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Macquarie University Alex Munt New Directions in Music Video: Vincent Moon and the 'Ascetic Aesthetic'
Munt New directions in music video Macquarie University Alex Munt New Directions in Music Video: Vincent Moon and the ‘ascetic aesthetic’ Abstract: This article takes the form of a case study on the work of French filmmaker and music video director Vincent Moon, and his ‘Takeaway Shows’ at the video podcast site La Blogothèque. This discussion examines the state, and status, of music video as a dynamic mode of convergent screen media today. It is argued that the recent shift of music video online represents a revival of music video—its form and aesthetics— together with a rejuvenation of music video scholarship. The emergence of the ‘ascetic aesthetic’ is offered as a new paradigm for music video far removed from that of the postmodern MTV model. In this context, new music video production intersects with notions of immediacy, authenticity and globalised film practice. Here, convergent music video is enabled by the network of Web 2.0 and facilitated by the trend towards amateur content, participatory media and Creative Commons licensing. The pedagogical implications of teaching new music video within screen media arts curricula is highlighted as a trajectory of this research. Biographical note: Alex Munt is a filmmaker and screen theorist. He is a Lecturer in the Department of Media, Music, Communication and Cultural Studies at Macquarie University. He recently completed a PhD on ‘Microbudget Digital Cinema’ and has published on topics that include digital filmmaking, screenwriting, music video, fashion and design media in Australian and UK media, journals and magazines. Keywords: Aesthetics – Music – Video – Vincent Moon 1 Broderick & Leahy (eds) TEXT Special Issue, ASPERA: New Screens, New Producers, New Learning, April 2011 Munt New directions in music video The focus of this article is the work of French filmmaker and music video director Mathieu Saura, more commonly known by his alias ‘Vincent Moon’. -
Género E Performance — Textos Essenciais Vol. I
MARIA MANUEL BAPTISTA FERNANDA DE CASTRO (ORG.) Género e Performance T EXTOS ESSENCIAIS 3 TEXTOS DE: Ankica Čakardić Corey Johnson Derek Hall Donald E. Morton Erika Fischer-Lichte Fatima El-Tayeb Judith Butler Larissa Latif Lisa Lewis Luce Irigaray Maria Manuel Baptista Mark Devenney Nancy Fraser Rosi Braidotti Stephen Lewis Vivian Kinnaird MARIA MANUEL BAPTISTA FERNANDA DE CASTRO (ORG.) Género e Performance T EXTOS ESSENCIAIS 3 TEXTOS DE: Ankica Čakardić Corey Johnson Derek Hall Donald E. Morton Erika Fischer-Lichte Fatima El-Tayeb Judith Butler Larissa Latif Lisa Lewis Luce Irigaray Maria Manuel Baptista Mark Devenney Nancy Fraser Rosi Braidotti Stephen Lewis Vivian Kinnaird [Ficha Técnica] Inês Carvalho Jacinta Bola Título Joana Pereira Género e Performance Larissa Latif — Textos essenciais Vol. III Maria Manuel Baptista Marta Leitão Organização Simone Rechia Maria Manuel Baptista e Fernanda de Rita Himmel Castro Rodrigo de França Coordenação Editorial Capa Maria Manuel Baptista Grácio Editor Fernanda de Castro Larissa Latif Design gráfico e paginação Grácio Editor Conselho de Revisores Maria Manuel Baptista 1ª edição em outubro de 2020 Fernanda de Castro Larissa Latif ISBN: 978-989-54697-9-6 Alexandre Almeida Belmira Coutinho © Grácio Editor Marta Leitão Travessa da Vila União, Rita Himmel n.º 16, 7.o drt 3030-217 COIMBRA Revisores de Apoio Telef.: 239 084 370 Alcina Fernandes e-mail: [email protected] Alexandre Almeida sítio: www.ruigracio.com António Pernas Belmira Coutinho Reservados todos os direitos Bruno Neca Daniela Piva Esta obra foi financiada por fundos nacio- Fernanda de Castro nais, através da Fundação para a Ciência e Geanine Escobar a Tecnologia, I.P., no âmbito do projeto Helena Ferreira UIDB/04188/2020. -
Stan Hawkins, Settling the Pop Score: Pop Texts and Identity Politics
Reviews 81 interaction of drama in literary and musical terms. Lewsey’s aim here (as in his Who’s Who and What’s What in Wagner), is to assist the uninitiated, the regular audiences, directors and singers. This he does successfully. Stan Hawkins, Settling the Pop Score: Pop Texts and Identity Politics Aldershot, Hants.: Ashgate, 2002 ISBN 0 7546 0352 0; pb, 234pp, ill, music exx, bibl., discog., index Reviewed by Gavin Carfoot The scholarly study of popular music has its origins in sociology and cultural studies, disciplinary areas in which musical meaning is often attributed to aspects of economical and sociological function. Against this tradition, recent writers have offered what is now referred to as ‘popular musicology’: a method or approach that tends towards a specific engagement with ‘pop texts’ on aesthetic, and perhaps even ‘musical’ terms. Stan Hawkins uses the term popular musicology ‘at his own peril,’ clearly recognising the implicit scholarly danger in his approach, whereby ‘formalist questions of musical analysis’ are dealt with ‘alongside the more intertextual discursive theorisations of musical expression’ (p. xii). In other words, popular musicologists dare to tread that fine line between text and context. As editor of the journal Popular Musicology Online, Hawkins is a leading advocate of this practice, specifically in the application of music-analytical techniques to popular music. His methodology attests to the influence of other leading figures in the area, notably Richard Middleton, Allan F. Moore and Derek Scott (general editor of the Ashgate Popular and Folk Music Series in which this book is published). Settling the Pop Score is predominantly a collection of articles drawn from Hawkins’s previously published research, looking at popular figures that typify the 1980s MTV generation: Madonna, Morrissey, Annie Lennox, the Pet Shop Boys and Prince. -
