YAGP 2021 Los Angeles, CA (April) Semi-Finals April 1-3, 2021

Total Page:16

File Type:pdf, Size:1020Kb

YAGP 2021 Los Angeles, CA (April) Semi-Finals April 1-3, 2021 1 YAGP 2021 Los Angeles, CA (April) Semi-Finals April 1-3, 2021 YAGP 2021 Season Sponsors: 2 Thursday, April 1, 2021 Schedule of Events Updated on 3/29/21 -- Schedule is subject to change without notice Irvine Barclay Theatre 4242 Campus Dr, Irvine, California 92612 Registration (30 min before your scheduled time!) To ensure a healthy and safe environment for everyone, we request that dancers, parents and teachers keep their time inside the venue to a minimum, and only during the time scheduled for their performance category. We ask that everyone please exit the theater promptly after finishing their performance in order to allow a safe and socially distanced space for the next dancers scheduled to perform. Competition Schedule - Soloists 10:10 AM Theater Opens 11:00 AM - 11:10 AM Open Stage Pre-Competitive Classical Group 1A Ages 9-11 (#2-14) 11:10 AM - 11:20 AM Open Stage Pre-Competitive Classical Group 1B Ages 9-11 (#15-33) 11:20 AM - 12:30 PM Pre-Competitive Classical Competition Group 1A & 1B Ages 9-11 (#2-33) 12:30 PM - 12:45 PM Open Stage Pre-Competitive Contemporary Group 1A Ages 9-10 (#35-46) then Open Stage Pre-Competitive Contemporary Group 1B Ages 9-10 (#47-63) 12:45 PM - 2:00 PM Pre-Competitive Contemporary Competition Group 1A & 1B Ages 9-10 (#35-63) 2:00 PM - 2:30 PM Intermission 2:30 PM - 2:45 PM Open Stage Pre-Competitive Classical Group 2A Age 11 (#66-78) 2:45 PM - 3:00 PM Open Stage Pre-Competitive Classical Group 2B Age 11 (#79-101) 3:00 PM - 4:15 PM Pre-Competitive Classical Competition Group 2A & 2B Age 11 (#66-101) 4:15 PM - 4:30 PM Open Stage Pre-Competitive Contemporary Group 2A Age 11 (#104-114) then Open Stage Pre-Competitive Contemporary Group 2B Age 11 (#116-127) 4:30 PM - 5:35 PM Pre-Competitive Contemporary Competition Group 2A & 2B Age 11 (#104-127) 5:35 PM - 5:45 PM Open Stage Junior Classical Group 1A Age 12 (#129-139) 5:45 PM - 5:55 PM Open Stage Junior Classical Group 1B Age 12 (#140-164) 5:55 PM - 7:10 PM Junior Classical Competition Group 1A & 1B Age 12 (#129-164) 7:10 PM - 7:25 PM Open Stage Junior Contemporary Group 1A Age 12 (#166-175) then Open Stage Junior Contemporary Group 1B Age 12 (#176-185) 7:25 PM - 8:20 PM Junior Contemporary Competition Group 1A & 1B Age 12 (#166-185) 3 Thursday, April 1, 2021 Schedule of Events Updated on 3/29/21 -- Schedule is subject to change without notice Irvine Barclay Theatre 4242 Campus Dr, Irvine, California 92612 Registration (45 min before your scheduled time!) To ensure a healthy and safe environment for everyone, we request that dancers, parents and teachers keep their time inside the venue to a minimum, and only during the time scheduled for their performance category. We ask that everyone please exit the theater promptly after finishing their performance in order to allow a safe and socially distanced space for the next dancers scheduled to perform. Competition Schedule - Soloists 10:10 AM Theater Opens 11:00 AM Open Stage (Zip Doo Wap - Degas Dance Studio) (#1) 11:20 AM Competition (Zip Doo Wap - Degas Dance Studio) (#1) 12:30 PM Open Stage (Sweet Dreams - Li's Ballet Studio) (#34) 12:45 PM Competition (Sweet Dreams - Li's Ballet Studio) (#34) 2:30 PM Open Stage (Shelter - Classical Dance Academy; Can't Help Falling In Love With You - Riverside Dance