylenburgh. In 1649, following Saskia's death from tuberculosis, Hendrickje Stoffels entered Rembrandt's household and six years later they had a son. Rembrandt's success in his early years was as a portrait painter to the rich denizens of Amsterdam at a time when the city was being transformed from a small nondescript port into the The Night Watch 1642 economic capital of the world. His Rembrandt painted the large painting The Militia Company of Captain Frans Banning Cocq historical and religious paintings also between 1640 and 1642. This picture was called De Nachtwacht by the Dutch and The gave him wide acclaim. Night Watch by Sir Joshua Reynolds because by the 18th century the picture was so dimmed and defaced that it was almost indistinguishable, and it looked quite like a night scene. After it Despite being known as a portrait painter was cleaned, it was discovered to represent broad day—a party of musketeers stepping from a Rembrandt used his talent to push the gloomy courtyard into the blinding sunlight. boundaries of painting. This direction made him unpopular in the later years of The piece was commissioned for the new hall of the Kloveniersdoelen, the musketeer branch of his career as he shifted from being the the civic militia. -
Holding the Museum in the Palm of Your Hand Susan Hazan
Holding the Museum in the Palm of your Hand Susan Hazan Introduction: the quintessence of the museum Google Art Project and Europeana: background Transmitting tangibility; the essence of the embodied gallery and the physical object Disseminating intangibility; the descriptive qualities of textural metadata Web 1.0 versus Web 2.0 scenarios Conclusion: the loss and the gain Introduction: the quintessence of the museum When we visit a library or archive, we typically expect to find printed material, books, publications and documents. However, when we go to a museum – either in person or online – we expect a very different kind of experience. The physical museum invites us to discover exceptional and often extraordinary kinds of objects, and accordingly, when these very same objects are delivered online, they are managed very differently from the way books are managed by libraries, or the way that archives manage hierarchal documents. As the footprint of the physical museum, an online museum is therefore orchestrated to convey the singular and often spectacular nature of the objects, as well as the very quintessence of the physical museum. This means that as objects, and works of art make their screen debut, the website needs to communicate not only the physicality of the objects but also to signify - in some way - the embodied space of the gallery. As if we have just passed through the physical front door of the museum, the electronic portal signifies entrance to the online museum, setting up the collections accordingly. Objects are not simply displayed as clutches of atomized objects, but are arranged in thematic order – as a collection or exhibition – according to a chronological logic, historical narrative, provenance, or according to artists or schools of art, just in the same way that they are presented in the physical museum1. -
Rembrandt Van Rijn Dutch / Holandés, 1606–1669
Dutch Artist (Artista holandés) Active Amsterdam / activo en Ámsterdam, 1600–1700 Amsterdam Harbor as Seen from the IJ, ca. 1620, Engraving on laid paper Amsterdam was the economic center of the Dutch Republic, which had declared independence from Spain in 1581. Originally a saltwater inlet, the IJ forms Amsterdam’s main waterfront with the Amstel River. In the seventeenth century, this harbor became the hub of a worldwide trading network. El puerto de Ámsterdam visto desde el IJ, ca. 1620, Grabado sobre papel verjurado Ámsterdam era el centro económico de la República holandesa, que había declarado su independencia de España en 1581. El IJ, que fue originalmente una bahía de agua salada, conforma la zona costera principal de Ámsterdam junto con el río Amstel. En el siglo XVII, este puerto se convirtió en el núcleo de una red comercial de carácter mundial. Gift of George C. Kenney II and Olga Kitsakos-Kenney, 1998.129 Jan van Noordt (after Pieter Lastman, 1583–1633) Dutch / Holandés, 1623/24–1676 Judah and Tamar, 17th century, Etching on laid paper This etching made in Amsterdam reproduces a painting by Rembrandt’s teacher, Pieter Lastman, who imparted his close knowledge of Italian painting, especially that of Caravaggio, to his star pupil. As told in Genesis 38, the twice-widowed Tamar disguises herself to seduce Judah, her unsuspecting father-in-law, whose faithless sons had not fulfilled their marital duties. Tamar conceived twins by Judah, descendants of whom included King David. Judá y Tamar, Siglo 17, Aguafuerte sobre papel acanalado Esta aguafuerte creada en Ámsterdam reproduce una pintura del maestro de Rembrandt, Pieter Lastman, quien impartió su vasto conocimiento de la pintura italiana, en especial la de Caravaggio, a su discípulo estrella. -
Best Landmarks in Amsterdam"
"Best Landmarks in Amsterdam" Created by: Cityseeker 20 Locations Bookmarked De Nieuwe Kerk "Spectacular Architecture" The Nieuwe Kerk is a 15th-century building, partly destroyed and refurbished after several fires. Located in the bustling Dam Square area of the city, this historic church has held a prominent place in the country's political and religious affairs over the centuries. It has been the venue for coronations of kings and queens, and also plays host to an array of by Dietmar Rabich exhibitions, concerts and cultural events. Admire its Gothic architecture, splendid steeples, glass-stained windows and ornate detailing. +31 20 638 6909 www.nieuwekerk.nl [email protected] Dam Square, Amsterdam Royal Palace of Amsterdam "The Royal Residence" Amsterdam's Royal Palace is the crown jewel of the city's cache of architectural marvels from the Dutch Golden Age. The palace was originally constructed in the 17th Century as the new Town Hall, designed by Jacob van Campen as a symbol of the Netherlands' far-reaching influence and its hefty stake in global commerce at that time. The palace by Diego Delso is an embodiment of opulence and lavish taste, generously adorned with marble sculptures, vivid frescoes and sparkling chandeliers that illuminate rooms of palatial proportions. Within, are numerous symbolic representations of the country's impressive economic and civic power in the realm of world politics in the 17th Century, including a larger-than-life statue of Atlas. In 1806, Louis Napoleon, brother of Napoleon Bonaparte, was named King Louis I of Holland, transforming the former Town Hall into his Royal Palace. -
My Favourite Painting Monty Don a Woman Bathing in a Streamby
Source: Country Life {Main} Edition: Country: UK Date: Wednesday 16, May 2018 Page: 88 Area: 559 sq. cm Circulation: ABC 41314 Weekly Ad data: page rate £3,702.00, scc rate £36.00 Phone: 020 7261 5000 Keyword: Paradise Gardens My favourite painting Monty Don A Woman Bathing in a Stream by Rembrandt Monty Don is a writer, gardener and television presenter. His new book Paradise Gardens is out now, published by Two Roads i My grandfather took me to an art gallery every school holidays and, as my education progressed, we slowly worked our way through the London collections. Rembrandt, he told me, was the greatest artist who had ever lived. I nodded, but was uncertain on what to look for that would confirm that judgement. Then I saw this painting and instantly knew. The subject-almost certainly Rembrandt's common-law wife, Hendrickje Stoffels— is not especially beautiful nor has a body or demeanour that might command especial attention. But, as she lifts the hem of her shift to wade in the water, she is made transcendent by Rembrandt's genius. In this, the simplest of moments by an ordinary person in a painting that is hardly more than a sketch, Rembrandt has captured human love at its most 1 intimate and tender. And there is no A Woman Bathing in a Stream, 1654, by Rembrandt van Rijn (1606-69), 24 /4in 1 more worthy subject than that ? by 18 /2in, National Gallery, London John McEwen comments on^4 Woman Bathing in a Stream Geertje Dircx, Titus's nursemaid, became her church. -
Jaarverslag Kunst Kopen Met Ronald De Leeuw Puberen in De 17E Eeuw
