UMS PRESENTS AKADEMIE FÜR ALTE MUSIK BERLIN

Sunday Afternoon, April 13, 2014 at 4:00 Hill Auditorium • Ann Arbor

66th Performance of the 135th Annual Season 135th Annual Choral Union Series

Photo: Akademie für Alte Musik Berlin; photographer: Kristof Fischer. 31 32 AKADEMIE FÜR ALTE MUSIK BERLIN WINTER 2014 UMS PROGRAM INTERMISSION No. 5for Strings andBassoContinuo inbminor, Carl Philipp Emanuel for Harpsichord, Strings, andBassoContinuo infminor Johann Christian Bach(previously attributed to WilhelmFriedmann Bach) Orchestral Suite No. 1inCMajor, BWV 1066 Wq. 182,H.661 Presto Larghetto Allegretto Prestissimo Andante Allegro dimolto Passepied I,II Bourrée I,II Menuett I,II Forlane Gavotte I,II Courante Ouverture Raphael Alpermann, Harpsichord BE PRESENT WINTER 2014 33

Xenia Löeffler, Löeffler, Xenia

Allegro adagio tosto più Andante molto Allegro Allegro troppo ma non Adagio ma non troppo Allegro

Basso Continuo, Op. 6, No. 6 Op. 6, No. Basso Continuo, Wq. 165, H. 468 Wq. Akademie für Alte Musik Berlin is managed worldwide by Felix Hilse, Berlin, . Hilse, Berlin, Felix by is managed worldwide Berlin Musik für Alte Akademie Akademie für Alte Musik Berlin is managed in North America by International Arts Foundation, New York, NY. York, New Arts Foundation, International by America is managed in North Berlin Musik für Alte Akademie Akademie für Alte Musik Berlin records for Harmonia Mundi. Harmonia for records Berlin Musik für Alte Akademie This tour is made possible by the generous support of the Goethe Institut and the Auswärtige Amt (Federal (Federal Amt and the Auswärtige Institut the Goethe support of the generous by is made possible This tour Office). Foreign Special thanks to Kipp Cortez for coordinating the pre-concert on the Charles Baird Carillon. Baird music on the Charles the pre-concert coordinating for Kipp Cortez to Special thanks Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of floral of contribution his generous for Ann Arbor, Flowers, Thompson Tom of Thompson Tom to Special thanks concert. evening’s this art for Media partnership provided by WGTE 91.3 FM. WGTE by provided partnership Media Symphony in g minor for Strings, Two , Two Horns, and Horns, Two Oboes, Two Strings, for in g minor Symphony J.C. Bach J.C. Concerto for Oboe, Strings, and Basso Continuo in E-flat Major, in E-flat Basso Continuo and Oboe, Strings, for Concerto C.P.E. Bach C.P.E. 34 AKADEMIE FÜR ALTE MUSIK BERLIN WINTER 2014 UMS movements, heclearlyprepares theway forthegalant styleofthenext generation. The program willbeginwithawork by thefather where,especiallyintheshorter dance always, onemust becareful withgeneralizations asthereareexceptions toevery rule. became synonymous withthestyle“galant,” amuch mellower, happier vein. Yet, as sudden interruptions, andother dramatic moves. Christian’sname,ontheother hand, that emphasized emotional expression andoften featured surprising harmonies, music ofthetime.Emanuel stoodforEmpfindsamkeit (sensitivity),away ofwriting much more famous thantheir father. They represented two divergent trendsinthe Johann Sebastian. Intheirown lifetimes, thesetwo sonsoftheThomaskantor were assume that you meant either Carl Philipp Emanuel or Johann Christian — but not If you mentioned thenameBachinsecondhalfof18thcentury, people would NOW THAT YOU’RE INYOUR SEAT… of stylizeddances, mostlyofFrench composed asagroup. —the four suiteswere not of French music, although —unlike the suites aretheresultofhisin-depth study Italian concerto, thefour orchestral Johann Sebastian Bach’sanswer tothe If thesixBrandenburg Concertos were • • • • • SNAPSHOTS OFHISTORY…IN 1724: the Fair LaneFestival conducted by Jean Martinon in June 1967 at withharpsichordist Kenneth Gilbert UMS premiere:ChicagoSymphony Baroque Died July28,1750inLeipzig Born March31,1685inEisenach,Germany Johann Sebastian Bach Orchestral SuiteNo.1inCMajor, BWV 1066 talent butismentally disabled first son, Gottfried Heinrich, whoshows great musical Bach andhissecond wife, Anna Magdalena, have their Mathematicae