Academy) (#64-65) 3:00 PM Competition (Shelter - Classical Dance Academy; Can't Help Falling In Love With You - Riverside Dance Academy) (#64-65) Open Stage (Aria Quinta - California Dance Academy; Celestial River - Legacy Dance Academy) 4:15 PM (#102-103) Competition (Aria Quinta - California Dance Academy; Celestial River - Legacy Dance 4:30 PM Academy) (#102-103) 5:35 PM Open Stage (Glimpses - Legacy Dance Academy) (#128) 5:55 PM Competition (Glimpses - Legacy Dance Academy) (#128) 7:10 PM Open Stage (Glass Strings - Lovett Dance Center) (#165) 7:25 PM Competition (Glass Strings - Lovett Dance Center) (#165) 4 Friday, April 2, 2021 Schedule of Events Updated on 3/29/21 -- Schedule is subject to change without notice Irvine Barclay Theatre 4242 Campus Dr, Irvine, California 92612 Registration (45 min before your scheduled time!) To ensure a healthy and safe environment for everyone, we request that dancers, parents and teachers keep their time inside the venue to a minimum, and only during the time scheduled for their performance category. We ask that everyone please exit the theater promptly after finishing their performance in order to allow a safe and socially distanced space for the next dancers scheduled to perform. Competition Schedule - Soloists 9:10 AM Theater Opens 10:00 AM - 10:10 AM Open Stage Junior Classical Group 2A Ages 12-13 (#188-197) 10:10 AM - 10:20 AM Open Stage Junior Classical Group 2B Ages 12-13 (#198-217) 10:20 AM - 11:25 AM Junior Classical Competition Group 2A & 2B Ages 12-13 (#188-217) 11:25 AM - 11:40 AM Open Stage Junior Contemporary Group 2A Ages 12-13 (#219-229) then Open Stage Junior Contemporary Group 2B Ages 12-13 (#230-241) 11:40 AM - 12:45 PM Junior Contemporary Competition Groups 2A & 2B Ages 12-13 (#219-241) 12:45 PM - 1:15 PM Intermission 1:15 PM - 1:30 PM Open Stage Junior Classical Group 3A Age 13 (#244-255) 1:30 PM - 1:45 PM Open Stage Junior Classical Group 3B Age 13 (#256-280) 1:45 PM - 3:00 PM Junior Classical Competition Group 3A & 3B Age 13 (#244-280) 3:00 PM - 3:15 PM Open Stage Junior Contemporary Group 3A Ages 13-14 (#282-292) then Open Stage Junior Contemporary Group 3B Ages 13-14 (#293-306) 3:15 PM - 4:20 PM Junior Contemporary Competition Groups 3A & 3B Ages 13-14 (#282-306) 4:20 PM - 4:30 PM Open Stage Junior Classical Group 4A Age 14 (#308-318) 4:30 PM - 4:40 PM Open Stage Junior Classical Group 4B Age 14 (#319-344) 4:40 PM - 5:50 PM Junior Classical Competition Group 4A & 4B Age 14 (#308-344) 5:50 PM - 6:05 PM Open Stage Junior Contemporary Group 4A Age 14 (#347-356) then Open Stage Junior Contemporary Group 4B Age 14 & Junior Men (#357-372) 6:05 PM - 7:20 PM Junior Contemporary Competition Groups 4A & 4B Age 14 & Junior Men (#347-372) 7:20 PM - 7:30 PM Open Stage Junior Classical Group 5A Age 14 (#374-383; 387-388) 7:30 PM - 7:40 PM Open Stage Junior Classical Group 5B Age 14 & Junior Men (#384-386; 389-410) 7:40 PM - 9:00 PM Junior Classical Competition Group 5A & 5B Age 14 & Junior Men (#374-410) 5 Friday, April 2, 2021 Schedule of Events Updated on 3/29/21 -- Schedule is subject to change without notice Irvine Barclay Theatre 4242 Campus Dr, Irvine, California 92612 Registration (45 min before your scheduled time!) To ensure a healthy and safe environment for everyone, we request that dancers, parents and teachers keep their time inside the venue to a minimum, and only during the time scheduled for their performance category. We ask that everyone