OOG Tijdschrift van het Rijksmuseum nr.1/2008 Rijksmuseum het van Tijdschrift Oog in oog met kunst en geschiedenis OTijdschrift van het Rijksmuseumog nr.1/2008 PIERRE BOKMA ‘IK KIJK NIET MEER, IK ZIE’ Jaarverslag Kunst kopen met Ronald de Leeuw Puberen in de 17e eeuw VAN TEGENWOORDIG2007 2e JAARGANG nr.1/2008 € 5,75 1031114_coverdefnwZB.indd 1 29-01-08 17:43:48 1 Jaarverslag 2007 i Het Nieuwe Rijksmuseum: vergunningen luiden nieuwe fase in Op 13 december 2007 werd in de Philipsvleugel van het Rijks- gemeentelijke commissie voor Welstand en Monumenten is de Het museumgebouw en de tuin geboord. Daar lopen straks onzichtbaar de leidingen die het Rijksmuseum Amsterdam, het Instituut Collectie Nederland en museum de tentoonstelling Karel du Jardin geopend. Niet monumentenvergunning in 2007 verleend. Tegelijkertijd gaf het Meer dan 950.000 bezoekers kwamen in 2007 naar de presenta- klimaat in het museum regelen met lucht van de juiste tempe- de Universiteit van Amsterdam alle aanwezige kennis op het Het Nieuwe alleen hoofddirecteur Ronald de Leeuw hield een toespraak. Dagelijks Bestuur van Oud-Zuid ook de milieuvergunning af. Die tie in de Philipsvleugel van De Meesterwerken. Daar worden tijdens ratuur en vochtigheidsgraad. Die wordt aangevoerd vanuit een gebied van restauratie en conservering van (kunst)voorwerpen. Ook Egbert de Vries, voorzitter van het Dagelijks Bestuur van regelt aan welke voorwaarden het bouwplan moet voldoen op het de sluiting van het hoofdgebouw de topstukken uit de Gouden energiering die ondergronds rond het hoofdgebouw loopt. Cruz y Ortiz hebben vaak ontwerpen gemaakt voor bestaan- het Amsterdamse stadsdeel Oud-Zuid, kwam aan het woord. -
Plan Tram Amsterdam
Highlights 18 Rijksmuseum I10 33 Heineken Music Hall see map below 39 Ziggo Dome see map below Tram 2-5 > Rijksmuseum Metro 50-54 > Station Bijlmer ArenA Metro 50-54 > Station Bijlmer ArenA > = Stop Tram 7-10 > Spiegelgracht Night bus 355-357 > Station Bijlmer ArenA Night bus 355-357 > Station Bijlmer ArenA K5 = map coordinate Tram 3-12-16-24 > Museumplein 34 Paradiso I9 40 Theater Amsterdam see map below 19 Het Rembrandthuis L7 Tram 1-2-5-7-10 > Leidseplein Bus 22 > Koivistokade Metro 51-53-54 > Waterlooplein Night bus 348-352-353-354-358 Museums & Attractions Tram 9-14 > Mr. Visserplein > Leidseplein Entertainment areas 1 Allard Pierson museum (archaeology) 20 Stedelijk museum H10 35 Melkweg H8 41 Leidseplein I9 K7 Tram 2-3-5-12 > Van Baerlestraat Tram 1-2-5-7-10 > Leidseplein Tram 1-2-5-7-10 > Leidseplein Tram 4-9-14-16-24 > Spui Tram 16-24 > Museumplein Night bus 348-352-353-354-358 Night bus 348-352-353-354-358 2 The Amsterdam Dungeon K6 21 Tassenmuseum Hendrikje > Leidseplein > Leidseplein Tram 1-2-4-5-9-13-14-16-17-24 > Dam (bags/purses) K8 36 Muziektheater L8 42 Max Euweplein / Holland Casino I9 3 Amsterdam Museum J7 Tram 4-9-14 > Rembrandtplein Metro 51-53-54 > Waterlooplein Tram 1-2-5-7-10 > Leidseplein Tram 1-2-4-5-9-14-16-24 > Spui 22 Tropenmuseum (tropical museum) P9 Tram 9-14 > Waterlooplein Night bus 348-352-353-354-358 4 Amsterdam Tulip Museum I6 Tram 9-10-14 > Alexanderplein Night bus 355-357-359-361-363 > Leidseplein Tram 13-14-17 > Westermarkt Tram 3-7 > Wijttenbachstraat > Waterlooplein 43 Rembrandtplein -
Chrono- and Archaeostratigraphy and Development of the River Amstel: Results of the North/South Underground Line Excavations, Amsterdam, the Netherlands
Netherlands Journal of Geosciences — Geologie en Mijnbouw |94 – 4 | 333–352 | 2015 doi:10.1017/njg.2014.38 Chrono- and archaeostratigraphy and development of the River Amstel: results of the North/South underground line excavations, Amsterdam, the Netherlands P. Kranendonk1,S.J.Kluiving2,3,4,∗ & S.R. Troelstra5,6 1 Office for Monuments & Archaeology (Bureau Monumenten en Archeologie), Amsterdam 2 GEO-LOGICAL Earth Scientific Research & Consultancy, Delft 3 VU University, Faculty of Humanities, Department of Archaeology, Classics and Ancient Studies, Amsterdam 4 VU University, Faculty of Earth & Life Sciences, Amsterdam 5 VU University, Faculty of Earth & Life Sciences, Earth & Climate Cluster, Amsterdam 6 NCB Naturalis, Leiden ∗ Corresponding author. Email: [email protected] Manuscript received: 28 May 2014, accepted: 2 November 2014 Abstract Since 2003 extensive archaeological research has been conducted in Amsterdam, the