his revolutionary Swiss mathematicianDaniel Bernoulli publishes Grand Canal inVenice Canaletto paints several celebrated canvases of the Wabanaki Confederacy of Indiannations War between theNew Englandcolonies andthe Handel’s opera Julius Caesar A Baroque suite is essentially a set Exercitationes Quaedam Exercitationes Quaedam (1724) is first performed in is first performed in (half-note) pickup, anda“Forlane,” ina “Gavottes,” in duplemeter andwithalong in theorchestral works. Next cometwo all ofBach’ssolosuitesbut nowhere else dance infast triple meter that figuresin “Overture” isfollowed by a“Courante,” a In in theactualsequenceofmovements. different fromoneanother, inscoringand In other respects,thefour suitesarevery groups contrasted withthefull ensemble. elements, withsmallerinstrumental suites alsoincorporates concerto-like movements inBach’sfour orchestral music returns. Eachoftheseopening counterpoint, after which the opening have afaster middlesectioninimitative and short notes). They alsotypically dotted rhythms (withalternating long majestic opening, usuallyemploying be instantly recognized by their slow, original homewastheopera house, can style. French Baroque overtures, whose an elaborate overture in the French the reasonthat eachwork beganwith that name.Histitlewas“Overtures,” for though Bachhimselfdidn’tcallthemby applies toBach’sorchestral suites,even danced to—adescription that certainly is meant to be listened to rather than origin. “Stylized”meansthat themusic Orchestral Suite No.1,the BE PRESENT WINTER 2014 35 (sensitive (sensitive Stil empfindsamer , in constant contrast contrast ritornello, in constant The present concerto in f minor in f minor concerto The present style) must have made a big impression made have style) must some wrote who Christian, teenage the on his during works surviving earliest his of is confirmed His authorship Berlin years. in his handwriting, sketch a surviving by in included was work the in 1985, and works. Bach’s J.C. of edition complete the g-minor symphony, Christian’s later program, which closes this afternoon’s Bach retained the youngest that attests he side long after emotional his darker, in the smoother, himself had established style. sunnier galant influence of the shows definitely older half-brothers. Christian’s two concertos other with five Together been in has never whose authorship (the so-called “Berlin Concertos”), doubt body ofit constitutes the earliest known “Milan” and “London” the future by work can concerto our Bach. With hindsight, between a transition be said to represent (which the Baroque and Classical eras of J.S. Bach with the works associate we a classical Like respectively). and Mozart, it begins with an orchestral concerto, when the solo instrument introduction; second a contrasting it plays enters, the theme of the orchestral theme. Yet and turbulent — a dramatic introduction a like much returning melody — keeps Baroque Therewith the more lyrical solo material. first the of end the at cadenza solo a is After as in a classical concerto. movement, movement and dignified slow a serious a second cadenza, a whirlwindcontaining “Prestissimo” closes the work. After he lost his father at the age of 15, the age at his father he lost After Emanuel, Philipp with Carl to live he went Frederick of the service then in who was and was also of Prussia, King the Great, Friedemann. with contact constant in Emanuel’s

(1750–55)

Johann Stamitz composes his innovative his innovative composes Stamitz Johann in Mannheim Carl Linné publishes his ground-breaking work in work publishes his ground-breaking Linné Carl the Species Plantarum botany, Benjamin Franklin and Thomas Bond found the and Thomas Bond found Benjamin Franklin hospital in Philadelphia, the first Hospital Pennsylvania in America The first volumes of the French Encyclopédie are Encyclopédie the French of volumes The first published Johann Sebastian Bach dies on July 28, 1750 at the age Bach dies on July Sebastian Johann 65 of Friedemann BachFriedemann