please exit the theater promptly after finishing their performance in order to allow a safe and socially distanced space for the next dancers scheduled to perform. Competition Schedule - Soloists 9:10 AM Theater Opens 10:00 AM Open Stage (I Dream I'm Flying - Degas Dance Studio; La Bayadere - Independent) (#186-187) Competition (I Dream I'm Flying - Degas Dance Studio; La Bayadere - Independent) 10:20 AM (#186-187) 11:25 AM Open Stage (Eclipse - Dmitri Kulev Classical Ballet Academy) (#218) 11:40 AM Competition (Eclipse - Dmitri Kulev Classical Ballet Academy) (#218) 1:15 PM Open Stage (Seems Like Years….. - Classical Dance Academy; Ocean and Pearls - Independent) (#242-243) 1:45 PM Competition (Seems Like Years….. - Classical Dance Academy; Ocean and Pearls - Independent) (#242-243) 3:00 PM Open Stage (1.829 Meters - Classical Dance Academy) (#281) 3:15 PM Competition (1.829 Meters - Classical Dance Academy) (#281) 4:20 PM Open Stage (Did You Do All You Could - Degas Dance Studio) (#307) 4:40 PM Competition (Did You Do All You Could - Degas Dance Studio) (#307) Open Stage (Alegre - California Dance Academy; Sad Song - Riverside Dance Academy) 5:50 PM (#345-346) Competition (Alegre - California Dance Academy; Sad Song - Riverside Dance Academy) 6:05 PM (#345-346) 7:20 PM Open Stage (Shadowcast - California Dance Academy) (#373) 7:40 PM Competition (Shadowcast - California Dance Academy) (#373) 6 Saturday, April 3, 2021 Schedule of Events Updated on 3/29/21 -- Schedule is subject to change without notice Irvine Barclay Theatre 4242 Campus Dr, Irvine, California 92612 Registration (45 min before your scheduled time!) To ensure a healthy and safe environment for everyone, we request that dancers, parents and teachers keep their time inside the venue to a minimum, and only during the time scheduled for their performance category. We ask that everyone please exit the theater promptly after finishing their performance in order to allow a safe and socially distanced space for the next dancers scheduled to perform. Competition Schedule - Soloists 8:10 AM Theater Opens 9:00 AM - 9:10 AM Open Stage Senior Classical Group 1A Age 15 (#412-420) 9:10 AM - 9:20 AM Open Stage Senior Classical Group 1B Age 15 (#421-441) 9:20 AM - 10:25 AM Senior Classical Competition Group 1A & 1B Age 15 (#412-441) 10:25 AM - 10:40 AM Open Stage Senior Contemporary Group 1A Age 15 (#443-455) then Open Stage Senior Contemporary Group 1B Age 15 (#456-468) 10:40 AM - 11:50 AM Senior Contemporary Competition Group 1A & 1B Age 15 (#443-468) 12:00 PM - 12:30 PM Intermission 12:30 PM - 12:45 PM Open Stage Senior Classical Group 2A Ages 15-16 (#471-480) 12:45 PM - 1:00 PM Open Stage Senior Classical Group 2B Ages 15-16 (#481-507) 1:00 PM - 2:25 PM Senior Classical Competition Group 2A & 2B Ages 15-16 (#471-507) 2:25 PM - 2:40
Recommended publications
  • General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
    “A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and
    [Show full text]
  • Cumulated Bibliography of Biographies of Ocean Scientists Deborah Day, Scripps Institution of Oceanography Archives Revised December 3, 2001