Media Culture: Cultural Studies, Identity and Politics Between The
Media Culture Media Culture develops methods and analyses of contemporary film, television, music, and other artifacts to discern their nature and effects. The book argues that media culture is now the dominant form of culture which socializes us and provides materials for identity in terms of both social reproduction and change. Through studies of Reagan and Rambo, horror films and youth films, rap music and African- American culture, Madonna, fashion, television news and entertainment, MTV, Beavis and Butt-Head, the Gulf War as cultural text, cyberpunk fiction and postmodern theory, Kellner provides a series of lively studies that both illuminate contemporary culture and provide methods of analysis and critique. Many people today talk about cultural studies, but Kellner actually does it, carrying through a unique mixture of theoretical analysis and concrete discussions of some of the most popular and influential forms of contemporary media culture. Criticizing social context, political struggle, and the system of cultural production, Kellner develops a multidimensional approach to cultural studies that broadens the field and opens it to a variety of disciplines. He also provides new approaches to the vexed question of the effects of culture and offers new perspectives for cultural studies. Anyone interested in the nature and effects of contemporary society and culture should read this book. Kellner argues that we are in a state of transition between the modern era and a new postmodern era and that media culture offers a privileged field of study and one that is vital if we are to grasp the full import of the changes currently shaking us. -
5 Videodesign E a Linguagem Visual Pós-Moderna: As Vinhetas Da MTV
5 Videodesign e a linguagem visual pós-moderna: as vinhetas da MTV As vinhetas da MTV representam um dos principais elementos constitutivos da linguagem visual adotada pela emissora. Através destas peças gráficas audiovisuais, pode-se apreender grande parte da essência da MTV, que se remeteria diretamente a uma série de manifestações da cultura pós-moderna. Além disso, o videodesigner, principal responsável pela criação das vinhetas, dispõe de ferramentas de trabalho que o tornariam um profissional privilegiado em expressar parte dos elementos inerentes ao universo pós-moderno. Com o uso do sistema “copy-cut-mix-edit” dos softwares de edição e manipulação de imagens, o videodesigner produziria objetos gráficos repletos de influências da cultura pós-moderna, da qual a MTV participa. Como a atividade é relativamente nova, são usados ainda diferentes termos para se referir ao design voltado para o vídeo, como motion graphics ou videographics. Porém, nesta pesquisa o termo usado será videodesign, que representa um dos mais populares e utilizados, estando relacionado ao design direcionado ao vídeo para exibição na mídia eletrônica, e que não inclui o design produzido para cinema, que possui um termo específico denominado de moviedesign. Já o termo grafismo, que também é empregado durante a pesquisa, se refere aos elementos visuais que são criados para o conteúdo das vinhetas. Neste capítulo são abordadas as principais características referentes ao videodesign e discutido o ambiente de criação intrínseco a esta área de atuação, havendo uma rápida abordagem sobre as origens da vinheta televisiva no Brasil, quando ainda não passava de um cartão de papel estático filmado por uma câmera, e seu desenvolvimento ao longo da história até os dias atuais. -
Skate Life: Re-Imagining White Masculinity by Emily Chivers Yochim
/A7J;(?<; technologies of the imagination new media in everyday life Ellen Seiter and Mimi Ito, Series Editors This book series showcases the best ethnographic research today on engagement with digital and convergent media. Taking up in-depth portraits of different aspects of living and growing up in a media-saturated era, the series takes an innovative approach to the genre of the ethnographic monograph. Through detailed case studies, the books explore practices at the forefront of media change through vivid description analyzed in relation to social, cultural, and historical context. New media practice is embedded in the routines, rituals, and institutions—both public and domestic—of everyday life. The books portray both average and exceptional practices but all grounded in a descriptive frame that ren- ders even exotic practices understandable. Rather than taking media content