Strings, and Basso Continuo in Continuo Strings, and Basso f minor was heavily influenced by his brothers. his brothers. by influenced was heavily Christian, at the beginning of his career,Christian, at that of their younger half-brother. Yet Yet half-brother. younger of their that another as well, are far removed from removed far are well, as another two older Bach sons, different from one sons, different older Bach two This is surprising since the styles of theThis is surprising Philipp Emanuel, and Johann Christian. Emanuel, Philipp Bach sons: Wilhelm Friedemann, Carl Carl Bach sons: Wilhelm Friedemann, times, attributed to all three illustrious to all three illustrious times, attributed and music-lovers as it has been, at various as it has been, at and music-lovers considerable confusion for musicians for musicians confusion considerable The present concerto has caused has caused concerto The present • • • • never been performed on a UMS concert. never 1750: OF HISTORY…IN SNAPSHOTS • Strings, and Basso Continuo in f minor has Strings, and Basso Continuo Concerto for Harpsichord, for Harpsichord, UMS premiere: Concerto Died July 1, 1784 in Berlin Born November 22, 1710 in Weimar, Germany 22, 1710 in Weimar, Born November Previously attributed to Wilhelm attributed Previously Died January 1, 1782 in London, 1, 1782 in London, Died January Born September 5, 1735 in , Germany Born September Johann Christian Bach the suite, are fast dances in 3/4 time. dances fast the suite, are pickup. The two “Passepieds,” which close which “Passepieds,” The two pickup. for Harpsichord, Concerto in duple meter with a short (quarter note) (quarter a short with in duple meter tempo and triple meter; the two “Bourrées” two the meter; and triple tempo two “Minuets” that follow are in medium are follow that “Minuets” two of a “Forlane” in all of Bach’s music.) Themusic.) Bach’s of all in “Forlane” of a quick 6/4 time. (This is the only example (This is the 6/4 time. quick 36 AKADEMIE FÜR ALTE MUSIK BERLIN WINTER 2014 UMS 1981 inRackhamAuditorium conducted by MarcMostovoy in December UMS premiere:Concert SoloistsofPhiladelphia Died December 14,1788inHamburg Born March8,1714inWeimar, Germany Carl Philipp Emanuel Bach Symphony No.5forStringsand six. Itsthree interconnected movements symphony, whichisthe fifth intheset of — areamply evident intheb-minor dynamic changes andemotional extremes his fondnessforsurprising harmonicand ’s mature years. most striking set of works from this great Emanuel’s immense output as one of the six symphonies whichstandout in and in1773commissionedhimtowrite van Swieten alsobefriendedEmanuel, A great aficionadoofJ.S.Bach’smusic, lives ofHaydn, Mozart, andBeethoven. was toplay animportant roleinthe passionate music lover whoinlater years Baron vanSwieten (1733–1803),a born Austrian diplomat named Gottfried around the Princess includeda Dutch- themselves). Theartistic circle (both royal siblingswere competent like herbrother, wasextremely musical Frederick theGreat’s younger sister,who, court composer forPrincessAnnaAmalia, capital, andretained thehonorary titleof he didnot sever histieswiththePrussian music directorforthecityofHamburg. Yet In 1768,C.P.E.Bachleft Berlintobecome • • • • • SNAPSHOTS OFHISTORY…IN 1773: Wq. 182,H.661 Basso Continuo inbminor, Captain James Cook crosses theAntarctic Circle Young Werther Johann Wolfgang Goethe writes TheSorrows of oxygen Carl WilhemScheele andJoseph Priestley isolate The Boston Tea Party takes place inBoston Harbor Symphony No. 25ingminor, K.183 The 17-year-old Mozart composes his“Little” The hallmarks of Emanuel’s style — The hallmarksofEmanuel’s style— (1773)