    Cumulated Bibliography of Biographies of Ocean Scientists Deborah Day, Scripps Institution of Oceanography Archives Revised December 3, 2001. Preface This bibliography attempts to list all substantial autobiographies, biographies, festschrifts and obituaries of prominent oceanographers, marine biologists, fisheries scientists, and other scientists who worked in the marine environment published in journals and books after 1922, the publication date of Herdman’s Founders of Oceanography. The bibliography does not include newspaper obituaries, government documents, or citations to brief entries in general biographical sources. Items are listed alphabetically by author, and then chronologically by date of publication under a legend that includes the full name of the individual, his/her date of birth in European style(day, month in roman numeral, year), followed by his/her place of birth, then his date of death and place of death. Entries are in author-editor style following the Chicago Manual of Style (Chicago and London: University of Chicago Press, 14th ed., 1993). Citations are annotated to list the language if it is not obvious from the text. Annotations will also indicate if the citation includes a list of the scientist’s papers, if there is a relationship between the author of the citation and the scientist, or if the citation is written for a particular audience. This bibliography of biographies of scientists of the sea is based on Jacqueline Carpine-Lancre’s bibliography of biographies first published annually beginning with issue 4 of the History of Oceanography Newsletter (September 1992). It was supplemented by a bibliography maintained by Eric L. Mills and citations in the biographical files of the Archives of the Scripps Institution of Oceanography, UCSD.
    [Show full text]
  • 2021 Transpacific Yacht Race Event Program
    TRANSPACTHE FIFTY-FIRST RACE FROM LOS ANGELES 2021 TO HONOLULU 2 0 21 JULY 13-30, 2021 Comanche: © Sharon Green / Ultimate Sailing COMANCHE Taxi Dancer: © Ronnie Simpson / Ultimate Sailing • Hamachi: © Team Hamachi HAMACHI 2019 FIRST TO FINISH Official race guide - $5.00 2019 OVERALL CORRECTED TIME WINNER P: 808.845.6465 [email protected] F: 808.841.6610 OFFICIAL HANDBOOK OF THE 51ST TRANSPACIFIC YACHT RACE The Transpac 2021 Official Race Handbook is published for the Honolulu Committee of the Transpacific Yacht Club by Roth Communications, 2040 Alewa Drive, Honolulu, HI 96817 USA (808) 595-4124 [email protected] Publisher .............................................Michael J. Roth Roth Communications Editor .............................................. Ray Pendleton, Kim Ickler Contributing Writers .................... Dobbs Davis, Stan Honey, Ray Pendleton Contributing Photographers ...... Sharon Green/ultimatesailingcom, Ronnie Simpson/ultimatesailing.com, Todd Rasmussen, Betsy Crowfoot Senescu/ultimatesailing.com, Walter Cooper/ ultimatesailing.com, Lauren Easley - Leialoha Creative, Joyce Riley, Geri Conser, Emma Deardorff, Rachel Rosales, Phil Uhl, David Livingston, Pam Davis, Brian Farr Designer ........................................ Leslie Johnson Design On the Cover: CONTENTS Taxi Dancer R/P 70 Yabsley/Compton 2019 1st Div. 2 Sleds ET: 8:06:43:22 CT: 08:23:09:26 Schedule of Events . 3 Photo: Ronnie Simpson / ultimatesailing.com Welcome from the Governor of Hawaii . 8 Inset left: Welcome from the Mayor of Honolulu . 9 Comanche Verdier/VPLP 100 Jim Cooney & Samantha Grant Welcome from the Mayor of Long Beach . 9 2019 Barndoor Winner - First to Finish Overall: ET: 5:11:14:05 Welcome from the Transpacific Yacht Club Commodore . 10 Photo: Sharon Green / ultimatesailingcom Welcome from the Honolulu Committee Chair . 10 Inset right: Welcome from the Sponsoring Yacht Clubs .
