Exhibition Records, 1975-1979
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Violet Oakley: Pennsylvania’S Premiere Muralist
1 VIOLET OAKLEY: PENNSYLVANIA’S PREMIERE MURALIST Susan Hamburger Paper and slide presentation Pennsylvania Historical Association October 14, 1995 [SLIDE 1] Violet Oakley--a versatile portraitist, illustrator, stained glass artisan, and muralist--earned a reputation as the first American woman artist to succeed in the predominantly-male architectural field of mural decoration. Her strong commitment to her religion and world peace influenced her art as well as her life. [SLIDE 2] Oakley was born in Bergen Heights, New Jersey, to the artistic family of Arthur Edmund Oakley and Cornelia Swain Oakley. Both of her grandfathers, George Oakley and William Swain, belonged to the National Academy of Design and two of her aunts studied painting in Munich with Frank Duveneck. She believed that her compulsion to draw was “hereditary and chronic.” She once commented that she must have been “a monk in some earlier state of existence....The abbesses and sisters were too busy nursing the sick and doing fine needleworks. I never heard of them illuminating manuscripts. I am quite sure I was a monk.” 1 The youngest of three children, Violet followed her sisters Cornelia and Hester in learning the acceptable feminine skills of poetry writing, piano playing, 2 and sketching. While Hester attended Vassar College, Violet’s asthma prevented her from obtaining a college education which her parents thought too rigorous for her physical condition. She never let the asthma impede her artistic education or career. In 1892, at the age of eighteen, Oakley commuted to New York City to study at the Art Students’ League with Irving R. -
To See Anew: Experiencing American Art in the 21St Century
Initiatives in Art and Culture To See Anew: Experiencing American Art in the 21st Century 21ST ANNUAL AMERICAN ART CONFERENCE FRIDAY – SATURDAY, MAY 20 – 21, 2016 1851, after an original of 1851, The Greek Slave, The Greek Stuart Davis, Swing Landscape, 1938, oil on canvas, 86¾ x 172⅞ in. Indiana University Art Museum, Bloomington, Indiana. © Estate of Stuart Davis/Licensed Hiram Powers, Powers, Hiram Art University x 18¼ in. Yale 1844, marble, 65¼ x 21 Dann Fund. 1962.43, Olive Louise Gallery, by VAGA, New York, NY. Jonathan Boos. Jonathan Boos. 36 x 29 in. Private collection; photo: courtesy, canvas, Guy Pène du Bois, Country Wedding, Henry Peters Gray, The Wages of War, 1848, oil on 1929, oil on canvas, 48¼ x 76¼ in. The Metropolitan Museum of Art, gift of Several Ladies and Gentlemen, 1873. 73.5. THE GRADUATE CENTER, THE CITY UNIVERSITY OF NEW YORK To See Anew: Experiencing American Art in the 21st Century 21ST ANNUAL AMERICAN ART CONFERENCE Heilbrun, 1922). Chanler. Robert Winthrop Ivan Narodny, (from: 1921 Chanler, Robert Winthrop New York: William New York: Avian Arabesque, Avian Arabesque, The Art of In this conference, Initiatives in Art and Culture considers iconic works by recognized masters, seeking to understand both why they were celebrated in their own time and why they retain their power today. At the same time, we explore the works of artists who did not retain the renown they enjoyed during their lifetimes and who fell into obscurity. But obscurity is not necessarily forever, and as cycles of taste have changed, these once-forgotten artists and their largely unknown works have re-surfaced to startle us today. -
2001 Great Plains Prairie