or technol- ogy as determining, the books focus on the productive dimensions of everyday media practice, particularly of children and youth. The emphasis is on how specific communities make meanings in their engagement with convergent media in the context of everyday life, focusing on how media is a site of agency rather than passivity. This ethnographic approach means that the subject matter is accessible and engaging for a curious layperson, as well as providing rich empirical material for an interdisciplinary scholarly community examining new media. Ellen Seiter is Professor of Critical Studies and Stephen K. Nenno Chair in Television Studies, School of Cinematic Arts, University of Southern California. Her many publi- cations include The Internet Playground: Children’s Access, Entertainment, and Mis- Education; Television and New Media Audiences; and Sold Separately: Children and Parents in Consumer Culture. -
Post Mod Lect 11/89
Kleinhans Postmod lect 1 Notes for a lecture on Postmodernism SFSU Nov 89 Course title: Media and Social Change assigned text: Jameson, Postmodernism, the Cultural Logic of Late Capitalism key question: If the analysis of Postmodernism is correct, what does that say about media and social change? my conclusion will address this key opening questions Is the art/culture of the present different than the art/culture of the past (ie first half of 20th C) Is contemporary consciousness different than consciousness in the past? my answer to both is yes...what's important is how the current scene differs. But this also implies the need for a new strategy in terms of art and media and social change. Some remarks on my writings (read earlier in this course) Working Class Heroes. Kleinhans Postmod lect 2 An attempt to explain in a sympathetic way why certain films appeal to a working class audience (and don't appeal to a middle class one). 1. getting beyond judgement and instant dismissal of "lower" popular culture a. from the high culture position b. from the working class/lower middle class position (I already understand it, why should I study it? it is transparent to me, whereas high culture isn't.) 2.attempt to explain audience response with a sociological specification of white working class male consciousness (by reading lit on white working class) 3. still valid in certain ways, could be extended to action films, applies to sports a. example of Pete Rose, the remarkable athlete, the achilles heel of gambling and extreme pride, self-delusion. -
Jackass for President Revitalizing an American Public Life Through the Aesthetic of the Amateur
JORIE LAGERWEY Jackass For President Revitalizing an American Public Life Through the Aesthetic of the Amateur A cartful of Jackasses. Despite their officially professional status, participate in a legal system often portrayed Jackass’s purposefully amateur aesthetic, as expensive, ineffectual and unfair. including its consistent use of video and Jackass is clearly a mainstream commercial handheld digital video cameras, its ideology phenomenon. The MTV program and feature of collective production, its use of an urban film now has two spin-off series (Viva La landscape as backdrop, and its project of social Bam in which Bam Margera terrorizes his intervention, relate it tightly to an American family, and Wildboyz, in which Chris Pontius avant-garde tradition. The Jackass project is and Steve-O encounter wildlife), it has been to manipulate its perceived position outside a live touring show called Don’t Try This the mainstream to both critique the Industry at Home, and it has spawned at least five (in their feature film) and more importantly, DVDs. The Jackass partnership with MTV to create a public, democratic sphere in which and its corporate behemoth parent company, both witnesses to filming and fans of the Viacom, reeks of cooptation. Certainly MTV show are drawn to participate. Bystanders used Jackass to regain some popularity with who witness filming are forced into dialogue its more punk or rock oriented male audience with the space and people around them, and who were alienated by the TRLization1 of fans are activated by the show to participate MTV and its unabashed switch from musical in their own local public spaces (e.g. -
Remodeling Tv Talent: Participation and Performance in Mtv’S Real World Franchise
REMODELING TV TALENT: PARTICIPATION AND PERFORMANCE IN MTV’S REAL WORLD FRANCHISE by Hugh Phillips Curnutt Bachelor of Science, New York University, 2000 Master of Arts, Georgetown University, 2002 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH COLLEGE OF ARTS AND SCIENCES This dissertation was presented by Hugh Phillips Curnutt It was defended on November 9, 2007 and approved by Henry Krips, PhD, Professor Jonathan Sterne, PhD, Associate Professor Brenton Malin, PhD, Assistant Professor William Fusfield, PhD, Associate Professor Dissertation Director: Henry Krips, PhD, Professor ii Copyright © by Hugh Phillips Curnutt 2008 iii REMODELING TV TALENT: PARTICIPATION AND PERFORMANCE IN MTV’S REAL WORLD FRANCHISE Hugh Phillips Curnutt, PhD University of Pittsburgh, 2008 This dissertation performs a historical analysis of MTV’s Real World programming and an ethnographic study of two of its most prominent participants. In it I examine reality TV’s role in television’s ongoing transformation as a technology and cultural form from the perspective of those who work in the industry as reality-talent. By adopting this perspective, I indicate some of the ways reality TV’s construction of celebrity has altered the economic and performative regimes that have traditionally structured television stardom. One of the central issues this dissertation works to address is the way in which many participants are limited by the singular nature of their fame. To do this, I explore how the participant’s status as on-camera talent is rooted in an ability to perform as if always off-camera. -