    [Show full text]
  • English Department Suggested Summer Reading Choices
    English Department Suggested Summer Reading Choices For more information on any of the following titles, and additional book selections visit one of the following websites for book reviews: http://www.nytimes.com/pages/books/ http://www.reviewsofbooks.com/ http://www.barnesandnoble.com/bookstore.asp?r=1&popup=0 FICTION Allison, Dorothy Bastard Out of Carolina Allende, Isabel The House of Spirits Alvarez, Julia How the Garcia Girls Lost their Accents, In The Time of the Butterflies Anderson, Sherwood Winesburg, Ohio (Stories) Atwood, Margaret Cat’s Eye, The Handmaid’s Tale, Alias Grace Austen, Jane Emma, Mansfield Park, Persuasion, Northanger Abbey, Sense and Sensibility, Pride and Prejudice Baldwin, James If Beale Street Could Talk Bellow, Saul Seize the Day, Henderson the Rain King Best American Short Stories from any year Borges, Jorge Luis Labyrinths Bronte, Charlotte Villette, Northanger Abbey, Bronte, Emily Wuthering Heights Buck, Pearl S. The Good Earth Camus, Albert The Stranger Capote, Truman, In Cold Blood, Breakfast at Tiffany’s Cather, Willa My Antonia, O Pioneers Cervantes, Miguel de Don Quixote Chabon, Michael, The Amazing Adventures of Kavalier and Klay, The Yiddish Policeman’s Union, Wonder Boys Chevalier, Tracy Girl With A Pearl Earring Chopin, Kate The Awakening Cisneros, Sandra Woman Hollering Creek Crane, Stephen The Red Badge of Courage Cunningham, Michael At Home at the End of the World Defoe, Daniel Robinson Crusoe Dickens, Charles David Copperfield, A Tale of Two Cities Dostoevsky, Fyodor Crime and Punishment Dumas, Alexander The Count of Monte Cristo du Maurier, Daphne Rebecca Eggers, Dave What is the What Eliot, George The Mill on the Floss, Silas Marner Ellison, Ralph Invisible Man Erdrich, Louise Love Medicine, The Beet Queen, Tracks, The Painted Drum, et.
    [Show full text]
  • Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
    Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town.
    [Show full text]
  • Producing MIDS NAC Dems from MESSENGER Images
    Producing MESSENGER DEMs from MDIS NAC Images MANHEIM1, HENRIKSEN, ROBINSON, AND THE MESSENGER TEAM 1ARIZONA STATE UNIVERSITY, TEMPE AZ—[email protected] Launched: August 2004 MESSENGER Mercury Orbit: March 2011 Completed: April 2015 Mercury Dual Imaging System (MDIS) 2 framing cameras: a monochrome NAC and a multispectral WAC NAC wasn’t a stereo camera, but off-nadir observations enable the creation of DEMs NACs have 5 m pixel scale at closest approach Mercury Laser Altimeter (MLA) Radial accuracy of < 20 m Only available between 90° N and 18° S Highly Elliptical Orbit Periapsis: 200 – 500 km (near North Pole) Apoapsis: 10,000 – 15,000 km Methodology: Overview Site Selection & Image Selection Illumination Conditions Imaging Geometry DEM Production Using the USGS Integrated Software for Imagers and Spectrometers (ISIS) and SOCET SET 5.6 Error analysis Creating data products for PDS release Image Selection Selecting stereo images requires compromise between finding optimal images and building up desired coverage. These parameters will dictate the precision of the final product. Strength of stereo: parallax between the two images / unit height Illumination compatibility: distance between the tips of shadows in two images / unit height *Guidelines adapted from Becker, et al. 2015. Images Selected for Our DEMs n=49 Selecting Images to Build Mosaics Sander Crater mosaic: 21 images Selecting Images to Build Mosaics Sander Crater mosaic: 21 images 36 stereo pairs (areas of overlap producing ‘good’ stereo) Selecting Images to Build Mosaics Sander Crater mosaic: 21 images 36 stereo pairs (areas of overlap producing ‘good’ stereo) Resulting DEMs can be mosaicked together (using ISIS) to create one large-area DEM Processing in SOCET SET: Overview Import into SOCET SET 5.6 Relative Triangulation Registration to MLA tracks DEM Extraction Orthophoto Generation Creating Additional Data Products PDS Release *This process is quite similar to that described for LROC NAC DEMs in Henriksen, et al.