2001 Great Plains Prairie Pronghorns Burrowing Owls Black-tailed Prairie Dog American Buffalo Painted Lady Butterfly 2001 Great Plains Prairie Western Meadowlark Badger Plains Spadefoot Eastern Short-horned Lizard Two-striped Grasshopper 2001 perf. 11¼x11 die cut 11 die cut 8½ vert. American Buffalo American Buffalo American Buffalo die cut 11¼ die cut 10½x11¼ American Buffalo American Buffalo Eagle Eagle United We Stand die cut 11¼ die cut 10½x10¾ die cut 9¾ vert., sq. corner die cut 9¾ vert., rd. corner United We Stand United We Stand United We Stand United We Stand 2001-03 George Washington die cut 11¼x11 die cut 10½x11 die cut 11¼x11¾, “2001” George Washington George Washington George Washington die cut 8½ vert., “2001” perf. 11¼, “2002” die cut 8½ vert., “2002” George Washington George Washington George Washington die cut 11¼x11, “2002” die cut 10½x11, “2002” die cut 11, “2003” George Washington George Washington George Washington Atlas die cut 8½ vert., “2001” die cut 11 vert., “2003” Atlas Atlas 2001 We Give Thanks Diamond in the Square Lone Star Diabetes Roy Wilkins The Nobel Prize Peanuts Honoring Veterans Frida Kahlo Sunshine & Shadow James Madison Double Ninepatch Variation 2001 Venus Flytrap Yellow Trumpet Cobra Lily English Sundew Leonard Bernstein Lucille Ball Pan-American Exposition perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” Fast Lake Navigation Fast Express Automobile 2001 Woody Wagon Enrico Fermi Love Love Love die cut 11½x10¾ Love die cut 11¼ Love Love 2001-09 Eid die cut 11¼, dated “2001” die cut 11, dated “2002” Eid Eid Eid Eid Eid Eid 2001-03 Washington Landmarks U.S. -
1893. Congressional Record-House. 1591
1893. CONGRESSIONAL RECORD-HOUSE. 1591 table, I move that the Senate proceed to the consideration of county of Hamilton and State of Tennessee, in the place of John executive business. W. Stone, removed. The motion was agreed to; and the Senate proceeded to the William Y. C. Hannum, to be postmaster at Maryville, in the consideration of executive business. After fifteen minutes spent county of Blount and State of Tennessee, in the place of James in executive session the doors were reopened, and (at 5 o'clock P. Edmondson, removed. ~d 25 minutes p.m.) the Senate adjourned until to-morrow, Wilson G. Harrison, to be postmaster at Milan, in the county Wednesday, September 20, 1893, at 12 o'clock m. of Gibson and State of Tennessee, in the place of Robert F. Hann, removed. Isaac H. Dungan, to be postmaster at Humboldt, in the county NOMINATIONS. of Gibson and State of Tennes£ee, in the place of John B. Cullen, E~recutire nominations received by the Senate Septernbe1· 19,1893. removed. Joel J. Jones, to be postmaster at Fayett-eville, in the county ASSOCIATE JUSTICE SUPREME COURT. of Lincoln and State of Tennessee, in the place of Hugh M. William B. Hornblower, of New York, to be associate justice Eakin. removed. of the Supreme Court of the United States, vice Samuel Blatch William H. McLemore, to be postmaster at Tullahoma, in the· ford, deceased. county of Coffee and State of Tennessee, in the place of John B. Strong, removed. AMBASSADOR EXTRAORDINARY AND PLENIPOTENTIARY. Fletcher W. Thomas, to be postmaster at Dyersburg, in the James J. -
Art Era Timeline 3 Early 20Th C – Modern
1 Art Movement Timeline Early 20th C Centuryentury till the start of Modern Art Time Line Art Movement Description Artists & examples Late 19th/ Early 20th Century Design Britain, Late 19th Arts and Crafts The Arts and Crafts Century Movement was a celebration of individual design and craftsmanship, William Morris , a book designer, 18341834----18961896 spearheaded the William Morris movement. He also produced stained glass, textiles and wallpaper and was a painter and writer. © Nadene of http://practicalpages.wordpress.com 04/2010 2 Late 19th Century to Art Nouveau Art Nouveau is an Early 20th Century elegant decorative art style characterized by intricate patterns of curving lines. Its origins somewhat 18601860----19391939 rooted in the British Alphonse Mucha Arts and Crafts Movement of William Morris , 18721872----18981898 Aubrey Beardsley 18621862----19181918 Gustav Klimt Louis Comfort Tiffany . 