Auditorium Trevor PinnockinJanuary 1986inRackham oboe soloistDavid Reichenberg, conductedby UMS premiere: with C.P.E. Bach Concerto forOboe,Strings,and concerto style, following the basic outlines style, following the basic outlines concerto arrangement “updated” hisfather’s oboe version camefirstand thekeyboard orchestra, andscholarsthinkthat the also exist inversions forharpsichord and both inthesameyear of1765. Both works C.P.E. Bachwrote two oboe concertos, • • • • • SNAPSHOTS OFHISTORY…IN 1765: reaches itsenergetic conclusion. highly unusual tonaladventures beforeit surprising dissonance, goesthrough some while thefinal“Presto,”whichopens ona come whenyou would leastexpect them, some movement “Larghetto” is enlivened by The sensitive melodyofthesecond- angular motifs, shooting uplike arrows. distant keys, andlyricalmelodieswith mysterious, slow-moving chordsvisiting rapidly scurrying scalarfigures with abound). Thefirst movement juxtaposes but even there, idiosyncratic features movement comesclosestto“regularity” time thiswork waswritten(thethird had alreadybeguntostandardizeby the classical symphony, whichJoseph Haydn bear littleresemblance totheViennese Wq. 165,H.468 Basso Continuo inE-flat Major, The 9-year-old Mozart completes hisfirst symphony establish thefamous Bach-Abel concerts inLondon Johann ChristianBachandCarl Friedrich Abel with anIndian Maid Joshua Reynolds paints Robert Clive andhis Family colonies, provoking widespread protests a particularly burdensome taxontheAmerican With theStampAct, theBritishParliament imposes of hisCeltic forgeries, TheWorks of Ossian James Macpherson publishesthecollected edition fortissimos andpianissimosthat (1765) BE PRESENT WINTER 2014 37 English Little” g-minor symphony (No. 25,Little” g-minor symphony “ Since 1762, J.C. Bach had been living inSince 1762, J.C. Bach had K. 183) of 1773; yet the work is remarkable the work K. 183) of 1773; yet only as a model for a not right, in its own and rhythmic With its sharp former protégé. movement opening the contrasts, dynamic The central impression. a dramatic makes for scored adagio,” tosto più “Andante the pairs of oboesstrings alone — without movements and horns heard in the outer emotional highly same the in continues — finale which breathless as does the vein, as unison motif, with a soft ends, startlingly, if cut off in mid-phrase. Laki. Peter by notes Program Bach.” The present symphony by Christian, by symphony Bach.” The present which has no Baroque reminiscences was a direct influence on whatsoever, Mozart’s Of the 22 surviving symphonies by J.C. by symphonies 22 surviving Of the key; in a minor only one this is the Bach, usually from the striking departure it is a of Christian’s tone graceful carefree, seen an have we (although works mature concerto).in the early f-minor antecedent of this (or re-appearance) The appearance of a seems to be part 1760s late tone in the music has long puzzled trend that general particular in scholars Haydn historians. emergence of a the sudden noticed have minor- dramatic of dark-hued, large number in those composers many by mode works referred to their agitated have they years; of the Sturm equivalent style as a musical (storm and stress) movement und Drang around emerged in German literature that the same time. his about is known much London, and not in Germany. with his half-brothers contacts dismissive made a rather (In 1768, Emanuel brother’s his younger about statement which cannot compositions, recent Highly relationship.) their helped have opera of both as a composer successful took Christian music, instrumental and under his wing Mozart the eight-year-old was in London, and Mozartwhen the latter a lifelong affection for the “ retained

(1769) modern” vintage. (The vintage. modern”

refers to a main melody that to a main refers ritornello The second movement “Adagio ma The second movement

Captain James Cook discovers New Zealand New discovers Cook James Captain Dartmouth College is founded College Dartmouth French painter Jean-Honoré Fragonard produces a produces Fragonard Jean-Honoré painter French self-portrait celebrated Napoleon Bonaparte is born in Corsica is born Bonaparte Napoleon Symphony No. 48 No. his Symphony composes Haydn Joseph (“Maria Theresia”)

Continuo, Op. 6, No. 6 Continuo, Two Oboes, Two Horns, and Basso Horns, Oboes, Two Two • unusual harmonic progressions. unusual • those unexpected rests and some rather rests and some rather those unexpected • E-Major violin concerto — if it weren’t for — if it weren’t violin concerto E-Major • that would hark back to Sebastian’s hark back to Sebastian’s would that on a UMS concert. 1769: OF HISTORY…IN SNAPSHOTS • returns there with a spirited rondo themereturns been performed Op. 6, No. 6 has never Continuo, Bach’s world, but the third movement movement the third but world, Bach’s Horns, and Basso Oboes, Two Strings, Two main theme takes us far away from J.S. away us far main theme takes minor for g in premiere: Symphony UMS syncopations and chromatic lines of the and chromatic syncopations J.C. Bach Second Symphony. The expressive The expressive Second Symphony. of the slow movement of Schumann’s of Schumann’s movement slow the of in g minor for Strings, Symphony outpouring that almost reminds one one almost reminds that outpouring non troppo” is a proto-Romantic lyrical is a proto-Romantic non troppo”