    [Show full text]
  • March 21–25, 2016
    FORTY-SEVENTH LUNAR AND PLANETARY SCIENCE CONFERENCE PROGRAM OF TECHNICAL SESSIONS MARCH 21–25, 2016 The Woodlands Waterway Marriott Hotel and Convention Center The Woodlands, Texas INSTITUTIONAL SUPPORT Universities Space Research Association Lunar and Planetary Institute National Aeronautics and Space Administration CONFERENCE CO-CHAIRS Stephen Mackwell, Lunar and Planetary Institute Eileen Stansbery, NASA Johnson Space Center PROGRAM COMMITTEE CHAIRS David Draper, NASA Johnson Space Center Walter Kiefer, Lunar and Planetary Institute PROGRAM COMMITTEE P. Doug Archer, NASA Johnson Space Center Nicolas LeCorvec, Lunar and Planetary Institute Katherine Bermingham, University of Maryland Yo Matsubara, Smithsonian Institute Janice Bishop, SETI and NASA Ames Research Center Francis McCubbin, NASA Johnson Space Center Jeremy Boyce, University of California, Los Angeles Andrew Needham, Carnegie Institution of Washington Lisa Danielson, NASA Johnson Space Center Lan-Anh Nguyen, NASA Johnson Space Center Deepak Dhingra, University of Idaho Paul Niles, NASA Johnson Space Center Stephen Elardo, Carnegie Institution of Washington Dorothy Oehler, NASA Johnson Space Center Marc Fries, NASA Johnson Space Center D. Alex Patthoff, Jet Propulsion Laboratory Cyrena Goodrich, Lunar and Planetary Institute Elizabeth Rampe, Aerodyne Industries, Jacobs JETS at John Gruener, NASA Johnson Space Center NASA Johnson Space Center Justin Hagerty, U.S. Geological Survey Carol Raymond, Jet Propulsion Laboratory Lindsay Hays, Jet Propulsion Laboratory Paul Schenk,
    [Show full text]
  • Picturing France
    Picturing France Classroom Guide VISUAL ARTS PHOTOGRAPHY ORIENTATION ART APPRECIATION STUDIO Traveling around France SOCIAL STUDIES Seeing Time and Pl ace Introduction to Color CULTURE / HISTORY PARIS GEOGRAPHY PaintingStyles GOVERNMENT / CIVICS Paris by Night Private Inve stigation LITERATURELANGUAGE / CRITICISM ARTS Casual and Formal Composition Modernizing Paris SPEAKING / WRITING Department Stores FRENCH LANGUAGE Haute Couture FONTAINEBLEAU Focus and Mo vement Painters, Politics, an d Parks MUSIC / DANCENATURAL / DRAMA SCIENCE I y Fontainebleau MATH Into the Forest ATreebyAnyOther Nam e Photograph or Painting, M. Pa scal? ÎLE-DE-FRANCE A Fore st Outing Think L ike a Salon Juror Form Your Own Ava nt-Garde The Flo ating Studio AUVERGNE/ On the River FRANCHE-COMTÉ Stream of Con sciousness Cheese! Mountains of Fra nce Volcanoes in France? NORMANDY “I Cannot Pain tan Angel” Writing en Plein Air Culture Clash Do-It-Yourself Pointillist Painting BRITTANY Comparing Two Studie s Wish You W ere Here Synthétisme Creating a Moo d Celtic Culture PROVENCE Dressing the Part Regional Still Life Color and Emo tion Expressive Marks Color Collectio n Japanese Prin ts Legend o f the Château Noir The Mistral REVIEW Winds Worldwide Poster Puzzle Travelby Clue Picturing France Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON page ii This Classroom Guide is a component of the Picturing France teaching packet. © 2008 Board of Trustees of the National Gallery of Art, Washington Prepared by the Division of Education, with contributions by Robyn Asleson, Elsa Bénard, Carla Brenner, Sarah Diallo, Rachel Goldberg, Leo Kasun, Amy Lewis, Donna Mann, Marjorie McMahon, Lisa Meyerowitz, Barbara Moore, Rachel Richards, Jennifer Riddell, and Paige Simpson.