18481848----19331933 © Nadene of http://practicalpages.wordpress.com 04/2010 3 1880's to 1920's The Golden Age of The Golden Age of European artists: Illustration Illustration was a period of unprecedented excellence in book and magazine 18451845----19151915 illustration. Walter Crane Advances in technology permitted accurate and inexpensive reproduction of art. The public demand for new graphic art grew in this time. Edmund Dulac 18821882----19531953 18721872----18981898 Aubrey Beardsley 18671867----19391939 Arthur Rackham 18861886----19571957 © Nadene of http://practicalpages.wordpress.com 04/2010 4 The Golden Age of Kay Nielsen . Illustration American artists: 18531853----19111911 Howard Pyle 18821882----19451945 N.C. Wyeth 18701870----19661966 Maxfield Parrish 18771877----19721972 Frank Schoonover 18521852----19111911 Edwin Austin Abbey . © Nadene of http://practicalpages.wordpress.com 04/2010 5 1920's to 1930's Art Deco Art Deco is an elegant style of decorative art, design and architecture which began as a Modernist reaction against the Art 18981898----19801980 Nouveau style. -
A Finding Aid to the Library of Congress Copyright Deposit Collection
A Finding Aid to the Library of Congress Copyright Deposit collection Rachel Brooks and Christine Hennessey Funding from the Smithsonian Womens' Committee provided support for an initial inventory of the collection. 2015 Smithsonian American Art Museum, Research and Scholars Center PO Box 37012, MRC970 Washington, D.C. 20013-7012 http://www.americanart.si.edu/research/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Series 1: Photomechanical prints, circa 1890-1945................................................. 3 Library of Congress Copyright Deposit Collection of photomechanical prints of American art works SAAM.Photo.LOC Collection Overview Repository: Smithsonian American Art Museum, Research and Scholars Center Title: Library of Congress Copyright Deposit Collection of photomechanical prints of American art works -
Norman Rockwell Museum Featured Illustrators, 1993–2008
Norman Rockwell Museum Featured Illustrators, 1993–2008 Contemporary Artists Jessica Abel John Burgoyne Leon Alaric Shafer Elizabeth Buttler Fahimeh Amiri Chris Calle Robert Alexander Anderson Paul Calle Roy Anderson Eric Carle Margot Apple Alice Carter Marshall Arisman Roz Chast Natalie Asencios Jean Claverie Istvan Banyai Sue Coe James Barkley Raúl Colon Mary Brigid Barrett Ken Condon Gary Baseman Laurie Cormier Leonard Baskin Christin Couture Melinda Beck Kinuko Y. Craft Harry Beckhoff R. Crumb Nnekka Bennett Howard Cruse Jan and Stan Berenstain (deceased) Robert M. Cunningham Michael Berenstain Jerry Dadds John Berkey (deceased) Ken Dallison Jean-Louis Besson Paul Davis Diane Bigda John Dawson Guy Billout Michael Deas Cathie Bleck Etienne Delessert R.O. Blechman Jacques de Loustal Harry Bliss Vincent DiFate Barry Blitt Cora Lynn Deibler Keith Birdsong Diane and Leo Dillon Thomas Blackshear Steve Ditko Higgins Bond Libby Dorsett Thiel William H. Bond Eric Drooker Juliette Borda Walter DuBois Richards Braldt Bralds Michael Dudash Robin Brickman Elaine Duillo Steve Brodner Jane Dyer Steve Buchanan Will Eisner Yvonne Buchanan Dean Ellis Mark English Richard Leech Teresa Fasolino George Lemoine Monique Felix Gary Lippincott Ian Falconer Dennis Lyall Brian Fies Fred Lynch Theodore Fijal David Macaulay Floc’h Matt Madden Bart Forbes Gloria Malcolm Arnold Bernie Fuchs Mariscal Nicholas Gaetano Bob Marstall John Gilmore Marvin Mattelson Julio Granda Lorenzo Mattotti Robert Guisti Sally Mavor Carter Goodrich Bruce McCall Mary GrandPré Robert T. McCall Jim Griffiths Wilson McClean Milt Gross Richard McGuire James Gurney Robert McGinnis Charles Harper James McMullan Marc Hempel Kim Mellema Niko Henrichon David Meltzer Mark Hess Ever Meulen Al Hirschfeld (deceased) Ron Miller John Howe Dean Mitchell Roberto Innocenti Daniel Moore Susan Jeffers Françoise Mouly Frances Jetter Gregory Manchess Stephen T. -