striking originality. movement is another sign of Emanuel’s sign is another movement general rest before the end of the first rest before the end of the general throughout the movement. The unexpected the movement. throughout resulting in a high degree of motivic unity of motivic resulting in a high degree same melody as the orchestral ritornello, orchestral the as melody same innovation is that the solo episodes use the use episodes solo the that is innovation with solo episodes.) Emanuel’s surprising Emanuel’s episodes.) solo with main key and sometimes not, and alternating and not, sometimes and main key is periodically repeated, sometimes in the sometimes repeated, is periodically term melodies of a more “ of a more melodies form but using but form ritornello Baroque of the 38 AKADEMIE FÜR ALTE MUSIK BERLIN WINTER 2014 UMS F ARTISTS Medea (music by PascalDusapin). With ’s DidoandAeneas & Guestsforinnovative productionsof the moderndancecompany SashaWaltz artistic boundaries towork together with Moreover, Akamus has extended its Scholl, SandrinePiau, andBejun Mehta. Kammerchor, as well as with Andreas Rademann, who currently leads the RIAS Daniel Reuss, andHans-Christoph conductors MarcusCreed,Peter Dijkstra, oratorio productions. has producedmany celebrated opera and countertenor andconductorRenéJacobs 25 years, theirpartnership withBelgian guest conductorsandsoloists.For over Georg Kallweit, aswell aswithnumerous Seiler, Stephan Mai,BernhardForck, and leadership ofitsconcertmasters Midori pieces, and performs under the artistic works to large-scale symphonic concerts, ranging from small chamber Akamus performs approximately 100 Prinzregententheater. Eachyear, started aconcert seriesat Munich’s Music. Inthe2012–13season,Akamus and at theInnsbruck Festival ofEarly Berlin Staatsoper Unter denLinden 1994, hasbeenaregularguestat the series in Germany’s capital, and, since ensemble has enjoyed itsown concert the BerlinKonzerthaus in1984,the and South America. toured throughout Asia,North America, Europe’s leadingmusical centers, has ensemble, which performs regularly in unprecedented history of success. The MUSIK BERLIN,orAkamus, enjoys an , theAKADEMIEFÜR ALTE The ensemble hasalsoworked with Ever sincethereopening of the world’s leading chamber recognized today asoneof ounded inBerlin1982and includes hisfascinating Magnificat. anniversary ofthecomposer’s birth and Bach, releasedtocelebrate the300th is aCDdevoted toCarlPhilipp Emanuel addition totheorchestra’s discography — TheRiseofClassicalOpera . Thelatest Bejun Mehta’s latest recitalChePuro Ciel of J.S.Bach’sSt. Matthew Passion , and Christo, theacclaimednew interpretation of Pergolesi’soratorio Septem Verba a included theworld premiererecording under RenéJacobs’ musical directionhave Recording.” New CDreleasesin2013 for a2013Grammy Award as“BestOpera Handel’s opera Agrippina wasnominated d’Or in2012.Theorchestra’s recordingof Berlin Court wasawarded theDiapason Friedrich derGrosse:Musicfromthe German RecordCritics’Award. TheCD The MagicFlutewashonoredwiththe l’Année. In2011,therecordingofMozart’s Classical Award 2010andtheChocde the ensemble wasawarded theMIDEM recording ofTelemann’s Brockespassion, Record Critics’Award in2009.For its & Guests,Akamus received theGerman opera Award. For itsDVD productionofPurcell’s the Gramophone Award, andtheEdison Diapason d’Or,the CannesClassicalAward, including the Grammy Award, the earned many international prizes, since 1994, the ensemble’s CDs have exclusively forharmoniamundi recordings soldtothepublic. Recording highlighted by well over one million Akademie für AlteMusikBerlinis creative andinnovative ensemble. its international reputation forbeinga Akamus hasdemonstrated yet again Elements —4Seasons,a“stagedconcert,” its visuallydramatic performance of 4 The international successofthe Dido andAeneaswithSashaWaltz BE PRESENT WINTER 2014 39