    [Show full text]
  • TCDIDC, a Revising Heuristic; Or on Beyond the Toadstool
    v,7 a ' - a c DOCUMENT RESUME ED 147 818 , CS 203 763 AUTHOR Keith, Philip M. TITLE TCDIDC, A Revising Heuristic; or On Beyond the Toadstool. PUB ATE Apr 77 NOTE 19p.; Paper pfeseented at the Annual Meeting of the Conference on College Composition and Communication (28th, Kansas City, Missouri; ,March 31-April 2, 1977) - EDRS PRICE ME-$0.83 HC-$1.67 Plus Postage. DESCRIPTORS g:Composition (Literary) ; *Composition Skills (Literary) ;*Content Analysis; *Editing; English Instruction; Higher Education;,*Literary Analysis;" Secondary Education; *Writing, Exercises - IDENTIFIERS *heuristics, ABSTRACT \ ti TCDIDp a heuristic model for students to. use whe revising compositions. The model's acronym is derived from the pain terms of the revising heuristic: time ,(the pattern of tenses and other time.markers),-commitiment (the' pattern of such predicate modes as.indicative, conditional, questioning, exhortative, emphatic), directness (the pattern of "active voice, patsive voice, and beipq- verbs) , identification (the pattern of noun types-- concrete vs. abstract, ordinary vs. technical), description (the pattern of adjective types--conCrete vs. abstract, objective vs. impressionist/t), and connection (the pattern of transitions and subordination). Two student writing samples demonstrate that systematic. analyses in the TCDIDC manner can make sentences, .paraqraiphs, and papers more effective, meaningfule.and enjoyable. (RL) / *********************4***************************************4********* * ',Documents acquired by ERIC include many, informal unpublished. .* materials not available from other -sources'. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility dre often encountered and this affects the quality * .* of the microfiche and hardcopireproductions ERIC makes available * * via the ERIC .Document Reproduction Service (EDRS). MRS is not '* * responsible for the quality' of the original document.
    [Show full text]
  • Impact Melt Emplacement on Mercury
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-24-2018 2:00 PM Impact Melt Emplacement on Mercury Jeffrey Daniels The University of Western Ontario Supervisor Neish, Catherine D. The University of Western Ontario Graduate Program in Geology A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Science © Jeffrey Daniels 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Geology Commons, Physical Processes Commons, and the The Sun and the Solar System Commons Recommended Citation Daniels, Jeffrey, "Impact Melt Emplacement on Mercury" (2018). Electronic Thesis and Dissertation Repository. 5657. https://ir.lib.uwo.ca/etd/5657 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Impact cratering is an abrupt, spectacular process that occurs on any world with a solid surface. On Earth, these craters are easily eroded or destroyed through endogenic processes. The Moon and Mercury, however, lack a significant atmosphere, meaning craters on these worlds remain intact longer, geologically. In this thesis, remote-sensing techniques were used to investigate impact melt emplacement about Mercury’s fresh, complex craters. For complex lunar craters, impact melt is preferentially ejected from the lowest rim elevation, implying topographic control. On Venus, impact melt is preferentially ejected downrange from the impact site, implying impactor-direction control. Mercury, despite its heavily-cratered surface, trends more like Venus than like the Moon.