Kuwaittimes 15-3-2018.Qxp Layout 1
JAMADA ALTHANI 27, 1439 AH THURSDAY, MARCH 15, 2018 Max 33º 32 Pages Min 16º 150 Fils Established 1961 ISSUE NO: 17481 The First Daily in the Arabian Gulf www.kuwaittimes.net Ghanem, Abe discuss ties, Duterte moves to quit Google guru Page tests Barca, Bayern crush Chelsea, 2 global issues in meeting 9 Int’l Criminal Court 22 flying taxis in N Zealand 16 Besiktas to reach quarterfinals Assembly committee says taxes not a priority issue Expats blamed for rampant graft • Move to stiffen Israel boycott law By B Izzak for rife corruption in the country. Hashem was commenting on statements by the KUWAIT: The National Assembly com- prime minister acknowledging that cor- mittee responsible for setting priorities ruption is widespread in the country and for the Assembly yesterday said it has not is undermining the image of Kuwait placed a government-sponsored draft law abroad. The lawmaker reminded the pre- for imposing taxes among its priority mier that the population imbalance and issues. Head of the committee MP Ahmad the appointment of “strangers” are a Al-Fadhl said the committee believes that major cause of corruption in the country. the draft law on taxation, part of the Gulf She called for the need to draw a unified taxation system, shouldn’t be roadmap for the employment of Kuwaitis placed on the committee’s agenda. over the next several decades. There are The government wants to impose the 3.1 million expatriates in Kuwait against five percent value-added tax (VAT) as 1.4 million citizens. Hashem has made a part of the GCC framework agreement. -
Gender Disgussed: Gender and the Abject
Issue 2007 18 22 Gender Disgussed: Gender and the Abject Edited by Prof. Dr. Beate Neumeier ISSN 1613-1878 Editor About Prof. Dr. Beate Neumeier Gender forum is an online, peer reviewed academic University of Cologne journal dedicated to the discussion of gender issues. As English Department an electronic journal, gender forum offers a free-of- Albertus-Magnus-Platz charge platform for the discussion of gender-related D-50923 Köln/Cologne topics in the fields of literary and cultural production, Germany media and the arts as well as politics, the natural sciences, medicine, the law, religion and philosophy. Tel +49-(0)221-470 2284 Inaugurated by Prof. Dr. Beate Neumeier in 2002, the Fax +49-(0)221-470 6725 quarterly issues of the journal have focused on a email: [email protected] multitude of questions from different theoretical perspectives of feminist criticism, queer theory, and masculinity studies. gender forum also includes reviews Editorial Office and occasionally interviews, fictional pieces and poetry Laura-Marie Schnitzler, MA with a gender studies angle. Sarah Youssef, MA Christian Zeitz (General Assistant, Reviews) Opinions expressed in articles published in gender forum are those of individual authors and not necessarily Tel.: +49-(0)221-470 3030/3035 endorsed by the editors of gender forum. email: [email protected] Submissions Editorial Board Target articles should conform to current MLA Style (8th Prof. Dr. Mita Banerjee, edition) and should be between 5,000 and 8,000 words in Johannes Gutenberg University Mainz (Germany) length. Please make sure to number your paragraphs Prof. Dr. Nilufer E. -
The Essential Cult TV Reader
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Kentucky University of Kentucky UKnowledge American Popular Culture American Studies 2010 The Essential Cult TV Reader David Lavery Middle Tennessee State University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Lavery, David, "The Essential Cult TV Reader" (2010). American Popular Culture. 2. https://uknowledge.uky.edu/upk_american_popular_culture/2 THE ESSENTIAL CULT TV READER Essential Readers in Contemporary Media and Culture This series is designed to collect and publish the best scholarly writing on various aspects of television, fi lm, the Internet, and other media of today. Along with providing original insights and explorations of critical themes, the series is intended to provide readers with the best available resources for an in-depth understanding of the fundamental issues in contemporary media and cultural studies. Topics in the series may include, but are not limited to, critical-cultural examinations of creators, content, institutions, and audiences associated with the media industry. Written in a clear and accessible style, books in the series include