Netherlands, connected with the initial phase of the new underground system (Noord/Zuidlijn). Research has mainly focused on two locations, Damrak and Rokin, in the centre of Medieval Amsterdam. Both sites are situated around the (former) River Amstel, which is of vital importance for the origin and development of the city of Amsterdam. Information on the Holocene evolution of the river, however, is relatively sparse. This project has provided new evidence combining archaeological and geological data, and allowed the reconstruction of six consecutive landscape phases associated with the development of the River Amstel. The course of the present-day Amstel is the result of a complex interaction of processes that started with an early prehistoric tidal gully within the Wormer Member of the Naaldwijk Formation, including Late Neolithic (2400–2000 BC) occupation debris in its fill that was subsequently eroded. -
Retired Members Section
Retired Members Section REMS Visit to Holland 18 April Arrive at Hotel in Noordwijk aan Zee Coach from Schiphol (15:00) or train to Leiden, bus 40 to Noordwijk aan Zee 19 April ESTEC, ESTEC space museum, Keukenhof Coach hotel to ESTEC & Keukenhof, gardens service bus to Noordwijk aan Zee 20 April Floriade Coach there and back 21 April Parade at Noordwijk, Valkenburg am Meer 10.30 Coach to museum then Zaanse narrow gauge museum Zaanse Schans Schans, return by public transport 22 April Amsterdam Coach to Amsterdam, return by public transport 23 April Depart Coach to Schiphol (departing at 10:00) If you are planning your own diversions http://www.9292.nl/en/ is a good web site (in English) for planning your bus and train travel. Local information on Noordwijk. Hotel is at flag C. I’ll provisional book a table for us on the first night for 19.30 at Mimmo. The blue bus sign is the nearest bus stop and is the “Parallel Boulevard” Noordwijk aan Zee stop. The red dots are restaurants / cafes. Visitor Center Noordwijk De Grent 8 2202 EK Noordwijk (t) +31 (0)71 - 361 93 21; (f) +31 (0)71 - 361 53 88; (e) [email protected] (w) www.noordwijk.info Hours of business: Monday to Friday: 09:30 - 17:00 hrs, Sat & Sun: 10:00 - 14:00 hrs Banks in Noordwijk do not all have the same hours of business. The majority of banks are open: Mondays: 13:00 - 16:00 hrs, Tuesday to Friday: 10:00 - 17:00 hrs Most banks are closed during the weekend. -
NH CARANSA **** Rembrandtplein 19 1017 CV Amsterdam ESCRS
NH MUSICA **** RAI 9DQ/HLMHQEHUJKODDQ 1082 GG Amsterdam ESCRS RATE 2013 Single room € 246.00 Double/twin room € 267.00 (Breakfast and tax included) 'LVWDQFHWRFRQJUHVVFHQWHU%\WD[LNP PLQ By public transport: 15 mins The ultra-modern NH Musica hotel in Amsterdam is located in the KHDUWRIWKH=XLGDVEXVLQHVVGLVWULFWMXVWDVWRQH¶VWKURZIURPWKH RAI. The NH Musica has 213 luxurious guest rooms and all feature contemporary design, plenty of natural light and a long list of modern amenities. NH Musica’s boutique-style facility offers guest HYHU\OX[XU\LPDJLQDEOHIURPWKHVDXQDVRODULXPDQG¿WQHVV center to the sleek bar and posh Restaurant Sinoforia Nearest metro/train/bus station:9DQ1LMHQURGHZHJ 7KLVVWRSLVWKHFORVHVWE\WKHKRWHODQGZLOOWDNH\RXGLUHFWO\ WRWKH5$,E\PHWUROLQH NH CARANSA **** CC Rembrandtplein 19 1017 CV Amsterdam ESCRS RATE 2013 Single room € 239.00 Double/twin room € 258.00 (Breakfast and tax included) Distance to congress center: By taxi: 5 km (15 mins) %\SXEOLFWUDQVSRUWPLQWUDP :DONLQJPLQ The NH Caransa hotel in Amsterdam is located in the very center the city on Rembrandt Square, which is considered the heart of Amsterdam nightlife. With its excellent location, the modern and spacious NH Caransa hotel offers a total of 66 stylish and contemporary Standard and Superior rooms. Refreshing color tones, soundproof windows, luxuriously thick mattresses, a VHOHFWLRQRIFRPIRUWDEOHSLOORZVDQGSULYDWHEDWKURRPVDUHMXVW some of the features of our guest rooms. Nearest metro/train/bus station:5HPEUDQGWSOHLQ 2SSRVLWHWKHKRWHOLVWKHWUDPVWRSIRUOLQHWDNLQJ\RXLQ 2QHVWUDLJKWZD\WRWKHFRQJUHVVFHQWHU Kuoni Destination Management Benelux | Teleport Boulevard 110 | NL- 1043 EJ Amsterdam, the Netherlands Phone: +31 20 627 00 60 | Fax: +21 20 422 69 69 | E-mail [email protected].