    [Show full text]
  • Art-Related Archival Materials in the Chicago Area
    ART-RELATED ARCHIVAL MATERIALS IN THE CHICAGO AREA Betty Blum Archives of American Art American Art-Portrait Gallery Building Smithsonian Institution 8th and G Streets, N.W. Washington, D.C. 20560 1991 TRUSTEES Chairman Emeritus Richard A. Manoogian Mrs. Otto L. Spaeth Mrs. Meyer P. Potamkin Mrs. Richard Roob President Mrs. John N. Rosekrans, Jr. Richard J. Schwartz Alan E. Schwartz A. Alfred Taubman Vice-Presidents John Wilmerding Mrs. Keith S. Wellin R. Frederick Woolworth Mrs. Robert F. Shapiro Max N. Berry HONORARY TRUSTEES Dr. Irving R. Burton Treasurer Howard W. Lipman Mrs. Abbott K. Schlain Russell Lynes Mrs. William L. Richards Secretary to the Board Mrs. Dana M. Raymond FOUNDING TRUSTEES Lawrence A. Fleischman honorary Officers Edgar P. Richardson (deceased) Mrs. Francis de Marneffe Mrs. Edsel B. Ford (deceased) Miss Julienne M. Michel EX-OFFICIO TRUSTEES Members Robert McCormick Adams Tom L. Freudenheim Charles Blitzer Marc J. Pachter Eli Broad Gerald E. Buck ARCHIVES STAFF Ms. Gabriella de Ferrari Gilbert S. Edelson Richard J. Wattenmaker, Director Mrs. Ahmet M. Ertegun Susan Hamilton, Deputy Director Mrs. Arthur A. Feder James B. Byers, Assistant Director for Miles Q. Fiterman Archival Programs Mrs. Daniel Fraad Elizabeth S. Kirwin, Southeast Regional Mrs. Eugenio Garza Laguera Collector Hugh Halff, Jr. Arthur J. Breton, Curator of Manuscripts John K. Howat Judith E. Throm, Reference Archivist Dr. Helen Jessup Robert F. Brown, New England Regional Mrs. Dwight M. Kendall Center Gilbert H. Kinney Judith A. Gustafson, Midwest
    [Show full text]
  • Pnas11741toc 3..8
    October 13, 2020 u vol. 117 u no. 41 From the Cover 25609 Evolutionary history of pteropods 25327 Burn markers from Chicxulub crater 25378 Rapid warming and reef fish mortality 25601 Air pollution and mortality burden 25722 CRISPR-based diagnostic test for malaria Contents THIS WEEK IN PNAS—This week’s research highlights Cover image: Pictured are several 25183 In This Issue species of pteropods. Using phylogenomic data and fossil evidence, — Katja T. C. A. Peijnenburg et al. INNER WORKINGS An over-the-shoulder look at scientists at work reconstructed the evolutionary history of 25186 Researchers peek into chromosomes’ 3D structure in unprecedented detail pteropods to evaluate the mollusks’ Amber Dance responses to past fluctuations in Earth’s carbon cycle. All major pteropod groups QNAS—Interviews with leading scientific researchers and newsmakers diverged in the Cretaceous, suggesting resilience to ensuing periods of 25190 QnAs with J. Michael Kosterlitz increased atmospheric carbon and Farooq Ahmed ocean acidification. However, it is unlikely that pteropods ever PROFILE—The life and work of NAS members experienced carbon release rates of the current magnitude. See the article by 25192 Profile of Subra Suresh Peijnenburg et al. on pages 25609– Sandeep Ravindran 25617. Image credit: Katja T. C. A. Peijnenburg and Erica Goetze. COMMENTARIES 25195 One model to rule them all in network science? Roger Guimera` See companion article on page 23393 in issue 38 of volume 117 25198 Cis-regulatory units of grass genomes identified by their DNA methylation Peng Liu and R. Keith Slotkin See companion article on page 23991 in issue 38 of volume 117 LETTERS 25200 Not all trauma is the same Qin Xiang Ng, Donovan Yutong Lim, and Kuan Tsee Chee 25201 Reply to Ng et al.: Not all trauma is the same, but lessons can be drawn from commonalities Ethan J.
    [Show full text]