A Finding Aid to the Violet Oakley Papers, 1841-1981, in the Archives of American Art
A Finding Aid to the Violet Oakley Papers, 1841-1981, in the Archives of American Art Judy Ng Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee. 2014 December 29 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 3 Scope and Contents........................................................................................................ 3 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Biographical Materials, 1841-1970........................................................... 5 Series 2: Correspondence, 1857-1979................................................................... -
The People V. Andrew Jackson
The People v. Andrew Jackson Evidence & witness information compiled and organized by Karen Rouse, West Sylvan Middle School, Portland Public Schools, 7 May, 2005. Revised July 2006 Conceptual framework comes from Georgia Vlagos, Naperville Community Unit School District, http://www.ncusd203.org/north/depts/socstudies/vlagos/jackson/jackson.htm. 0 The People v. Jackson Table of Contents Introduction and Procedural Matters.........................................................................................2 Introduction ...................................................................................................................................................2 Procedural Matters.......................................................................................................................................2 A. Charges................................................................................................................................................................... 2 B. Physical Evidence (list) ......................................................................................................................................... 2 C. Witnesses (list)....................................................................................................................................................... 2 D. Statute..................................................................................................................................................................... 3 Witness Statements.....................................................................................................................5 -
20Th Century Painters
20TH CENTURY PAINTERS A Special Exhibition of Oils, Water Colors and Drawings Selected from the Collections of American Art in the Metropolitan Museum JUNE 16,1950 THE METROPOLITAN MUSEUM OF ART In this exhibition of works by twentieth century American painters drawn from its own collections, the Metropolitan Museum presents for the first time an extensive selection from the Alfred Stieglitz Collection, given to the Museum in 1949 by his executrix, Georgia O'Keeffe. 20TH CENTURY PAINTERS PAINTINGS IN OIL, UNLESS OTHERWISE NOTED EDWIN AUSTIN ABBEY. 1852-1911 King Lear's Daughters. Dated 1898. Gift of George A. Hearn, 1913 IVAN LE LORRAINE ALBRIGHT. 1897- Fleeting Time, Thou Hast Left Me Old. Painted in 1929-1930. George A. Hearn Fund, 1950 JOHN WHITE ALEXANDER. 1856-1915 Study in Black and Green. Painted about 1900. George A. Hearn Fund, 1908 DARREL AUSTIN. 1907- The Tightrope. Painted in 1941. George A. Hearn Fund, 1941 WILLIAM BAZIOTES. 1912- Dragon. Dated 1950. Arthur H. Hearn Fund, 1950 GIFFORD BEAL. 1879- The Albany Boat. Dated 1915. George A. Hearn Fund, 1917 GEORGE WESLEY BELLOWS. 1882-1925 Up the Hudson. Painted in 1908. Gift of Hugo Reisinger, 1911 THOMAS HART BENTON. 1889- Roasting Ears. Egg tempera and oil. Painted in 1938-1939. Arthur H. Hearn Fund, 1939 July Hay. Egg tempera on masonite. Dated 1943. George A. Hearn Fund, 1943 EUGENE BERMAN. 1899- The Muse of the Western World. Dated 1942. George A. Hearn Fund, 1943 GEORGE BIDDLE. 1885- A Woman with a Letter. Painted in 1933. Arthur H. Hearn Fund, 1937 ISABEL BISHOP. 1902- Tvoo Girls. -