Ms. Löffler is the prizewinner of of is the prizewinner Ms. Löffler In 1995 he debuted with the Berlin with the In 1995 he debuted ) studied piano at the the at piano studied ) Harpsichord by one year of postgraduate studies with studies postgraduate of one year by in Conservatory Royal the at Ebbinge Ku The Hague. and international national numerous and soloist and was a member competitions Union Baroque Orchestra.of the European she her colleagues in Basel, with Together Bläseroktett Amphion the co-established numerous at in 1998 which has performed festivals since its beginnings music major presenceinternational an and established of nine CD its production through Sir by she was invited recordings. In 2000, oboefirst perform to Gardiner Eliot John Pilgrimage, a project in the Bach Cantata all of Bach’s performed and recorded that and in New Europe throughout cantatas City. York RAPHAEL ALPERMANN ( of Music Hanns Eisler in East Academy withBerlin before studying harpsichord He Koopman. Leonhardt and Ton Gustav of the members is one of the founding has and Berlin Musik Alte für Akademie as a soloist and continuo both appeared in countless with the ensemble player and recordings. concerts Philharmonic in a performance of Bach and since then has concertos harpsichord regularly with the orchestra. appeared Sir Simon Abbado, with Claudio Working Mr. Harnoncourt, and Nikolaus Rattle, him brought has schedule tour Alpermann’s across all venues leading music to many Alte the Akademie für with both continents Musik Berlin and the Berlin Philharmonic. more in participated has he Additionally, than 100 CD recordings and regularly ensembles other with as a guest appears specializing in historical performance. In Berlin, Mr. Alpermann teaches harpsichord of Academy the at music chamber and Music Hanns Eisler. ), born in ), born in Oboe ( ) Concertmaster He has participated in over 60 60 in over He has participated Cantorum Basiliensis. This was followed Basiliensis. This was followed Cantorum oboe with Katharina Arfken at the Schola at Arfken with Katharina oboe with Conrad Steinmann and baroque baroque and Steinmann Conrad with Nuremberg before she studied recorderNuremberg the Meistersinger Konservatorium in in the Meistersinger Konservatorium Erlangen, Germany, first studied at first studied at Erlangen, Germany, XAENIA LÖFFLER youth baroque orchestra Bach’s Erben. baroque orchestra youth Weimar, and Helsinki, and is a coach of theWeimar, lessons at the music schools in Leipzig, the music lessons at America and Asia. As a teacher he gives Europe, as well as to North and South and South as to North as well Europe, activities have taken him to nearly all of taken activities have Raumklang label. Mr. Kallweit’s musical Kallweit’s Mr. label. Raumklang and recitals with Ombra e Luce on the and recitals with Ombra with the Berlin Barock Compagney, with the Berlin Barock Compagney, harmonia mundi France, chamber music chamber France, harmonia mundi the Akademie für Alte Musik Berlin on the Akademie für his interpretation of violin concertos with of violin concertos his interpretation international prizes. Among these includeinternational received have of which recordings, many Italian . Luce, an ensemble that specializes in early that Luce, an ensemble lutenist Björn Colell in the duo Ombra e Ombra duo the in Colell lutenist Björn Berlin). He has also been active with theBerlin). He has also been active Sinfonie Orchester, Lautten Compagney Compagney Sinfonie Orchester, Lautten Kammervirtuosen Berlin, Deutsches Berlin, Deutsches Kammervirtuosen Finnish Baroque Orchestra, Deutsche Deutsche Orchestra, Baroque Finnish orchestras (Ensemble Resonanz Hamburg, Resonanz (Ensemble orchestras numerous historical and modern chamber historical and numerous as a guest concertmaster and soloist with soloist and concertmaster guest a as Berlin, Mr. Kallweit has worked regularly has worked Berlin, Mr. Kallweit work with the Akademie für Alte Musik with the Akademie für work leadership of ensembles. Alongside hisleadership of ensembles. repertoire of the baroque violin and the repertoire the years he has focused on the solo solo he has focused on the the years sought after specialists in his field. Over field. his in specialists after sought is recognized today as one of the most as one today is recognized ( KALLWEIT GEORG of the Akademie für Alte Musik Berlin, für of the Akademie As member, concertmaster, and soloist and concertmaster, member, As debut this afternoon. this debut Berlin as the ensemble makes its UMS its makes as the ensemble Berlin UMS welcomes Akademie für Alte Musik für Alte Akademie welcomes UMS 40 AKADEMIE FÜR ALTE MUSIK BERLIN WINTER 2014 UMS Walter Rumer BASS Jan Freiheit CELLO Clemens-Maria Nuszbaumer Sabine Fehlandt VIOLA Dörte Wetzel Uta Peters Stephan Mai Thomas Graewe Gudrun Engelhardt Erik Dorset Georg Kallweit, Concertmaster VIOLIN AKADEMIE FÜRALTE MUSIKBERLIN visit www.umslobby.org to find thesestories. your camera atthecode, andscan to see multimedia content; or Download afree QRcode reader apponyour smartphone, point family. Scan for afamily tree including facts andfigures abouttheBach *soloists Raphael Alpermann* HARPSICHORD Erwin Wieringa Miroslav Rovenský HORN Christian Beuse Xenia Löffler* Go Arai OBOE