Free Catalog
Featured New Items FAMOUS AMERICAN ILLUSTRATORS On our Cover Specially Priced SOI file copies from 1997! Our NAUGHTY AND NICE The Good Girl Art of Highest Recommendation. By Bruce Timm Publisher Edition Arpi Ermoyan. Fascinating insights New Edition. Special into the lives and works of 82 top exclusive Publisher’s artists elected to the Society of Hardcover edition, 1500. Illustrators Hall of Fame make Highly Recommended. this an inspiring reference and art An extensive survey of book. From illustrators such as N.C. Bruce Timm’s celebrated Wyeth to Charles Dana Gibson to “after hours” private works. Dean Cornwell, Al Parker, Austin These tastefully drawn Briggs, Jon Whitcomb, Parrish, nudes, completed purely for Pyle, Dunn, Peak, Whitmore, Ley- fun, are showcased in this endecker, Abbey, Flagg, Gruger, exquisite new release. This Raleigh, Booth, LaGatta, Frost, volume boasts over 250 Kent, Sundblom, Erté, Held, full-color or line and pencil Jessie Willcox Smith, Georgi, images, each one full page. McGinnis, Harry Anderson, Bar- It’s all about sexy, nubile clay, Coll, Schoonover, McCay... girls: partially clothed or fully nude, of almost every con- the list of greats goes on and on. ceivable description and temperament. Girls-next-door, Society of Illustrators, 1997. seductresses, vampires, girls with guns, teases...Timm FAMAMH. HC, 12x12, 224pg, FC blends his animation style with his passion for traditional $40.00 $29.95 good-girl art for an approach that is unmistakably all his JOHN HASSALL own. Flesk, 2021. Mature readers. NOTE: Unlike the The Life and Art of the Poster King first, Timm didn’t sign this second printing. -
T H E S I S EDGAR ALLAN POE I THE
T H E S I S EDGAR ALLAN POE i THE NON - SCIENTIFIC SCIENTIST Universidade Federal de Santa Catarina Departamento de Língua e Literatura Estrangeiras EDGAR ALLAN PCE THE NON - SCIENTIFIC. SCIENTIST Tese submetida à Universidade Federal de Santa Catarina pará a obtenção do grau de Mestre em Letras. Sonia Maria Gomes Ferreira Abril, 1978 E«-tu Tese foi julgade adequada p?rn a obtenção do titulo dc KL5TKE EK LETRAL Especialidade Lxngua Inglesa e Literatura Correspondente e aprovada em sua forma final pelo Programa de Pos-Graduaçoo Prof. Arnold Sfilig Goj/denctein, Ph.D. O r i e n t a d o r ProT. Hilário Inácio 3ohn, Ph.D, Intcorodor do Curso Apresentada perante a Comissão Examinadora composta -dos pro- f es c o r c s : / l l i l frC/-( '/ - h Prof. Arnold Selig ßordenstein, Ph.D A Prof. John Bruce Derrick, Ph.D. Para Roberto Agradecimentos Aos meus pais pelo apoio e incentivo em todos os momentos. À Universidade Federal de Santa Catarina pela oportunidade oferecida. Ao Prof. Arnold Selig Gordenstein pela extrema dedicação e interesse com que me orientou. Aos demais professores e amigos que contribuiram para a realizaçao deste trabalho. ABSTRACT A study of the period 1830-1850, leads us to conclude that Poe's scientific stories were deeply influenced by the scientific developments of his time. This period was, in the United States, an era of invention and innovation in all branches of science. Poe's fascination with science can be traced throughout his life, although he sometimes showed himself an opponent of industrialism and of certain scientific procedures.